1. Crucifixion, by Masaccio. c.1426. Tempera on panel, 83 by 63 cm.
(Museo di Capodimonte, Naples; Bridgeman Images).
Attributed works:
2. St Mary Magdalene with eight scenes from her life, by the
Magdalene Master. 14th century. Tempera on panel, 164 by 76 cm.
(Galleria dell’Accademia & Museo degli Strumenti Musicali, Florence;
Bridgeman Images).
Attributed works:
3. Mary Magdalene from the sculptural group Lamentation, by Guido
Mazzoni. c.1483–85. Polychrome terracotta. (Chiesa del Gesù, Ferrara;
photograph Nicholas Pickwoad).
Attributed works:
4. Noli me tangere, attributed to Jacopo Pontormo. c.1532. Oil on
canvas, 175 by 133 cm. (Casa Buonarroti, Florence; Bridgeman Images).
Attributed works:
5. Supper in the house of the pharisee, by Moretto da Brescia.
1550–54. Oil on canvas, 207 by 140 cm. (S. Maria in Calchera, Brescia;
Bridgeman Images).
Attributed works:
6. Penitent Mary Magdalene, by Antonio Canova. 1808–09. Marble,
height 95 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
7. Penitent Mary Magdalene, by Guido Cagnacci. 1625–27. Oil on
canvas, 86 by 72 cm. (Galleria Nazionale d’Arte Antica, Rome;
Bridgeman Images).
Attributed works:
8. Mary Magdalene crouching, by Venanzo Crocetti. 1956.
Bronze, height 63 cm. (Fondazione Venanzo Crocetti, Rome).
Fuseli and the Modern Woman:
Fashion, Fantasy, Fetishism
Courtauld Gallery, London
14th October 2022–8th January 2023 |
:
Illustrations
Attributed works:
16. Sophia Fuseli,
her hair in large
rolls, with pink
gloves, in front
of a brown
curtain, by Henry
Fuseli. 1790.
Graphite, brush
and watercolour,
heightened with
white opaque
watercolour on
paper, 31.6 by 19.7
cm. (Kunsthaus
Zürich; exh.
Courtauld
Gallery, London).
Attributed works:
17. Woman in a
sculpture gallery,
by Henry Fuseli.
1798. Pen and
black ink, brush
and watercolour
on paper,
over graphite,
heightened with
white opaque
watercolour,
41 by 24.7 cm.
(Kupferstichkabinett,
Staatliche
Kunstsammlungen
Dresden; exh.
Courtauld
Attributed works:
18. Kallipyga,
by Henry Fuseli.
c.1790–92? Pen and
brown ink, 16.3 by
9.4 cm. (Private
collection; exh.
Courtauld Gallery,
London).
Exhibition Review
Toulouse-Lautrec: Resolutely Modern. Grand Palais, Paris
Toulouse-Lautrec: Resolutely
Modern
Grand Palais, Paris
9th October 2019–27th January |
:
Illustrations
Attributed works:
16. Yvette
Guilbert singing
Linger, Longer,
Loo, by Henri de
Toulouse-Lautrec.
1894. Peinture
à l’essence on
cardboard, 58 by
44 cm. (Pushkin
State Museum
of Fine Arts,
Moscow; exh.
Grand Palais,
Paris).
Attributed works:
17. In bed, by
Henri de Toulouse-
Lautrec. c.1892.
Oil on cardboard,
53.5 by 70 cm.
(Musée d’Orsay,
Paris; exh. Grand
Palais, Paris).
Article
‘Qualis vita, finis ita’: The life and death of Margaret Lemon, mistress of Van Dyck
1. Marguerite Lemon Angloise, by Wenceslas Hollar after Anthony Van Dyck. 1646. Etching and engraving, 26.1 by 18.1 cm. (National Portrait Gallery, London).
Attributed works:
2. Margaret Lemon, by Anthony van Dyck. c.1636. Canvas, 59.5 by 49.5 cm. (Private collection, New York).
Attributed works:
3. Margaret Lemon, attributed to Peter Lely after Anthony van Dyck. Brush and grey ink on paper, 24.8 by 14.5 cm. (Fondation Custodia, Paris).
16. The Galleries of the Palais-Royal, by Louis-Léopold Boilly. 50 by 63 cm. (Musée Carnavalet, Paris).
Attributed works:
17. The Palais-Royal Gallery's Walk, by Philibert-Louis Debucourt. Colour Engraving, 28.5 by 55.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
18. A Café in the Gardens of the Palais-Royal, by François Huot, after Antoine Borel. Engraving, 25.6 by 32.7 cm. (Cabinet Rothschild, Musée du Louvre).
Attributed works:
19. Transport of Women of the Night to the Salpêtrière, by Etienne Jeaurat. 66 by 83 cm. (Musée Carnavalet, Paris).
Attributed works:
20. The Palais-Royal c.1810, by Antoine-Charles-Horace (Called Carle) Vernet. Ink, Wash and Pencil, 30.7 by 26.2 cm. (Musée Carnavalet, Paris).
Western art unattributed:
21. The Thirty-Two Girls in the 'Allée des Soupirs'. Frontispiece from Le Palais-Royal by Rétif de la Bretonne. Vol. I. 1790. Engraving.