By using this website you agree to our Cookie policy

Search

2 articles
Advertisements
Advertisements October 2000 (front)
10/2000 | 1171 | 142
Pages: i-xx
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
The Raising of Lazarus, by Jacopo Tintoretto. c.1556-57. 106.7 by 147.3 cm. (The Jesuit Center, Wernersville, Pennsylvania; On Loan to the Reading Public Museum)
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Rembrandt Harmensz. van Rijn (1606-1669) Lieven Willemsz. van Coppenol, Writing Master: The Larger Plate Etching, Drypoint and Engraving, 1658, 13 8/16 x 11 6/16 Inches (346 × 293 mm). Bartsch 283, White/Boon v (Of vi) Ex coll. Hugh Howard (L.2957), Henry Danby Seymour (L.176), Richard Fisher (L.2204), Paul Davidsohn (L.654), Henry Oppenheimer and Felix Somary
Attributed works:
[August Laube, Trittligasse 19, Zurich, Switzerland] Pablo Picasso (Málaga 1881 - 1973 Mougins) Minotaure aveugle, guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée. Aquatint Engraving and Dry-Point. November 1934. Signed Lower Right: 'Picasso'. Bloch 225. Geiser 437 IVc. Baer IV, pl.97 of the 'Suite Vollard'. Wm.: Picasso. 24:34 cm.
Attributed works:
[Bassenge, Erdener Str. 5A, Berlin, Germany] Léon Davent (Active between 1540 and 1556 in Fontainebleau). Venus Finding Mars Asleep. Etching. Zerner 72. An Unrecorded Proof before the Reduction of the Plate.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bugiardini (1475-1554). Virgin and Child. Oil on Panel: 87.5 × 65 cms.
Attributed works:
[Exh. International Fine Art Fair, New York] A Pair of Lead Reliefs of Adonis and Venus, c.1750-60. Attributed to Jacob Gabriel Molinarola.
Attributed works:
[Exh. International Fine Art Fair, New York] Edgar Degas: Study of a Horse. Black and Blue Crayon. 9 × 11 in.
Attributed works:
[Exh. International Fine Art Fair, New York] Fernand Léger: Les Danseuses aux Clés. Signed and Dated Lower Right; 'F. Leger 1928'.
Attributed works:
[Exh. International Fine Art Fair, New York] The Master of 1416: Madonna and Child with Attendant Saints, Panel.
Attributed works:
[Exh. International Fine Art Fair, New York] Thomas Gainsborough: A River Landscape with Travellers Resting on the Edge of a Wood, a Horse Drawn Cart before a Bridge and Donkeys on a Bank. Oil on Canvas. c. 1757-8.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Albrecht Dürer: Nemesis c.1501-2. Engraving. 329 by 225/7 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Ana Maria Pacheco. Study for Land of No Return. 2000. Monoprint. 100.5 by 87 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Antonio Brambilla: Castel Sant' Angelo con la girandola. 1579. Engraving. 505 by 380 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Erich Heckel: Reclining Woman. 1913. Colour Woodcut. 7 1/8 by 4¼ in.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Frederico Barocci: The Annunciation. c.1584-88. Etching, Engraving & Drypoint. 436 by 310 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Henri de Toulouse Lautrec: La Clownesse au Moulin Rouge. 1897. Crayon, Brush & Spatter Lithograph. 16 by 12½ in.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Henri de Toulouse-Lautrec: Le Jockey. 1899. Colour-Lithograph. 36.2 by 51.7 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Jacques Callot: La Grande Chasse. c. 1619. Etching. 197 by 462 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] James McNeill Whistler: Maud Franklin Seated. 1878. Hand-Touched Lithotint. 265 by 240 mm
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Joseph Sebastian or Johann Baptist Klauber: Nox. c.1740. Engraving. 504 by 680 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Paula Modersohn-Becker: Woman with Goose. 1902. Etching & Aquatint. 5 by $6frac{3}{4}$ in.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Rembrandt Leaning on a Stone Sill, Rembrandt Harmensz van Rijn, 1639.
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Giove e Mercurio Accolti da File Mone e Bauci by Giacomo Francesco Cipper 'Todeschini'. (Feldkirch (Austria) 1664 - Milano 1736). Oil on Canvas, 72 × 56 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Alessandro Magnasco (1667-Genoa-1749). Worshippers at a Shrine in a Mountainous Landscape. Oil on Canvas, 73 × 61 3/4 Inches (186.5 × 157 cm)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Samson and Delilah Engraving; Circa 1507. Hollstein 25. The New Hollstein 25. Watermark: Unicorn. A Fine Impression, the Pentimenti Still Visible. Lucas van Leyden. Leiden, 1494 - 1533
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Jan Fyt (1611 - Antwerp - 1661). Flowers in a Vase with a Skull. Oil on Canvas, 34¼ by 21¼ Inches (87 by 53.8 cm.). Signed 'Jon FYT'
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Paris Nogari, (ca. 1556 - Rome - 1601). Ecce Homo. provenance: Conte Santi-Germain (L. 2347). Black Chalk, Pen & Brown Ink & Wash, White Heightening, on Paper Prepared Golden Brown. (324 × 228 mm). Squared for Transfer.
Attributed works:
[Museo Thyssen-Bornemisza, Paseo del Prado, 8. Madrid, Spain] Albert Bierstadt. The Falls of St. Anthony, ca, 1880-87
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Mary Cassatt The Bare-Footed Child, 1898 Drypoint and Aquatint in Colour (Breeskin 160), Signed
Attributed works:
[Pratt Contemporary Art, The Gallery, Igtham, Kent, UK] Marcus Rees Roberts, Then What Have I to do with Thee?, 2000. Etching, Edition of 20. 42.2 cm × 29.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Renee Sintenis Kleine Daphne 1918, Bronze with Golden Brown Patina on a 2¼in. (5.8 cm.) Base, Inscribed with Initials and Foundry Mark Estimate: $10,000-15,000
Attributed works:
[The National Gallery, London] Rogier van der Weyden, The Magdalen Reading
Attributed works:
[The Old Print Shop Inc., 150 Lexington Avenue, New York, New York] Sixth Avenue el, Stuart Davis 1894 - 1964 Cole # 15 Lithograph 1931 edition 25 Signed in Pencil, Inscribed "21/25" 11 7/8 x 17 7/8 inches 301 × 454 mm
Attributed works:
[Venator & Hansten, Cacilienstrasse, 48, Cologne, Germany] Albrecht Dürer, Die Jungfrau mit der Birne. Etching, 1511. Meder Nr. 33 a
Western art unattributed:
[Carlton Hobbs, 8 Little College Street, London, UK] A Magnificent Side Table in the Manner of Giovanni Battista Piranesi Rome. Circa 1770 Of Carved and Gilded Limewood with Bianco e Nero Marble Top. The Frieze Centred by a Painted Panel Depicting Hercules and Cerberus Measurements: Height: 37½″ (95.5cm); Width: 70½″ (179cm); Depth: 35″ (89cm)
Western art unattributed:
[Chanel Advertisement] The Mademoiselle Collection. Stainless Steel Watch. Kid Strap. Deployant Buckle. Sapphire Crystal. Made in Switzerland Available in Pastel, Beige, Blue, Green and Pink
Western art unattributed:
[Exh. International Fine Art Fair, New York] A Terracotta Relief of the Last Supper. Italian (Lombardy). c. 1450.
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A Rare and Important Regency Giltwood Carved Acoustic Chair, with Open Lion Mask Arm Terminals and a Hearing Pipe. To Be Included in Our 21st November Sale. Estimate: £20,000-30,000.
Advertisements
Advertisements December 1998 (front)
12/1998 | 1149 | 140
Pages: i-xx
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Reliquary Bust of St Clement, Here Attributed to Giuliano Finelli. c.1635-39. Copper and Brass, Gilt and Silvered, with Imitation Jewels, 118 cm. High (Museo Diocesano, Velletri)
Attributed works:
[Alex Wengrad Limited, The Old Knoll, Eliot Hill, London, UK] Silver Statuette, Cast from a Model by Alessandro Algardi of Circa 1632 Stamped FT. Height: 8 3/4 in: 22 cm Excluding Reliquary Base
Attributed works:
[B. E. L. Publishers advertisement] Tomaso da Modena. Saint Michael the Archangel. Italy, Probably Modena 1358/60
Attributed works:
[Blumka Gallery, 209 East 72nd street, New York, New York] Relief of Saint Peter as Suppliant in a Cave The Attribute of the Cock in the upper Right Hand Corner Attributed to Christoph Daniel Schenck (German, 1633-1691) Boxwood, Height: 11 in. (28 cm.); Width 8 1/8 in. (20.6 cm.)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Antonio Calegari (Brescia, 1699-1777) Lucrecia (?) Terracotta, 53 × 21 × 15.6 cm.
Attributed works:
[Christie's, 8 King Street, London, UK] Bernardo Bellotto (1722-1780). The Grand Canal, Venice, Looking East from the Palazzo Flangini to the Palazzo Vendramin Calergi. Oil on Canvas 23 7/8 × 36 1/8 in. (60.7 × 91.8 cm.)
Attributed works:
[Christie's, 8 King Street, London, UK] Paolo Caliari, il Veronese (1528-1588). The Rest on the Return from Egypt. Oil on Canvas 62 7/8 × 63 7/8 in. (159.8 × 162.4 cm.)
Attributed works:
[Christie's, Cornelis Schuytstraat 57, 1071 JG Amsterdam, Netherlands] Josef Csaky (1888-1971). Girl with a Sheep, Signed and Dated on the Base 'Csaky 29' a Pink Stone Sculpture, 21 in. (53.5 cm.) High
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Francesco Guardi Venice 1712 - 1793 Venice Venice: A View of the Rialto with the Riva del Vin Pen and Brown Ink and Brown and Grey Wash. Signed Fran. co de Guard; Fect. 247 × 423 mm. (9 3/4 × 16 5/8 in.)
Attributed works:
[Concorde Art Associates, New York, New York] August Rodin Study for the Monument to Whistler 25½ Inches High Signed and Numbered 6/8 Fondr & C by Musee Rodin, 1885 Bronze with Dark Brown Patina
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] 'The Resurrection' Nottingham, England 15th Century. Alabaster, Height: 39cms
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Auguste Préault (1809-1879) Le Silence Cast Plaster Diameter: 15 3/4 Inches (400 mm.) Slightly Irregular Depth: 6 Inches (155 mm.)
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK] Eustache le Sueur (1616-Paris-1655) Marcus Curtius Leaping into the Void. Oil on Canvas, 43 × 35 Inches (110 × 89 cm)
Attributed works:
[Pierre Beres, 14 Avenue de Friedland, Paris, France] Claude-Nicolas Ledoux, L'architecture considérée sous le rapport de l'art..., Paris, 1804, Folio. First edition.
Attributed works:
[Tate Gallery, Millbank, London, UK] Sir William Blake Richmond, Mrs Ernest Moon, 1888
Attributed works:
[University of California Press advertisement. Held in the Vatican Museum] Antonio Canova, Perseus with the Head of Medusa, Marble, 1757-1801. (Musei Vaticani)
Attributed works:
[Victoria and Albert museum, London] John Constable. Sketch for 'The Valley Farm', c.1835. Oil on Canvas. The Canvas Has Been Relined. The Stretcher Is Inscribed in Ink J. Constable P. Valley Farm. (254 × 210mm.)
Attributed works:
[Victoria and Albert museum, London] John Constable. Dedham Lock and Mill, c.1820. Oil on Canvas. Signed and Dated below on Right John Constable. ARA. Pinxt 1820. (537 × 762mm.)
Western art unattributed:
[Liverpool University Press advertisement] book cover. Public Sculpture of Birmingham Including Sutton Coldfield by George T. Noszlopy, ed. Jeremy Beach
Western art unattributed:
[Liverpool University Press advertisement] book cover. Public Sculpture of Liverpool by Terry Cavanagh
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A 17th Century German Carved Ivory Plaque. Provenance: Ernst Boehlen Collection, 8cm High.
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A 17th Century Italian Rock Crystal and Glass Panelled Christaining Robe Casket. Provenance: Blo' Norton Hall, Norfolk.
Western art unattributed:
[Sotheby's, 1334 York Avenue, New York, New York] Rheno-Mosan, Circa 1150 Champleve Enamel on Gilt Bronze 4.7 by 5 cm.
Western art unattributed:
[Sotheby's, 1334 York Avenue, New York, New York] Rheno-Mosan, Circa 1180 Champleve Enamel on Gilt Copper 8.2 by 6.9 cm.