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03/2013 | 1320 | 155
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
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05/2001 | 1178 | 143
Pages: i-xx
Subjects
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Illustrations
Attributed works:
To I. B., by Philip Guston. 1977. 170.8 by 203.2 cm. (Estate of Philip Guston; Photograph Courtesy of David McKee Gallery, New York)
Attributed works:
[Aldega-Gordon, New York, New York] Giovanni Francesco Barbieri, Called il Guercino. Cento 1591 - 1666 Bologna Pen and Brown Ink, 9 × 6½ Inches (229 × 165 mm)
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Wihelm von Kobell (1766-1855). View of Tegernsee Watercolor over Traces of Pencil with a Pen and Black Ink Border, 1837. Signed and Dated Lower Right 7 1/8 × 9½ Inches
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] A Rare Mahogany Stool Shaped Chenil English. Circa 1775. Measurements: Height: 19″ (49cm); Width: 18″ (46cm); Depth: 18″ (46cm).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Agnolo Bronzino (1503-1572). Study of the Dead Christ Black Chalk: 314 × 219 cm (12 3/8 x 8 5/8 In.)
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Aimé-Jules Dalou (Paris 1838 - 1902 Paris). Study for Mirabeau répondant à Dreux-Brézé dans le séance du 23 juin 1789. Original Wax Relief, Set into a Plaster Mount. Height: 12 Inches (31.0 cm.) Width: 12 Inches (68.8 cm.) Signed Dalou and Dated 1889 Lower Right Inscribed une des figures de mon bas relief des 'états généraux' across the Bottom Edge of the Portrait
Attributed works:
[Emmanuel Moatti, Inc., Paris, France] Nicolas Lagneau, Portrait of an Old Woman Smiling, Black and Red Chalk with Yellow Watercolor, 16 3/4 x 11 1/3 in. (42.5 × 28.7 cm.)
Attributed works:
[Exh. International Fine Art Fair, New York] Abraham Bloemaert (1564-1651): Six Studies of Heads of Putti. Red Chalk Heightened with White, 23.6 × 13.8 cm. Agnew's, London
Attributed works:
[Exh. International Fine Art Fair, New York] Adolf Friedrich Erdmann Von Menzel (1815-1905): Head of an Old Man Looking Down to the Right, 1893. Graphite with Stumping and Grey Wash, 20.6 × 12.9 cm. W. M. Brady & Co., Inc., New York
Attributed works:
[Exh. International Fine Art Fair, New York] Francesco Monti (1685-1768): Christ in the House of Simon. Black Chalk with White Heightening on Beige Prepared Paper 36.7 × 19 cm. Flavia Ormond, London
Attributed works:
[Exh. International Fine Art Fair, New York] Master of the Griselda Legend: A Bacchanalian Scene. Tempera on Panel, diam. 55.5 cm. Galerie Canesso, Paris
Attributed works:
[Exh. International Fine Art Fair, New York] Paul Gauguin (1848-1903): Portrait of the Artist's Wife Mette. Charcoal and Pastel, 16.5 × 14.3 cm. Frost & Reed, London
Attributed works:
[Exh. International Fine Art Fair, New York] Paul Manship (1885-1966): Adam (From a Pair of Adam and Eve). 1924. Bronze, ht. 44.1 cm. Gerald Peters Gallery, New York
Attributed works:
[Exh. International Fine Art Fair, New York] Pietro Berrettini detto Pietro da Cortona, 1596 - Rome, 1669. Saint Peter Damian Offering the Camaldolese Rule to the Virgin. Oil on Canvas, 137 × 104 cm
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Giovanni Serodine. Ascona (Ticino)(?) 1594 (?) or Rome (?), 1600 (?) - Rome, 1630. Jesus among the Doctors. Oil on Canvas, 147 × 218 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Girolamo Da Carpi (1501 - Ferrara - 1556) The Adoration of the Magi Oil on Arched Panel, 51.1 × 33.3 cm (20¼ × 13 3/8 ins)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Master M. Z. (Matthaus Zaisinger?) Active Circa 1500 - 1503. The Martyrdom of Saint Barbara. Engraving; c. 1500. Bartsch 9. The Illustrated Bartsch Commentary .007. Lehrs 7. Watermark: High Crown, as Cited by Lehrs for Early Impressions. A Fine Impression.
Attributed works:
[Jill Newhouse, 12 East 86th Street, New York, New York] Corinne Cuellar. Venice, 2001. Oil on Canvas, 11 × 9¼ inches (28 × 23.5 cm)
Attributed works:
[Noortman Old Masters, Vrijthof 49, 6211 LE Maastricht, Holland] Rembrandt Harmensz. van Rijn (1606-1669) Portrait of a Bearded Man, Bust-Length, in a Red Doublet (Detail). Signed and Dated 1633. Oil on Panel, oval, 25 × 20 in. (63.5 × 50.8 cm.)
Attributed works:
[Noortman Old Masters, Vrijthof 49, 6211 LE Maastricht, Holland] Rembrandt Harmensz. van Rijn (1606-1669) Portrait of a Lady, Aged 62 (Detail). Signed and Dated 1632. Oil on Panel, oval, 29 × 22 in. (73.7 × 55.8 cm.)
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Christopher Wood, Marseilles Harbour. Sold for £80,700 in June 1999.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Gaetano Gandolfi (San Matteo Della Decima 1734-1802 Bologna). Mother and Two Children. Pen and Brown Ink and Brown Wash, 141 × 95 mm (5 9/16 × 3 3/4 Inches). Inscribed on the Old Mount, Drawn by Gaetano Gandolfi Bolognese Painter./The Wife and Two Children of the Painter.
Western art unattributed:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Austro-Bohemian. Crowned Head of the Virgin Early 15th Century Alabaster. Height 26cms
Western art unattributed:
[Kunsthaus Lempertz, Neumarket 3, D-50667, Cologne, Germany] Laokoon. Bronze, 52 × 46 cm. France, 17th C. Estimate: £ 26-32,000. Old Masters Sale, 19 May
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Advertisements 1999 December (front)
12/1999 | 1161 | 141
Pages: i-xxiv
Subjects
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subjects:
Illustrations
Attributed works:
Detail of Leonard de Vinci. Vitruvian Man. Galleria dell'Academia, Venezia. Photo Osvaldo Böhm. Design Rumeurs
Attributed works:
Pope Pius V (1504-72), Attributed to Giovanni Antonio de' Rossi. Italian, c. 1566. Coloured Wax on Glass in a Glazed Wood Frame; Diameter 8.6 cm., Including Frame (Victoria and Albert Museum, London).
Attributed works:
[B. A. Wright, P.O. Box 1659, Bath, UK] "Trapani, Sicily". Signed with Initials R. P. B. and Dated 1823. Oil on Canvas, 12 × 28 Inches, Inscribed on Stretcher.
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] Pair of Centre Tables by Giuseppe Maggiolini, Probably Supplied to the Palazzo Reale, Milan. Milan. Circa 1780. A Design for the Acanthine Whorl Which Centres the Present Table Tops Exists in the Fondo dei Disegni, Civiche Raccolte d'Arte Milanesi. Height: $29frac{3}{4}prime prime $ (76cm); Width: 31″ (79cm); Depth: 31″ (79cm).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Paduan School, Circa 1500. A Sea-Horse. Bronze, Green Patina, 30 × 15 × 16 cm. Riccio's Influence Is Evident in This Door-Hammer
Attributed works:
[Christie's, 8 King Street, London, UK] Claude Joseph Vernet (Avignon 1714-1789 Paris). Le Soir: A Mediterranean Harbour at Sunset with Fisherfolk and Merchants on a Quay. Signed, Inscribed And Dated. Oil on Canvas, 28¼ × 38 7/8 in. (71.6 × 98.7 cm.). One of a Pair (2). Estimate: £400,000-£600,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Orazio Samacchini (1534-1577). Holy Family with Sts. Catherine of Alexandria, Margaret of Antioch and Francis of Assisi. Oil on Panel: 102 × 86.5 cms.
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Antoine-Louis Barye (French, 1795-1875). 'Le Général Bonaparte'. The Large Scale Original Model for a Proposed Public Monument in Grenoble. c.1864-66. Plaster and Iron. Size: 96 by 80 by 40 cms
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Attributed to Ambrogio Lucenti (Rome 1586-1656). A Large Bell-Shaped Mortar. Bronze. Dated 1653. Height 35 cms, Diameter 42 cms. Compare with Signed Mortar in the Victoria and Albert Museum, Inv. No. A2-1974
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York]Ètienne-Maurice Falconet (Paris 1716-1791 Paris). La Musique Terra-Cotta. Height: 29½ Inches (750 mm.). Base: 10 × 11¼ Inches (225 × 283 mm.)
Attributed works:
[Exh. TEFAF Maastrich] Andrea del Agnolo, Called Andrea del Sarto (1486-1530). The Madonna and Child. Oil on Poplar Panel. 33½ by 24½ in. 85 by 62 cm. $1,000,000-1,500,000
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Andrea Del Verrocchio (1434/7 - Florence - 1488). The Executioner of St John the Baptist. Terracotta, 27.3 cm × 16 cm
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] George Stubbs (Liverpool 1724-1806 London). Phaeton and the Chariot of the Sun. Enamel on Copper, Oval, 15 × 18 ins (38.5 × 46 cm), Signed Lower Left: Geo: Stubbs Pinxit/ 1775
Attributed works:
[Jill Newhouse, 12 East 86th Street, New York, New York] Corinne Cuellar, The Jungfrau, 1999 (Detail). Oil on Canvas, 29 1/8 x 65 3/8 Inches (74 × 166 cm)
Attributed works:
[Patricia Wengraf, The old Knoll, Eliot Hill, London, UK] 17th Century Silver Statuette. Cast after a Model by Giambologna. Venus and Cupid. Height: 5 3/4 in: 14.8 cm
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York and Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] Master of the Acquavella Still Life. Active in Rome Circa 1620-1630. Still Life with a Basket of Fruit and Birds in Flight. Oil on Canvas. 106 × 140 cm.
Attributed works:
[Rob Smeets S.r.l., 20123 Milan Via Camperio, 9, Milano, Italy] Carlo Maratta. Camerano 1625 - Rome 1713. Portrait of Guglielmo Riva. Oil on Canvas - 100,3×74,9 cm
Attributed works:
[Voitek Conservation of Works of Art, 9 Whitehorse Mews, Westminster Bridge Road, London, UK] After Treatment. David Bates, XIX c. English. Black Chalk on Laid Paper.
Attributed works:
[Voitek Conservation of Works of Art, 9 Whitehorse Mews, Westminster Bridge Road, London, UK] Before Treatment, Fungal Attack. David Bates, XIX c. English. Black Chalk on Laid Paper.
Attributed works:
[Voitek Conservation of Works of Art, 9 Whitehorse Mews, Westminster Bridge Road, London, UK] Virgin and Child, Troyes, XVI c. French, Limestone.
Non-western art unattributed:
[Galerie Francois Antonovich, Le Louvre des Antiquaires, 2. Place du Palais- Royal, Paris, France] Head of African Child. Black Porphyry, Height 18.5 cm. IInd Century B. C.
Western art unattributed:
[Nella Longari, Via Bigli, Milan, Italy] 'Lombard Illuminator'. Initial 'E'. Saint Jerome in His Study. Lombardy, c.1470-1480. Tempera on Vellum, 145 × 140 mm. Front Cover, 3o Vol.