Attributed works:
[Agnew's, London. A Mameluke retrieving his lance (recto); Classical composition (verso), by Theodore Géricault (1791-1824). Pen and brown ink and sepia and traces of pencil (recto); Pen and brown ink and sepia over pencil (verso), 17 by 22 cm]
Attributed works:
[Agnews, London. Meleager presenting the head of the Calydonian boar to Atalanta, by Giovanni Battista Crosato (c.1697-1756). Oil on canvas, 81.3 by 99.1 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Benjamin West (1738 - 1820). Cupid and Psyche. Oil on canvas, 54 1/4 x 56 1/4 in (137.8 x 142.9 cm). Signed and dated 'B. West 1808']
Attributed works:
[Artur Ramon Art. Palla 25 CP 08002, Barcellona. Antonio d'Enrico, called Tanzio da Varallo (Alagna, Valsesia, 1575/80 - Varallo, 1635). Study of a kneeling figure half-lenth holding a cup. c. 1620. Red chalk with white chalk on paper washed pink, 200 x 150 mm (actual size)]
Attributed works:
[Artur Ramon, Barcelona. Mercury presents the young Bacchus to the nymphs, by Andrea Procaccini (1671-1734). Pen and brown ink over traces of black chalk, 11.7 by 16.8 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Victor Hugo (1802-1885). The tower of Saint-Romboult amidst an imaginary landscape. Signed and dated on verso. Ink, wash, charcoal and gouache on paper. 48 x 63 cm]
Attributed works:
[Arturo Cuellar, Zurich. Nude looking at her reflection in the water and a bather, by Carl Christian Vogel von Vogelstein (1788-1868). Signed and dated lower right: 'C. Vogel Rom, 1819'. Pencil, 21.7 by 17 cm]
Attributed works:
[Charles Beddington, London. Venice: the Grand Canal at the entrance to the Cannaregio with the Church of San Geremia and the Palazzo Labia, by Pietro Bellotti (1725 - c.1800). Oil on canvas, 113.5 by 139 cm]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Giovanni Francesco Barbieri, called il Guercino. Cento 1591 - 1666 Bologna, Two Warriors. Pen and brown ink and wash, 203 x 133 mm]
Attributed works:
[Dickinson, London. Deux Femmes, by Paul Gauguin (1848-1903). Signed and dated lower left: P. Gauguin 1902. Oil on canvas, 74 by 64.5 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. Audience of Cardinal Aldobrandini in the loggia of the Villa Belvedere in Frascati, by François-Marius Granet (1775-1849). c.1820. Signed lower left: GRANET / FRASCATI. Oil on canvas, 37 by 47 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Portrait of Marie Lecat, by Carle van Loo (1705-1765). One of a pair. Signed and dated 1743. Black chalk with white highlights, 47.6 by 33 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Frans Francken II (1581-1642), Markind, between vice and Virtue (detail), 1635, oil on panel, 143x211 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Francesco Barbieri, il Guercino (1591-1666), Rinaldo and Armida, oil on canvas, 113x153 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano (Rome), 1578 - Rome, 1644. The Arrival of Cleopatra at Tarsus. Oil on canvas, 119 x 170 cm (46 7/8 x 66 15/16 in)]
Attributed works:
[Galerie Caotalem, Paris. Portrait of Jean Alaux, by Jean Auguste Dominique Ingres (1780-1867). Graphite, 16.5 by 12.9 cm]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Kessel the Elder. Antwerp 1626 - 1679 Antwerp. Sweetpeas, shells and butterflies. Oil on copper, 18.8 x 25 cm (7.4 x 9.8 inches). Signed at bottom left: "J.V. Kessel.fecit"]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Jean-Baptiste OUDRY. A Lacquered Stool with Books, Engravings and a Musette. Oil on canvas, H. 91 cm; L. 72 cm signed and dated 1742.]
Attributed works:
[Galerie Eric Coatem, Paris. A spaniel looking to the left, by Alexandre-François Desportes (1661-1743). Black chalk and oil on light brown paper, 31.9 by 26 cm]
Attributed works:
[Galerie G. Sarti. St. Jerome translating the Bible in the desert, by Marco Palmezzano (c.1459-1539). c.1537. Tempera on panel, 66.5 by 57.5 cm.]
Attributed works:
[Galerie Paul Prouté, Paris. A boat with figurehead, by Odilon Redon (1840-1916). Signed in pencil: 'Odilon Redon'. Watercolour, 15.3 by 24 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. Giovanni di Paolo (Siena, 1398-1482). The Virgin and Child between Saints Catherine of Alexandria, Dorothy and two Angels. Circa 1420. Tempera and gold on wood - 34.6 x 22.6 cm]
Attributed works:
[Hill-Stone. New York. Dominique-Louis-Fereol Papety (Marseille 1815-1849 Marseille). Greek Women at the Fountain. Drawing in black chalk, with watercolour washes and white heightening signed by the artist lower left. A study for the artist's most well-known work. omitting the central figure group. The painting at the Musée du Louvre, Paris, is dated to 1841; our study must have been produced shortly before. 287 x 337 mm (11 1/4 x 13 1/4 inches)]
Attributed works:
[Jean-Luc Baroni, London. Time and Truth, by Giovanni Battista Tiepolo (1696-1770). Pen and brown ink and brown wash over a sketch in black chalk, 22.3 by 21.1 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Herman van Swanevelt. Woerden 1603-1655 Paris. Landscape with the Finding of Moses. Oil on canvas, 43.5 by 55.2 cm. (17 1/4 by 21 3/4 in)]
Attributed works:
[Katrin Bellinger, Munich. Illustration for Ariost's 'Orlando Furioso', by Jean-Honoré Fragonard (1732-1806). Black chalk and brown ink with grey wash, 38.9 by 24.6 cm.]
Attributed works:
[Moretti, London, Florence & New York. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints, by Giovanni di Paolo (1397-1482). Panel, 37.3 by 26.7 cm. (with the original frame).]
Attributed works:
[Otto Naumann, New York. The courtyard of the Doge's Palace, Venice, with the Scala dei Giganti and Saint Mark's Basilica beyond, by Michele Giovanni Marieschi (1710-43). Oil on canvas, 118.5 by 180.7 cm]
Attributed works:
[Rob Smeets, Geneva. Three heads of Children, by Giulio Cesare Procaccini (1574-1625). c.1620. Inscribed on verso in an old hand: 'Mad.a Sig.a (?) Falco'. Oil on panel, 26.4 by 35 cm.]
Attributed works:
[Sam Fogg, London. Creation of the world and expulsion from paradise, by Valentin Bousch (1514-41). 1531-1533. Stained glass from the Church of Saint Firmin at Flavigny-sur-Moselle, Lorraine. 289.5 by 76.2 cm]
Attributed works:
[The 25th London Original Print Fair. Royal Academy of Arts. Burlington House. Howard Hodgkin. Night Palm. 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Dieppe shop window, by Walter Richard Sickert (1860-1942). c. 1885. Watercolour, ink and gouache on paper, 26 by 32 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Antonio Susini (1558-1624) (After a model by Giambologna). The Fowler. Executed c. 1580-1600. Bronze. 31 cm high]
Attributed works:
[Triniy Fine Art, London & New York. Vidi, quod agnus aperuisset: the four horsemen of the Apocalypse and St. John the Evangelist in the background, by Luigi Sabatelli (1772-1850). Black chalk, pen and brown ink, 58.3 by 43.6 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Johann Strauss II. His last musical sketches, ca. 1899. Autograph manuscript, 61 pages.]
