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Advertisements March 2010 (front)
03/2010 | 1284 | 152
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's, London. A Mameluke retrieving his lance (recto); Classical composition (verso), by Theodore Géricault (1791-1824). Pen and brown ink and sepia and traces of pencil (recto); Pen and brown ink and sepia over pencil (verso), 17 by 22 cm]
Attributed works:
[Agnews, London. Meleager presenting the head of the Calydonian boar to Atalanta, by Giovanni Battista Crosato (c.1697-1756). Oil on canvas, 81.3 by 99.1 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Benjamin West (1738 - 1820). Cupid and Psyche. Oil on canvas, 54 1/4 x 56 1/4 in (137.8 x 142.9 cm). Signed and dated 'B. West 1808']
Attributed works:
[Artur Ramon Art. Palla 25 CP 08002, Barcellona. Antonio d'Enrico, called Tanzio da Varallo (Alagna, Valsesia, 1575/80 - Varallo, 1635). Study of a kneeling figure half-lenth holding a cup. c. 1620. Red chalk with white chalk on paper washed pink, 200 x 150 mm (actual size)]
Attributed works:
[Artur Ramon, Barcelona. Mercury presents the young Bacchus to the nymphs, by Andrea Procaccini (1671-1734). Pen and brown ink over traces of black chalk, 11.7 by 16.8 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Victor Hugo (1802-1885). The tower of Saint-Romboult amidst an imaginary landscape. Signed and dated on verso. Ink, wash, charcoal and gouache on paper. 48 x 63 cm]
Attributed works:
[Arturo Cuellar, Zurich. Nude looking at her reflection in the water and a bather, by Carl Christian Vogel von Vogelstein (1788-1868). Signed and dated lower right: 'C. Vogel Rom, 1819'. Pencil, 21.7 by 17 cm]
Attributed works:
[Charles Beddington, London. Venice: the Grand Canal at the entrance to the Cannaregio with the Church of San Geremia and the Palazzo Labia, by Pietro Bellotti (1725 - c.1800). Oil on canvas, 113.5 by 139 cm]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Giovanni Francesco Barbieri, called il Guercino. Cento 1591 - 1666 Bologna, Two Warriors. Pen and brown ink and wash, 203 x 133 mm]
Attributed works:
[Dickinson, London. Deux Femmes, by Paul Gauguin (1848-1903). Signed and dated lower left: P. Gauguin 1902. Oil on canvas, 74 by 64.5 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. Audience of Cardinal Aldobrandini in the loggia of the Villa Belvedere in Frascati, by François-Marius Granet (1775-1849). c.1820. Signed lower left: GRANET / FRASCATI. Oil on canvas, 37 by 47 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Portrait of Marie Lecat, by Carle van Loo (1705-1765). One of a pair. Signed and dated 1743. Black chalk with white highlights, 47.6 by 33 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Frans Francken II (1581-1642), Markind, between vice and Virtue (detail), 1635, oil on panel, 143x211 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Francesco Barbieri, il Guercino (1591-1666), Rinaldo and Armida, oil on canvas, 113x153 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano (Rome), 1578 - Rome, 1644. The Arrival of Cleopatra at Tarsus. Oil on canvas, 119 x 170 cm (46 7/8 x 66 15/16 in)]
Attributed works:
[Galerie Caotalem, Paris. Portrait of Jean Alaux, by Jean Auguste Dominique Ingres (1780-1867). Graphite, 16.5 by 12.9 cm]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Kessel the Elder. Antwerp 1626 - 1679 Antwerp. Sweetpeas, shells and butterflies. Oil on copper, 18.8 x 25 cm (7.4 x 9.8 inches). Signed at bottom left: "J.V. Kessel.fecit"]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Jean-Baptiste OUDRY. A Lacquered Stool with Books, Engravings and a Musette. Oil on canvas, H. 91 cm; L. 72 cm signed and dated 1742.]
Attributed works:
[Galerie Eric Coatem, Paris. A spaniel looking to the left, by Alexandre-François Desportes (1661-1743). Black chalk and oil on light brown paper, 31.9 by 26 cm]
Attributed works:
[Galerie G. Sarti. St. Jerome translating the Bible in the desert, by Marco Palmezzano (c.1459-1539). c.1537. Tempera on panel, 66.5 by 57.5 cm.]
Attributed works:
[Galerie Paul Prouté, Paris. A boat with figurehead, by Odilon Redon (1840-1916). Signed in pencil: 'Odilon Redon'. Watercolour, 15.3 by 24 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. Giovanni di Paolo (Siena, 1398-1482). The Virgin and Child between Saints Catherine of Alexandria, Dorothy and two Angels. Circa 1420. Tempera and gold on wood - 34.6 x 22.6 cm]
Attributed works:
[Hill-Stone. New York. Dominique-Louis-Fereol Papety (Marseille 1815-1849 Marseille). Greek Women at the Fountain. Drawing in black chalk, with watercolour washes and white heightening signed by the artist lower left. A study for the artist's most well-known work. omitting the central figure group. The painting at the Musée du Louvre, Paris, is dated to 1841; our study must have been produced shortly before. 287 x 337 mm (11 1/4 x 13 1/4 inches)]
Attributed works:
[Jean-Luc Baroni, London. Time and Truth, by Giovanni Battista Tiepolo (1696-1770). Pen and brown ink and brown wash over a sketch in black chalk, 22.3 by 21.1 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Herman van Swanevelt. Woerden 1603-1655 Paris. Landscape with the Finding of Moses. Oil on canvas, 43.5 by 55.2 cm. (17 1/4 by 21 3/4 in)]
Attributed works:
[Katrin Bellinger, Munich. Illustration for Ariost's 'Orlando Furioso', by Jean-Honoré Fragonard (1732-1806). Black chalk and brown ink with grey wash, 38.9 by 24.6 cm.]
Attributed works:
[Moretti, London, Florence & New York. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints, by Giovanni di Paolo (1397-1482). Panel, 37.3 by 26.7 cm. (with the original frame).]
Attributed works:
[Otto Naumann, New York. The courtyard of the Doge's Palace, Venice, with the Scala dei Giganti and Saint Mark's Basilica beyond, by Michele Giovanni Marieschi (1710-43). Oil on canvas, 118.5 by 180.7 cm]
Attributed works:
[Rob Smeets, Geneva. Three heads of Children, by Giulio Cesare Procaccini (1574-1625). c.1620. Inscribed on verso in an old hand: 'Mad.a Sig.a (?) Falco'. Oil on panel, 26.4 by 35 cm.]
Attributed works:
[Sam Fogg, London. Creation of the world and expulsion from paradise, by Valentin Bousch (1514-41). 1531-1533. Stained glass from the Church of Saint Firmin at Flavigny-sur-Moselle, Lorraine. 289.5 by 76.2 cm]
Attributed works:
[The 25th London Original Print Fair. Royal Academy of Arts. Burlington House. Howard Hodgkin. Night Palm. 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Dieppe shop window, by Walter Richard Sickert (1860-1942). c. 1885. Watercolour, ink and gouache on paper, 26 by 32 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Antonio Susini (1558-1624) (After a model by Giambologna). The Fowler. Executed c. 1580-1600. Bronze. 31 cm high]
Attributed works:
[Triniy Fine Art, London & New York. Vidi, quod agnus aperuisset: the four horsemen of the Apocalypse and St. John the Evangelist in the background, by Luigi Sabatelli (1772-1850). Black chalk, pen and brown ink, 58.3 by 43.6 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Johann Strauss II. His last musical sketches, ca. 1899. Autograph manuscript, 61 pages.]
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Advertisements April 2008 (Front)
04/2008 | 1261 | 150
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London] Sir Augustus Wall Callcott, RA (1779-1844). Smugglers Alarmed While Landing their Cargo. Signed with the artist's monogram. Canvas, 63 x 102 in. (160 x 259 cm.)
Attributed works:
[Alan Cristea Gallery at The London Original Print Fair, Wednesday 23 to Sunday 27 April 2008, Royal Academy of Arts, Burlington Gardens, London] Michael Craig Martin. Intimate Relations, Safety Pin. 2001. Screenprint.
Attributed works:
[Christie's Important Old Master & British Pictures, London, 8 July 2008] William Larkin (London, c.1585-1619). Portrait of Bridget Thornhagh, later Lady Hickmon. Inscribed and dated 'AEtatis.SVAE.17/ANO: 1617'. Oil on panel, 44¼ x 33 in. (113.8 x 83.8 cm.)
Attributed works:
[Dorotheum, Palais Dorotheum, Dorotheergasse 17, Vienna, Austria. First auction week 2008] Vittorio Matteo Corcos (1859-1933). Conversation in the Jardin du Luxembourg (detail). 1892. Oil on canvas, 171 x 140 cm.
Attributed works:
[Elizabeth Harvey-Lee, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Hendrik Goltzius 1558-1616) Hercules and Cacus. Chiaroscuro woodcut, 1588. Ref: Bartsch 231, Hollstein 373, Bialler 25 ii/iii.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris] Pietro Piffetti (Turin, 1701-1777). Commode veneered with rare woods, decorated with engraved ivory and gilt-bronze ornaments. Circa 1730-1740. Dimensions: 98.5 x 132 x 63.5 cm. (38¾ x 25 in.)
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris] Bartolomeo Bettera (Bergamo 1639-Milan after 1688). Musical instruments with Glass Balls and a Male Bust. Oil on canvas, 96 x 140 cm (37 13/16 x 55⅛ in.)
Attributed works:
[Hilary and Georgie Gerrish, Monmouthshire at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Andy Warhol. Eva Mudocci (After Munch) 1984. 1989. Screenprint on Lenox Museum Board, 101.6 by 81.3 cm.
Attributed works:
[Lempertz, Neumarkt 3, Cologne, Germany] Hans Hoffmann (um 1545/1550-1591/1592). The Hare (after Albrecht Dürer). 1582. Watercolour on paper, 21.6 x 18.3 cm.
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, New Bond Street, London] George Romney (1734-1802). Titania's Attendants. Oil on canvas, 47 x 59 inches (1194 x 1499 mm.). Painted circa 1792.
Attributed works:
[TAG Fine Arts, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Robert Ryan. We don't need no stepping stones. 2007. Edition of 11. Screen print, 83.5 by 114.5 cm.
Attributed works:
[The Fine Art Society, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Robert Bevan (1865-1925). Horse dealers (Ward's repository No. 1). 1919. Lithograph, 27.8 by 38 cm.
Attributed works:
[The Paragon Press, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Anish Kapoor. Untitled, from shadow. 2007. Signed and numbered by the artist. Edition of 35. Etching, 65.5 by 49.5 cm.
Western art unattributed:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] Important pair of Carrara marble sphinxes. Paris, circa 1700. H. 82 cm. (32⅓ in.), W. 102 cm. (40 in.), D. 44 cm. (17⅓ in.)
Western art unattributed:
[Bonhams, 101 New Bond Street, London. Antiquities, Thursday 1 May] A large Roman marble bust of a satyr, mid 2nd Century A.D. Estimate: £30,000-40,000.
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Advertisements December 1998 (front)
12/1998 | 1149 | 140
Pages: i-xx
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Reliquary Bust of St Clement, Here Attributed to Giuliano Finelli. c.1635-39. Copper and Brass, Gilt and Silvered, with Imitation Jewels, 118 cm. High (Museo Diocesano, Velletri)
Attributed works:
[Alex Wengrad Limited, The Old Knoll, Eliot Hill, London, UK] Silver Statuette, Cast from a Model by Alessandro Algardi of Circa 1632 Stamped FT. Height: 8 3/4 in: 22 cm Excluding Reliquary Base
Attributed works:
[B. E. L. Publishers advertisement] Tomaso da Modena. Saint Michael the Archangel. Italy, Probably Modena 1358/60
Attributed works:
[Blumka Gallery, 209 East 72nd street, New York, New York] Relief of Saint Peter as Suppliant in a Cave The Attribute of the Cock in the upper Right Hand Corner Attributed to Christoph Daniel Schenck (German, 1633-1691) Boxwood, Height: 11 in. (28 cm.); Width 8 1/8 in. (20.6 cm.)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Antonio Calegari (Brescia, 1699-1777) Lucrecia (?) Terracotta, 53 × 21 × 15.6 cm.
Attributed works:
[Christie's, 8 King Street, London, UK] Bernardo Bellotto (1722-1780). The Grand Canal, Venice, Looking East from the Palazzo Flangini to the Palazzo Vendramin Calergi. Oil on Canvas 23 7/8 × 36 1/8 in. (60.7 × 91.8 cm.)
Attributed works:
[Christie's, 8 King Street, London, UK] Paolo Caliari, il Veronese (1528-1588). The Rest on the Return from Egypt. Oil on Canvas 62 7/8 × 63 7/8 in. (159.8 × 162.4 cm.)
Attributed works:
[Christie's, Cornelis Schuytstraat 57, 1071 JG Amsterdam, Netherlands] Josef Csaky (1888-1971). Girl with a Sheep, Signed and Dated on the Base 'Csaky 29' a Pink Stone Sculpture, 21 in. (53.5 cm.) High
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Francesco Guardi Venice 1712 - 1793 Venice Venice: A View of the Rialto with the Riva del Vin Pen and Brown Ink and Brown and Grey Wash. Signed Fran. co de Guard; Fect. 247 × 423 mm. (9 3/4 × 16 5/8 in.)
Attributed works:
[Concorde Art Associates, New York, New York] August Rodin Study for the Monument to Whistler 25½ Inches High Signed and Numbered 6/8 Fondr & C by Musee Rodin, 1885 Bronze with Dark Brown Patina
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] 'The Resurrection' Nottingham, England 15th Century. Alabaster, Height: 39cms
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Auguste Préault (1809-1879) Le Silence Cast Plaster Diameter: 15 3/4 Inches (400 mm.) Slightly Irregular Depth: 6 Inches (155 mm.)
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK] Eustache le Sueur (1616-Paris-1655) Marcus Curtius Leaping into the Void. Oil on Canvas, 43 × 35 Inches (110 × 89 cm)
Attributed works:
[Pierre Beres, 14 Avenue de Friedland, Paris, France] Claude-Nicolas Ledoux, L'architecture considérée sous le rapport de l'art..., Paris, 1804, Folio. First edition.
Attributed works:
[Tate Gallery, Millbank, London, UK] Sir William Blake Richmond, Mrs Ernest Moon, 1888
Attributed works:
[University of California Press advertisement. Held in the Vatican Museum] Antonio Canova, Perseus with the Head of Medusa, Marble, 1757-1801. (Musei Vaticani)
Attributed works:
[Victoria and Albert museum, London] John Constable. Sketch for 'The Valley Farm', c.1835. Oil on Canvas. The Canvas Has Been Relined. The Stretcher Is Inscribed in Ink J. Constable P. Valley Farm. (254 × 210mm.)
Attributed works:
[Victoria and Albert museum, London] John Constable. Dedham Lock and Mill, c.1820. Oil on Canvas. Signed and Dated below on Right John Constable. ARA. Pinxt 1820. (537 × 762mm.)
Western art unattributed:
[Liverpool University Press advertisement] book cover. Public Sculpture of Birmingham Including Sutton Coldfield by George T. Noszlopy, ed. Jeremy Beach
Western art unattributed:
[Liverpool University Press advertisement] book cover. Public Sculpture of Liverpool by Terry Cavanagh
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A 17th Century German Carved Ivory Plaque. Provenance: Ernst Boehlen Collection, 8cm High.
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A 17th Century Italian Rock Crystal and Glass Panelled Christaining Robe Casket. Provenance: Blo' Norton Hall, Norfolk.
Western art unattributed:
[Sotheby's, 1334 York Avenue, New York, New York] Rheno-Mosan, Circa 1150 Champleve Enamel on Gilt Bronze 4.7 by 5 cm.
Western art unattributed:
[Sotheby's, 1334 York Avenue, New York, New York] Rheno-Mosan, Circa 1180 Champleve Enamel on Gilt Copper 8.2 by 6.9 cm.
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Advertisements June 1998 (front)
06/1998 | 1143 | 140
Pages: i-xxxii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Antoni Gaudi, Tempia Explatorio de la Sagrada Familia, Barcelona, under Construction Since 1881.
Attributed works:
Unexecuted Design for the Decoration of a Wall of the Egyptian Room in the Villa Borghese, Rome, Attributed to Tomaso Conca, c.1778-79. Water-Colour over Graphite, 34 by 49.8 cm.;
Attributed works:
Vincent van Gogh, Self Portrait with Bandaged Ear, 1889. (The Courtauld Gallery, London)
Attributed works:
[Anthony Mould Ltd, 173 New Bond Street, London, UK] Thomas Gainsborough RA (1727-1788). Two Children in a Landscape. Oil on Canvas, 60 × 48 Inches
Attributed works:
[Blairman & Sons Ltd, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] China Cabinet, Designed by Ernest Gimson, c.1901. Mahogany with Chequered Mouldings. 213.3 × 119.6 × 57 cm.
Attributed works:
[Christie's, 8 King Street, London, UK] Joseph Vernet (1714-1789) A Mediterranean Harbour with the Artist, His Daughter. Emilie Chalgrin, His Son, Carle Vernet, and His Daughter-in-Law. Fanny Moreau on a Stone Pier Signed and Dated 'j. Vernet./F.1788' Oil on Canvas, 34¼ × $44frac{7}{8}$ in. (87 × 114 cm.) Estimate: £150,000-250,000
Attributed works:
[Christie's, 8 King Street, London, UK] Sir Anthony van Dyck (1599-1641). Portrait of Lady Lucy Percy, Countess of Carlisle (1599-1660). Oil on Canvas, 85 3/4 × 55¼ in. (217.9 × 140.3 cm.)
Attributed works:
[Christopher Wood, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Cabinet in the Gothic Style, Designed by Benjamin Green, Made by Jobson, Stephenson and Smith, 1834.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bartholomeus Breenbergh Deventer 1598. Amsterdam 1657 Portrait of a Young Man with a Letter. Oil on copper: 24.1 × 19.4 cm Monogrammed and dated at centre: BB. f Ao 1641. Inscribed at centre right: AT 20
Attributed works:
[Douwes Fine Art, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Wooded Landscape with Diana and her Attendants, by Alexander Keirincx, Signed and Dated 1636, with Figures by Cornelis van Poelenburgh.
Attributed works:
[Grosvenor Antiques, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Nymph and Zephyr, by W. F. Woodington after Richard Westmacott, 1843. Bronze, 41 × 13.5 cm.
Attributed works:
[H. Blairman & Sons, Ltd., 119 Mount Street, London, UK] Writing Cabinet Designed by Ernest Gimson (1864-1919). Bordered with Ebony and Veneered with Burr Elm. English (Sapperton), Circa 1904. Height: 49 in. Width: 31½ in. Depth: 17¼ in. (Maximum).
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Eugene Isabey (1803-1886). La Tempête Watercolour and Gouache, 28.4 × 39.3 cm With the Atelier Stamp (Lugt Suppl. 1401b)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Hendrick Goltzius. Muhlbrecht 1558 - 1617 Haarlem. Judith with the Head of Holofernes. Engraving, after Spranger; c.1585. Bartsch 272, Hollstein 317, the First State of Two.
Attributed works:
[Johnny Van Haeften, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Shepherd, by Jan van Bijlert. Signed. 83 × 64.5 cm.
Attributed works:
[Kate de Rothschild, Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Charles-Joseph Natoire. 1700 Nimes - Castel Gandolfo 1777. Cattle near the Colosseum 235 by 340 mm
Attributed works:
[Kate De Rothschild, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] The Resurrection, by Luca Cambiaso. Pen and Black ink with Brown Wash, 31 × 21.1 cm.
Attributed works:
[Kate Ganz Ltd., New York and London] Jean-François Raffaëlli (1850-1924). Portrait of Albert Clémenceau, 1884. (A Preparatory Sketch for Clémenceau dans une réunion electorale, Exhibited in the Salon of 1885) Oil with Watercolour and Charcoal on Paper Applied to a Wood Board Signed in Oil, Upper Right: J. F. Raffaëlli. 27.0 × 21.5 cms
Attributed works:
[R.S. Johnson Fine Art, 645 North Michigan Avenue, Chicago, USA] Fernand Léger Study for "La Ville". 1919 Gouache 383 × 280 mm.; Initialed "F. L.". Dated "19" and Annotated "Étude Pour la Ville". Lower Right
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Christian Wilhelm Ernst Dietricy (1712-1774) German School. A Portrait of a Lady, Small Three-Quarter Length, Wearing a Red Dress with White Sleeves and Holding a Basket of Flowers. Oil on Panel. 17 5/8 x 12 7/8 Inches (44.7 × 32.7 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Jean-Baptiste de Saive - (1540-1624) Flemish School. A Market Scene with a Boy Offering Strawberries to a Girl Seated and Surrounded by Flowers. (An Allegory of Spring). Oil on Canvas $40frac{3}{4}$ × 58½ Inches (103.3 × 148.5 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Tobias Stranover (Active 1684-1731) Hungarian School. A Peacock, Hen and Cock Pheasant in a Landscape. Oil on Canvas. 49½ × 38 3/4 (126 × 98.5 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Vicente Victoria (1650-1713) Spanish School. An Exceptional Trompe l'oeil with a Standard, Pikes, a Sword, a Musket, Miquelet Pistols and a Drum All Set against a White Wall Background. Oil on Canvas. 64 3/4 × 82½ Inches (164.5 × 209.5 cms)
Attributed works:
[Rafael Valls, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Hunting Party in the Grounds of a Country House, by Jan van Huchtenberg. Signed and Dated 1674. 68 × 32 cm.
Attributed works:
[S.J. Phillips, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Silver-Gilt Candlesticks, by Wenzel Jamnitzer, Nuremberg, c.1540. 15.2 cm. High
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Highly Important Documented White Marble Bust of Daniel Finch, 2nd Earl of Nottingham Aged about 76 (1647-1730) by Michael Rysbrack (1694-1770) circa 1723, Height., 65cm. Estimate: £400,000-600,000 The Property of G. S. Finch Esq.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Caspar David Friedrich, German (1774-1840). Küstenlandschaft im Mondschein (Coastal Scene by Moonlight). Oil on Canvas 22 by 31cm. 8½ by 2¼in. Estimate: £700,000-900,000 ($1,150,000-1,400,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] The Property of a Lady. A Terracotta Bust of Edward Salter (1742-1812), Aged Six by Michael Rysbrack (1694-1770). Signed and Dated Edward Salter Ae(ta)tis 6. 1748, Ml Rysbrack. Fec:t. Height 41.5cm. Estimate: £100,000-150,000
Attributed works:
[Stoppenbach & Delestre, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Danseuse Saluant, un Genou à terre, by Edgar Degas. Signed Lower Right. Pastel and Charcoal, 29 × 23 cm.
Attributed works:
[The Weiss Gallery, 18 Albemarle Street, London, UK] Adriaen Hanneman c.1604-1671. James Stuart, 1st Duke of Richmond and 4th Duke of Lennox (1612-1655)' Oil on Panel: 29¼ × 23¼ ins. (74.3 × 59.1 cm.). Inscribed Upper Left.: Stuart Duke of Richmond Painted Circa 1642/3
Attributed works:
[William Drummond, 8 St. James's Chambers, 2 Ryder Street, London, UK] Self Portrait of the Artist. Daniel Maclise 1806-1870. Irish. Royal Academician Signed with Monogram and Inscribed: "Pictor Hibernicus" Pencil, 7½ × $7 7/8 Inches (19 × 12.5 cms).
Non-western art unattributed:
[C. John, 70 South Audley Street, London, UK] A Fine Persian Sultanabad 'Ziegler' Carpet, Circa 1880 Dimensions: 19′ 8″ × 12′ 2″ (598 cm × 371 cm)
Non-western art unattributed:
[Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong, China] A Very Fine Pair of Huanghuali Horseshoe Armchairs Chinese, Ming Dynasty, Late 16th to Early 17th Century Height 99.6 cm. (39 3/16 in.). Width 59.2 cm (23 5/16 in.). Depth 45.8 cm (18 in.)
Non-western art unattributed:
[Grace Wu Bruce, Hong Kong. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Small Painting Table, Late 16th-Early 17th Century. Huanghuali Wood, 85.3 × 122 × 73.8 cm.
Western art unattributed:
Ephesos, Marble Replacement Head, 5th Century AD (Selçuk, Ephesos Archaelogical Museum)
Western art unattributed:
Free Case of the Finest Claret with Orders Placed before August 98
Western art unattributed:
Photographed in Coco Chanel's Legendary Apartment in Paris.
Western art unattributed:
Photographed in Coco Chanel's Legendary Apartment in Paris.
Western art unattributed:
[Asprey, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Commonwealth Porringer Bearing the Arms of the Burton Family of Derbyshire, 1658. 11.5 × 23 cm. Silver, Marked 'WH' Star above, Pellet in Annulet below.
Western art unattributed:
[Christie's, 8 King Street, London, UK] A Gilt-Bronze Figure of Saint John the Evangelist English or North French, Circa 1180 3$frac{5}{8}$ in. (9.2 cm.) High. Estimate: £200,000-£300,000
Western art unattributed:
[Christie's, 8 King Street, London, UK] A Pair of George II Walnut and Parcel-Gilt Library Open Armchairs, in the Manner of Paul Saunders. Estimate: £100,000-£150,000
Western art unattributed:
[Jeremy, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Regency Ormolu and Ebonised Inkstand, c.1810, Given by George III to His Physician in 1814. 20 by 32.5 × 26 cm.
Western art unattributed:
[Mallett, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Mahogany Settee after a Design by William Kent and ?John Linnell, c.1770. 104 × 124 × 51 cm.
Western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Five (From a Group of Fifteen) Very Rare Ibex-Hom Carvings. Salzburg, Circa 1700/50. Exhibited, 1990, at the Dommuseum, Salzburg: Geschnitztes Steinbockhorn, Cat. Nos. 156, 33, 86, 136 and 104 (Illustrated above, Clockwise from Upper Left).
Western art unattributed:
[Norman Adams, 8-10 Hans Road, London, UK]A Very Fine George III Purpleheart Pembroke Table. Circa 1775.
Western art unattributed:
[Sam Fogg, 35 St. George Street, London, UK] A Knight from a Manuscript on Chess. Northern Italy. Dated 1409. From the Ludwig and J. Paul Getty Museum Collections
Western art unattributed:
[Sam Fogg, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Bishop with Acolytes from a Manuscript of Gratian, England, Possibly London, Circa 1320-30.
Western art unattributed:
[Seago, 22 Pimlico Road, London, UK] An important early nineteenth century Coade Stone statue of "A Nymph unclasping her zone" otherwise known as "Venus attiring herself after her bath" after a carved marble sculpture by Sir Richard Westmacott (1775-1856) exhibited at the Royal Academy in 1828, and thereafter at Castle Howard, Yorkshire. (Destroyed by fire, 1940). A plaster version of the same sculpture may be seen at Sir John Soane's Museum, Lincoln's Inn Fields, in the Picture Room where it has been since the room's construction (1824-5). The present sculpture is interesting not least because the original marble no longer exists but because it demonstrates a hitherto unknown connection between Westmacott and the Coade Manufactory. English, circa 1825. Height: 4ft 6in Photo: Don Wood