Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Augustus John, O.M., R.A. (1878-1961). Dorelia Standing. Signed. Pencil, 17 1/2 x 12 in (455x304 mm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Study of a Hill Fairy, by Sir Edward Coley Burne-Jones, BT., A.R.A., R.W.S. (1833-1898). Pencil, 210 by 133 mm. Signed with initials and dated 'EB-J/1885' (lower right)]
Attributed works:
[Apter Fredericks. London. A superb Chippendale period chair back settee. English, circa 1760. Length: 95 cm. Depth: 71 cm. Height: 93.5 cm.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Joseph Wright of Derby (British, 1734-1797), The Dead Soldier, 1789, oil on canvas. 49 3/4 x 64 inches (126.4 x 162 cm)]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustration: A highly important mid 17th century Augsburg ebony, pietra dura and silver gilt mounted Kabinettschrank of broken outline and graduated architectural design by Elias Boscher, the pietra dura panels depicting birds and flowers attributed to the Florentine Grand Ducal Workshop.]
Attributed works:
[C. John. 70 South Audley Street, Mayfair, London. An exceptional Brussels 'Pergola' Tapestry with vases of flowers. Circa 1620. 11'1" (338com) high. 11'0" (335 cm) wide. Weavers mark on right hand border.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Ludovico Carracci (Bologna 1555-1619). Salmacis and Hermaphroditus. Oil on canvas, unlined 45 x 59 3/4 in. (114.3 x 151.8 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Paolo Farinati (Verona 1524-1606). Ecce Homo. Black chalk, brush and brown wash, heightened with white, on light brown paper, on a late 18th Century English mount. 12x17 in. (312 x 432 mm)]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Mornington Crescent, by Frank Auerbach (b. 1931). 1971. Signed and dated verso. Crayon and pencil on paper, 298 by 273 mm]
Attributed works:
[Daniel Katz, Ltd. A cat, by Henri Gaudier-Brzeska (1891-1915). Moulded earthenware with ceramic glaze. Length: 11.8 cm]
Attributed works:
[David Jones Fine Art, at Oakham Galleries. 40 Duke street, St. James’s. London. Christ on the road to Calvary, by Caspar Freisinger (c. 1550/55-1599). Pen and grey-brown ink, with brown and light reddish brown wash, 127 by 182 mm]
Attributed works:
[Flavia Ormond Fine Arts. At Deborah Gage (Works of art) Ltd. 38 Old Bond Street. London. Wooded mountain ridge, by Gherardo Cibo (1512-1600). Pen and brown ink and wash with white heightening and touches of pink wash on blue paper, 209 by 286 mm. Inscribed above trees towards top left 'ld.14'.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576-1602. The Return of the Prodigal Son. Oil on canvas, 74,5 x 56,5 cm (29 3/16 x 22 in)]
Attributed works:
[Galerie Neuse. Contrescarpe 14. D-28203. Bremen/Germany. The Last Judgement. Signed and dated: D.I.F. FRANKEN FECIT/INVENTOR Ao 1606. Oil on copper. 26.5 by 20,5 in (7.2 by 52 cm)]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré.Paris. An exceptional cabinet veneered in ivory and exotic woods, inset with pietra dura plaques. Augsburg, by Melchior Baumgartner, circa 1650 (the furniture). Florence, Galleria dei Lavori, circa 1625 (the pietra dura plaques). H. 87 x 108.5 cm (closed) or 195.5 cm (open) x D. 60.5 cm. H. 34 1/2 x L. 42 3/4 in. (closed) or 77 in. (open) x D. 23 3/4 in.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Tattooed lady, by Peter Blake (b. 1932). Signed and dated. Pen and ink and watercolour with collage. 94.6 by 52.4 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Walter Sickert. 1860-1942. La Rue Cousin, Dieppe, circa 1907. Oil on canvas. 24 x 19 3/4 inches; 60 x 50 cm. Signed]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. A still life of fruit with grapes, figs, medlars, blackberries, a peach, two oranges, a pomegranate, a lemon, chestnuts and oysters placed on a draped blue cloth within a stone niche, by Jan Davidsz. De Heem (1606-1684). With traces of a signature. On canvas, 62.5 by 74 cm]
Attributed works:
[Linley. London. St. Moritz Chair.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The cutter 'Grace', by Charles Gore (1729-1807). Pencil, pen and ink, 228 by 322 mm]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Domenico di Francesco, called Domenico di Michelino. Florence, c. 1417 - 1491. Madonna and Child. Panel, 96x63 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Caspar Gras (1585-1674: Active in Austria). Roaring Lion, Pouncing. Bronze statuette. Overall Height 21.6 cm; Length 23.7 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A still life of dead game with a hare, a cock pheasant and a partridge, a hunting bag, a net and a flintlock rifle, by Melchior D'Hondecoeter (1636-1696). Dutch school. Signed and dated. Oil on canvas, 95 by 84 cm.]
Attributed works:
[Robert Bowman Gallery. London. Two forms (Gemini), by Barbara Hepworth (1903-75). Signed Barbara Hepworth and dated 1970, numbered 9. Quartz glass on a carved wood base. Height: 47 cm. Width: 43 cm.]
Attributed works:
[Salamander Fine Arts. 37 Bury Street, St. James’s. London. Head of a young girl, by Pietro di Cristoforo Vannucci, il Perugino. Pen and brown ink, brown wash, heightened with white over stylus outlines. The outline of another face in stylus below. On pink prepared paper. Irregular, 174 by 115 mm]
Attributed works:
[The Sladmore Gallery. London. Walking puma, by Rembrandt Bugatti. Modelled circa 1911. Marble, Height: 92 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Bird on reeds on a circular base, by Nicola Lazzari, 2005. Bronze, 12 by 11.2 cm (diameter of base)]
Attributed works:
[W/S Fine Art Ltd. 160 New Bond Street. London. Venus and CUpid, by Richard Cosway, R.A. (1742-1821). Pen and ink over traces of pencil, 102 by 162 mm. The Annual Exhibition 7 June- 7 July]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. John Robert Cozens (1752-1797). The eight hundred year old Cypress in the Garden of the Franciscan Monastery at Salerno, 1782. Watercolour over traces of pencil. 17 7/8 X 12 inches (45.5 X 30.5 cm)]
Non-western art unattributed:
[C. John. 70 South Audley Street, Mayfair, London. A silk embroidery on linen from Portuguese Goa. Circa 1720. 298 by 253 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. Near Eastern stone altar. Syrian. From south of Hauran region. Chalcolithic, early 4th millenium BC.]
Western art unattributed:
[Finch & Co. London. A rare Russian mineral tower. Late 19th century. 31 cm high.]
Western art unattributed:
[Finch & Co. Suite 744, 2 Old Brompton Road, London. A fine English Romanesque carved limestone corbel head. Lincoln circa 1170-1190. Size: 37 cm high x 24 cm wide x 18 cm deep.]
Western art unattributed:
[Rossi & Rossi. A Mongolian gilt bronze Shadakshari Avalokiteshvara from the atelier of Zanabazar (1635-1723). Height: 40 cm.]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Marble Pulpit. Italy, Rome or Campania. c. 1200. Height: 1370 mm]
Western art unattributed:
[Sam Fogg, Ltd. Altarpiece with scenes of the Passion. Nottingham, England, 1440-50. Alabaster, 226 by 75 by 7 cm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Workshop of Gianlorenzo Bernini (1598-1680). Rome, last quarter 17th century. The Blessed Ludovica Albertoni. Bronze. 19 by 44.8 by 17.6 cm.]
Western art unattributed:
[Westland. St. Michael’s Churc. Leonard Street. London. EC2A 4ER. A very large and imposing carved limewood and pine palladian chimneypiece after James "Athenian" Stuart. Unique in the manner of the griffins standing on all fours. Scottish, circa 1760.]
