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04/2011 | 1297 | 153
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[A. Clayton-Payne. 14 Old Bond Street. London. John Martin (1789-1854). Diogenes throwing away his Cup. Signed and dated 'J.Martin.1833'. Watercolour with scratching out, heightened with gum arabic. 7 3/4 x 10 1/4 inches (19.5 x 26 cm)]
Attributed works:
[Austin/Desmond Fine Art. Pied Bull Yard. 68/69 Great Russell Street. London. Peter Lanyon, (1918-1964). Bodmin Moor, 1953. Oil on board, 67 x 22 cm]
Attributed works:
[Austin/Desmond, London. The strange coast (Dymchurch), by Paul Nash (1889-1946). 1920. Signed in pencil lower right. A proof impression printed on white wove paper. Lithograph, 31 by 40.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. William James (Active circa 1761-1771). The Entrance of the Grand Canal with Santa Maria della Salute. Oil on canvas, 96 by 155 cm. (37 3/4 by 61 in)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Mallord William Turner, R.A. (1775-1851). The Blue Rigi]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Ludovico Carracci, Portrait of a Youth wearing a Ruff. c.1590, oil on canvas, 47 x 38cm]
Attributed works:
[Emanuel von Beyer, London. Saint Jerome in the wilderness, by Annibale Carracci (1560-1609). Etching with some engraving, 18.2 by 25.5 cm]
Attributed works:
[Fine Art Society, London. The Palaces, by James McNeil Whistler (1834-1903). 1879-80. Signed in pencil Etching drypoint, printed in black ink on laid paper, 31.3 by 40 cm]
Attributed works:
[Frederick Mulder, London. Picador and bull, by Pablo Picasso (1881.1973). 1959. Linocut printed in colours, 53 by 64.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bartolomeo Bimbi. Settignano, 1648 - Florence, 1730. Exotic Birds from the aviaries of Grand Duke Cosimo III de'Medici in a landscape. Oil on canvas, 119.4 x 151.1 cm (47 x 59 1/2 in)]
Attributed works:
[Gilden's Arts Gallery, London. Four nude women and a sculptured head, by Pablo Picasso (1881-1972). 1934. Vollard Suite pl. 82. Print, 44.5 by 34.5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. William Etty (1787-1849). Young Negress. Oil on panel, 44 x 32.5 cm (17 1/4 x 12 3/4)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Christoffel Jegher. Antwerp 1596 - 1652/3 Antwerp. Susannah and the Elders. Woodcut after Pieter Paul Rubens. Hollstein I, Leblanc I, the first of two states, with Ruben's privilege. An extremely fine impression with the complete border showing all around.]
Attributed works:
[Hill-Stone, New York. The waterside trees, by Armand Seguin (1869-1903). c.1893. Field, Strauss and Wagstaff 24, only state. Etching, 33 by 43.3 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Pieter Brueghel the Young (1564-1638). Temptation of St. Anthony. Oil on wood, 46.5 x 64 cm]
Attributed works:
[Pascoe Pratt, London. Details of Renaissance paintings (Leonardo da Vinci, The Annunciation), by Andy Warhol (1928-87). 1984. Signed in pencil by the artist, numbered from the edition of 60. Screenprint in colours, 63.5 by 94 cm]
Attributed works:
[Richard Saltoun, London. Hole in the Sea, by Barry Flanagan (1941-2009). 1967-70. Photo-etching]
Attributed works:
[Sims Reed, London. Big Sur, by Peter Doig (born 1959). 2000-01. Signed in pencil and numbered from the edition of 46 Etching and aquatint printed in colour, 114 by 160.5 cm]
Attributed works:
[Sims Reed, London. Cheese mold standard with olive, by Ed Ruscha (born 1937). 1969. Signed in pencil and numbered from the edition of 150. Screenprint in colours, 65.5 by 101.5 cm]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Paul Nash 1889-1946. On the Western Front. October-November 1917. Watercolour, ink, chalk and pencil on paper 11 1/4 x 11 3/4 inches. 28.5 x 30 cm]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry. Map of Nowhere (detail), 2008 © The Artist and Paragon Press, London.]
Attributed works:
[Wolseley Fine Art, Walterstone, Herefordshire. Articulated forms, by Graham Sutherland (1903-80). 1950. Signed an numbered 34/60. Lithograph, 30 by 58 cm]
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Advertisements April 1992 (front)
04/1992 | 1069 | 134
Pages: i-xxviii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ L 'Arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] The Nativity, Oil on Panel 17.8 by 17.8 cms by Benvenuto Tisi, il Garofalo (Ferrara c1481-1559).
Attributed works:
[Butterfied & Butterfield, 220 San Bruno Ave., San Francisco/ 7601 Sunset Blvd. Los Angeles] Jacob Marrel (Dutch, 1614-1681) Floral Still Life with Lizard and Insects in a Niche, Signed and Dated 1635, Oil on Panel, 24½ × 18 Inches (62.2 × 45.72 cm). Joachim Wtewael (Dutch, 1566-1638) Jacob and Esau, Oil on Canvas, $60frac{3}{4}$ × 80 Inches (154.3 × 203.2 cm). Leon-François Comerre (French, 1815-1916) Cassandre Tuee par Clytemmnestre. Oil on Canvas, 52 × $78frac{3}{4}$ Inches (132.1 × 200 cm), Signed and Dated. Sir Henry Landseer, R. A. (British, 1802-1873) Odds and Ends-Trophy for a Hall. Oil on Canvas, $54frac{3}{4}$ × 43 Inches (139.1 × 109.2 cm)
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Rembrandt. The Agony in the Garden. Etching and Drypoint. (1657). Bartsch 75, Scidlitz and White-Boon Only State. Hind 293.
Attributed works:
[Cover] Detail of Christ's Head from the Christ and St Thomas Group by Verrocchio from Orsanmichele, Florence, during Cleaning. Bronze.
Attributed works:
[Galerie Alain Berger, 3 rue de L' Universite, Paris] Pier-Maria Bagnadore (Or Bagnatore), Orzi c.1550-1619. Christ Surrounded by Angels Holding the Instruments of the Passion. Pen with White Heightening, 29.7 by 26 cms.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin] Master IB with the Bird. Leda and the Swan. Engraving. 1503. Bartsch XIII, 46; Hind V, 257, 9 II.
Attributed works:
[Galleria Salamon, Via San Daniano 2, Milan] Antonio Canal Called Il Canaletto (Venice 1697-1768). Grand Canal: From Sta Maria della Carità to the Bacino di S. Marco. Oil on Canvas: cm. 46 × 63.5
Attributed works:
[H. W. Fichter, Arndstrasse 49, Frankfurt/ Main] Eugen Bracht (1842 Morges-Darmstadt 1921). Out of the Sinai Desert. Oil on Canvas Signed, Dated and Stamped Lower Right
Attributed works:
[Karl & Faber, Amiraplatz 3, Munich] Robert Michel, (Germany, 1897-1983), Giant Fish, Mixed Media on Paper, c.1920, 59 × 68 cm, Signed.
Attributed works:
[Kate Ganz Ltd, 54 South Street, London/ 66 East 83rd Street, New York] G. B. Tiepolo, Study for a Figure Seen From Below, Pen, Brown Ink and Wash, 27.3 × 18.7 cms., c.1760.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London] Pieter Lastman, Balaam and the Ass, 1622. Oil on Panel, $15frac{7}{8} text{by} 22frac{7}{8}$ Inches (40.3 by 60.6 cm.). Signed and Dated, Lower Left: "P. Lastman Fecit 1622"
Attributed works:
[Sotheby's, 34-35 New Bond Street, New York] Corneille de Lyon (1510-1574), Portrait of King James V of Scotland (1512-1542), Oil on Panel, in a Tabernacle Frame from Northern Italy, Probably Part Mid Sixteenth Century, 17 by 14.5 cm. From the Sale of British Paintings 1500-1850, London, 8th April. Estimate: £30,000 - 40,000.
Attributed works:
[Spink & Son LTD, 5,6 &7 King Street St James, London] John Russell 1745-1806. Study of the Head of a Clergyman
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Pietro Antonio Novelli. Venice 1729-1804. Allegory of Time. Pen, Brown Ink with Grey and Brown Wash 412 × 275 mm.
Attributed works:
[Trinity Fine Art LTD, 29 Bruton Street, London] Valerio Castello, Moses Striking the Rock, Oil on Canvas, 50 × 41 cms, the Bozzetto for the Painting in the Musée du Louvre.
Attributed works:
[Villa Grisebach auctions, Fasanenstrasse 25, Berlin] Fernand Khnopff. Portrait of a Woman. Around 1910 Drawing in Black and Blue Chalk over Pencil on Thin Cardboard. 22.3 × 11 cm. Signed in Pencil on Lower Right: Fernand Khnopff. Estimate: DM 20,000 - 30,000
Attributed works:
[Voena, Via dei Mille 36, Turin] Massimo Stanzione Orta di Atella/CE 1585 ca. - Naples 1658 ca. The Mystic Marriage of Saint Catherine. Oil on Canvas, 124 × 150 cm.
Western art unattributed:
[Antony Embden, 15 Quai Voltaire, Paris] A Bronze Lion and Lioness. Florentine c. 1600 Height: Approx. 12 cm. Length: 15 cm. On Their Original Wood Plinths.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Merignan and 11 quai Voltaire, Paris] Small Travelling-Case with Secret Compartments, Covered Red Morocco Leather Decorated with Gilt Stamping. The Medici Arms Appear on the Interior of the Lid. Italian. Sixteenth Century.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Miniatore Toscano" Initial "M": "Due Santi" XIII cent. Tempera on Vellum 100 × 125 mm.