18. 'Round the Art Exhibitions', with illustrations of works by René Magritte, Desmond Harmsworth and Tristram Hillier. The Listener 19 (13th April 1938), p. 801
Attributed works:
19. 'Christopher Wood', article by John Piper. The Listener 7 (20th April 1932), p.571
Attributed works:
20. 'Rehousing in Big Cities - Outwards or Upwards?', article by Walter Gropius. The Listener 11 (16th May 1934), p.814
Attributed works:
21. Front cover illustration for 'Signs', article by Paul Nash. The Listener 16 (11th November 1936)
Attributed works:
22. 'The Meaning of Art: An Introduction for the Plain Man', article by Herbert Read. Supplement No.1, The Listener 2 (25th September 1929), pp.ii-vii
Attributed works:
23. Advertisement for 'Modern Art', by J.E. Barton, a BBC booklet accompanying six broadcast talks by the author. The Listener 7 (16th March 1932), p.vii
Attributed works:
24. 'Artist and his Public: Medium and Craftsmanship', article by Eric Newton, with illustrations of sculpture by Jacob Epstein and Henry Moore. The Listener 13 (6th February 1935), p.241
Western art unattributed:
25. Front cover illustration for Anthony Bertram's 'Design' series of broadcast talks. The Listener 18 (6th October 1937)
Article
Douglas Cooper and his catalogue of the Courtauld collection
Anthony Blunt reading his press conference statement, 20th November 1979, in the offices of The Times in London.
Attributed works:
Guernica, by Pablo Picasso, and a detail of a mural by Diego Rivera in Detroit, illustrating A. Blunt: ‘Two Artists and the Outside World’, The Listener (28th July 1938).
Attributed works:
Large bather, by Pablo Picasso. 1921. 180 by 98 cm. (Musée de l’Orangerie, Paris).
Attributed works:
Manuscript page from Anthony Blunt’s paper given to Marlborough College’s ‘Anonymous Society’, 1924. (A. Blunt papers, Courtauld Institute of Art, London).
Attributed works:
Sleeping nude, by Pablo Picasso. 1932. 130 by 161.7 cm. (Musée Picasso, Paris).
Attributed works:
Study for ‘The Crucifixion’, by Pablo Picasso. 1929. Pencil on paper, dimensions unknown. (Whereabouts unknown; repr. in A. Blunt: Picasso’s ‘Guernica’, Oxford 1969).
Attributed works:
The dream and lie of Franco, by Pablo Picasso. 1937. Etching, 31.4 by 42.1 cm. (Musée Picasso, Paris).
Western art unattributed:
Cover of <i>The Heretick</i>, Marlborough College, 1924.
Obituary
Anthony Blunt, Art Historian (1907-1983) [and: Bibliography of the major writings of Anthony Blunt since 1996]
1. Un Temps Calme, by Nicolas Poussin. Canvas, 97.1 by 131.4 cm. (Private Collection. Great Britain).
Attributed works:
2. L'Orage, by Nicolas Poussin. Canvas, 99 by 132 cm. (Musée des Beaux-Arts, Rouen).
Attributed works:
3. Un Temps Calme, by Nicolas Poussin. Canvas. 97.1 by 131.4 cm. (Private Collection, Great Britain).
Attributed works:
4. Landscape with a Man Killed by a Snake, by Nicolas Poussin. Canvas, 119.5 by 198.5 cm. (National Gallery, London).
Attributed works:
5. Landscape with St Francis, by Nicolas Poussin. Canvas, 117 by 193 cm. (Palace of the President of Yugoslavia, Belgrade).
Attributed works:
6. Landscape, by Nicolas Poussin. Pen and Grey Wash, 24.5/25 by 40.2/40.5 cm. (Biblioteca Reale, Turin).
Attributed works:
7. Landscape with a River and the Vatican Belvedere, by Jan Frans van Bloemen. Called Orizzonte. Canvas 122.5 by 172.5 cm. (Statens Museum for Kunst Copenhagen).
Attributed works:
A. Inscription on the Back of Poussin's Temps Calme.