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3 articles
Letter
Letter Two
10/2018 | 1387 | 160
Pages: 813
related names
Author:
Weisberg, Gabriel P. (Weisberg, Gabriel P.; Weisberg, Gabriel)
Subjects
artists:
dates:
media:
places:
subjects:
Illustrations
Attributed works:
3. Street in front of Léon Bonvin’s house, by Léon Bonvin. 1863. Watercolour, 21.2 by 16.2 cm. (Fondation Custodia, Paris).
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Advertisements March 1996 (front)
03/1996 | 1116 | 138
Pages: i-xxxii
Subjects
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Michelangelo Ricciolini Attributed. Mary with Elizabeth, Jesus and John. Pen Drawing in Brown with Wash in Ink. 22.8 × 17 cm
Attributed works:
[ Artemisia S.R.L., Via Domenico Morelli 33, Naples ] Santi di Tito. Borgo Sansepolcro 1536? Firenze 1603. Oil on Canvas. 118h × 90.5 cms. "Il riposo dalla fuga in egitto"
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jan van Huysum (1682-1749). Study of a Vase of Flowers. Black and White Chalk on Blue Paper. 38 × 29 cm
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] An Important English Eight Day Bracket Clock in an Ebony Architectural Case, by Edward East. Circa 1665. Height: $18frac{3}{4}$″ (47.5cms)
Attributed works:
[ Bonhams, Montpelier Street, London ] An Important Bronze Figure of Hercules, by Antico. $13frac{5}{8}^{prime prime}$ (34.7cm) High
Attributed works:
[ Bonhams, Montpelier Street, London ] An Important Ivory Relief of a Lady and Her Daughter with a Whippet, by David Le Marchand. 7 ½″ (19cm) × 5″ (13cm)
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Simon Challe (Paris 1719 - 1765) White Marble Statue of the Virgin. Signed: challe 1764 - Inscribed: Virgo Virginum - Height: 73cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Jacob van Hulsdonck 1582 - Antwerp - 1647. An Elaborate Still Life. Oil on Panel: 72.5 × 103.5 cms. Monogrammed on Plate at Lower Right: IVH
Attributed works:
[ Cover ] Virgin and Child, by Jan Gossaert. Panel, 30.7 by 24.3 cm. (National Gallery, London)
Attributed works:
[ Daxer & Marschall, Wittelsbacherplatz 6, Munich ] Bernard Molitor (1755 Luxembourg - 1833 Fontainbleau). Card Table. Stamped: B. Molitor, ca. 1785 - 1788. Mahogany, Brass, Gilded Bronze; Height 75 cm, Diameter 107 cm.
Attributed works:
[ Galerie Neuse, Contrescarpe 14, Bremen ] Gerrit van Honthorst, The Love of the Painter is Returned by His Muse. Galerie Neuse. Stand no. 176
Attributed works:
[ Gallery kekko, 14 Prince Arthur Suite 105, Toronto / Castle Genoels -Elderen, Kasteelstraat 9, Riemst ] Guido Reni (1575 - 1642), Head of a Woman. Red and Black Chalk, 35.4 × 26.4 cm
Attributed works:
[ Hill-Stone, New York ] Johannes Lencker. Nuremberg 1523 - 1585. Study of Letters Seen in Perspective. Pen and Brown Ink with Pink Wash; Squared with a Stylus, Possibly for Transfer.
Attributed works:
[ Johnny Van Haeften, 13 Duke Street, St James, London ] Signed and Dated 1608. Paul Brill (Antwerp 1554 - 1626 Rome). Christ Healing the Possessed of Gerasa. Oil on Copper 10½ × 13¼in. 26.9 × 35.1 cm.
Attributed works:
[ Lawrence Steigrad Fine Arts, 42 East 76th Street, New York ] Pieter Claesz (Münster 1597 - Haarlem 1660). A Banketje. Signed with Monogram and Dated 1656, Oil on Panel $19frac{3}{4}$ × 27 in. (50 × 68.7 cm).
Attributed works:
[ Newhouse Galleries, Inc., 19 East 66th Street, New York ] Self-Portrait of the Artist in His Studio. By Gerard Dou (1613-1675); Oil on Panel; 59.1 × 43.2 cm. (23¼ × 17 ins.)
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Jacques Callot (1592-1635) Cap.Mala Gamba - Cap.Bellavita Etching. Lieure 393, First State of Two from the Balli di Sfessania
Attributed works:
[ Richard Green, 33 New Bond Street, London / 44 Dover Street, London / 39 Dover Street, London / 4 New Bond Street, London ] Salomon van Ruysdael (Circa 1600/03-1670). A Wijdschip with Other Small Dutch Vessels. Signed with Initials. Panel: 16¼ × $20frac{3}{4}$ in / 41.5 × 53 cm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Pierre Subleyras, Male Nude (Study for a St. Jerome), Circa 1728-34. Oil on Canvas, 101 by 73.5 cm.
Attributed works:
[ Schlichte Bergen, P.C. Hoofstraat 53, Amsterdam ] François-Marius Granet, Aix-en-Provence 1775 - 1849. San Martino in Monte. Canvas, 47.5 × 59.5 cm. Painted 1802
Attributed works:
[ Talabardon, 44 Rue Sainte Anne, Paris ] Léon Bonvin (1834-1866) Vase of Small Chrysanthemums. Pen, Ink and Watercolour. Heightened with Gum Arabic. Signed and Dated 1862 Lower Left. 15,5 cm × 15 cm
Attributed works:
[ The Artemis Group, 15 Duke Street, St James, London / Succursale de Geneve, 11 Grand Rue, Geneve ] Rembrandt Harmensz. van Rijn 1606-1669. The Descent from the Cross by Torchlight 1654. Etching with Drypoint, 209 × 156 mm. Reference: Bartsch 83
Attributed works:
[ The European Fine Art Fair, Maastricht ] Abraham de Vries, A Double Portrait. Whitfield Fine Art. Stand no. 434
Attributed works:
[ The European Fine Art Fair, Maastricht ] Cornelis van der Voort, Portrait of a Gentleman (One of a Pair) Johnny van Haeften. Stand no. 418
Attributed works:
[ The European Fine Art Fair, Maastricht ] François Quesnel the Elder, Portrait of a Court Lady. Colnaghi. Stand no. 420
Attributed works:
[ The European Fine Art Fair, Maastricht ] Gerrit van Honthorst (1590-Utrecht-1656) "Pictura Is Painting a Likeness of the Artist" or the Allegory of "The Love of the Painter Is Returned by His Muse" Signed "G. Honthorst/1648"; Oil on Canvas, 138 × 113 cm
Attributed works:
[ The European Fine Art Fair, Maastricht ] Jan Josef. van Goyen, An Extensive Landscape with a Wagon on a Track near a Farmhouse with Peasants Resting by a Pond. Newhouse Galleries. Stand no. 312
Attributed works:
[ The European Fine Art Fair, Maastricht ] Jan van Goyen, A Peasant Woman Milking Cattle near a River. Richard Green. Stand no. 316
Attributed works:
[ The European Fine Art Fair, Maastricht ] Pierre Roussel, One of a Pair of Louis XV Commodes. Galerie Perrin. Stand no. 265
Attributed works:
[ The European Fine Art Fair, Maastricht ] Prague School (Circle of Bartholomäus Spranger) The Four Evangelists. Piero Corsini. Stand no. 430
Attributed works:
[ The European Fine Art Fair, Maastricht ] Rembrandt Harmensz. van Rijn, Portrait of a Young Man. Otto Naumann. Stand no. 428
Attributed works:
[ The European Fine Art Fair, Maastricht ] Travelling Cabinet Veneered with Various Woods, Partly Stained, with Iron Mounts. Nuremberg, Circa 1600. Böhler. Stand no. 131
Attributed works:
[ The London Original Print Fair ] Jean Dubuffet Le Nez Carotte Lithograph 1961-62
Non-western art unattributed:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] Young Nubian Prince Gathering Dates. Scene from the Daily Life of Young Boys in Egypt. Quartzite. Nubian Kingdom, Meroitic Period. (Circa 540-350 B. C.). Height: 76.5 cm
Western art unattributed:
[ August Laube, Trittligasse 19, Zurich ] Apocalypse of Saint John. Blockbook Page Germany, around 1463. Woodcut. Schreiber IV. p. 164/165, leaf 27. Watermark: Gothic P, similar to Briquet 8597 (Luxembourg 1464). Coll. L. Ross in New York, 1944; A. Blum. Top: An Angel Announces the Hour of God's Judgement; Bottom: The Fall of Babylon. Printed in light brown. Coloured in orange, green, yellow, black-grey and brown.
Western art unattributed:
[ Brimo de Laroussilhe, 7 Quai Voltaire, Paris ] Joseph of Arimathea, Central Italian, c. 1230-1240. Wood with Remains of Polychromy, Height 142 cm. (Ex. Coll. A. Stoclet, Brussels)
Western art unattributed:
[ Jonathan Horne, 66c Kensington Church Street, London ] A Large Polychrome Baluster Jug. Height 15 ins (38 cms) c. 1350. Probably Essex
Advertisements
Advertisements May 1995 (front)
05/1995 | 1106 | 137
Pages: i-xxviii
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St. James, London ] Rembrandt Harmensz van Rijn 1606-1669. Portrait of Jan Lutma, Goldsmith. Etching and Drypoint, Size: 198 × 149 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A, Berlin - Grünewald ] Nicolò della Casa (Active in Rome, ca. 1543-47). Baccio Bandinelli in His Studio. Engraving. 1548. Le Blanc (Salamanca) 1.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Albrecht Dürer. The Cannon. Etching on Iron. 1518. 220 × 325 mm Sheet Size. Bartsch 99. Meder 96 with Rust Marks a (Of g).
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Fra Galgario, Portrait of a man with oriental costume.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup by Floch. Brittany Early 16th Century. Diameter 21,5 cm - Weight 223g
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Yuri Ivanchenko. A Still Life with a Self Portrait, Butterflies and Mechanical Objects. Signed and Dated 1993, 569 × 422 mm
Attributed works:
[ Cover ] Thomas Howard, Second Earl of Arundel, by Peter Paul Rubens. Pen and Brush in Brown Ink over Red and Black Chalk, Heightened with White, 28 by 19 cm. (Ashmolean Museum, Oxford).
Attributed works:
[ Didier Aaron, Inc., 32 East 67th Street, New York / Didier Aaron & Cie, 118 Faubourg St. Honoré, Paris / Didier Aaron, Ltd., 21 Ryder Street, London ] François Perrier French: 1594 - 1649. Hercules and Omphale. Oil on Canvas: 98 × 135 cm. Executed ca. 1645-47
Attributed works:
[ Fischer Galleries, Haldenstrasse 19, Lucerne ] Giandomenico Tiepolo (Venice 1727-1804). Ecce Homo. Pen and Brown Ink over Pencil Sketch; 461×363 mm (Drawing); Signed Domo Tiepolo f.
Attributed works:
[ Flavia Ormond Fine Arts Ltd., 24 Brechin Place, London ] Giovanni Battista Pittoni. Venice 1687 - 1767. San Francesco di Paola. Red and Black Chalk. 225 × 187mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Albrecht Dürer, Underweysung der Messung. Nuremberg 1525. Supplement: Underricht zu befestigung der Stett... Nuremberg 1527.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Ferdinand Hodler. Lake Geneva from Chexbres; Sunday Morning. Oil on Canvas. 1895-1899. 101: 130 cm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Ferdinand Georg Waldmüller. Canvas, 66,3 × 52,8 cms. Brünn 1793 - Vienna 1865. Signed and Dated 1833
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Francis Hayman (1708 Exeter - 1776 London). A Scene from 'The Tempest'. Oil on Canvas Mounted on Cardboard. 49.8 × 88.5 cm
Attributed works:
[ Jack Kilgore & Co, 154 East 71st Street, New York ] Pieter Lastman (1583-1633). The Crucifixion. Signed with Monogram "PL". Oil on Shaped Panel, 43 by 25 3/8 Inches (109 by 64.3 cm)
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667). Landscape with Trees. Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ M. Roy Fisher, 170 Mercer St., New York City ] Francesco Zuccarelli. Pitigliano (Tuscany) 1702-1788 Florence. Landscape with Milkmaid and a Troop of Animals. Oil on Canvas: 32 × 51½ Inches, 81 × 131 cm.
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Giulio Cesare Procaccini (Bologna 1574-Milan 1625). Mythological Scene. Red Chalk; 166 × 316 mm., 6½ × $12frac{3}{8}$ in.
Attributed works:
[ Paul Prouté, 74 rue de Seine, Paris ] Jean-Baptiste Oudry (Paris 1680 + Beauvais 1755). The Fish and the Cormorant, Illustration to the Fable 192 by Jean de la Fontaine. Brush Drawing in China Ink, with Ink Washes and White Gouache Heightening, on Blue Paper with a Cobalt Blue Border, 310 × 266mm, Signed and Dated at Lower Right.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Cristofano Roncalli, Called il Pomerancio, The Death of Ananias and Saphira, 1599-1603, Oil on Canvas, en grisaille 49 by 33½ Inches (124.5 by 85 cm.)
Attributed works:
[ Talabardon, 44 Rue Sainte Anne, Paris ] Léon Bonvin (1834-1866). Pen, Watercolour Heightened with Gouache. The Family Inn at Vaugirard, 1862 - Signed and Dated Lower Left 18,5 cm × 25,5 cm
Attributed works:
[ Thomas Gibson Fine Arts Ltd, 44 Old Bond Street, London ] Federico Barocci c. 1535-1612. The Circumcision of Christ, c. 1585-1590. Oil on Canvas 32 × 25 Inches/81 × 64 cm
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Pierre Puget. 1620 Marseille 1694. Ships at Anchor near a Broken Obelisk. Pen and Black Ink on Vellum. Signed in the Lower Left Corner: P. Puget a Tollon. 252 × 352 mm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton street, London ] A Gilt Bronze Group of Saint Martin Dividing his Cloak with the Beggar, by Jan-Baptist van Helderberghe, circa 1700, Signed with Initials, 32.8 cm. High.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated.
Attributed works:
[ W. M. Brady & Co., Inc., 3 East 76th Street, New York ] Jacques-François-Joseph Saly, Valenciennes 1717-1776 Paris. Portrait of a Man in Profile, Red Chalk, 13¼ × $12frac{5}{8}$ Inches (337 × 320 cm.)
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - Han Dynasty (200 - 210 A. D.). Horse Terracotta. Height 52cm
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours for Use by Rome. Paris, Kerver, 1 December 1502. 96 pp. With 18 Full-Page Engravings on Vellum.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Last Third of the 15th c. Illuminated Latin Manuscript on Vellum, 10 Full-Page Miniatures and Numerous Initials.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Mid-15th c. Illuminated Latin Manuscript on Vellum, 12 Full-Page Miniatures and Numerous Initials.