By using this website you agree to our Cookie policy

Search

3 articles
Article
‘Goethe’s house is severely wrecked’: Lee Miller at Buchenwald and Weimar
05/2023 | 1442 | 165
Pages: 502-512
related names
Author:
Günther, Katharina (Günther, Katharina)
Subjects
artists:
museums and institutions:
museums and institutions:
places:
Illustrations
Attributed works:
1. Lee Miller with the essentials of life, by David E. Scherman. 1945. Scan from a vintage negative, 6.1 by 6.1 cm. (Lee Miller Archives, East Sussex).
Attributed works:
10. An Allied flag (probably French) flies in the central courtyard of the Buchenwald concentration camp following liberation, by John M. Stix. April 1945. (United States Holocaust Memorial Museum, courtesy of Judith Saul Stix).
Attributed works:
11. Buidings in Weimar, by Lee Miller. 1945. Schiller’s House is shown in frames 50 and 51. Detail of a vintage contact sheet, 25.4 by 20.2 cm. (Lee Miller Archives, East Sussex).
Attributed works:
2. Buildings in Weimar, showing Goethe’s House in frames 8–12, by Lee Miller. 1945. Vintage contact sheet, 25.4 by 20.2 cm. (Lee Miller Archives, East Sussex).
Attributed works:
3. Released prisoners in striped prison dress beside a heap of bones from bodies burned in the crematorium at Buchenwald, by Lee Miller. Vintage negative, 5.7 by 5.5 cm. (Lee Miller Archives, East Sussex).
Attributed works:
4. The Deputy Bürgermeister’s daughter (Regina Lisso), by Lee Miller. 1945. Scan from a vintage negative, 5.7 by 5.6 cm. (Lee Miller Archives, East Sussex).
Attributed works:
5. Lee Miller in the bathtub in Hitler’s apartment, Munich, by Lee Miller with David E. Scherman. 1945. Vintage gelatin silver print, 11.4 by 10.8 cm. (Lee Miller Archives, East Sussex).
Attributed works:
6. Released prisoner, Buchenwald, by Lee Miller. 1945. Scan from a vintage negative, 5.7 by 5.5 cm. (Lee Miller Archives, East Sussex).
Attributed works:
7. Horrors of a concentration camp, unforgettable, unforgivable, by Lee Miller. 1945. Vintage contact print, 5.8 by 5.6 cm. (Lee Miller Archives, East Sussex).
Attributed works:
8. First funeral procession, Buchenwald, by Lee Miller. 1945. Vintage contact sheet, 25.7 by 20.2 cm. (Lee Miller Archives, East Sussex).
Attributed works:
9. First funeral procession, Buchenwald, by Lee Miller. 1945. Vintage contact print 5.9 by 5.6 cm. (Lee Miller Archives, East Sussex).
Book Review
The Political Portrait: Leadership, Image and Power
12/2021 | 1425 | 163
Pages: 1211-1212
related names
Reviewer:
Pieri, Giuliana (Pieri, Giuliana)
Subjects
Reviewed Items
subjects:
The Political Portrait: Leadership, Image and Power Edited by Luciano Cheles and Alessandro Giacone. 368 pp. incl. 200 b. & w. ills. (Routledge, Abingdon, 2020), £120. ISBN 978–1–138–05423–3. | :
Illustrations
Western art unattributed:
5. Benito Mussolini promoting the ‘Battle for Grain’ in Aprilia. 1938. Postcard.
Article
The predella of the Oddi Altarpiece from S. Agostino, Perugia
12/2018 | 1389 | 160
Pages: 1030-1037
related names
Author:
Menganna, Clara (Menganna, Clara)
Author:
Pesante, Luca (Pesante, Luca)
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
1. Reconstruction of the Oddi Altarpiece, by Eusebio da San Giorgio. 1505. The Adoration of the Magi, tempera on panel, 215 by 175 cm. (Galleria Nazionale dell’Umbria, Perugia). The predella panels are illustrated as Figs.3–5.
Attributed works:
2. Reverse of Fig.3. (Photograph © Artothek).
Attributed works:
3. St Augustine baptised by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 46.7 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
4. St Augustine vested by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 27.3 by 47.6 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
5. St Augustine disputes with the heretic Fortunatus, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 47.1 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
6. The Oddi Chapel, S. Agostino, Perugia. (Photograph: the authors).