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7 articles
Article
The legacy of Girolamo da Carpi: An unpublished document on the history of his drawings
05/2019 | 1394 | 161
Pages: 398-401
related names
Author:
Mattei, Francesca (Mattei, Francesca)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Drawings of a frame and details of the so-called Arch of Drusus and Raphael’s house, Rome, by Girolamo da Carpi. c.1549–53. Pen and ink, 31.2 by 12.2 cm. (Rosenbach Museum and Library, Philadelphia).
Attributed works:
2. Study for two kneeling kings, by Girolamo da Carpi after Polidoro da Caravaggio. 1525. Pen, ink, wash and white lead on blue paper, 27 by 20 cm. (Musée du Louvre, Paris).
Attributed works:
3. Study for the ‘Allegory of Ferrara’, by Girolamo da Carpi. c.1534–37. Pen and wash with white lead on blue paper. 27.2 by 20.3 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Advertisements
Advertisements May 2001 (front)
05/2001 | 1178 | 143
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
To I. B., by Philip Guston. 1977. 170.8 by 203.2 cm. (Estate of Philip Guston; Photograph Courtesy of David McKee Gallery, New York)
Attributed works:
[Aldega-Gordon, New York, New York] Giovanni Francesco Barbieri, Called il Guercino. Cento 1591 - 1666 Bologna Pen and Brown Ink, 9 × 6½ Inches (229 × 165 mm)
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Wihelm von Kobell (1766-1855). View of Tegernsee Watercolor over Traces of Pencil with a Pen and Black Ink Border, 1837. Signed and Dated Lower Right 7 1/8 × 9½ Inches
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] A Rare Mahogany Stool Shaped Chenil English. Circa 1775. Measurements: Height: 19″ (49cm); Width: 18″ (46cm); Depth: 18″ (46cm).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Agnolo Bronzino (1503-1572). Study of the Dead Christ Black Chalk: 314 × 219 cm (12 3/8 x 8 5/8 In.)
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Aimé-Jules Dalou (Paris 1838 - 1902 Paris). Study for Mirabeau répondant à Dreux-Brézé dans le séance du 23 juin 1789. Original Wax Relief, Set into a Plaster Mount. Height: 12 Inches (31.0 cm.) Width: 12 Inches (68.8 cm.) Signed Dalou and Dated 1889 Lower Right Inscribed une des figures de mon bas relief des 'états généraux' across the Bottom Edge of the Portrait
Attributed works:
[Emmanuel Moatti, Inc., Paris, France] Nicolas Lagneau, Portrait of an Old Woman Smiling, Black and Red Chalk with Yellow Watercolor, 16 3/4 x 11 1/3 in. (42.5 × 28.7 cm.)
Attributed works:
[Exh. International Fine Art Fair, New York] Abraham Bloemaert (1564-1651): Six Studies of Heads of Putti. Red Chalk Heightened with White, 23.6 × 13.8 cm. Agnew's, London
Attributed works:
[Exh. International Fine Art Fair, New York] Adolf Friedrich Erdmann Von Menzel (1815-1905): Head of an Old Man Looking Down to the Right, 1893. Graphite with Stumping and Grey Wash, 20.6 × 12.9 cm. W. M. Brady & Co., Inc., New York
Attributed works:
[Exh. International Fine Art Fair, New York] Francesco Monti (1685-1768): Christ in the House of Simon. Black Chalk with White Heightening on Beige Prepared Paper 36.7 × 19 cm. Flavia Ormond, London
Attributed works:
[Exh. International Fine Art Fair, New York] Master of the Griselda Legend: A Bacchanalian Scene. Tempera on Panel, diam. 55.5 cm. Galerie Canesso, Paris
Attributed works:
[Exh. International Fine Art Fair, New York] Paul Gauguin (1848-1903): Portrait of the Artist's Wife Mette. Charcoal and Pastel, 16.5 × 14.3 cm. Frost & Reed, London
Attributed works:
[Exh. International Fine Art Fair, New York] Paul Manship (1885-1966): Adam (From a Pair of Adam and Eve). 1924. Bronze, ht. 44.1 cm. Gerald Peters Gallery, New York
Attributed works:
[Exh. International Fine Art Fair, New York] Pietro Berrettini detto Pietro da Cortona, 1596 - Rome, 1669. Saint Peter Damian Offering the Camaldolese Rule to the Virgin. Oil on Canvas, 137 × 104 cm
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Giovanni Serodine. Ascona (Ticino)(?) 1594 (?) or Rome (?), 1600 (?) - Rome, 1630. Jesus among the Doctors. Oil on Canvas, 147 × 218 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Girolamo Da Carpi (1501 - Ferrara - 1556) The Adoration of the Magi Oil on Arched Panel, 51.1 × 33.3 cm (20¼ × 13 3/8 ins)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Master M. Z. (Matthaus Zaisinger?) Active Circa 1500 - 1503. The Martyrdom of Saint Barbara. Engraving; c. 1500. Bartsch 9. The Illustrated Bartsch Commentary .007. Lehrs 7. Watermark: High Crown, as Cited by Lehrs for Early Impressions. A Fine Impression.
Attributed works:
[Jill Newhouse, 12 East 86th Street, New York, New York] Corinne Cuellar. Venice, 2001. Oil on Canvas, 11 × 9¼ inches (28 × 23.5 cm)
Attributed works:
[Noortman Old Masters, Vrijthof 49, 6211 LE Maastricht, Holland] Rembrandt Harmensz. van Rijn (1606-1669) Portrait of a Bearded Man, Bust-Length, in a Red Doublet (Detail). Signed and Dated 1633. Oil on Panel, oval, 25 × 20 in. (63.5 × 50.8 cm.)
Attributed works:
[Noortman Old Masters, Vrijthof 49, 6211 LE Maastricht, Holland] Rembrandt Harmensz. van Rijn (1606-1669) Portrait of a Lady, Aged 62 (Detail). Signed and Dated 1632. Oil on Panel, oval, 29 × 22 in. (73.7 × 55.8 cm.)
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Christopher Wood, Marseilles Harbour. Sold for £80,700 in June 1999.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Gaetano Gandolfi (San Matteo Della Decima 1734-1802 Bologna). Mother and Two Children. Pen and Brown Ink and Brown Wash, 141 × 95 mm (5 9/16 × 3 3/4 Inches). Inscribed on the Old Mount, Drawn by Gaetano Gandolfi Bolognese Painter./The Wife and Two Children of the Painter.
Western art unattributed:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Austro-Bohemian. Crowned Head of the Virgin Early 15th Century Alabaster. Height 26cms
Western art unattributed:
[Kunsthaus Lempertz, Neumarket 3, D-50667, Cologne, Germany] Laokoon. Bronze, 52 × 46 cm. France, 17th C. Estimate: £ 26-32,000. Old Masters Sale, 19 May
Short Notice
Girolamo da Carpi's 'Madonna of the Fish'
11/1983 | 968 | 125
Pages: 679-681
related names
Author:
Falla, Paul (Falla, Paul)
Author:
Sgarbi, Vittorio (Sgarbi, Vittorio)
Subjects
dates:
places:
Illustrations
Attributed works:
33. Madonna and Child with Tobias, the Angel and St Jerome, by Girolamo da Carpi. 135 by 165 cm. (Lanfranchi Collection, Rome).
Attributed works:
34. Madonna of the Fish, by Raphael. 212 by 158 cm. (Museo del Prado, Madrid).
Attributed works:
35. Santa Marina, by Girolamo da Carpi. Diameter c.77.5 cm. (Jemma Collection, Rome).
Attributed works:
36. A Bishop Saint, by Girolamo da Carpi. Diameter c.77.5 cm. (Jemma Collection, Rome).
Short Notice
A Late Work by Girolamo da Carpi
06/1983 | 963 | 125
Pages: 358-359
related names
Author:
Russell, Francis (Russell, Francis; Russell, F.)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
52. Adoration of the Magi, Here Attributed to Girolamo da Carpi. Panel, 44.2 by 32.1 cm. (National Gallery).
Attributed works:
53. Adoration of the Magi. Here Attributed to Girolamo da Carpi. Panel, Close in Size to Fig. 52. (Private Collection, U. K.).
Article
Some Preparatory Drawings by Girolamo da Carpi
02/1970 | 803 | 112
Pages: 86-94
related names
Author:
Canedy, Norman W. (Canedy, Norman W.)
Subjects
artists:
artists:
dates:
places:
sources:
subjects:
Illustrations
Attributed works:
23. An Hour with the Horses of the Sun (Aurora), by Girolamo da Carpi. Pen, Brush over Black Chalk, White Heightening, 20.3 by 25.2 cm. (Cabinet des Dessins, Musée du Louvre.)
Attributed works:
24. Adoration of the Magi, Here Attributed to Girolamo da Carpi. Pen, Brush over Black Chalk, White Heightening (Oxidized), 22.8 by 32.1 cm. (Albertina, Vienna.)
Attributed works:
25. A Striding Diana (Formerly Collection Soderini, Rome), by Girolamo da Carpi. Pen and Ink, 31.4 by 12.2 cm. (Biblioteca Reale, Turin.)
Attributed works:
26. Adoration of the Magi, by Girolamo da Carpi. Canvas, 101 by 181 cm. (Galleria Estense, Modena.)
Attributed works:
27. Adoration of the Magi, by Girolamo da Carpi. (S. Martino Maggiore, Bologna.)
Attributed works:
28. Woman Running, Carrying a Jar, Here Attributed to Girolamo da Carpi. Graphite, 23.7 by 15.7 cm. (Art Institute of Chicago; Leonora Hall Gurley Memorial Collection.)
Attributed works:
29. Adoration of the Magi, Here Attributed to Biagio Pupini. Brush, White Heightening, 33.1 by 26.4 cm. (Staatliche Graphische Sammlung, Munich.)
Attributed works:
30. St. Lucy and St. Agatha, Attributed to Girolamo da Carpi. Panel, 106 by 22 cm. (Pinacoteca dei Concordi, Rovigo.)
Attributed works:
31. Assumption of the Virgin (Muzzarelli Altar-Piece), by Girolamo da Carpi. Panel, 199 by 131 cm. (National Gallery of Art, Washington; Samuel H. Kress Collection.)
Attributed works:
32. Mary and Martha and a Seated Man, Here Attributed to Girolamo da Carpi. Pen, Ink over Traces of Black Chalk, 17.2 by 24.6 cm. (Gabinetto dei Disegni, Galleria degli Uffizi, Florence.)
Attributed works:
33. Christ with Mary and Martha, Here Attributed to Girolamo da Carpi and Biagio Pupini. Panel, 39 by 50 cm. (Galleria degli Uffizi, Florence.)
Attributed works:
34. Ganymede and the Eagle, by Girolamo da Carpi. Pen, Wash over Black Chalk, White Heightening, on Brown-Tinted Paper, 21.5 by 18.7 cm. (Collection Mrs Richard Krautheimer, New York City.)
Attributed works:
35. Figure Studies for a Pentecost, by Biagio Pupini. Brush, Brown Ink, White Heightening, on Brown-Tinted Paper, 25.2 by 37.9 cm. (British Museum.)
Article
Further Evidence on a Problem Picture
04/1965 | 745 | 107
Pages: 184-192
related names
Author:
Ramsden, E. H. (Ramsden, E. H.)
Subjects
dates:
museums and institutions:
patrons:
places:
subjects:
subjects:
Illustrations
Attributed works:
16. Detail from the Double Portrait Reproduced in Fig.19. [Variously Attributed to Sebastiano del Piombo and Girolamo da Carpi. Panel, 138.4 by 111.8 cm. (National Gallery, London.)]
Attributed works:
17. Detail from Double Portrait Reproduced in Fig.19, Shown upside down. [Variously Attributed to Sebastiano del Piombo and Girolamo da Carpi. Panel, 138.4 by 111.8 cm. (National Gallery, London.)]
Attributed works:
18. Papal Bull of Clement VII Requesting Henry VIII to Take into His Favour Edward Lee, Appointed to the See of York. Rome, November 1531. c. 36 by 50 cm. (Public Record Office, London.)
Attributed works:
19. Double Portrait, Variously Attributed to Sebastiano del Piombo and Girolamo da Carpi. Panel, 138.4 by 111.8 cm. (National Gallery, London.)
Attributed works:
20. Detail from Double Portrait Reproduced in Fig.19. [Variously Attributed to Sebastiano del Piombo and Girolamo da Carpi. Panel, 138.4 by 111.8 cm. (National Gallery, London.)]
Attributed works:
21. Detail from Double Portrait Reproduced in Fig.19. [Variously Attributed to Sebastiano del Piombo and Girolamo da Carpi. Panel, 138.4 by 111.8 cm. (National Gallery, London.)]
Attributed works:
22. The Vice Chancellor with the Regent and Abbreviators. From Jo. Ciampini, De Abbreviatorum..., 1691. 13.5 by 20 cm.
Attributed works:
23. Portrait of Sebastiano del Piombo. Wood Engraving, from Vasari, Vite..., Second Edition, 1568.
Attributed works:
25. Detail of Papal Bull of Clement VII, Granting a Dispensation to Robert Codde for the Holding of Two or More Benefices. Rome, May 1533. (Lambeth Palace Library, London.)
Attributed works:
26. Clement VII and Charles V in Conference at Bologna, by Sebastiano del Piombo. 1532/33. Pencil Drawing, 31 by 46.2 cm. (British Museum.)
Western art unattributed:
24. Detail of the Sala Riaria, Showing the Doorway of African Veined Marble in the Side Wall. Photograph, Palazzo della Cancellaria, Rome.
Short Notice
New Evidence on a Problem Picture
03/1962 | 708 | 104
Pages: 116-118
related names
Author:
Gould, Cecil (Gould, Cecil)
Subjects
dates:
dates:
museums and institutions:
patrons:
places:
Illustrations
Attributed works:
23. Double Portrait, Attributed to Girolamo da Carpi. (Infra-Red Photograph.) Panel, 138.4 by 111.8 cm. (National Gallery, London.)
Attributed works:
24. Detail of Double Portrait [Attributed to Girolamo da Carpi] Reproduced in Fig.23.