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58 articles
Book Review
Orazio Gentileschi e l’immagine di san Francesco: La nascita del caravaggismo a Roma
11/2023 | 1448 | 165
Pages: 1234-1235
related names
Reviewer:
Gash, John (Gash, John)
Subjects
art literature:
dates:
museums and institutions:
Reviewed Items
subjects:
Orazio Gentileschi e l’immagine di san Francesco: La nascita del caravaggismo a Roma Edited by Giuseppe Porzio and Yuri Primarosa. 168 pp. incl. 98 col. + 7 b. & w. ills. (Officina Libraria, Rome, 2023), €25. ISBN 978–88–336–7229–8. | :
Illustrations
Attributed works:
1. Ecstasy of St Francis, by Orazio Gentileschi. c.1613–15(?). Oil on canvas, 98 by 73 cm. (Private collection).
Attributed works:
2. Ecstasy of St Francis, by Orazio Gentileschi. c.1601–05. Oil on canvas, 103 by 76.5 cm. (Private collection).
Article
Edward Burne-Jones’s ‘St Francis’ for Father Damien
09/2018 | 1386 | 160
Pages: 745-749
related names
Author:
Schoenherr, Douglas E. (Schoenherr, Douglas E.)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Father Damien, by Edward Clifford. 1888. Watercolour and gouache on paper mounted on cardboard, 28 by 22 cm. (Damien Collection, Leuven).
Attributed works:
2. St Francis receiving the Stigmata, by Edward Burne-Jones. c.1887. Black chalk on paper, 30.5 by 23.5 cm. (British Museum, London).
Attributed works:
3. St Francis receiving the Stigmata, by Walker & Cockerell after Edward Burne-Jones. Photogravure, 15.6 by 10.3 cm. (From G. BurneJones, Memorials of Edward Burne-Jones, London 1904, II, facing p.176).
Attributed works:
4. St Francis receiving the Stigmata, by Edward Burne-Jones. 1887. Gouache, umber and gold on board, 26.7 by 20 cm. (Saint Marianne Cope Shrine & Museum, Syracuse NY).
Attributed works:
5. St Francis, by Frederick Hollyer after Edward Burne-Jones. Photograph, 15.2 by 6.7 cm. (© Courtesy the Huntington Art Collections, San Marino, California).
Attributed works:
6. Father Damien, by Edward Clifford. 1888. Black chalk with wash on cardboard, 25.7 by 19.9 cm. (Damien Collection, Leuven).
Attributed works:
8. Father Damien the leper, by Edward Clifford. 1890. Watercolour and gouache on paper mounted on canvas mounted on panel, 53 by 66 cm. (Damien Collection, Leuven).
Western art unattributed:
7. Father Damien de Veuster in 1868, after Edward Clifford. Photogravure, 32.2 by 23.3 cm. (From E. Clifford: Father Damien: A Journey from Cashmere to his Home in Hawaii, London 1889, frontispiece).
Article
Dating the windows by the Maestro di S. Francesco in Assisi
06/2018 | 1383 | 160
Pages: 470-477
related names
Author:
Renner, John (Renner, John )
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
1. Details of Sts Francis of Assisi and Anthony of Padua and scenes from their lives and miracles, by the Maestro di S. Francesco and workshop. Here dated to c.1260–65. Stained glass. (North side of nave, Upper Church, Basilica of S. Francesco, Assisi; Photograph P. Gerhard Ruf).
Attributed works:
2. St Francis renouncing his worldly goods, by the Maestro di S. Francesco and workshop. c.1265. Fresco. (South wall of nave, Lower Church, Basilica of S. Francesco, Assisi. Photograph S. Diller).
Attributed works:
3. Healing of Bartholomew of Narni, detail of St Francis and four posthumous miracles, by the Maestro del Tesoro. c.1253. Tempera and gold on wood. (Museo del Tesoro, Sacro Convento, Assisi; Photograph P. Gerhard Ruf ).
Attributed works:
4. Detail of Sts Francis of Assisi and Anthony of Padua and scenes from their lives and miracles, by the Maestro di S. Francesco and workshop (as Fig.1 above).
Attributed works:
5. The dream of Pope Innocent III, by the Maestro di S. Francesco and workshop. Fresco. (South wall of nave, Lower Church, Basilica of S. Francesco, Assisi; Photograph S. Diller).
Attributed works:
6. Crucifix with St Francis at Christ’s feet, by the Maestro di S. Francesco. 1272. Tempera and gold on wood, 489 by 352 cm. (Galleria Nazionale, Perugia; © Galleria Nazionale dell’Umbria).
Attributed works:
7. Detail of Sts Francis of Assisi and Anthony of Padua and scenes from their lives and miracles, by the Maestro di S. Francesco and workshop, with nineteenth-century restorations (as Fig.1 above).
Article
Reconstructing Taddeo di Bartolo’s Perugia altarpiece
01/2018 | 1378 | 160
Pages: 10-21
related names
Author:
Solberg, Gail E. (Solberg, Gail E.)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Reconstruction of the St Francis (choir) side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. Left to right: Sts Herculanus, Anthony of Padua, Peter, Francis, Paul, Costantius and Louis of Toulouse. (Drawing by Dóra Sallay and Gergely Buzás).
Attributed works:
10. Annunciation (fragment), by Taddeo di Bartolo. c.1400–05. (Musée du Petit Palais, Avignon).
Attributed works:
11. Schematic diagram of the panel for Taddeo di Bartolo's St Mary Magdalene and a narrative scene below with indications of the equidistant dowel holes. The diagram reconstructs the arched top of the picture field and the unevenly trimmed sides.
Attributed works:
12. Hypothetical reconstruction of the narrative sequences for both sides of Taddeo di Bartolo's Perugia heptaptych. Top, nave or Virgin side: (a and b) two missing scenes (the Renunciation of worldly goods? and the Death of the Knight of Celano?); (c) the Preaching to the birds; (d) missing central scene; (e) the Miraculous mass at Greccio; (f) the Miracle of the source; (g) missing final scene. Bottom, choir or St Francis side: (g’) missing scene (the Crucifix of S. Damiano or the Dream of Innocent III?); (f’) the Approval of the rule; (e’) the Vision of the fiery chariot; (d’) missing central scene; (c’) the Trial by fire; (b’) the Miracle at Arles; (a’) missing final scene (the Verification of the Stigmata?).
Attributed works:
13. St Francis preaching to the birds, by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).
Attributed works:
14. Miraculous mass at Greccio by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).
Attributed works:
15. Trial by fire, by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).
Attributed works:
16. Crucifix with St Francis at Christ’s feet, by the Master of St Francis. 1272. (Galleria Nazionale, Perugia).
Attributed works:
17. Assumption of the Virgin triptych by Taddeo di Bartolo. 1401. (Cathedral, Montepulciano).
Attributed works:
18. The reverses of the panels from the nave side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. (Galleria Nazionale, Perugia).
Attributed works:
19. St Sebastian, by Taddeo di Bartolo. 1403? (Museo di Capodimonte, Naples).
Attributed works:
2. Reconstruction of the Virgin and Child (nave) side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. Left to right: Sts Clare, John the Baptist, Mary Magdalene, the Virgin, Catherine of Alexandria, John the Evangelist and Elizabeth of Hungary. (Drawing by Dóra Sallay and Gergely Buzás).
Attributed works:
3. St Francis in glory, by Taddeo di Bartolo. 1403. (Galleria Nazionale, Perugia).
Attributed works:
4. St Elizabeth of Hungary, by Taddeo di Bartolo. 1403. (Museo del Tesoro, Perkins Collection, Assisi).
Attributed works:
5. St Clare, by Taddeo di Bartolo. 1403. (Museo diocesano, Gubbio).
Attributed works:
6. Christ blessing by Taddeo di Bartolo.1403. (Yale University Art Gallery, New Haven CT).
Attributed works:
7. Christ displaying his wounds, by Taddeo di Bartolo. 1403. (Galleria Nazionale dell’Umbria, Perugia).
Attributed works:
8. St Stephen, by Taddeo di Bartolo. c.1400–05. (Private collection, Germany).
Attributed works:
9. Detail of the bottom edge of Fig.8.
Book Review
The Making of Assisi. The Pope, the Franciscans and the Painting of the Basilica, D. Cooper and J. Robson
06/2014 | 1335 | 156
Pages: 395-396
related names
Reviewer:
Gardner, Julian (Gardner, Julian)
Subjects
artists:
places:
subjects:
Illustrations
Attributed works:
62. Death of the Knight of Celano, by Giotto (Upper Church, S. Francesco, Assisi)
Article
Parrasio Micheli’s ‘St Francis’: a rediscovered work from the Palazzo dei Camerlenghi, Venice
03/2014 | 1332 | 156
Pages: 159-163
related names
Author:
Cottrell, Philip (Cottrell, Philip)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. St Francis, by Parrasio Micheli (Mestrovich Collection, Ca' Rezzonico, Venice)
Attributed works:
11. Reconstruction of the arrangement of paintings in the second room of the Magistrato del Monte Nuovissimo, second floor of the Palazzo dei Camerlenghi, Venice. Left to right: (north-west wall) St Francis, by Parrasio Micheli (Mestrovich Collection, Ca' Rezzonico, Venice); Tribute money, by Bonifacio de' Pitati (lost); (above the door) St Lawrence, by Parrasio Micheli (S. Lorenzo, Vicenza); (north-east wall) St Louis distributing alms, by a follower of Bonifacio de' Pitati (Antonio Palma?) (Pinacoteca di Brera, Milan); Birth of the Virgin, by the workshop of Bonifacio de' Pitati; Sts John the Baptist and Bartholomew, by the workshop of Bonifacio de' Pitati; (south-east wall, above the door) St Peter, by Stefano Cernotto; Expulsion of the moneylenders from the temple, by Stefano Cernotto; St Paul, by Stefano Cernotto. All works are Gallerie dell'Accademia, Venice, unless otherwise stated.
Attributed works:
12. St Francis, by Francesco Zanotto, after Parrasio Micheli (Fig. 10). Engraving. From F. Zanotto: Pinacoteca Venezia, Venice 1867, pl.82
Attributed works:
13. St Lawrence, by Parrasio Micheli (without later additions). (St. Lorenzo, Vicenza, on loan from the Gallerie dell'Accademia, Venice)
Article
Playing with clouds
08/2011 | 1301 | 153
Pages: 518-520
related names
Author:
Frugoni, Chiara (Frugoni, Chiara)
Subjects
artists:
dates:
print:
subjects:
Illustrations
Attributed works:
8. St Sebastian, by Andrea Mantegna. c.1460. Tempera on panel, 68 by 30 cm. (Kunst­historisches Museum, Vienna).
Western art unattributed:
6. Detail of Fig.7 showing the face in the cloud. (Copyright Halta Definizione, Novara).
Western art unattributed:
7. The death of St Francis of Assisi. c.1288–92. Fresco. (Upper church, Basilica of S. Francesco, Assisi; courtesy of Sacro Convento Assisi).
Article
The patronage and date of the legend of St Francis in the Upper Church of S. Francesco at Assisi
10/2009 | 1279 | 151
Pages: 663-665
related names
Author:
Binski, Paul (Binski, Paul)
Subjects
artists:
dates:
patrons:
Illustrations
Western art unattributed:
4. St Francis releases the heretic Peter. Here dated 1290–95. Fresco. (Upper Church, Basilica of S. Francesco, Assisi).
Article
‘A great sumptuousness of paintings’: frescos and Franciscan poverty at Assisi in 1288 and 1312
10/2009 | 1279 | 151
Pages: 656-662
related names
Author:
Cooper, Donal (Cooper, Donal)
Author:
Robson, Janet (Robson, Janet)
Subjects
artists:
dates:
print:
print:
Illustrations
Attributed works:
1. Detail of the donor figure of Pope Nicholas IV in the Coronation of the Virgin, by Jacopo Torriti. 1292–96. Mosaic. (S. Maria Maggiore, Rome). Photograph: Scala, Florence/Art Resource, New York.
Attributed works:
3. Detail of friars at the foot of the cross in the Crucifixion, by Giotto and workshop. c.1305–12. Fresco. (North transept, Lower Church, Basilica of S. Francesco, Assisi).
Western art unattributed:
2. Nave of the Upper Church, Basilica of S. Francesco, Assisi. Frescoed c.1288–97. Photograph: Franco Cosimo Panini Editore; copyright: Management Fratelli Alinari, Florence.
Short Notice
Bellini’s birds: avifauna in the Frick ‘St Francis’
01/2007 | 1246 | 149
Pages: 36-38
related names
Author:
Hammond, Norman (Hammond, Norman)
Subjects
dates:
museums and institutions:
subjects:
subjects:
Illustrations
Attributed works:
47. St Francis, by Giovanni Bellini, c.1480–85. Tempera and oil on panel, 124.4 by 141.9 cm. (Frick Collection, New York).
Attributed works:
48. Detail of Fig.47, showing the heron at the middle left of the painting.
Attributed works:
49. Detail of Fig.47, showing the kingfisher on a twig to the left of Bellini’s signature.
Attributed works:
50. Detail of The feast of the gods, by Giovanni Bellini, 1514, and Titian, c.1529, showing the kingfisher in the foreground. Canvas, 170.2 by 188 cm. (National Gallery of Art, Washington).
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