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07/2021 | 1420 | 163
Pages: IBC-OBC
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09/2019 | 1398 | 161
Pages: i-xiv
Subjects
collectors and dealers:
Illustrations
Attributed works:
THE ARMOUR OF [COUNT GALEAZZO DA ARCO c. 1445-50 made in the workshop of the distinguished Milanese armourer Tommaso Negroni, called Missaglia. Peter Finer]
Attributed works:
Top down, bottom up, by [Michelangelo Pistoletto. 1977. Mixed media, 350 cm high. GALLERIA CONTINUA, SAN GIMIGNANO]
Attributed works:
[A river scene on the Clyde, by L.S. Lowry (1887–1976). 1965. Oil on canvas, 25.4 by 35.6 cm. CLARENDON FINE ART, LONDON]
Attributed works:
[Blue movement and green, by Victor Pasmore (1908–98). 1980. Screenprint, 53.2 by 45.5 cm. DOMINIC KEMP MODERN BRITISH PRINTS, LONDON]
Attributed works:
[Bust of Pope Urban VIII, by Gian Lorenzo Bernini (1598–1680). 1658. Bronze, 101.5 by 78 cm. CARLO ORSI, MILAN]
Attributed works:
[CHARLES LE BRUN (Paris 1619–1690) The Chariot of Apollo Oil on canvas, 58 x 66 cm Preparatory sketch for a ceiling, probably one of Fouquet’s residences before his move to Vaux le Vicomte, since the figure of Diana at the bottom appears life size in the Chambre des Muses. Photo © Agencephar. JACQUES LEEGENHOEK]
Attributed works:
[Christopher Wood, On the Quay (Catania), 1927, 37.5 x 45.7 cm. Osborne Samuel]
Attributed works:
[Coastal report VI, Ballyconnell, Co. Sligo, by Donald Teskey (b.1956). Acrylic on paper, 77 by 100 cm. ART FIRST, LONDON]
Attributed works:
[Divided: Red and Orange, by Adrian Heath (1920–92). 1963. Oil on canvas, 173 by 183 cm. THE REDFERN GALLERY, LONDON]
Attributed works:
[Dorelia in a rockpool, by Augustus John (1878–1961). 1907. Oil on canvas, 181 by 83.8 cm. JONATHAN CLARK FINE ART, LONDON]
Attributed works:
[Flintlock gun with the monograms of ferdinando iii de’Medici (1663–1713), by Michele Lorenzoni. c.1700. Wood and steel, length 150.5 cm. PETER FINER, LONDON]
Attributed works:
[FRANCESCO CONTI (1682 – Florence – 1760) Pieta oil on canvas, 72 x 87 cm. Charles Ratton & Guy Ladriere]
Attributed works:
[Group of figures and head (burnt umber), by Barbara Hepworth (1903–75). 1951. Oil on canvas and pencil on Masonite, 50 by 60 cm. CONNAUGHT BROWN, LONDON]
Attributed works:
[Henry Moore, Reclining Nude, 1983. Clarendon Fine Art]
Attributed works:
[Johann Heinrich Schönfeld, The Painting Lesson, oil on canvas, 132.2 x 98.7 cm. Robilant + Voena]
Attributed works:
[Madonna and Child with saints, by Venturo di Moro (1399–1486). Tempera and gold on panel, 87.5 by 54.4 cm. SALAMON& C, MILAN]
Attributed works:
[Madonna and Child with St. John, by Benedetto da Maiano (1442–97). Marble, diameter 105 cm. GALLERIA LONGARI, MILAN]
Attributed works:
[Pair of sitting figures, by Lynn Chadwick (1914– 2003). 1973. Cast in 1983. Edition of six. Bronze, 63.5 by 73 by 56 cm. OSBORNE SAMUEL, LONDON]
Attributed works:
[Portrait of a woman, by Monogrammist I.S. (active 1632–58). Oil on canvas, 34 by 27 cm. NICHOLAS HALL FINE ART, NEW YORK]
Attributed works:
[Predella with child and flowers, by Liberale da Verona (c.1445–1527/29). Oil on panel, 17 by 35.5 cm. MEHRINGER BENAPPI, MUNICH, LONDON AND TURIN]
Attributed works:
[Reclining female figure or Venus, by Giovanni Bonazza (1654–1736). c.1700. Marble and bronze, 23.5 by 47 by 20 cm. WALTER PADOVANI, MILAN]
Attributed works:
[Self-portrait holding a mask, by Umberto Brunelleschi (1879– 1949). 1920. Oil on panel, 60 by 49 cm. LULLO PAMPOULIDES, LONDON]
Attributed works:
[Silbury by night, by David Inshaw (b.1943). 1988. Canvas, 40 by 51 cm. FROM THE CURATED EXHIBITION DAVID INSHAW: LOOKING BACK, LOOKING FORWARD]
Attributed works:
[Simon Lewty, Passage Towards Stone, 1984. Pencil, acrylic and crayon on paper, 156 x 156 cm. Art First]
Attributed works:
[St. John, by Spinello Aretino (1345/52–1410). Tempera on panel, 115 by 32 cm. ROBILANT + VOENA, LONDON & MILAN]
Attributed works:
[Study for La Petite Afrique, by Graham Sutherland (1903–80). 1953. Mixed media on paper, 35.5 by 28 cm. CHRISTOPHER KINGZETT FINE ART, LONDON]
Attributed works:
[The Redentore, Venice, by Giovanni Antonio Canal, Il Canaletto (1697–1768). c.1746. Oil on canvas, 47.4 by 77.3 cm. SIMON DICKINSON, LONDON]
Attributed works:
[Vase, by Lucie Rie (1902–95). c.1970s. Porcelain, ht. 22.5 cm. ASKEW ART, LONDON]
Western art unattributed:
[A monumental Regency stoneware urn in the manner of the Antique, with coiled serpent handles and a frieze depicting a Bacchic procession. English, c.1820. Stock No.14868. WESTLAND LONDON]
Western art unattributed:
[Missale Coloniense. Manuscript on vellum Probably Cologne, ca. 1420. Venator & Hanstein]
Western art unattributed:
[Roman, c. 1570. Bust of Pope Pius V (detail). Bronze, 110 x 32 cm. Inscribed Pius V.P.O.M. Walter Padovani]
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01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]