1. Still from Mario Merz, by Tacita Dean. 2002. 16mm. colour film. (Courtesy the artist; exh. National Portrait Gallery, London).
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2. Detail of GAETA (fifty photographs plus one), by Tacita Dean. 2015. Photographs and cibachromes. Dimensions variable. (Courtesy the artist; exh. National Portrait Gallery, London).
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3. Still from His Picture in Little, by Tacita Dean. 2017. 35mm. colour anamorphic film, reduced to spherical 16mm. for exhibition as miniature. (Courtesy the artist; exh. National Portrait Gallery, London).
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4. Still from Antigone, by Tacita Dean. 2018. Two synchronised 35mm. colour anamorphic films. (Courtesy the artist; exh. Royal Academy of Arts, London).
22. Small Cumulus Clouds in a Westerly Airstream, September 11th 1821, by John Constable. (Royal Academy).
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23. Inscription on the Recto of Fig. 22. [Small Cumulus Clouds in a Westerly Airstream, September 11th 1821, by John Constable. (Royal Academy).]
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24. Sky and Landscape with Distant Cumulus, September 27th 1821, by John Constable. (Royal Academy).
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25. Inscription on the Recto of Fig. 24. [Sky and Landscape with Distant Cumulus, September 27th 1821, by John Constable. (Royal Academy).]
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26 & 27. Plates from Constable's copy of Forster's Researches about Atmospheric Phaenomena (Tate Gallery). The original explanations are: Fig. 26 No. 1 represents a Comoid Cirrus. This is the variety called the Mare's Tail. No. 2 A Cirrus lengthened out into a long pointed tail, above is a long straight Linear Cirrus. No. 3 are Cumuli; others are seen below them in the distance. Fig. 27. No. 1 Another Cirrus figured like a Cyma of Architecture. No. 2 Lines of Cirrostratus. No. 3 The same cloud breaking out into Cirrocumulus for being influenced by the Cumulostratus below. No. 4 Cumulostratus. Many of the long Cirrostrati alight on its summits.