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06/2018 | 1383 | 160
Pages: n.p.
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advertisements:
Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
Publication Received
Josef Albers: Black and White. With an essay by Nicholas Fox Weber Two Pataphysicians: Flanagan Miró. With an essay by Jo Melvin
10/2015 | 1351 | 157
Pages: 717
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
dates:
Publication Received
Barry Flanagan: Early Works 1965–1982
07/2012 | 1312 | 154
Pages: 502
related names
Reviewer:
Howard, Maria (Howard, Maria)
Subjects
artists:
dates:
Reviewed Items
subjects:
Barry Flanagan: Early Works 1965–1982 | author: Wallis, Clarrie , author: Wilson, Andrew
Advertisements
Advertisements April 2011 (front)
04/2011 | 1297 | 153
Pages: s.p.
Subjects
advertisements:
advertisements:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[A. Clayton-Payne. 14 Old Bond Street. London. John Martin (1789-1854). Diogenes throwing away his Cup. Signed and dated 'J.Martin.1833'. Watercolour with scratching out, heightened with gum arabic. 7 3/4 x 10 1/4 inches (19.5 x 26 cm)]
Attributed works:
[Austin/Desmond Fine Art. Pied Bull Yard. 68/69 Great Russell Street. London. Peter Lanyon, (1918-1964). Bodmin Moor, 1953. Oil on board, 67 x 22 cm]
Attributed works:
[Austin/Desmond, London. The strange coast (Dymchurch), by Paul Nash (1889-1946). 1920. Signed in pencil lower right. A proof impression printed on white wove paper. Lithograph, 31 by 40.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. William James (Active circa 1761-1771). The Entrance of the Grand Canal with Santa Maria della Salute. Oil on canvas, 96 by 155 cm. (37 3/4 by 61 in)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Mallord William Turner, R.A. (1775-1851). The Blue Rigi]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Ludovico Carracci, Portrait of a Youth wearing a Ruff. c.1590, oil on canvas, 47 x 38cm]
Attributed works:
[Emanuel von Beyer, London. Saint Jerome in the wilderness, by Annibale Carracci (1560-1609). Etching with some engraving, 18.2 by 25.5 cm]
Attributed works:
[Fine Art Society, London. The Palaces, by James McNeil Whistler (1834-1903). 1879-80. Signed in pencil Etching drypoint, printed in black ink on laid paper, 31.3 by 40 cm]
Attributed works:
[Frederick Mulder, London. Picador and bull, by Pablo Picasso (1881.1973). 1959. Linocut printed in colours, 53 by 64.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bartolomeo Bimbi. Settignano, 1648 - Florence, 1730. Exotic Birds from the aviaries of Grand Duke Cosimo III de'Medici in a landscape. Oil on canvas, 119.4 x 151.1 cm (47 x 59 1/2 in)]
Attributed works:
[Gilden's Arts Gallery, London. Four nude women and a sculptured head, by Pablo Picasso (1881-1972). 1934. Vollard Suite pl. 82. Print, 44.5 by 34.5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. William Etty (1787-1849). Young Negress. Oil on panel, 44 x 32.5 cm (17 1/4 x 12 3/4)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Christoffel Jegher. Antwerp 1596 - 1652/3 Antwerp. Susannah and the Elders. Woodcut after Pieter Paul Rubens. Hollstein I, Leblanc I, the first of two states, with Ruben's privilege. An extremely fine impression with the complete border showing all around.]
Attributed works:
[Hill-Stone, New York. The waterside trees, by Armand Seguin (1869-1903). c.1893. Field, Strauss and Wagstaff 24, only state. Etching, 33 by 43.3 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Pieter Brueghel the Young (1564-1638). Temptation of St. Anthony. Oil on wood, 46.5 x 64 cm]
Attributed works:
[Pascoe Pratt, London. Details of Renaissance paintings (Leonardo da Vinci, The Annunciation), by Andy Warhol (1928-87). 1984. Signed in pencil by the artist, numbered from the edition of 60. Screenprint in colours, 63.5 by 94 cm]
Attributed works:
[Richard Saltoun, London. Hole in the Sea, by Barry Flanagan (1941-2009). 1967-70. Photo-etching]
Attributed works:
[Sims Reed, London. Big Sur, by Peter Doig (born 1959). 2000-01. Signed in pencil and numbered from the edition of 46 Etching and aquatint printed in colour, 114 by 160.5 cm]
Attributed works:
[Sims Reed, London. Cheese mold standard with olive, by Ed Ruscha (born 1937). 1969. Signed in pencil and numbered from the edition of 150. Screenprint in colours, 65.5 by 101.5 cm]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Paul Nash 1889-1946. On the Western Front. October-November 1917. Watercolour, ink, chalk and pencil on paper 11 1/4 x 11 3/4 inches. 28.5 x 30 cm]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry. Map of Nowhere (detail), 2008 © The Artist and Paragon Press, London.]
Attributed works:
[Wolseley Fine Art, Walterstone, Herefordshire. Articulated forms, by Graham Sutherland (1903-80). 1950. Signed an numbered 34/60. Lithograph, 30 by 58 cm]
Exhibition Review
Recent contemporary exhibitions. London (Barry Flanagan. Works 1966–2008)
05/2010 | 1286 | 152
Pages: 345-347
related names
Reviewer:
Major, George (Major, George)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Barry Flanagan. Works 1966–2008 | institution: Waddington Galleries
Illustrations
Attributed works:
58. Harebell on Portland stone piers, by Barry Flanagan. 1983. Bronze, edition of five plus two artist’s casts, 242.6 by 284.5 by 190.5 cm. (Waddington Galleries, London).
Exhibition Review
Barry Flanagan. Salisbury
10/2009 | 1279 | 151
Pages: 721-722
related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Illustrations
Attributed works:
70. That was shell that was, by Barry Flanagan. 2002. Bronze, 82 by 25.4 by 33 cm. (Exh. New Art Centre, Roche Court, Salisbury).
Attributed works:
71. Chess piece, by Barry Flanagan. 1973. Dyed canvas filled with sand on a cork chess board, 47.5 by 47.5 by 7 cm. (Exh. New Art Centre, Roche Court, Salisbury).
Attributed works:
72. Horse V, by Barry Flanagan. c.1984. Gouache on paper, 35.5 by 25.5 cm. (Exh. New Art Centre, Roche Court, Salisbury).
Publication Received
Barry Flanagan. Sculpture 1965–2005
12/2006 | 1245 | 148
Pages: 860
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Reviewed Items
subjects:
Barry Flanagan. Sculpture 1965–2005 | editor: Juncosa, Enrique
Exhibition Review
Barry Flanagan and Hamish Fulton. London and New York
12/1998 | 1149 | 140
Pages: 839-840
related names
Reviewer:
Haldane, John (Haldane, John)
Subjects
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
64. Left-Handed Drummer, by Barry Flanagan. 1997. Bronze, 250.2 by 173.3 by 94 cm. (Waddington Galleries, London).
Attributed works:
65. Installation Photograph of Hamish Fulton's Exhibition Walking Artist at Annely Juda, London, 1998, Including River Thames Walk, June 1996 (Centre). Vinyl Text on Wall, (Size Variable) 230 by 450 cm. (Exh. Annely Juda, London).
Exhibition Review
Barry Flanagan. Paris, Centre Georges Pompidou
07/1983 | 964 | 125
Pages: 441+447-448
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
46. A Nose in Repose, by Barry Flanagan. 1977-79. Hornton Stone on Elm Blocks, 90.2 by 78 by 30.5 cm. (Tate Gallery; Exh. Exh. Centre Georges Pompidou, Paris).
Attributed works:
47. Hello Cello, by Barry Flanagan. 1976. Clipsham Stone, 41.3 by 25.4 by 22.8 cm. (Private Collection; Exh. Centre Georges Pompidou, Paris).
Supplement
Acquisitions of Modern Art by Museums: Supplement
05/1975 | 866 | 117
Pages: 328
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
65. [William] Rothenstein. [Self-Portrait, 1930, canvas, 61.5 by 51.3 cm.] National Portrait Gallery, [London.]
Attributed works:
66. [Max] Pechstein, [Erich Heckel, 1908, Lithograph, 38.5 by 34.5 cm. National Gallery,] Washington.
Attributed works:
67. [Pavel] Tchelitchev, [Portrait of James Joyce, Canvas, 81 by 54 cm. National Gallery of Ireland,] Dublin.
Attributed works:
68. Stanley Spencer, [Double Nude Portrait: the Artist and his Second wife, 1936, Canvas, 91.5 by 92.7 cm.] Tate Gallery, [London.]
Attributed works:
69. [Frank] Salisbury, [Sir A. Cobham, 1926, canvas, 109.8 by 84.7 cm]. National Portrait Gallery, [London].
Attributed works:
70. [Graham] Sutherland, [Lord Goodman, 1974, canvas, 94.5 by 94.5 cm]. Tate Gallery, [London].
Attributed works:
71. [Wilhelm] Lehmbruck, [Seated Youth (The Friend). National Gallery of Art,] Washington.
Attributed works:
72. [Raymond] Duchamp-Villon, [Torso of a Young Man, 1910, Cast No. 4 of 8. Bronze, 55.2 by 33.9 by 40.2 cm. National Gallery of Art,] Washington.
Attributed works:
73. [Alberto] Giacometti, [The Invisible Object (Hands holding the Void), 1953, Bronze, bolnd patina, 153 by 29.8 cm. National Gallery of Art,] Washington.
Attributed works:
74. [Alexander] Archipenko, [Woman combing her Hair, 1915, Bronze, 180.7 by 47 by 42.9 cm. National Gallery of Art,] Washington.
Attributed works:
75. [Germaine] Richier, [Le Coureur (moyen), 1955, Bronze, height 120 cm. Cast no. 2 of 6. Scottish National Gallery of Modern Art,] Edinburgh.
Attributed works:
76. [Egon] Schiele, [Sorrow, 1914, Drypoint, 48.2 by 32 cm. National Gallery of Art,] Washington.
Attributed works:
77. [George] Grosz, [Sportsman, 1922, pen, ink and water-colour, 40.3 by 28.1 cm. National Gallery of Art,] Washington.
Attributed works:
78. [Pablo] Picasso, [Harlequin with Violin (Si tu Veux), 1918, canvas, 141 by 99.5 cm. The Cleveland Museum of Art,] Cleveland.
Attributed works:
79. [Pablo] Picasso, [La Femme au Tambourin, 1938, Etching with aquatint, 66.5 by 5.14 cm. National Gallery of Art,] Washington.
Attributed works:
80. Mark di Suvero, [K-Piece, 1972, Iron, pained red, 12 by 12 by 6.3 metres. Kröller-Müller Museum,] Otterlo.
Attributed works:
81. Evert Strobos, [Palissade, 1974, Steel, width 8 metres. Kröller-Müller Museum,] Otterlo.
Attributed works:
82. Phillip King, [Span, 1967, Six pieces of steel, painted blue. Kröller-Müller Museum,] Otterlo.
Attributed works:
83. [Victor] Vasarely, [Taimyr, 1958, canvas, 162 by 130 cm. Scottish National Gallery of Modern Art,] Edinburgh.
Attributed works:
84. Bridget Riley, [Veil, 1961. Carnegie Institute,] Pittsburgh.
Attributed works:
85. Leon Polk Smith, [Diagonal Passage 1920 I, 1948, panel, diameter 59.5 cm. The Cleveland Museum of Art,] Cleveland.
Attributed works:
86. Burgoyne Diller, [First Theme, 1963, canvas, 225 by 95.5 cm. The Cleveland Museum of Art,] Cleveland.
Attributed works:
87. Barry Flanagan, [Sixtieth Dish, 1970, framed mirror, cello, bow and sofa with tassel, 157.5 by 134.5 cm]. Tate Gallery, [London].
Attributed works:
88. [George] Segal, [Girl putting on an Earring, 1967, plater, wood, enamel paint, metal and glass, 130.9 by 72.4 by 95.9 cm. National Gallery of Art,] Washington.
Attributed works:
89. Louise Nevelson, [Sky Cathedral-Moon Garden Wall, 1958-59, wood (painted), 213.5 by 188.75 by 30.75 cm. The Cleveland Museum of Art,] Cleveland.
Attributed works:
90. [George] Segal, [The Red Light, 1972, plaster and mixed media, 286.5 by 240 by 90 cm. The Cleveland Museum of Art,] Cleveland.
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