1. Detail from a photograph of Edith E. Coulson James (far left) with
her brother’s family. c.1927. Silver gelatin print, 10 by 7.5 cm. (Courtesy
John Barnard).
Attributed works:
2. Pietà (lunette from the Buonvisi Altarpiece), by Francesco Francia.
1510–12. Oil on wood, 94 by 184.5 cm. (National Gallery, London).
Attributed works:
3. St John the Baptist, by Francesco Francia. (From THE BURLINGTON
MAGAZINE 20 (1911), p.10, pl.1); photograph Edith E. Coulson James).
Attributed works:
4. Portrait of Francesco Francia, after the painter’s self-portrait,
by Carlo Faucci after Francesco Francia. 1763. Etching and engraving,
44.1 by 26.5 cm. (British Museum, London).
Attributed works:
5. Portrait of a man with a ring, attributed by Edith E. Coulson James
to Francesco Francia. c.1472–77. Oil on panel, 38.5 by 27.5 cm. (Museo
Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
6. St Sebastian, by Lorenzo Costa. 1480–85. Tempera on panel, 171.7
by 58.4 cm. (Gëmaldegalerie Alte Meister, Dresden).
Attributed works:
7. Portrait of Francesco Francia, by Domenico Santi. Mid-to-late 17th
century. Engraving. (From the Connoisseur 65 (1923), p.88, pl.1).
Article
The predella of the Oddi Altarpiece from S. Agostino, Perugia
1. Reconstruction of the Oddi Altarpiece, by Eusebio da San Giorgio. 1505. The Adoration of the Magi, tempera on panel, 215 by 175 cm. (Galleria Nazionale dell’Umbria, Perugia). The predella panels are illustrated as Figs.3–5.
1. Presentation of Christ in the Temple, by Andrea Mantegna. c.1454. Egg tempera on canvas, 77.5 by 94.4 cm. (Gemäldegalerie, Staatliche Museen zu Berlin; exh. National Gallery, London).
Attributed works:
2. Presentation of Christ in the Temple, by Giovanni Bellini, c.1470–75. Panel, 80 by 105 cm. (Museo della Fondazione Querini Stampalia, Venice; exh. National Gallery, London).
Attributed works:
3. Dead Christ supported by four angels, by Giovanni Bellini. c.1470. Egg tempera (?) on panel, 80.5 by 120 cm. (Museo della Città ‘Luigi Tonini’, Rimini; exh. National Gallery, London).
Attributed works:
4. Death of the Virgin, by Andrea Mantegna. c.1460–64. Egg tempera on panel, 54.5 by 42 cm. (Museo Nacional del Prado, Madrid; exh. National Gallery, London).
Plate I. Rinaldo Della Luna. By Mino da Fiesole. Dated 1464. Marble. (Bargello, Florence). "Mino del Reame"
Attributed works:
Plate II. A-Adoration of the Magi. By Mino da Fiesole. Part of the Ciborium of Santa Maria Maggiore. Rome. 1461. "Mino del Reame"
Attributed works:
Plate II. B-Madonna and Child. By Mino da Fiesole. White Marble, 97 by 83 cm. Formerly a Part of the Ciborium of Santa Maria Maggiore, Rome. 1461. (Cleveland Museum). "Mino del Reame"
Attributed works:
Plate II. C-Cardinal D'estouteville. By Mino da Fiesole. 1461-64. Marble. (Metropolitan Museum of Art, New York). "Mino del Reame"
Attributed works:
Plate III. A-Madonna and Child. By Mino da Fiesole. Marble, Signed. (Santa Maria Maggiore, Rome). "Mino del Reame"
Attributed works:
Plate III. B-The Virgin Annunciate. By Mino da Fiesole. Marble. (Kress Collection, National Gallery, Washington). "Mino del Reame"
(A) "Salvator Mundi," by Zoppo; Oil on Panel; 45.7 × 33 cm. (Mr. F. E. Sidney). "Storia Dell" Arte Italiana," by Adolfo Venturi
Attributed works:
(B) "The Virgin and Child with SS. Andrew (?) and Peter," by Cima; Tempera on Panel; 53.9 × 45.7 cm. (National Gallery of Scotland, Gift of Miss Dove). "Storia Dell" Arte Italiana," by Adolfo Venturi