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11/2022 | 1436 | 164
Pages: i-xx
Subjects
Illustrations
Attributed works:
Ange-Joseph Antoine ROUX (Marseille, 1765 - 1838) View on the Old Port of Marseille from Saint-Victor; View on the Old Port of Marseille and the Fort Saint-Jean (detail) Watercolour (pair). Signed and dated lower left; Signed and dated lower right. 58 x 86,5 cm (each) [Aguttes]
Attributed works:
Christ’s descent into limbo, by Marcellus Coffermans (1524/25–81). Oil on panel, 18.5 by 13.8 cm. [COSTERMANS & PELGRIMS DE BIGARD, BRUSSELS. Fine Arts, Paris]
Attributed works:
Gabriel Metsu, The Drinker; oil on canvas laid down on panel, 17.7 x 13 cm. [Roseberys].
Attributed works:
Giacomo Balla Turin 1871–1958 Rome Linea di velocità + vortice, c. 1913 Signed and titled lower left ‘FUTURBALLA LINEA DI VELOCITA’ + VORTICE’; stamped Pugno di Boccioni Pencil on paper 47 x 70 cm (18 1/2 x 27 1/2 in.) [Robilant and Voena]
Attributed works:
Heyst, 8pm at low tide, by Georges Lemmen (1865–1916). 1891. Oil on panel, 12 by 21.5 cm. [GALERIE BERÈS, PARIS. Fine Arts Paris]
Attributed works:
Jean-Baptiste Carpeaux (Valenciennes, 1827–1875, Courbevoie) Jeune fille à la coquille Patinated plaster Executed circa 1864 100.5 cm high Signed JB Carpeaux [Daniel Katz]
Attributed works:
Jean-Siméon CHARDIN Copper pot, cauliflower and mortar with its pestle on an entablature Oil on canvas, signed lower right, 13 × 15,9 in. Provenance: Private collection, Paris Literature: Pierre Rosenberg, L’opera completa di Chardin, Milan, 1983, n. p., n° 77, repr. Estimate: €600 000 - 800 000 [Artcurial]
Attributed works:
Lucas Faydeherbe, attributed to 1617 – Mechelen – 1697 Jupiter Terracotta, painted to resemble bronze: h. 68 x w. 52 x d. 31 cm (Patricia Wengraf).
Attributed works:
Medallion showing Louis XIV, by Marc Arcis (1655–1739). Marble, 75 by 73 cm. [GALERIE RATTON  LADRIÈRE, PARIS, Fine Arts Paris]
Attributed works:
Napoleon Bonaparte, by Joseph Chinard (1756–1813). Terracotta, 85 by 52 cm. [BRUN FINE ART, LONDON AND MILAN. Fine Arts Paris]
Attributed works:
Nino Pisano (Active 1334–1368), Saint John the Baptist, c. 13665, marble, 75.5 cm high (Stuart Lochhead).
Attributed works:
No title, by Alexander Calder (1898–1976). 1964. Gouache on paper, 50 by 66 cm. [GALERIE AB, PARIS, Fine Arts Paris]
Attributed works:
Pair of Medicis vases, by Joseph Fabry and Paul Utzschneider. 1810–12. Faïence pottery and gilded bronze, each 68 by 54 cm. [GALERIE STEINITZ, PARIS. Fine Arts Paris]
Attributed works:
Pietro Bernini and attributed to the young Gian Lorenzo Bernini, circa 1616-18 Samson with a Philistine. Fountain figure made of white, grey veined marble. H 152, plinth W 57, D 52 cm. Prov: Albrecht Neuhaus, Würzburg. Private European Collection. [Lempertz sale Decorative Arts, 17 November 2022]
Attributed works:
SARAH BIFFIN (1784 –1850) Self Portrait, 1821 (Private Collection) [Philip Mould].
Attributed works:
SIR FRANCIS LEGATT CHANTREY, R.A. (1781–1841) Bust of Princess Louise of Saxe-Weimar Commissioned by Queen Adelaide of the United Kingdom in 1833 Delivered to Windsor Castle on 10 April 1834 white marble 66 cm. [Erik Bijzet]
Attributed works:
Still life with fruits and flowers, by Bernardo Strozzi (1581–1644). Oil on canvas, 39 by 45.5 cm. [ENRICO FRASCIONE, FLORENCE, Fine Arts Paris].
Attributed works:
The couple, by Germaine Richier (1902–59). 1956. Edition 3 of 6. Bronze, height 139 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS, Fine Arts Paris]
Attributed works:
Timothy Behrens, Lucian Freud, Francis Bacon, Frank Auerbach, and Michael Andrews (left to right) at Wheeler’s restaurant in Soho, London, 1963. Photo: © John Deakin/John Deakin Archive/Bridgeman Images. [Gagosian]
Non-western art unattributed:
Floral arabesque tile. Iznik, Turkey, c.1565–75. Siliceous ceramic and polychrome, 29 by 29 cm. [GALERIE KEVORKIAN, PARIS. Fine Arts Paris]
Non-western art unattributed:
Standing Buddha, Gandhara, 3rd– 4th century. Shale, height 90 cm. [GALERIE HIOCO, PARIS. Fine Arts Paris]
Non-western art unattributed:
Writing box. Gujarat, India, c.1550–1600. Teak wood, mother-of- pearl and tortoiseshell, 11 by 24 by 18 cm. [SÃO ROQUE, LISBON. Fine Arts Paris]
Western art unattributed:
FRENCH SCHOOL (Avignon), early fifteenth century Head of an apostle Alabaster with traces of gilding and paint, 13 x 10.8 x 7.6 cm [Charles Ratton and Guy Ladriere, Fine Arts Paris]
Western art unattributed:
Head of an African King, Southern France, c.1120-1150. [Sam Fogg]
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10/2022 | 1435 | 164
Pages: i-xx
Subjects
Illustrations
Attributed works:
A document box (bunko), by Koda Katei (1886–1961). Showa period, 1930s–1950s. Gold makie and coloured lacquers, 41 by 33 by 14 cm. [SIMON PILLING, 8 DUKE STREET, SW1. Asian Art London]
Attributed works:
A white-eared Bulbul, by Reza Abbasi. Safavid Isfahan, Iran, c.1630. Pigments highlighted with gold on paper, 35.2 by 23 cm. CHRISTIE’S, 8 KING STREET SW1[Asian Art LOndon]
Attributed works:
Adventure in technos dystopium – dystopium infi nite triptych, by Orshi Drozdik (b.1946). 1984–95. Gelatin silver photographic print, 250 by 123 cm. [EINSPACH FINE ART AND PHOTOGRAPHY, BUDAPEST. Frieze Masters]
Attributed works:
An exceptionally fi ne saddle. Eastern Tibet or China, 15th–17th century. Iron, silver, gilding, wood and leather, 30 by 56 cm. PETER FINER, 38–39 DUKE STREET, SW1. [Asian Art London]
Attributed works:
Bartolomeo Schedoni The Beheading of St John the Baptist (detail) Oil on panel, 58 x 35 cm, 227/8 x 13¾ in. [TRINITY FINE ART]
Attributed works:
Black jug and lemon sole, by Georges Braque (1882–1963). 1942. Oil on canvas, 50 by 61 cm. [BERNARD JACOBSON GALLERY, LONDON. Frieze Masters]
Attributed works:
Buddha Amoghasiddhi. Tibet, 13th century. Distemper on cloth, 94.9 by 71.6 cm. [CARLTON ROCHELL ASIAN ART, NEW YORK. Frieze Masters]
Attributed works:
CHRISTO (AMERICAN/BULGARIAN 1935-2020) PACKAGE Est. £30,000-50,000 (+ fees). [Dreweatts]
Attributed works:
Denijs van Alsloot (before 1570 – before 1628) and Hendrick de Clerck (c. 1570–1629/30) The Judgement of Midas (detail), oil on canvas, 158.3 x 238.6 cm, Auction: 9 November 2022 [Dorotheum]
Attributed works:
Evaristo Baschenis. Still Life with Musical Instruments. [Galerie Canesso]
Attributed works:
Filippo Pedrini San Pelegrino Laziosi 70*48,5 cm. [Arte-Fact]
Attributed works:
Jean-Siméon CHARDIN Copper pot, cauliflower and mortar with its pestle on an entablature Oil on canvas, signed lower right, 13 × 15,9 in. Provenance: Private collection, Paris Literature: Pierre Rosenberg, L’opera completa di Chardin, Milan, 1983, n. p., n° 77, repr. Estimate: €600 000 - 800 000 [Artcurial]
Attributed works:
John Bull taking a luncheon or British cooks cramming Old Grumble-Gizzard with Bonne-Chère, by James Gillray (1756–1815). 1798. Hand-coloured etching, 25.5 by 36.2 cm. [ANDREW EDMUNDS, LONDON. Frieze Masters]
Attributed works:
Lucio Fontana Madonna and Child, 1954–57 Inscribed ‘fontana’ (lower centre-right) Registered at the Fondazione Lucio Fontana, Milan, no. 73/1 Glazed ceramic 42 x 29 x 10 cm (16 1/2 x 11 3/8 x 4 in.) [Robilant and Voena]
Attributed works:
Mitsumata Wakarenofuchi, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), by Utagawa Hiroshige (1797–1858). 1857. Woodblock print, 36.5 by 24.6 cm. [ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7. Asian Art London]
Attributed works:
Mr William Shakespeares Comedies, Histories, and Tragedies. Published according to the true Originall Copies. 1632. Paper and calf leather, 32.4 by 21.9 cm. [PETER HARRINGTON RARE BOOKS, LONDON. Frieze Masters]
Attributed works:
Partition, guitare, compotier, by Pablo Picasso (1881–1973). 1924. Oil on canvas, 97.1 by 130.1 cm. [HELLY NAHMAD GALLERY, LONDON. Frieze Masters]
Attributed works:
Portrait of a Zulu, by Frans David Oerder (1867–1944). 1897. Oil on canvas, 53 by 42.9 cm. ELLIOTT FINE ART, LONDON. Frieze Masters]
Attributed works:
Sphynx, by Nikki de Saint Phalle (1930–2002). 1975. Painted polyester, 30 by 28 by 48 cm. [GALERIE MITTERAND, PARIS. Frieze Masters]
Attributed works:
Spring: peasants making merry outside a tavern; Summer: Peasants dance; and Winter: view of a village in the snow, by Pieter Brueghel the Younger (1564–1638). After 1616. Oil on wood, diameter 24.5 cm. [GALERIE DE JONCKHEERE, GENEVA. Frieze Masters]
Attributed works:
Study of the hands of the Virgin, by Jean-Auguste- Dominique Ingres (1780– 1867). c.1836. Pencil on paper, 23.3 by 14.4 cm. [STEPHEN ONGPIN, LONDON. Frieze Masters]
Attributed works:
Untitled (P.C. III), by Nicola Durvasula. 2021. Watercolour, gouache and pencil on paper. 20.5 by 30.5 cm.[ JOOST VAN DEN BERGH, 1 PRINCES PLACE, SW1. Asian Art London]
Non-western art unattributed:
A lion-shaped incense burner. Khorasan, Eastern Iran, 12th century. Cast and open-work bronze, copper alloy, 22.5 by 22.1 by 6 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4. Asian Art London]
Non-western art unattributed:
Cintimani tile. Ottoman, 16th century. Ceramic, height 29 cm. ROSEBERY’S, 12 HAY HILL, W1 (BY APPOINTMENT) [Asian Art London]
Non-western art unattributed:
Head of a man. South Arabia, 3rd century BC–1st century AD. Alabaster, height 13 cm. [ARIADNE GALLERIES, LONDON. Frieze Masters]
Non-western art unattributed:
Hexalobed box and cover. China, 18th century. Cinnabar lacquer, 17.5 by 7 cm. [J.A.N. FINE ART, 132–134 KENSINGTON CHURCH STREET, W8. Asian Art London]
Non-western art unattributed:
Phoenix head ewer (fengshouhu). China, Tang Dynasty, Gongxian kilns, Henan Province, 7th–8th century. Ceramic, height 33 cm. [MARCHANT, 120 KENSINGTON CHURCH STREET, W8. Asian Art London]
Non-western art unattributed:
Snuff bottle. China, Jingdezhen kilns, 1820–50. Porcelain, height 5.3 cm. [SUSAN PAGE, 15 STRATTON STREET, W1. Asian Art London]
Non-western art unattributed:
Tapir-form vessels (Xizun). Song/Ming Dynasty and 17th/18th century. Archaistic gold and silver-inlaid bronze, largest length 35.5 cm. [BONHAMS, 101 NEW BOND ST, W1. Asian Art London]
Western art unattributed:
Head of an African King, Southern France, c.1120-1150. [Sam Fogg]
Western art unattributed:
Lot 565 A fine miniature lantern clock by Fromanteel of London, 17th cent. Lot 623 A museumquality chalice, Augsburg, Johann David Saler, circa 1705. Lot 3244 A significant Franconian sword with inscription, circa 900 A.D.Lot 47 A lateantique silver casket with Christogram, incised decoration and gilding, 4th century A.D.Lot 372 A Gothic Madonna with apple, Salzburg, circa 1420. [Hermann Historica]
Book Review
The Painter’s Touch: Boucher, Chardin, Fragonard. By Ewa Lajer-Burcharth
05/2020 | 1406 | 162
Pages: 454-456
related names
Reviewer:
Bailey, Colin B. (Bailey, Colin B.; Bailey, Colin)
Subjects
Reviewed Items
subjects:
The Painter’s Touch: Boucher, Chardin, Fragonard By Ewa Lajer-Burcharth. 312 pp. incl. 154 col. + 104 b. & w. ills. (Princeton University Press, Princeton NJ, 2018),  54. ISBN 978–0–691–17012–1. | :
Illustrations
Attributed works:
1. Dead hare with powder flask and game bag, by Jean Baptiste Sim on Chardin. c.1726–30. Oil on canvas, 98 by 77 cm. (Mus e du Louvre, Paris; Bridgeman Images).
Book Review
The Eighteenth-Century French Paintings (National Gallery Catalogues). By Humphrey Wine
11/2019 | 1400 | 161
Pages: 971-972
related names
Reviewer:
Faroult, Guillaume (Faroult, Guillaume)
Subjects
museums and institutions:
Reviewed Items
subjects:
The Eighteenth-Century French Paintings (National Gallery Catalogues) By Humphrey Wine. 632 pp. incl. 440 col. ills. (Yale University Press, New Haven and London, 2018), £75. ISBN 978–1–85709–338–4. | :
Book Review
No Idols: The Missing Theology of Art
04/2019 | 1393 | 161
Pages: 356
related names
Reviewer:
Masheck, Joseph (Masheck, Joseph; Masheck, Joseph Daniel Cahill)
Subjects
Reviewed Items
subjects:
No Idols: The Missing Theology of Art By Thomas Crow. | :
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE. London
08/2018 | 1385 | 160
Pages: 666-669
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Still from Mario Merz, by Tacita Dean. 2002. 16mm. colour film. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
2. Detail of GAETA (fifty photographs plus one), by Tacita Dean. 2015. Photographs and cibachromes. Dimensions variable. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
3. Still from His Picture in Little, by Tacita Dean. 2017. 35mm. colour anamorphic film, reduced to spherical 16mm. for exhibition as miniature. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
4. Still from Antigone, by Tacita Dean. 2018. Two synchronised 35mm. colour anamorphic films. (Courtesy the artist; exh. Royal Academy of Arts, London).
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10/2016 | 1363 | 158
Pages: s.p.
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Agnews, London. Lamia, by John William Waterhouse (1849-1917). Oil on canvas, 91.5 by 57 cm]
Attributed works:
[August Laube Buch, Zurich. St. George on horseback slaying the dragon, by Lucas Cranach the Elder (1472-1553). Woodcut, 16.1 by 12.8 cm]
Attributed works:
[Bazaart. Justin Raccanello & Camille Leprince. 7-10 Chandos Street, London. A documented charger depicting a battle between mystical sea creatures. Inscribed 'cremona fecit fare a di 29 agosto 1540 a de Mo Steveno bocaler'. 40.3 cm. Attributed to Giulio da Urbino, working in a workshop in the Veneto]
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Antonio Mancini. Genio Ribelle]
Attributed works:
[C. G. Boerner, New York and Dusseldorf. The execution of Maximilian, by Edouard Manet. 1832-82. Lithograph on buff-coloured paper, 33.5 by 43.3 cm]
Attributed works:
[Carlo Orsi - Trinity Fine Art, Milan - London. Allegory of Patience, by Carlo Dolci (1616-87). Oil on canvas, 71 by 54 cm]
Attributed works:
[Daniel Katz Ltd, London. St. Michael overcoming the devil. Cast from a model by Alessandro Algardi (1598-1654). Bronze. Height: 53.5 cm]
Attributed works:
[Daniela Laube Fine Art, Jackson Wyoming. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré), Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Daniela Laube, Jackson, Wyoming. Salome presenting Herod with the head of St. John the Baptist, by Lucas van Leyden (1494-1533). Woodcut, 40.6 by 28.9 cm]
Attributed works:
[Daxer & Marschall, Munich. Planegg I - Landscape near Munich, by Wassily Kandinsky (1866-1944). c. 1901. Oil on canvas, laid down on cardboard, 23.5 by 32.8 cm]
Attributed works:
[Daxer & Marschall, Munich. The Bay of Naples with Mount Vesuvius, by Johan Christian Clausen Dahl (1788-1857). 1520. Oil on canvas, 44.5 by 67 cm]
Attributed works:
[De Jonckheere, 7 rue de L’Hôtel-de-Ville, Geneve Marten van Cleve. Antwerp circa 1527 - before 24 November 1581. An Outdoor Wedding Dance. Circa 1570. Panel: 94.3 x 122.3 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The Holy Family with St. Elizabeth and St. John the Baptist, by The Master of the Half-Leghts, (Antwerp c. 1490 - c.1540). Oil on panel, 87 by 63.5 cm]
Attributed works:
[Dickinson. London. Volliers sur le Seine à Argenteuil, by Gustave Caillebotte (1848-94). Oil on canvas, 65 by 54 cm]
Attributed works:
[Didier Aaron, Inc., New York, Paris, London. Allegory of eternity (Study for the main fresco at Montoliveto, Naples), by Giorgio Vasari (1511-1574). Pen and brown ink and wash over black chalk, heightened with white, on blue paper, squared for transfer in red chalk. 28.5 by 22.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Nicolas de Largilliere (1656-1746), Portrait of Prince James Francis Edward Stuart, Prince of Wales, with a courtier. Oil on canvas, 180 x 137.5 cm.]
Attributed works:
[Dulwich Picture Gallery. Dulwich, London. The Beach at Scheveningen, 1658, (detail). Oil on canvas]
Attributed works:
[Emanuel von Baeyer, London. Adoration of the Magi, by Wolf Huber (1485-1553). Woodcut, sheet: 12.2 by 9.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gregorio Lazzarini, attributed to. Venice, 1655 - Villabona di ROoigo, 1730. The Mocking of Christ. Oil on canvas, 107 x 97 cm (42 1/8 x 38 1/4 in)]
Attributed works:
[Galerie Eric Coatalem, Paris. Peach tray with jar, by Jean-Baptiste-Siméon Chardin (1699-1779). Oil on canvas, 68 by 57.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136, Fbg St. Honoré. Paris. Hubert Robert (1733-1808). Figures walking up a monumental stair case (detail). Oil on canvas. Height: 66 1/4 in. (173.4 cm); Width: 63 1/2 in. (161.3 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Bacchus with Venus and Ceres. Tapestry from a series "Inclinations of Man" after a design by Lancelot Lefebure (active ca. 1585-1650). Brussels, ca. 1670-80. Weavers mark IFVH for Jan Frans van der Hecke (active 1662-1710)]
Attributed works:
[Galleria Stanza del Borgo, Milan. Samuki no in Kenzoku o shite Tametomo o sukuu zu (Retired emperor Samuki sends to rescue Tametomo), by Utagawa Kuniyoshi (1797-1861). 1851. Woodblock prints. Each sheet: 36 by 25 cm]
Attributed works:
[Haboldt Pictura, New York, Paris, Amsterdam. A vanitas still with a skull, candleholder and coins, by Johann Stumm (active 1640-50). Oil on panel, 22.3 by 31 cm]
Attributed works:
[Hazlitt Holland-Hibbert, London. Eyeli, by Anthony Caro (1924-2013). 1965. Steel painted blue. Height: 286 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Sweet Summer. 1983. Oil on canvas. 92 1/2 x 77 1/2 inches, 234.9 x 196.8 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Otto Marseus van Schrieck. Bouquet of Flowers and Butterflies in front of a stone niche. 1670es. Oil on canvas. 70 x 54 cm]
Attributed works:
[Irish Arts. Richard Gorman at Castletown]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Théodore Géricault (1791-1824). Portrait of Eugène Delacroix, from the collection of the Duke de Trévise. Oil on canvas 54 x 45cm]
Attributed works:
[Karl & Faber. Amiraplatz 3. Munich. Franz von Stuck. Portrait Mary Stuck, Oil on panel, 30x30 cm]
Attributed works:
[Lampronti Gallery, London and Milan. Study of the head of Bearded old man, by Annibale Carracci (1560-1609). Oil on paper laid down on canvas, 41 by 28.5 cm]
Attributed works:
[National Gallery. London. Michelangelo Merisi da Caravaggio, The Tacking of Christ (detail). 1602.]
Attributed works:
[Osborne Samuel Gallery, London. The Eight, by Cyril Edward Power (1872-1951). Linocut, 32.3 by 3.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson, Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Otto Naumann Ltd, New York. Portrait of boy, probably a self-portrait, by Edmond Dehodencq (1860-87). Oil on canvas, 47 by 34 cm]
Attributed works:
[Paragon Contemporary Editions Ltd, London. Red shadow, by Anish Kapoor. Colour etching, 72.5 by 96.5 cm]
Attributed works:
[Paul Prouté, Paris. The Virgin and Child with candle, by Jacques Bellange (1575-1616). Drypoint and engraving, 14.6 by 21.8 cm]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The picture Book (No. 2) ca. 1910. Drypoint, signed]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A gif of King George III: a pair of Spanish bronze cannon cast by Matthias Solano. The Royal Gunfoundry, Seville, to Major-General John Graves Sincoe in 1798, in recognition of his services in French San Domingo. Hispaniola (Haiti), dated 1747]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Comedia 1, by Ana Maria Pacheco. Chiaroscuro woodcut, 29.4 by 38.5 cm]
Attributed works:
[Print Fair. Park Avenue Armory. New York. Francisco De Goya Y Lucientes (Fuendetodos 1746 - Bordeaux 1828). Volaverunt (The Have Flown). Etching, aquatint and drypoint; Harris 96 III.1/III.12; 214 x 150 mm; sheet 315 x 225 mm]
Attributed works:
[Raccanello Leprice, London. The battle of Korakesion. Tondo. Fontana workshop, Urbino. c.1560-70. Tin-glazed earthenware. Diameter: 26.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872 - 1951). The Concerto. c. 1935. Linocut 32 x 30 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. Portrait of a mathematician, by Luca Giordano (1632-1705). Oil on canvas, 127 by 100 cm]
Attributed works:
[Robilant + Voena, London. Crucifix, by Lucio Fontana (1899-1968). Ceramic. Height: 81.5 cm]
Attributed works:
[Royal Academy of Arts. London. Cornelia Parker RA. Beautiful Glass (broken), 2015. Polymeric Photogravure etching. 265 x 29 cm. Edition of 70]
Attributed works:
[Royal Academy of Arts. London. Gary Hume RA. Bikini Print, 2010. Screenprint. Image size: 61 x 39 cm, paper size:76 x 56 cm. RA Edition of 30.]
Attributed works:
[Simon Theobald, London. Standing child, by Erich Heckel (1883-1970). 1910. Woodcut, 37 by 27.6 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. David Taniers II. A Cobbler in the Workshop (detail)]
Attributed works:
[Stephen Ongpin Fine Art, London. A standing lion, by Giovanni Domenico Tiepolo (1727-1804). Pen and grey ink and wash over black chalk, 21.7 by 15.2 cm]
Attributed works:
[The Redfern Gallery, London. The concerto, by Cyril Edward Power (1872-1951). c. 1935. Linocut, 32 by 30 cm]
Attributed works:
[Trinity Fine Art with Carlo Orsi. 29 Bruton Street. London W1J 6QP. Via Bagutta 14. Milano. Ludovico Corracci (Bologna 1555 - 1619) St. Sebastian at the Column. Oil on canvas. 151.5 x 112.7 cm (59 5/8 x 44 3/8 in.)]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Abraham Teerlink (1776-1857). Waterfall near Tivoli. Painted around 1824. Signed. Oil on canvas, 61.5 x 76.5 cm]
Western art unattributed:
[Hansord. Antique Furniture and Works of Art. 6 & 7 Castle Hill, Lincoln Lincolnshire. Great Britain. A fine 17th century Italian ebony and ivory inlaid table cabinet the two doors open to reveal an architectural interior with hard stones and lapis lazuli columns mounted with ormolu. Circa 1650. Provenance a titled European family. Height 56 cm. Width 60 cm. Depth 36 cm]
Western art unattributed:
[Kallos Gallery, London. Early Archaic Cretan Helmet. c.660 - 625 BC. Bronze. Height: 43.1 cm]
Western art unattributed:
[Rupert Wace Ancient Art, London. Flint dagger found in Denmark. Neolithic. c.2000-1800 BC. Length: 21,3 cm]
Western art unattributed:
[Sam Fogg, London. Angel of the Annunciation (detail). 12th century. Softwood. Height: 80 cm]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. The Adoration of the Kings, Upper Rhine, Strasbourg. Last quarter 15th century]
Western art unattributed:
[Tomasso Brothers Fine Art, London and Leeds. Profile head of Alexander the Great. Florentine, c.1530. White marble, 57 by 42 cm]
Western art unattributed:
[Tomasso Brothers FIne Art. Exhibiting at: TEFAF New York. Fall 2016. German, 18th century. A son of Laocoon (1730-1806). After the antique. Limewood. 53.5 cm (21 in.) high. 18.5 cm (7 1/4 in.) wide]
Exhibition Review
Chardin. Waddesdon Manor
07/2012 | 1312 | 154
Pages: 508-509
related names
Reviewer:
Rand, Richard (Rand, Richard)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Taking Time: Chardin’s ‘Boy building a House of Cards’ and other paintings | institution: Waddesdon Manor
Illustrations
Attributed works:
43. Girl with a shuttlecock, by Jean-Siméon Chardin. 1737. Canvas, 81 by 65 cm. (Private collection; exh. Waddesdon Manor).
Attributed works:
44. House of cards, by Jean-Siméon Chardin. 1735. Canvas, 81 by 101 cm. (Rothschild Collection at Waddesdon Manor).
Attributed works:
45. House of cards, by Jean-Siméon Chardin. c.1735. Canvas, 82 by 66 cm. (National Gallery of Art, Washington; exh. Waddesdon Manor).
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03/2011 | 1296 | 153
Pages: s.p.
Subjects
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collectors and dealers:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Sisteron, by J.M.W. Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Agnew's, London. The presentation of the Virgin, by Luca Giordano (1634-1705). Gouache on chamois skin, laid down on panel, 26 by 34.5 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Jean-Charles-Louis de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Louis-Marie de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Arnoldi-Livie, Munich. Ruins of the Palace of the Caesars on the Palatine in Rome, by Franz Kaisermann (1765-1833). c-1792. Signed lower left: Keisermann fecit. Watercolour, 50.6 by 65.6 cm]
Attributed works:
[Artur Ramon Art, Barcelona. Head of an old man in profile, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Red chalk on paper, 22.2 by 19.3 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Claude-Joseph Vernet (Avignon 1714-1789 Paris). An Inlet near Naples with a Castle and Fisherfolk. Oil on canvas, 24 7/8 x 38 7/8 in (63.3 x 98.8 cm)]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Elisabetta Sirani (Bologna 1638-1665). The Martyrdom of a Saint. Oil on canvas, 107 by 81.5 cm (42 by 32 cm)]
Attributed works:
[Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Ubaldo Gandolfi (1728-1782). Bust of a child with his head turned downwards, to the left (detail). Oil on paper glued to canvas, 230 x 300 cm]
Attributed works:
[Damiano Lapichirella, Florence. View of the Palazzo Ducale in Venice, by Giuseppe Bernardino Bison (1762-1844). c.1828. Gouache on paper, 33 by 44 cm]
Attributed works:
[David Tunick Inc, New York. Moonlight, by Edvard Munch (1863-1944). 1896, Colour woodcut, 40 by 47.1 cm]
Attributed works:
[Dickinson, London. Verve, by Henri Matisse (1869-1954). 1939. Signed lower right: Henri Matisse 31/8 39. Cut and pasted papers on a paper support. 36.5 by 55.5 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Anthony van Dyck (1599-1641), The Penitent Magdalena (detail), oil on canvas, 60 x 65 cm.]
Attributed works:
[Emanuel Von Baeyer, London. The Papal Crown, by Felix Buhot (1847-1898). 1888. Etching, drypoint and aquatint, 44 by 34.4 cm]
Attributed works:
[Galerie Antoine Laurentine, Paris. Man in blue, by Gaston Chaissac (1910-64). 1959. Oil on cardboard, 32.5 by 25 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pompeo Batoni. Lucca, 1718 - Rome, 1787. Vulcan in his forge. Oil on canvas, 94.2 x 73.7 cm (37 1/8 x 29 cm)]
Attributed works:
[Galerie Paul Prouté, Paris. Study for the Personification of 'The Iliad' in the Apotheosis of Homer, by Jean-Auguste-Dominique Ingres (1780-1867), graphite, 27.7 by 26.2 cm]
Attributed works:
[Galerie Tanakaya, Paris. Sagi (The heron maiden), by Kitano Tsunetomi (1880-1947). 1925. Signed: Tsunetomi hitsu. Shin-Hanga print, 54.3 by 36.4 cm]
Attributed works:
[Gros & Delettrez. 22, rue Drouot. Paris. Albert Cuyp: Woman Milking a Cow, oil on canvas, 94 x 120 cm, signed.]
Attributed works:
[Jean-Luc Baroni, London. Study of a Morrocan standing in profile, by Eugène Delacroix (1798-1863). Black chalk, with touches of red and blue chalk and watercolour, 33.2 by 21.5 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Baldassarre Franceschini, called Il Volterrano (Volterra 1611-1690 Florence). Portrait of Marchese Altoviti as Hylas. Oil on canvas: 96.3 by 76.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Fra Bartolomeo (1472 - Florence - 1517). Studied of the Heads of Two Dominican Friars. Red chalk: 132 by 169 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Ivan Konstantinovich Aivazovsky (detail)]
Attributed works:
[Kunstsalon Franke-schenk. Residenzstrasse 23. Munich. Arnold Bocklin (1827 Basle - 1901 San Domenico) Oil on canvas, 79,13 x 61,2 inch (201 x 155 cm), monogrammed and dated lower left: AB 1897.]
Attributed works:
[Lady Lever Art Gallery. (image detail) Style of Guido Reni, Head of a young man, drawn about 1600]
Attributed works:
[Le Claire Kunst, Hamburg. View of a valley with a bridge, in Franconia, by Adolph von Menzel (1815-1905). Monogrammed and dated: A.M. 93. Graphite, 31 by 22.7 cm]
Attributed works:
[Le Claire Kunst. Elbchausse 386. Hamburg. Adolph von Menzel. Franconian Landscape. Pencil. 310 x 227 mm]
Attributed works:
[Liliane Fredericks. Giulia Lama (Venice c.1681 - c.1753 Venice). Study of male nude, seated, left leg outstreched. 434 mm x 424 mm (17 1/8 x 12 1/2 in) Black and White chalk on grey paper]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. CLAUDINE BOUZONNET-STELLA (Lyon 1636-1697 Paris) 'Venus giving Arms to Aeneus'. Preparatory for an engraving after Poussin's painting which had been commissioned by Jacques Stella, uncle of Claudine, and which descended to Claudine upon his death. She is known for her engravings of his work and Poussin's]
Attributed works:
[Museo del Pardo, Madrid. Chardin. 1699-1779]
Attributed works:
[Noortman Master Painting, Amsterdam. Sleeping legionary, by Ubaldo Gandolfi (1728-81). Oil on paper laid onto canvas, 23.2 by 34.6 cm]
Attributed works:
[Pagliari Fine Arts at Galerie Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Giovanni Francesco Barbieri detto il Guercino (Cento, 1591 - Bologna, 1666). Vanitas. (Oil on paper laid down on canvas, 28 x 42 cm)]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Jean-Baptiste Marie PIERRE. Paris 1714-1789. Vulcan montrant à Venus les armes forgées pour Enér. Signed. Black chalk, pen and brown ink and wash, heightened with white, 216 x 252 mm]
Attributed works:
[Ralph R. Haugwitz. Kulmbacher Strasse 3. Berlin. Anton Graff, (1736-1813) Attr., Reflective Pause, Chalk, 349 x 224 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. A young woman asleep, by Richard Parkes Bonington (1802-28). Watercolour, over a pencil underdrawing, 13.3 by 11 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a bather, by Pierre-Auguste Renoir (1841-1919). Signed at lower left: Renoir. Watercolour over an underdrawing in pencil, 32.4 by 30.9 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Guido Reni (1575-1642). The Head of a Young Woman Looking Upwards. Black and red chalk, with touches of white chalk, on pale brown paper, 377 x 270 mm (14 7/8 x 10 5/8 in)]
Attributed works:
[The Burlington Magazine. London. 'Thomas'. No. 15 from Twenty- eight caricatures, by Thomas Patch. 1769-70. Soft-ground etching. 15.2 by 10.8 cm]
Attributed works:
[The Burlington Magazine. London. Landscape at Iden, by Paul Nash. 1929. Canvas, 69.9 by 90.8 cm (Tate Britain, London)]
Attributed works:
[The Burlington Magazine. London. Samuel Pepys, by Sir Godfrey Kneller. 1689. Canvas, 76.0 by 63.5 cm (National Maritime Museum, Greenwich)]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry, Map of Nowhere (detail), 2008 © The artist and Paragon Press, London.]
Attributed works:
[The Van Gogh Museum. Amsterdam. Vincent van Gogh1853-1890. Zonnerbloemen, Arles, Januari 1889. Van Gogh Museum Amsterdam.]
Attributed works:
[Trinity Fine Art, London and New York. Study of dolphin and a dolphin's skull, by Vincenzo Gemito (1852-1929). Signed and dated lower left in graphite: V. Gemito 1923. Pen, black/brown ink with some wash, 23 by 32 cm.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Luigi Valadier (Rome 1726-1785). A Trembleuse with a Beaker and CUp, and a detail of the stand with alternatives. Pen and dark brown ink and wash, 335 x 236 mm. Signed Luigi Valadierargentiere a S. Luigi de Francesi.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ludwig van Beethoven. Draft of the Goethe song "Neue Liebe, neues Leben" (WoO 127). Vienna, 1798/99]
Attributed works:
[W.M. Brady & Co., New York. Head of a young girl, Jean-Baptiste Greuze (1725-1805). Red chalk, 40.5 by 32.7 cm]
Attributed works:
[Wienerroither & Kohlbacher, Vienna. Reclining male with long hair, by Gustav Klimt (1862-1918). Blue crayon on paper, 36.8 by 55.8 cm]
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