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04/2018 | 1381 | 160
Pages: n.p.
Subjects
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Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
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Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
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04/2017 | 1369 | 159
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Subjects
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artists:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Blue Crayola, by Anthony Frost. 2016. Screenprint with woodblock, 87.5 by 45.5 cm]
Attributed works:
[Andrew Edmunds, London. Enchantments lately seen upon the mountains of Wales, by James Gillray (1756-1815). Etching and engraving, 25.1 by 35.5 cm, with publisher's watercolour.]
Attributed works:
[Andrew Edmunds. London. James Gillray (1756-1815). The Marriage pf Cupid and Psyche 1797. Etching, aquatint and engraving 265 x 317 mm, with publisher's watercolour.]
Attributed works:
[Artchina Limited, Cambridge. Zhu Jianhui, Rope. 2010. Woodblock printed with water-soluble ink on xuan paper.]
Attributed works:
[Artchina, Cambridge. The winter at Lianghe village, by Yu Chengyou, 2011. Woodcut, 100 by 150 cm]
Attributed works:
[Christopher Mendez, London. Architectural ruins with birds, by Lorenz Stoer (c. 1529/1530 - 1599). Woodcut from two blocks, printed in green. Hollstein 5, the only recorded impression. 21 by 15.3 cm]
Attributed works:
[Christopher Mendez. Federico Barocci (c. 1535-1612). Virgin and child in the clouds. Etching and engraving, 154 x 109 mm, circa 1581. Bartsch 2, only state]
Attributed works:
[Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128 x 200 cm (detail)]
Attributed works:
[Elizabeth Harvey-Lee, Oxfordshire. The portico with the lantern, by Giovanni Antonio Canaletto (1697-1768). c. 1740 (final state). Etching. 30.1 by 43 cm]
Attributed works:
[Elizabeth Harvey-Lee. Oxon. Jean François Janinet: Venus dur les Eaux. Colour aquatint, c 1777, after a miniature by Charlier.]
Attributed works:
[Fine Art Society, London. Commander looking through a periscope, by Eric Ravilious (1903-42). Lithograph, 28 by 32 cm]
Attributed works:
[Flowers Gallery, London and New York. Terrestrial, by Tom Haddinck. 2017. Woodcut, 118 by 150 cm.]
Attributed works:
[Gilden's Art Gallery, London. May Salon, by René Magritte (1898-1967). Lithograph, 63 by 47 cm]
Attributed works:
[Hargesheimer. Dusseldorf. Moscow, Pavel Ovtschinnikov, 1890]
Attributed works:
[Im Kinsky. Auction House. Severo (Calzetta) da Ravenna. Faun holding a candlestick, Italy 16th century.]
Attributed works:
[Jennings Fine Art. Edward Gordon Craig (1872-1966). Stage Manager, 1909. Woodcut, 15.8 x 4.8 cm]
Attributed works:
[Karsten Schubert, London. United, by Bridget Riley. 1962. Screenprint, 50,8 by 50,8 cm]
Attributed works:
[Paragon. Glenn Brown. Half-life (after Rembrandt) 6. Etching. 2017]
Attributed works:
[Paul Stolper, London. Grapefruit, by Brian Eno. 2016. Etching, 63.5 by 63.5 cm]
Attributed works:
[Peter FIner. 38/39 Duke Street, St. Jemes's, London SW1Y 6DF. A Pair of French Flintlock Pocket Pistols. Made Enterely of Burnished Steel and Chiselled and Gilt After the Engraved Designs of Gilles de Marteau, by Blanc, Cont.Leur Des Armes Pour Le Roy a St. Etienne, c. 1763-5]
Attributed works:
[Pratt Contemporary. Anna Maria Pacheco. Burial, 2014. Drypoint; plate 80.6 x 60.7 cm]
Attributed works:
[Sarah Sauvin, Paris. Ecce Homo, by Martin Schongauer (1445-91). c.1480. Engraving, 16.1 by 11.2 cm]
Attributed works:
[Sarah Sauvin. Paris. Rembrandt Harmenszoon van Rijn (1606-1669). A scholar in his Study - Faust, c.1652. Etching and drypoint, NH 270, 1st state (of 7). Early impression on oatmeal paper with strong burr.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Sr. London W8 7 LP. Noel Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Piccadilly. London. Brian Eno. Grapefruit. Agate. Eclipse. Sunburnt, 2016. Etchings. 63.5 x 63.5 cm.]
Attributed works:
[The Nationa Gallery. London. Sebastiano del Piombo, after partial designs by Michelangelo. Lamentation over the Dead Christ (Pietà) (detail). About 1512-16. Museo Civico, Viterbo.]
Attributed works:
[Venduehuis The Hague. Alexander Calder (1898 - 1976). From the Series: The Bicentennial Tapestries. The Pear, the Cheese, and the Serpent, 1975. Handwoven wool Aubusson tapestry, 105 x 150 cm]
Attributed works:
[Venduehuis The Hague. Keith Haring (1958-1990). Container for the Channel Surf Club Knobble, 1987. Sea-Container painted in lacquer. 250 x 1250 x 240 cm]
Attributed works:
[Venduehuis The Hague. Pierre Alechinsky (1927), à l'Aveuglette, 1974. Etching and aquatint on paper mounted on canvas, 185 x 275 cm]
Western art unattributed:
[Im Kinsky. Auction House. Foot, Roman. 2nd century AD]
Western art unattributed:
[Im Kinsky. Auction House. Head, Roman. 2nd century AD.]
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Advertisements October 2016 (front)
10/2016 | 1363 | 158
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Subjects
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subjects:
Illustrations
Attributed works:
[Agnews, London. Lamia, by John William Waterhouse (1849-1917). Oil on canvas, 91.5 by 57 cm]
Attributed works:
[August Laube Buch, Zurich. St. George on horseback slaying the dragon, by Lucas Cranach the Elder (1472-1553). Woodcut, 16.1 by 12.8 cm]
Attributed works:
[Bazaart. Justin Raccanello & Camille Leprince. 7-10 Chandos Street, London. A documented charger depicting a battle between mystical sea creatures. Inscribed 'cremona fecit fare a di 29 agosto 1540 a de Mo Steveno bocaler'. 40.3 cm. Attributed to Giulio da Urbino, working in a workshop in the Veneto]
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Antonio Mancini. Genio Ribelle]
Attributed works:
[C. G. Boerner, New York and Dusseldorf. The execution of Maximilian, by Edouard Manet. 1832-82. Lithograph on buff-coloured paper, 33.5 by 43.3 cm]
Attributed works:
[Carlo Orsi - Trinity Fine Art, Milan - London. Allegory of Patience, by Carlo Dolci (1616-87). Oil on canvas, 71 by 54 cm]
Attributed works:
[Daniel Katz Ltd, London. St. Michael overcoming the devil. Cast from a model by Alessandro Algardi (1598-1654). Bronze. Height: 53.5 cm]
Attributed works:
[Daniela Laube Fine Art, Jackson Wyoming. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré), Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Daniela Laube, Jackson, Wyoming. Salome presenting Herod with the head of St. John the Baptist, by Lucas van Leyden (1494-1533). Woodcut, 40.6 by 28.9 cm]
Attributed works:
[Daxer & Marschall, Munich. Planegg I - Landscape near Munich, by Wassily Kandinsky (1866-1944). c. 1901. Oil on canvas, laid down on cardboard, 23.5 by 32.8 cm]
Attributed works:
[Daxer & Marschall, Munich. The Bay of Naples with Mount Vesuvius, by Johan Christian Clausen Dahl (1788-1857). 1520. Oil on canvas, 44.5 by 67 cm]
Attributed works:
[De Jonckheere, 7 rue de L’Hôtel-de-Ville, Geneve Marten van Cleve. Antwerp circa 1527 - before 24 November 1581. An Outdoor Wedding Dance. Circa 1570. Panel: 94.3 x 122.3 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The Holy Family with St. Elizabeth and St. John the Baptist, by The Master of the Half-Leghts, (Antwerp c. 1490 - c.1540). Oil on panel, 87 by 63.5 cm]
Attributed works:
[Dickinson. London. Volliers sur le Seine à Argenteuil, by Gustave Caillebotte (1848-94). Oil on canvas, 65 by 54 cm]
Attributed works:
[Didier Aaron, Inc., New York, Paris, London. Allegory of eternity (Study for the main fresco at Montoliveto, Naples), by Giorgio Vasari (1511-1574). Pen and brown ink and wash over black chalk, heightened with white, on blue paper, squared for transfer in red chalk. 28.5 by 22.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Nicolas de Largilliere (1656-1746), Portrait of Prince James Francis Edward Stuart, Prince of Wales, with a courtier. Oil on canvas, 180 x 137.5 cm.]
Attributed works:
[Dulwich Picture Gallery. Dulwich, London. The Beach at Scheveningen, 1658, (detail). Oil on canvas]
Attributed works:
[Emanuel von Baeyer, London. Adoration of the Magi, by Wolf Huber (1485-1553). Woodcut, sheet: 12.2 by 9.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gregorio Lazzarini, attributed to. Venice, 1655 - Villabona di ROoigo, 1730. The Mocking of Christ. Oil on canvas, 107 x 97 cm (42 1/8 x 38 1/4 in)]
Attributed works:
[Galerie Eric Coatalem, Paris. Peach tray with jar, by Jean-Baptiste-Siméon Chardin (1699-1779). Oil on canvas, 68 by 57.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136, Fbg St. Honoré. Paris. Hubert Robert (1733-1808). Figures walking up a monumental stair case (detail). Oil on canvas. Height: 66 1/4 in. (173.4 cm); Width: 63 1/2 in. (161.3 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Bacchus with Venus and Ceres. Tapestry from a series "Inclinations of Man" after a design by Lancelot Lefebure (active ca. 1585-1650). Brussels, ca. 1670-80. Weavers mark IFVH for Jan Frans van der Hecke (active 1662-1710)]
Attributed works:
[Galleria Stanza del Borgo, Milan. Samuki no in Kenzoku o shite Tametomo o sukuu zu (Retired emperor Samuki sends to rescue Tametomo), by Utagawa Kuniyoshi (1797-1861). 1851. Woodblock prints. Each sheet: 36 by 25 cm]
Attributed works:
[Haboldt Pictura, New York, Paris, Amsterdam. A vanitas still with a skull, candleholder and coins, by Johann Stumm (active 1640-50). Oil on panel, 22.3 by 31 cm]
Attributed works:
[Hazlitt Holland-Hibbert, London. Eyeli, by Anthony Caro (1924-2013). 1965. Steel painted blue. Height: 286 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Sweet Summer. 1983. Oil on canvas. 92 1/2 x 77 1/2 inches, 234.9 x 196.8 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Otto Marseus van Schrieck. Bouquet of Flowers and Butterflies in front of a stone niche. 1670es. Oil on canvas. 70 x 54 cm]
Attributed works:
[Irish Arts. Richard Gorman at Castletown]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Théodore Géricault (1791-1824). Portrait of Eugène Delacroix, from the collection of the Duke de Trévise. Oil on canvas 54 x 45cm]
Attributed works:
[Karl & Faber. Amiraplatz 3. Munich. Franz von Stuck. Portrait Mary Stuck, Oil on panel, 30x30 cm]
Attributed works:
[Lampronti Gallery, London and Milan. Study of the head of Bearded old man, by Annibale Carracci (1560-1609). Oil on paper laid down on canvas, 41 by 28.5 cm]
Attributed works:
[National Gallery. London. Michelangelo Merisi da Caravaggio, The Tacking of Christ (detail). 1602.]
Attributed works:
[Osborne Samuel Gallery, London. The Eight, by Cyril Edward Power (1872-1951). Linocut, 32.3 by 3.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson, Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Otto Naumann Ltd, New York. Portrait of boy, probably a self-portrait, by Edmond Dehodencq (1860-87). Oil on canvas, 47 by 34 cm]
Attributed works:
[Paragon Contemporary Editions Ltd, London. Red shadow, by Anish Kapoor. Colour etching, 72.5 by 96.5 cm]
Attributed works:
[Paul Prouté, Paris. The Virgin and Child with candle, by Jacques Bellange (1575-1616). Drypoint and engraving, 14.6 by 21.8 cm]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The picture Book (No. 2) ca. 1910. Drypoint, signed]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A gif of King George III: a pair of Spanish bronze cannon cast by Matthias Solano. The Royal Gunfoundry, Seville, to Major-General John Graves Sincoe in 1798, in recognition of his services in French San Domingo. Hispaniola (Haiti), dated 1747]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Comedia 1, by Ana Maria Pacheco. Chiaroscuro woodcut, 29.4 by 38.5 cm]
Attributed works:
[Print Fair. Park Avenue Armory. New York. Francisco De Goya Y Lucientes (Fuendetodos 1746 - Bordeaux 1828). Volaverunt (The Have Flown). Etching, aquatint and drypoint; Harris 96 III.1/III.12; 214 x 150 mm; sheet 315 x 225 mm]
Attributed works:
[Raccanello Leprice, London. The battle of Korakesion. Tondo. Fontana workshop, Urbino. c.1560-70. Tin-glazed earthenware. Diameter: 26.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872 - 1951). The Concerto. c. 1935. Linocut 32 x 30 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. Portrait of a mathematician, by Luca Giordano (1632-1705). Oil on canvas, 127 by 100 cm]
Attributed works:
[Robilant + Voena, London. Crucifix, by Lucio Fontana (1899-1968). Ceramic. Height: 81.5 cm]
Attributed works:
[Royal Academy of Arts. London. Cornelia Parker RA. Beautiful Glass (broken), 2015. Polymeric Photogravure etching. 265 x 29 cm. Edition of 70]
Attributed works:
[Royal Academy of Arts. London. Gary Hume RA. Bikini Print, 2010. Screenprint. Image size: 61 x 39 cm, paper size:76 x 56 cm. RA Edition of 30.]
Attributed works:
[Simon Theobald, London. Standing child, by Erich Heckel (1883-1970). 1910. Woodcut, 37 by 27.6 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. David Taniers II. A Cobbler in the Workshop (detail)]
Attributed works:
[Stephen Ongpin Fine Art, London. A standing lion, by Giovanni Domenico Tiepolo (1727-1804). Pen and grey ink and wash over black chalk, 21.7 by 15.2 cm]
Attributed works:
[The Redfern Gallery, London. The concerto, by Cyril Edward Power (1872-1951). c. 1935. Linocut, 32 by 30 cm]
Attributed works:
[Trinity Fine Art with Carlo Orsi. 29 Bruton Street. London W1J 6QP. Via Bagutta 14. Milano. Ludovico Corracci (Bologna 1555 - 1619) St. Sebastian at the Column. Oil on canvas. 151.5 x 112.7 cm (59 5/8 x 44 3/8 in.)]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Abraham Teerlink (1776-1857). Waterfall near Tivoli. Painted around 1824. Signed. Oil on canvas, 61.5 x 76.5 cm]
Western art unattributed:
[Hansord. Antique Furniture and Works of Art. 6 & 7 Castle Hill, Lincoln Lincolnshire. Great Britain. A fine 17th century Italian ebony and ivory inlaid table cabinet the two doors open to reveal an architectural interior with hard stones and lapis lazuli columns mounted with ormolu. Circa 1650. Provenance a titled European family. Height 56 cm. Width 60 cm. Depth 36 cm]
Western art unattributed:
[Kallos Gallery, London. Early Archaic Cretan Helmet. c.660 - 625 BC. Bronze. Height: 43.1 cm]
Western art unattributed:
[Rupert Wace Ancient Art, London. Flint dagger found in Denmark. Neolithic. c.2000-1800 BC. Length: 21,3 cm]
Western art unattributed:
[Sam Fogg, London. Angel of the Annunciation (detail). 12th century. Softwood. Height: 80 cm]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. The Adoration of the Kings, Upper Rhine, Strasbourg. Last quarter 15th century]
Western art unattributed:
[Tomasso Brothers Fine Art, London and Leeds. Profile head of Alexander the Great. Florentine, c.1530. White marble, 57 by 42 cm]
Western art unattributed:
[Tomasso Brothers FIne Art. Exhibiting at: TEFAF New York. Fall 2016. German, 18th century. A son of Laocoon (1730-1806). After the antique. Limewood. 53.5 cm (21 in.) high. 18.5 cm (7 1/4 in.) wide]
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10/2013 | 1327 | 155
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Subjects
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Illustrations
Attributed works:
[Ben Elwes Fine Art, London. A bouquet of flowers in a porcelain vase, by Balthasar van der Ast (1593/94 - 1657). Signed lower left: .B.. vander. ast. Oil on panel, 39.1 by 29.9 cm]
Attributed works:
[C.G. Boerner, New York and Dusseldorf. Nativity, by Albrecht Durer. 1504. Engraving, 18.7 by 12.2 cm]
Attributed works:
[Carl Solway Gallery, Cincinnati. Burning bones Texas, by Albert Paley. 2012. Monoprint no 18. Ink on paper, 79.4 by 110.5 cm]
Attributed works:
[De Jonckheere, Paris. L'auberge St. Michael, by Peter Brueghel the Younger, 1619. Oil on panel, 54 by 74 cm]
Attributed works:
[Dolan/Maxwell, Philadelphia. Woman in a net, by Stanley William Hayter. 1934. Engraving, soft ground etching, and gauffrage, 21.9 by 29.8 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Guido Reni (1575-1642), La Fortuna (detail), oil on canvas, 130 x 152 cm]
Attributed works:
[Emanuel on Bayer, London. Rainfall over Prague, by Alfons Mucha. 1860-1939. 1933. Signed and dated. Pen and black ink, with black and grey wash, heightened in white and watercolour, 26.5 by 18.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Domenico Piola. Genoa, 1617 - 1703. The Triumph of Devine Wisdom over Satan, Avarice and Heresy. Oil on canvas, 150 x 200 cm (59 x 78 3/4 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Battista Foggini 1652-1725 (attribute to). A pair of monumental marbles on pedestals of a Lion attacking a Horse and a Lion attacking a Bull]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Emil Filla (1882-1953). Lying nude. 1932. Oil on canvas. 98.5 x 139 cm]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Jindřich Štýrský(1899-11942). Roots. 1934. Oil on canvas, 63 x 57 cm]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Václav Brožík (1851-1901). Black Strawberries. c.1899. Oil on wood, 100 x 80 cm]
Attributed works:
[Goya Contemporary, Baltimore. Etilon, by Imi Knoebel. 2001-09. Edition no.5 of 5. Acrylic Painted on synthetic paper, 51 by 51 cm.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Persian Palace, 1984. Oil on canvas. 70 3/4 x 61 3/4 inches; 180 x 156.5 cm]
Attributed works:
[Hazlitt, Holland-Hibbert, London. Persian Palace, by Bridget Riley (b-1931). 1984. Oil on linen, 180 by 156.5 cm]
Attributed works:
[Hill-Stone, New York. Portrait of Grinling Gibbons, by John Smith, after Sir Godfrey Knellwer (c.1654-c.1720). The first of two states. Mezzotint, 34.3 by 26 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jacques-Edme Dumont 1761 - Paris - 1844. A unique assembly of 101 terracotta modelli, measuring between 2 and 7 cm, displayed in a printers typecase]
Attributed works:
[John Szoke, New York. Portrait of Jacqueline, by Pablo Picasso. 1959. Edition of 50. Linocut, 63.5 by 53.3 cm]
Attributed works:
[Johnny Van Haeften Ltd, London. A still life of a laid with a basket of fruit and vegetable, by Jacob Van Hulsdonck (1582-1674). 1625. Oil on panel, 71 by 104 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Fra Filippo Lippi (1406-1469). Madonna with Child. Tempera on wood, partial gilded, 81 x 62 cm.]
Attributed works:
[Michael Altman Fine Art & Advisory Service, LLC. John Singer Sargent (1856-1925). A Gust of Wind (detail). c.1883. Oil on canvas, 24 1/4 x 15 inches (61.6 x 38.1 cm)]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Cyril Power. The Tube Station, c.1932. Linocut, from the edition of 60, 25.8 x 29.5 cm]
Attributed works:
[Otto Naumann Ltd, New York. Zenobie discovered by the shepherds, by Felix-Henri Giacomotti. Signed lower right. Oil on canvas, 146.5 by 113 cm]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ana Maria Pacheco. Homage to Neruda I, 2013. Monotype, 54.6 x 69 cm]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Homage to Neruda XI, by Ana Maria Pacheco. 2013. One of eleven original monotype reproduced in Canto General, Artist's Book. Monotype, 54.6 by 69 cm]
Attributed works:
[R.S. Johnson Fine Art, Chicago. A Man of War between two armed gallerys (1st state), by Pieter Bruegel. 1565. Engravings, 22.6 by 29.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power. The Tube Station, c.1923. Linocut 25.8 x 29.5 cm]
Attributed works:
[Redfern Gallery. London. Village fair, by Lill Tschudi. 1934. Edition of 50. Linocut, 25.5 by 30.6 cm]
Attributed works:
[Robilant + Voena, London and Milan. Lamentation over the dead Christ, by Anthony Van Dyck (1599-1641). Oil on canvas.]
Attributed works:
[Robilant + Voena, London. Bianco, by Agostino Bonalumi (b.1935). Fiberglass. Height: 180 cm. Width: 200 cm. Depth: 180 cm. Gallery exhibition: Bonalumi: all the shapes of space 1958-1976. 4th October - 15th Novemberr]
Attributed works:
[Ruiz-Healy Art. San Antonio, Texas and New York City. Pedro Friedeberg, Perros Rojo, 1991.]
Attributed works:
[Salamon & co, Milan. Florence, view of Piazza della Signoria, by Thomas Patch (1725-82). Pen, brush and coloured inks over traces of pencil, 20.3 by 38.4 cm]
Attributed works:
[Salamon Fine Old Master Paintings and Drawings. Palazzo Cicogna. Via San Damiano 2. Milano. Giovanni Fattori (Livorno 1825 - 1908 Florence). Napoleon III Receives a Dispatch by Princess Eugenia near Lonat. Pen and brush, colored inks over traces of black chalk on paper; 46.5 x 369 mm. (18 1/4 x 14 1/2 in)]
Attributed works:
[Simon Theobald. 16 Savile Row, 1st Floor, Beddington Suite. London. Edvard Munch, Melancholie III, 1902]
Attributed works:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. An important Italian pietre dure marquetery panel depicting the Allegory of Architecture. Florence, Galleria dei Lavori, circa 1754. Drawing by Giuseppe Zocchi (Fiesole 1711-Firenze 1767), in giltbronze frame, made by Bombicci in 1754]
Attributed works:
[Sperone Westwater, New York. Marble word list 2013, by Robert Barry. Marble, Variable dimensions.]
Attributed works:
[Sperone Westwater, New York. Nixes mate, by Carl Andre. 1922. Western red cedar, 8 timbers. Height: 90 cm. Width: 120 cm. Depth: 120 cm]
Attributed works:
[Sperone Westwater. 257 Bowery. New York. Carl Andre. June Field, 1975]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The rape of Proserpina, attributed to François Girardon. (1690-1700). Bronze, brown patina with traces of red lacquer. Height: 105 cm]
Attributed works:
[Trinity Fine Art, London. The Farnese Hercules, by Gaspero Bruschi (1710-1780). White hard-paste porcelain on base of painted and gilded wood. Height: 82 cm]
Attributed works:
[Walter Padovani, Milano. Portrait of Count Nicola Demidov and Portrait of Countess Elisabetta Demidova, née Stroganova, by Adamo Tadolini (1788-1868). Signed: A. TADOLINI F. A pair of sculptures in statuary marble from Carrara. Height: 31 cm. Width: 19 cm. Depth: 15 cm]
Attributed works:
[Walter Padovani. Via Santo Spirito, 26/A. Milano. Marco Antonio Prestinari (Claino 1570 ca, - Milan 1621). Hercules and the Nemean lion. Terracotta, height cm 52]
Non-western art unattributed:
[Galerie Meyer Oceanic Art, Paris. Spirit mask. Turubu Village Village, Papua New-Guinea. c.1930. Height: 44 cm. Width: 17 cm. Depth: 10 cm]
Western art unattributed:
[Mullany, London. Angel with tambourine, Lombardy, mid-15th century. Walnut with original polychrome and gilding]
Western art unattributed:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. After Hieronymus BOSCH. The Ship of Depravity, 1559]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A french model of a 12-pouder bronze cannon on its original field carriage, circa 1694]
Western art unattributed:
[Sphinx Fine Art. 125 Kensington Church Street. London. Flemish school, seventeenth century. A mimetic Landscape (detail)]
Western art unattributed:
[TATE Britain, London. Anon. Christ before Pilate (detail) c.1400-25]
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10/2012 | 1315 | 154
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Alfred Janniot (French, 1889-1969). Elégance, circa 1930. Plaster. 99 x 48 x 11 inches (253 x 118 x 28 cm)]
Attributed works:
[CG. Boerner, New York. Saint Eustace, by Albrecht Durer. Engraving. 36 by 26 cm. Bartsch 57; Meder 60b (of k); Schoch/Mende/Scherbaum 32.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Cesare Dandini (1596 - 1657). Portrait of a Young Man, oil on canvas, oval 62.5 x 50.5 cm]
Attributed works:
[Emanuel van Baeyer, London. L'Assemblée - Au Concert, by François Dequevauviller. 1783-84. Pendant to 'L'Assemblée - Au Salon'. After gouaches by Nicolas Laureince. Engraving, 58 by 68 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Guido Reni. Calvenzano, 1575 - Bologna, 1642. Saint Jerome. Oil on canvas, 65.1 x 50 cm (25 5/8 x 19 11/16 in)]
Attributed works:
[Galerie St. Etienne, New York. Male nude (self Portrait) 1, by Egon Schiele. 1912. Delteil 239. Signed, dated and with the signet of The Sema Association, lower left. Lithograph, 44.8 by 40 cm]
Attributed works:
[Galleria Russo, Rome and Milan. Impression de boulevard (Lady of the veil), by Medardo Rosso. Bronze. Height: 70 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Naum Gabo 1890-1977. Linear Construction in Space No.1, 1950. Perspex with nylon monofilament. 8 1/4 x 8 1/4 x 2 1/4 inches; 21 x 21 x 5.6 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Camille Pissarro (Charlotte Amalie, St. Thomas 1830-1902 Paris). FourBathers (Les quatre baigneuses). Etching; 1895. Delteil 118, the exceedingly rare first of two states before the reduction of the height of the plate. Delteil cites only two impressions of this state. A brilliant impression printed with rich plate tone]
Attributed works:
[Hill-Stone, New York. Jupiter and Juno on Mount Ida, by James Barry. 1777-90. Etching, engraving and aquatint, 26 by 19.6 cm]
Attributed works:
[ifpda|printfair|2012. Park Avenue Armory, New York. Cyril Power. The Tube Station, ca. 1932. Color linocut. Edition of 60.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Girolamo da Treviso (1497-1544). Virgin with the Child and Saint Catherine. Oil on panel, 103 x 83 cm]
Attributed works:
[Mazzoleni Galleria d'Arte, Turin. The comforter, by Giorgio de Chirico. 1958. Oil on canvas, 100 by 81 cm]
Attributed works:
[Moretti, Florence, London and New York. Virgin and Child with the young St. John, by Lorenzo Lippi (1606-56). Oil on canvas, 72.5 by 109 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Sybil Andrews. Rush Hour, 1930. Linocut, from the edition of 50, 20.9 x 25.1 cm]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Camille Pissarro. Market in Pontoise]
Attributed works:
[Paul Stolper Gallery, London. London, Abbey Road parade, by Peter Blake. 2012. Signed and numbered. Edition of 100. Silkscreen, 50 by 50 cm]
Attributed works:
[Piano Nobile. 129 Portland Road, London. The Violinist, 1912. Oil and tempera on board. 38 x 28 cm]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Hugo Wilson, Dodus Dei, 2011. Etching and aquatint, 57.5 x 72.5 cm]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. An ancient dark night descended upon my soul I, by Ana Maria Pacheco. 2010-12. Printed on Somerset satin white, 410 gsm, in an edition of 15. 99.7 by 57.8 cm]
Attributed works:
[Robilant + Voena, London and Milan. Penitent St. Peter, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Oil on canvas, 103.5 by 82 cm]
Attributed works:
[Simon Theobald Fine Art, London. Zwiesprache (Dialogue) by Max Pachstein. 1920. Woodcut printed in colours, 40 by 32 cm]
Attributed works:
[Sims Reeds, London. Marilyn, by Andy Warhol. 1967. Screenprint, 91.4 by 91.4 cm]
Attributed works:
[Sperone Westwater. Bruce Nauman Parallaz. Shell, 1971]
Attributed works:
[The Redfern Gallery, London. Jeu de Boules, by Lill Tschudi, 1934. Linocut, 58.4 x 83.8 cm]
Attributed works:
[The Redfern Gallery, London. Nudes, by Lill Tschudi, 1933. Linocut, 26 by 28 cm]
Attributed works:
[www.kunsthammer.at . Plankengasse . Wien. Josef Hoffman Wiener Werkstatte Beaten Silver, 1906]
Attributed works:
[www.kunsthammer.at . Plankengasse 7. Wien. Johan Loetz-Witwe sign. Phen gre. 356. Paris World Exhibition.]
Non-western art unattributed:
[Galleria Ajassa, Turin. One of a pair of imaginary animals. Chinese, Tang dynasty (618 - 907). Painted terracotta. Height: 58 and 65 cm]
Non-western art unattributed:
[Galleria Stanza Del Borgo. Via Turati 7. Milano. Hosonda Eishi 1756 - 1829. Morokoshi from the House of Echizenya. Mid 1790's. Oban: mm 350 x 247. Series: Seiro bijin rokkasen. Fine impression and colour with embossing in the kimono]
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04/2009 | 1273 | 151
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Subjects
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Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Ben Nicholson (1894-1982). 1940-1942 (Painting) Gouache, 9x9 in (23 x 23 cm)]
Attributed works:
[Andrew Edmunds. London. Gin Lane and Beer Street (detail), by William Hogarth. 1751. Etching and engraving on paper, 39 by 32.6 cm]
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare cabinet à hauteur d'appui with Ceres and Bacchus inspired marquetry panels in pewter, ebony and amaranth. Supporting an exceptional pair of paragon marble busts featuring young Moors. Marquetry panels by André-Charles Boulle (1642-1732), late 17th century. Cabinet, France, second half of 18th century. Busts, Venice, 17th century.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Victor Pasmore R.A. (1908-1998). Linear projection. Oil, collage and wood relief on panel. 62.5 x 62.5 cm (24 1/2 x 24 1/2 in)]
Attributed works:
[Christopher Mendez. London. Peasant with hands behind his back, by Rembrandt van Rijn. 1631. Bartsch 135, fourth state. Etching and engraving, 5.6 by 4.5 cm]
Attributed works:
[David Case Fine Art. Norfolk. Tampere mirror, by Sean Scully. 2003. Etching and aquatint, 32 by 28 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellammare di Stabia, 1707 - Naples, 1789. Huntsmen at Rest. Oil on canvas, 167 x 234 cm (65 3/4 x 92 1/8 cm)]
Attributed works:
[Galerie Fetzer. Sontheim an der Brenz. Amière-saison en Nouvelle Angleterre, by Roy Lichtenstein. 1992. Etching and aquatint in colours, 27.9 by 37.5 cm]
Attributed works:
[Ingleby Gallery. Edinburgh. Untitled, by Rachel Whiteread. 2008. From the 'Billboard for Edinburgh' series. Edition of 50, signed numbered and dated by the artist. Archival digital inkjet print, 25.4 by 33.9 cm (image size): 38.2 by 45.8 cm. (paper image)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Master of Attel (active in Munich 1470/1480). Crowning with Thorns. Deposition. Ascension of Christ. Pentecost. Oil on panel, 125 x 116 cm (each)]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Marlborough Graphic, London. Spider, by Paula Rego. 2008-09. Edition of 35. Etching and aquatint, 63 by 49 cm.]
Attributed works:
[Pratt Contemporary Art. Kent. A modern bestiary: Dachsund, by Ana Maria Pacheco. Screenprint, 24 by 19.5 cm]
Attributed works:
[Redfern Gallery. London. Ploughing pasture, by Sybil Andrews. 1955. Linocut, 29.1 by 37.5 cm]
Attributed works:
[Sims Reed Gallery, London. Flumequine, by Damien Hirst. 2007. Each signed in pencil and numbered from an edition of 75. Etching printed in colours, 139.7 by 107.5 cm]
Attributed works:
[The Fine Art Society. London. Noctes Ambrosianae, by Walter Sickert. c. 1908. Etching and aquatint, printed in black ink on wove paper, 22.8 by 25.8 cm]
Attributed works:
[Wolseley Fine Arts. Horefordshire. Self portrait no. 9 the turban, by Edgar Holloway. 1937. Etching, 12.6 by 10.2 cm]
Attributed works:
[Yale Centre for British Art. 1080 Chapel Street. New Haven, CT. William Powell Frith, The Railway Station (detail), 1862, oil on canvas. Courtesy of Royal Holloway, University of London.]
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10/2006 | 1243 | 148
Pages: i-xviii
Subjects
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Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Francis Hayman (1708-1776) Samuel Richardson the novelist (1684-1761) surrounded by his family. Canvas, 40 x 50 in (76.2 x 101.6 cm)]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Ruth smoking 1, by Julian Opie. 2006. From a set of five screenprints. 121 by 84.5 cm. Edition of 50]
Attributed works:
[Alice Adam Ltd. Po Box 11616 Chicago, IL 60611. E. L. Kirchner: "Nacktes Paar auf einem Kanapee". Woodcut. 1908]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Ecce Homo, Christ presented to the temple, by Rembrandt Harmensz van Rijn (1606-1669). 1655. Drypoint, 35,8 by 45.5 cm]
Attributed works:
[Carolyn Staley Fine Japanese Prints. Seattle. (Fireworks at Ryogoko) Ryogoko Hanabi, from the series, One hundred famous views of Edo, by Utagawa Hiroshige (1797-1858). August 1858 35.7 by 24 cm]
Attributed works:
[Daniela Laube. 981 Madison Avenue. Mezzanine of the Carlyle Hotel. New York. EMILE BERNARD. Les Nymphes or Baigneuses aux fleurs rouges. 1890. Woodcut, hand-colored. Morane 22. 47,5:35 cm. (sheet size: 58,5:46,5 cm)]
Attributed works:
[Daniela Laube. 981 Madison Avenue. Mezzanine of the Carlyle Hotel. New York. The Presentation of Christ at the temple, by Israel van Meckenem. 1490-1500. Engraving, 26.8 by 18.5 cm]
Attributed works:
[Durham Press. Durham, PA. Fig (Figo), by Beatriz Milhazes, 2006. Woodblock and silkscreen print, 1777.7 by 119.3 cm]
Attributed works:
[Frederick Mulder. London. Nature morte sous la lampe, by Pablo Picasso (1881-1973). 1962 Linocut printed in colour, 53 by 64.1 cm. Edition of 50.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pierre Subleyras. Saint-Gilles-du-Gard, 1699 - Rome, 1749. Portrait of Man (an Engraver). Oil on canvas, 64,5 x49 cm. Inscription on the back <<DI MONSU SUBLERASSE [SIC], GMR, n°10>>]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. David Dawson, Working at Night, 2005.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Eugene Delacroix (French 1798-1863). Charles VI and Odette de Champdivers, oil on canvas, 14 x 10-3/4in.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Jacopo da Ponte, called Jacopo Bassano (Bassano del Grappa c. 1510-1592). The Journey (Jacob's Rest), c. 1560, Oil on canvas, 52 x 73-1/2 in. Collection of a Gentleman.]
Attributed works:
[Hill-Stone, Inc., New York. The kingdom of Neptune, by Jacques de Gheyn (1565-1629). 1587. Engraving after Willem van Tetterode, the second of three states.]
Attributed works:
[Hirschl and Adler Galleries, Inc. New York. Variant IX, from Ten variants, by Josef Albers (1888-1976). 1967. Colour screenprint, 22 by 33.5 cm]
Attributed works:
[Jan Johnson. 2258A Coursol Street, Montreal. JACOB DE GHEYN II (1565-1629): Drummer, from the Officers of the Bodyguard of Emperor Rudolf II, after Hendrick Goltzius. Engraving. Hollstein 355, first state of three.]
Attributed works:
[Jan Johnson. Montreal. Prisoners on a Platform, from the Invenzioni Capric di Carceri, di G.B. Piranesi (1720-78). From a set of 14, c. 1749. Hind 10; Robinson 36, first state, a very early impression from the first or second issue printed 1749-58]
Attributed works:
[Museo Thyssen-Bornemisza. Paseo del Prado, 8. Madrid. John Singer Sargent. Lady Agnew of Lochnaw, 1892. National Gallery of Scotland. Edimburg.]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Eugéne Delacroiz. Charenton-Saint Maurice 1798 - Paris 1863. Cheval sauvage, 1828. Lithograph (delteil 78 ii/ii)]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ana Maria Pacheco: Study for woodcut. 2006]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Domestic Scenes 6, by Ana Maria Pacheco. Etching. Plate size, 20 by 26.8 cm. Edition size: 30.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Juan de Valdes Leal. 1622-1690 Spanish School. Ecce Homo. Oil on canvas, 22 x 17 inches (55.9 x 43.2 cms). Signed and Dated "JOAN D VALDES F A 16**]
Attributed works:
[Stolen Picasso Drawing. Pablo Picasso. 'Les Déjeuners, Après Manet' 1961. Pencil on paper. 27x42 cm. Dated and signed '23.6.61 I Picasso'. Zervos XX 44. Picasso Project The Sixties I 1960-1963, no 61-108. Cooper 1963, no 63.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The arrival, by David Hockney. 1961. Proof of an unpublished etching, 15.2 by 19.8 cm]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. The Orator, Madison Square. Etching, roulette and sand ground, 1916. Martin Lewis (1881-1962)]
Attributed works:
[William P. Carl Fine Prints. Northampton, MA. The Seine boat, by Blanche Lazzell. 1927. White line colour woodcut, 35.6 by 31.2 cm.]
Attributed works:
[William Weston Gallery. London. Woman's head, by Pablo Picasso. (1881-1973). Original lithograph in black ink, 34 by 26 cm. Edition of 50.]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Lovis Corinth. Reclining Female Nude. Oil/ Canvas. Signed with Initials. 96 x 160 cm. Ref: compare Berend-Corinth/Hernad 53]
Western art unattributed:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Lucas Cranach The Elder - Workshop. Virgin presenting a Plater with Cherries to the Child. Oil/wood Panel about 1520- 40 x 28 cm. Expertises: Prof. Dr. Dieter Koepplin, Basel (27.08.206) and Ludwig Meyer, Munich (31.08.2006)]
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03/2006 | 1236 | 148
Pages: i-xxxvi
Subjects
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Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Jean-Honore Fragonard (1732-1806). Melissa consoles Bradamante. Black chalk on brown wash, 15 1/2 x 10 1/2 in (391 x 270 mm)]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. The lion and his dog, by Nicolas Marechal (1753-1803). Black lead, pen and brown ink, brown wash, on a late 18th-century French mount, 9.4 by 14 cm]
Attributed works:
[Agnews, LTD, 43 Old Bond Street, London, W.1. Pause de midi au bord de la mare, by Henry-Joseph Harpignies (1819-1916). Canvas, 57 by 77.5 cm. Signed and dated 1886 lower left.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Naum Gabo. Monoprints.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Urania, by Joe Tilson. From 'The Nine Museus', 2005.]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Paul Cézanne (1839-1906). Nu aussi. Pencil and watercolour on paper (with extensive watermark), 44 x 31 cm]
Attributed works:
[Arturo Cuellar, Zurich. A nude study (for a stained glass window: St. Geneviève standing and holding a distaff, by Jean-Auguste Dominique Ingres (1780-1867). Pencil, 37.2 by 16.6 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A fine George III satinwood crossbanded and sycamore marquetry serpentine Commode, in the manner of John Cobb.]
Attributed works:
[Brame & Lorenceau, Paris. Flachen (der Maler) II, by Willi Baumeister. (1889-1955). Oil on paper laid on canvas, 55.5 by 38.6 cm. Signed lower left.]
Attributed works:
[Buccellati, Moscow. A selection of elegant goblets in silver, entirely hand-made, finely hand-embossed and chiselled.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Faust in his study, by Rembrandt van Rijn. c. 1652. Etching, drypoint and burin, 20.9 by 16.2 cm]
Attributed works:
[Carlo Teardo, Milan. Jesus in the garden of Gethsemane, icon, Central Russia. Egg tempera on wood, 100 by 70 cm]
Attributed works:
[Charles Beddington Ltd. 16 Saville Row, London, W1S 3PL. A cockerel and two hens hanging from nails, by Jacob Biltius (1633-81). Oil on canvas, 99.5 by 77.8 cm. Signed: Je biltius fecit. (lower right: Jc in monogram).]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Johann-Ernst Heinsius (Hildburghaussen 1740-Orléans 1812). Little girl with a dog. Signed top right "Henrihette [sic] age de 3 ans" and initialled "J.H.Fecit".]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Fede Galizia (Milan 1578-1630). Peaches in a glass bowl with apples and a grasshopper (detail). Oil on panel. 12x16 3/4 in. (30.5 x 42.5cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Jean-Baptiste Siméon Chardin (Paris 1699-1779). A young Scholar Drawing (detail). Oil on panel. 7x6 in (18.5x16.5 cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Joseph Mallord William Turner (London 1775-1851) Giudecca, La Donna della Salute and San Giorgio (detail). Oil on canvas. 24 x 36 in. (61 x 91.5cm).]
Attributed works:
[Connaught Brown, London. Mother playing with child on floor I, by Henry Moore (1898-1986). Ballpoint pen, charcoal, crayon and gouache, 21 by 29.5 cm. Signed.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Jacopo PALMA, called Palma il Giovane. Venice c. 1548-1628 Venice. Recto: St. John the Baptist kneeling on the ground. Verso: Keeling Christ. Black chalk. 175 x 110 mm]
Attributed works:
[David Jones, London. Frederick IV, Commander of Nuremburg delivering Frederick the Handsome to Louis of Bavaria, by Christian Bernhard Rode (1725-97). Red chalk on cream colored paper. Two sheets joined together, intended for transfer, 41.1 by 63.4 cm]
Attributed works:
[Dickinson, London & New York. Femme à la toilette, by Edgar Degas (1834-1917). Black chalk hightened with white on paper, 62 by 47 cm. With the stamped signature lower left: Degas.]
Attributed works:
[Didier Aaron & cie, Paris, New York & London. The paternal malediction: the punished son, by Jean-Baptiste Greuze (1725-1803). Pencil, grey and sepia ink and grey wash on black chalk, 24.5 by 36.5 cm. Signed lower left: JB Greuze]
Attributed works:
[Emmanuel von Baeyer, London. La Rascienne Honteuse, by Johann Rudolph [Hans Rudolf] Fussli (1737-1806). Etching, size of plate: 22 by 20.8 cm: size of sheet: 22.2 by 21 cm.]
Attributed works:
[Flavia Ormond Fine Arts. London. The genius of music in Italy, by Paul Baudry (1828-86). Black chalk heightened with white chalk on pinkish-brown paper, 34.1 by 25 cm. Signed with monogram: PB. Inscribed with black chalk: Opera.]
Attributed works:
[Gagosian Gallery. Silver Liz, by Andy Warhol. 1963. Synthetic polymer paint and silkscreen ink on canvas, 101.6 by 101.6 cm.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. St. Michael the Archangel slaying Satan, by Michael Willmann (1630-1709). Pen and brown ink and grey wash over black chalk. Verso: St. Michael the Arcangel slaying Satan. Pen and brown ink and grey wash over black chalk, heightened with white 22.3 by 16.2 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Fete by a Riverbank, by Giovanni Andrea Donducci, called Il Mastelletta (1575-1655). Oil on canvas, 99 by 120.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. The Martyrdom of Saint Euphemia. Oil on canvas, 192,5x223 cm (75x87 13/16in)]
Attributed works:
[Galerie de Bayser, 69, rue Ste Anne. Paris. Louis Léopold Boilly (171-1845) - Studies for the chess game, ca. 1815 - Black chalk with stamp - 22 x 35cm.]
Attributed works:
[Galerie de Bayser, Paris. Study for head of a horse, by Théodore Chasseriau (1819-56). Three crayons, 32.5 by 44.5 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Punchinello's wedding procession, by Giovanni Domenico Tiepolo (1727-1804). Ink and wash ink, 35.4 by 47.2 cm. Signed: Dom. Tiepolo f. Annotated:2]
Attributed works:
[Galleria Bosconi, Milan. Caprice, by Johann Antonn Eismann (c. 1613-94/98). Oil on canvas, 102 by 148 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Antonio Gai (Venice, 1686-1769). Portrait of Doge Alvise Mocenigo II. Gilt carved wood, height 78 cm.]
Attributed works:
[Giovanni Sarti, Paris. Madonna and Child, by Giovanni Bellini (1433-35?-1516). Tempera on panel, 63.2 by 49 cm]
Attributed works:
[H. Blairman & Sons, London. A pair of fire dogs designed by Ernest Gimson (1864-1919). English, c. 1909. Manufactured by Alfred Bucknell. Polished wrought iron, each 67 by 30.5 by 53.5 cm.]
Attributed works:
[H.W. Fichter. Arndstrasse 49. 60325 Frankfurt/Main. Carl Philipp Fohr (1795 Heidelberg-1818 Rome). Ruins of the castle Tiefburg at Handschuhshein. Watercolour over ink on paper, 195 x 258 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Marco Ricci (1676-1729). Landscape with smoke rising from a Citadel. Pen and brown ink, 19.1 x 42 cm (7 1/2 x 6 1/2 in)]
Attributed works:
[Hill-Stone, Inc., New York. Sanson and Delilah, by Luca Cambiaso (1527-85). Pen and brown ink, 23.8 by 34.5 cm. Annotated at lower right: lucas Cangiogi fecit, and at the centre left edge: Cambiaso.]
Attributed works:
[Ilaria Quadrani. 305 East 61st Street, New York. Abraham van Strij (Dordrecht 1753.1826 Dordrecht). A young Boy seated on a Trunk, in profile to the right. Signed 'A van Strij'. Black chalk, pen and brown ink, brown wash. 10 7/8 x 9 inches (276 x 227 mm)]
Attributed works:
[Jean-Luc Baroni. London Punchinello riding a camel at the head of a caravan, by Giovanni Domenico Tiepolo (1727-1804). Pen and brown ink and wash over an underdrawing in black chalk, 35.6 by 47.4 cm. Signed at the lower centre: Dom. Tiepolo. f.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. JAN VAN ROSSUM (Born circa 1630, Holland). A bouquet of flowers on a stage ledge with a curtain to the left. On canvas. 28 3/4 x 23 1/4 in. x 73 x 59 cm. Signed and dated 1671, lower centre.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Mars and Venus surpraised by Apollo, by Hendrick de Clerck (1570-1629). Panel, 45.5 by 35.5 cm. Signed and indistinctly dated: 161....]
Attributed works:
[Karl & Faber. Amirplatz 3. 8033 Munchen. Germany. Rembrandt Harmensz van Rijn. Self portrait with raised sabre. Etching. (1634)]
Attributed works:
[La Stanzina, Milan. Under the Pergola, by Ludovico Tommasi. c. 1910. Oil on canvas, 27 by 36.5 cm.]
Attributed works:
[Lawrence Steigrad Fine Arts, New York. A still life of drinking vessels, a pineapple cup, a lemon, bread and two small books, by Sebastian Stoskopff (1597-1657). Oil on canvas, 49.3 by 55 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Elizabeth Siddal seated at an easel, by Dante Gabriel Rossetti. c. 1861. Sepia ink wash with pen and brush, 16.5 by 20 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Thomas Frye. 1710-1762. An old man leaning on a staff. Black and white chalks on paper. 16 5/16 x 12 1/2 inches; 400 x 324 mm. Inscribed verso: MR TATE TO MR BATES. Executed circa 1760.]
Attributed works:
[Maison d’Art, Monte-Carlo. Construction of the bridge for the Festival of the Madonna della Salute, by Johann Richter (165-1745). Oil on canvas, 57 by 95 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jesus returns to the temple with his parents, by Cosimo Rosselli (1440-1507). Panel, 96 cm. diameter.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. At the gates, by Derek Mawudoku. 2005. Drypoint, edition of 6; plate: 34.5 by 49.8 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. An equestrian portrait of he Cardinal-Infante Ferdinand (1609-1641), with an extensive river landscape beyond, by Pauwels van Hillegaert (1506-1640). Oil on canvas, 162.3 by 157.8 cm.]
Attributed works:
[Robilant and Voena. London and Milan. The Lock at Dolo, by Giovanni Antonio Canal, il Canaletto (1697-1768). Oil on canvas, 31 by 45 cm]
Attributed works:
[Salander-O'Reilly. 20 East 79 Street, New York. Ana Maria Pacheco, Sculpture.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Sir William Nicholson. The Glass Bowl, 1920. Oil on canvas, 22 3/4 x 21 3/4 inches (58x55 cms). Signed and dated.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The mysterious garden, by Margaret Macdonald Mackintosh RSW (1864-1933). 1911. Watercolour and ink over pencil on vellum laid on original board, 45.1 by 47.7 cm. Signed and dated lower right.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The Skylark, by Samuel Palmer (1805-1881). Etching, printed in black ink on chine appliqué, 120 by 98 mm]
Attributed works:
[The London Original PrintsFair & Master Drawings. Royal Academy of Arts. Burlington Gardens. London. Bridget Riley, detail from Light Between 82-04 2004.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. FEDERICO ZUCCARO (c. 1541-1609). David Accepting Tribute from the Conquered Nations. Pen and brown ink, brown wash, heightened with white. Executed c. 1566. 325 x 264 mm. The drawing is preparatory for the ceiling of the chapel at the Villa Farnese, Caprarola.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Five peasants in an interior, by Cornelis Dusart (1660-1704). Watercolour, gouache and black and red chalk on parchment, 25.8 by 31 cm. Signed and dated, lower right, in black ink: Corn: dusart fe. 1690]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Portrait of Thérèse Degas, Duchess Morbilli, by Edgar Degas (1834-1917). Charcoal and pencil, 27.7 by 21.7 cm. Verso: A study in pencil of St, George and the dragon. Studio stamp on recto and verso: (Lugt 657)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Allée de peupliers, Vichy, by Jean-François Millet (1814-75). Pen and brown ink with watercolour, 13 by 19 cm. Marked with the artist's studio stamp, lower left: J.F.M (Lugt 1460).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jacob van der Ulft. Gorinchem 1621-1689 Noordwijk. The Ruins of a Church near Zandvoort, Inscribed, upper left, Ryuen tot Santvoort op zee. Brown wash with pen and brown ink over traces of black chalk, with brown ink, framing lines. 7 7/8 x 12 1/4 inches (202 x 310 mm)]
Attributed works:
[Whitfield Fine Art, London. Figures dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Oil on canvas, 90 by 109 cm. Signed lower left: J. Lingelbach.]
Non-western art unattributed:
[Giacomo Manoukian Noseda, Milan. Buddha. Chinese, 16th century. Wooden sculpture with traces of coloured paint.]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. Amber figure of a Madonna with Child (detail). North German, probably Luebeck, c. 1550. Amber, 21.6 cm high.]
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Pages: i-xvi
Subjects
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subjects:
Illustrations
Attributed works:
[August Laube. Trittligasse 19. CH-8001. Zurich. Max Beckmann (Leipzig 1884-1950 New York). Frauenbad (Women's Bathhouse). Drypoint etching. 1922.]
Attributed works:
[August Laube. Trittligasse 19. CH-8001. Zurich. The Great passion, by Albrecht Durer (1471-1528). Series of 12 woodcuts.]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Nicolò Della Casa (active in Rome 1543-1548) attributed to. Portrait of the sculptor Baccio Bandinelli in his workshop. Engraving. 42.5 x 33 cm. An underscribed proof impression. The only known impression.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. RICHARD WILSON (British, 1713-1782). The Cascatelli of Tivoli and Villa Maecenas with the Artist painting in the Foreground. 1752. 16 1/2 x 28 3/8 inches (42x72 cm). Oil on canvas. Signed lower left: R.W.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. A woman bathing her feet in a brook, by Rembrandt Harmensz. van Rijn. 1658. Etching, 16.2 by 8.2 cm]
Attributed works:
[Carolyn Staley Fine Japanese Prints. Seattle. Roaring tiger near rocks, by Ohara Koson (1877-1945). Early 1900s.]
Attributed works:
[Courtesy Hill-Stone, Inc., New York. The billowing trees, by Armand Seguin (1869-1903). 1893. Etching, drypoint and softground.]
Attributed works:
[David Tunick, Inc., New York. Enfoncé lafayette! Attrappe mon vieux!, by Honoré Daumier. 1834. Lithograph on chine appliqué]
Attributed works:
[Frederick Baker, Inc. Chicago. La rue: affiches Charles Verneau, by Theophile-Alexandre Steinlen (1859-1923). 1896. Colour lithograph on six joined sheets, 233.6 by 298 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jacopo dal Ponte, called Bassano. (Bassano del Grappa, c. 1510-13 February 1592). The Adoration of the Shepherds. Oil on canvas, 75.8 x 102 cm (29 7/8 x 40 1/8 in)]
Attributed works:
[Gemini G.E.L. at Joni Moisant Weyl. Los Angeles. The Yangtze, from states of the river, by Ellsworth Kelly. 2005. Lithograph, 114.3 by 81.3 cm. Edition of 25.]
Attributed works:
[John Spink at Colnaghi's, 15 Old Bond Street, London, W1. Windsor Castle from Fellows Eyot, 1811 - Francis Towne (Provenance: JH Merivale and by descent.)]
Attributed works:
[Mary Ryan Gallery, Inc. New York. Water made of lines, by David Hockney. 1978-80. Lithograph, 66 by 86.4 cm. Edition of 39.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ana Maria Pacheco, Misfortunes of a Sardine 7, drypoint, plate size 12 x15 cm.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ash to Dark Water, by Marcus Rees Roberts. A triple-section Artist's Book presented in a wooden box with engraved lid. Etching, drypoint, acrylic, chalk and crayon on Hahnemuhle 'Bugra' 140gsm. Box size: 49 by 35 by 6.2 cm. Edition of 25.]
Attributed works:
[Sragow Gallery, New York. Automatism A, by Robert Motherwell. 1965-66. Lithograph, 71.1 by 54 cm.]
Attributed works:
[Stern Pissarro Gallery. 46 Ledbury Road, London W11 2AB. Camille Pissarro, Paysage à Pontoise, Pastel and Charcoal on paper, 26.5 x 42 cm (10 1/2 x 16 1/2 inches). Executed c. 1873-1874.]
Attributed works:
[Stern Pissarro Gallery. 46 Ledbury Road, London W11 2AB. Camille Pissarro, Une Rue à l'Hermitage, Pontoise, Pastel and charcoal on paper, 26 x 40 cm (10 1/4 x 15 3/4 inches). Executed c. 1873-1874.]
Attributed works:
[The Marlborough Gallery, London. Natural History, part I mushrooms, no. II, by Cy Twombly. 1974. Mixed media, 76.2 by 56 cm. Edition of 98.]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Illustrated: Shadow Dance. Drypoint by Martin Lewis, 1930.]
Attributed works:
[Wildenstein & Co. Inc. 19 East 4th Street. New York, NY 10021. Philippe de Champaigne (1602-1674) The Visitation, c. 1643. Oil on canvas: 112.4 x 97.8 cm.]
Western art unattributed:
[C.J. Goodfriend Drawings and Prints, New York. Raphael and his mistress, Anonymous after Raphael. Chiaroscuro woodcut.]
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Pages: i-xii
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Ars Libri. New York. Klange, 1913, by Wassilly Kandinsky. With 56 original woodcuts (12 in colour)]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. La Torre di Malghera, by Antonio Canale, called Canaletto (1697-1768). Etching, c. 1740. Sheet size: 419x578mm. Plate size: 298x427mm]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. Max Liebermann (1847-1935). A Girl Reading - Portrait of Anna-Christiane Mattuschka, 1896. Lithograph in two colours, 458x306 mm, Schiefler 41b. A very rare proof of one of Liebermann's few original lithographs.]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. The Three Trees, 1643, by Rembrandt van Rijn (1606-1669). Etching with drypoint and burin.]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Rembrandt Christ at Emmaus. B. 87.]
Attributed works:
[C.J. Goodfriend Drawings and Prints, New York. St. James Major, c. 1526-20, by Hans Baldung (1484/5-1545). Woodcut]
Attributed works:
[Crown Point Press. San Francisco. Untitled (LO 269), 2004, by Laura Owens. Colour spit bite aquatint, 647x381 mm. Edition 40.]
Attributed works:
[David Tunick, Inc., New York. Yvonne D. de face, 1913, by Jacques Villon (1875-1963). Drypoint.]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Giovanni Antonio Canal, il Canaletto (Venice 1697-1768). The night Festival on the Zattere near the Church of Santa Marta, Venice, on the Eve of Saint Martha's Day (29 July). Oil on canvas. 37 1/4 x 50in. (94.5x127 cm)]
Attributed works:
[Frederick Mulder. London. Gruppenbildnis Edenbar, 1923, by Max Beckmann (1884-1950). Woodcut, 494x498 mm. Signed in pencil lower right.]
Attributed works:
[Galerie St. Etienne. New York. Girl, 1907, by Ernst Ludwig Kirchner (1880-1939). Lithograph. 325x274 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Carle van Loo (1705-1765). Portrait of a Young Girl. Red Chalk, 45x28 cm (17 3/4 x 11 in)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Antonio canal, called Canaletto. Venice 1697-1768 Venice. Al Dolo. Etching. Bromberg 4, the second state of three. Watermark: Three Crescents. A brilliant impression of this important, large Canaletto.]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. The rest on the flight into Egypt, 1593, by Gerrit Pietersz (1566-1612). Etching.]
Attributed works:
[Jan Johnson. 2258A Coursol Street, Montreal. Crispin De Passe I (ca. 1565-1637): Jonah thrown into the Sea. Engraving. Hollstein 144, first state of two.]
Attributed works:
[Jan Johnson. 2258A Coursol Street, Montreal. Rue des Cordeliers, Dinan, 1907, by Clarence Gagnon (1881-1942). Etching 235x289 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Honoré Daumier. Le ventre législatif, 1834. Lithograph, Delteil 131.]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Nu assis à la chemise de tulle, 1925, by Henri Matisse (1869-1954). Lithograph, margins: 535x370. Signed and numbered 38/50]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Sardine by Giant on foreign shores, 2003, by Ana Maria Pacheco (1943-). Drypoint, 150x120mm]
Attributed works:
[Stiebel. New York, Upper Eastside. Sheet of Studies by Francesco Mazzola known as Parmigianino.]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Illustrated: Arrangement - New York. Lithograph by Jan Matulka, c. 1925]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Saved, 1889, by Winslow Homer. Signed in pencil lower right. Top left etched "G. W. H. Ritchie, Imp." and top right "Copyright 1889 by C. Klackner, N.Y." Vellum, 425x705 mm]
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