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31 articles
Exhibition Review
Harold Gilman: Beyond Camden Town. Pallant House Gallery, Chichester
06/2019 | 1395 | 161
Pages: 513-515
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
dates:
Illustrations
Attributed works:
23. Interior with artist’s mother, by Harold Gilman. 1917–18. Canvas, 51.2 by 61.4 cm. (Manchester Art Gallery; exh. Pallant House Gallery, Chichester).
Attributed works:
24. Tea in the bedsitter, by Harold Gilman. 1916. Canvas, 71 by 92 cm. (Private collection; exh. Pallant House Gallery, Chichester).
Attributed works:
25. Nude on a bed, by Harold Gilman. c.1914. Canvas, 61.4 by 46.7 cm. (Fitzwilliam Museum, Cambridge; exh. Pallant House Gallery, Chichester).
Exhibition Review
Van Gogh and Britain
05/2019 | 1394 | 161
Pages: 427-430
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
media:
museums and institutions:
subjects:
Illustrations
Attributed works:
20. Arlésienne, by Vincent Van Gogh. 1890. Canvas, 65 by 54 cm. (Museu de Arte de Sao Paulo Assis Chateaubriand; exh. Tate Britain, London).
Attributed works:
21. Study for portrait of Van Gogh IV, by Francis Bacon. 1957. Canvas, 152.4 by 116.8 cm. (Tate; Tate Britain, London).
Attributed works:
22. The prison courtyard, by Vincent Van Gogh. 1890. Canvas, 80 by 64 cm. Pushkin State Museum of Fine Arts, Moscow; exh. Tate Britain, London).
Article
Harold Gilman’s ‘Halifax Harbour’ (1918): a wartime Canadian episode
10/2012 | 1315 | 154
Pages: 689-693
related names
Author:
Rolfe, John (Rolfe, John)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
16. Halifax Harbour at sunset, by Harold Gilman. 1918. Canvas, 198 by 335.8 cm. (National Gallery of Canada, Ottawa).
Attributed works:
18. Halifax Harbour, by Harold Gilman. 1918. Pen and ink on paper, 40.5 by 52 cm. (British Council Collection).
Attributed works:
19. Photograph of Harold Gilman in Halifax, by Arthur Lismer. 1918. (Estate of Arthur Lismer).
Attributed works:
20. A house in Halifax, Nova Scotia, by Harold Gilman. 1918. Pen and ink on paper, 41.8 by 54 cm. (Cecil Higgins Art Gallery, Bedford).
Attributed works:
21. Study for Halifax Harbour, by Harold Gilman. 1918. Pen and black ink and watercolour, squared for transfer, 40.5 by 68 cm. (Private collection).
Western art unattributed:
17. Map of Halifax Harbour showing three viewpoints (VP 1, 2 and 3) adopted by Gilman.
Article
The identification of the sitter in Harold Gilman’s portraits of Mrs Mounter
04/2010 | 1285 | 152
Pages: 236-238
related names
Author:
Rolfe, John (Rolfe, John)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
35. Mrs Mounter at the breakfast table, by Harold Gilman. 1916. Canvas, 61 by 40.5 cm. (Tate, London).
Attributed works:
36. Mrs Mounter, by Harold Gilman. 1916–17. Canvas, 33 by 43.2 cm. (Leeds Mus­eums and Galleries).
Attributed works:
37. Interior with Mrs Mounter, by Harold Gilman. Signed in monogram and dated HG 1 12 1918. Pen, black ink and watercolour, 22.7 by 19.1 cm. (Ashmolean Museum, Oxford).
Attributed works:
38. Interior with Mrs Mounter, by Harold Gilman. c.1916. Canvas, 51.8 by 76.2 cm. (Ashmolean Museum, Oxford).
Advertisements
Advertisements May 2004 (Front)
05/2004 | 1214 | 146
Pages: i-xvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Adam Williams Fine Arts, Ltd. 50 East 78th Street. New York. Portrait of Christophe Joseph, Marquis de Briges, at Age Seven by François-Huber Drouais (1727-1775). Oil on canvas, 71.5x57 cm. Signed and dated lower left: 'Drouais 1768']
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Eggs cooking on a Stove by Grabiel Germain Joncherie (active 1830-44). Oil on canvas, 46x37.5 cm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Walter Richard Sickert, A.R.A. (1860-1942). Le café Suisse, Sous les Arcades, Dieppe, c. 1900. Pen, ink and watercolour]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. Roger De La Fresnaye (Le Mans 1885-Grasse 1925). Seated male nude with raised arm. Sanguigne, 17 by 10 cm.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Harold Gilman (1876-1919). Portrait of a Woman. Signed 'H. Gilman' (lower right). Oil on board. 15 x 12 1/2 in (38.1x31.1cm)]
Attributed works:
[Colnaghi-Bernheimer, London and Munich. A view of Piazza della Signoria, Florence, looking South, with the Palazzo Vecchio and the Loggia dei Lanzi by Giuseppe Zocchi (1716/17-1767). Oil on canvas, 56.6x87.2 cm]
Attributed works:
[Daphne Alazraki. New York. Carina by John William Godward (1861-1922). Oil on canvas, 50x40 cm. Signed and dated on verso: 'J.W. Godward, Rome. 1910']
Attributed works:
[David & Constance Yates. Lenox Hill Station. New York 10021. Relief of a Young Woman by Henri Joseph François Baron de Triqueti (1807-1874). Marble, 63.5x54x16 cm. Signed 'H.de Triqueti' and dated '1859' on proper right edge of base.]
Attributed works:
[Felder. London. W1. Thomas Gainsborough R.A. (1727-1788). Portrait of a Young Man in Red Waistcoat. Oil on canvas, 17.9 x 14.3 cm. c. 1743.]
Attributed works:
[Finarte. Via dei Bossi 2. Milano. Luca Giordano Santa Lucia. Oil on canvas. 118x147cm. Jan Miel e Alessandro Salucci. Capriccio architettonico con figure. Oil on canvas, 144x220cm]
Attributed works:
[Flavia Ormond Fine Arts. London. The Nativity, c. 1761/2, by François Boucher (1703-1770). Pen and brown ink, brown wash, heightened with white, on pink-prepared paper. Engraving by Nicola Tanché]
Attributed works:
[Galerie d’Art St-Honoré. Paris. Vanitas by Edwaert Collier (1640-1707). Canvas, 80x106 cm. Signed and dated on left side: 'E. Kollier 1664']
Attributed works:
[Hall & Knight Ltd. 21 East 67th Street. New York. Bernardo Strozzi (Genoa 1581-1644 Venice). La Cuoca. Oil on canvas, 174.6 x 160 cm (68 3/4 x 63 1/8 inches)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Sir Thomas Lawrence (1769-1830) Study for the portrait of The Prince Regent, later George IV. Black chalk, heightened with white and red, on canvas, 41.3 x 37.5 cm (16 1/4 x 14 3/4 in)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Andrea Boscoli. Florence c. 1560-1608 Rome. A Male Nude. Black chalk and touches of red chalk, pen and brown ink and wash heightened with white on blue paper. 378x467 mm]
Attributed works:
[James Hyman, Fine Art. 6 Manson’s yard. Duke Street, St. James’s. London. Walter Sickert (1860-1942). La Halle au Lin, DIeppe. Oil on canvas. 1900. h 61cm (24in). w 51cm (20in)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giandomenico Tiepolo (1727-1804), St. Dominic, Oil on canvas: 44x34 cm.]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Rome: The Arch of Janus and the Church of San Giorgio in Velabro, by Giovanni Antonio Canal, called Canaletto (1697-1768). Pen and brown ink and wash, 15.3x25.6 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. A lighthouse on fire at night, by Joseph Wright of Derby (1734-1797). Oil on canvas, 36.2 x 50.8 cm. Painted circa 1790]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. John Constable. 1776-1837. East Bergholt church: The South Path. Oil on canvas. 14 x 8 1/2 inches; 40 x 20 cm. Painted circa 1816-17]
Attributed works:
[MacConnal-Mason. London. Brooklyn Bridge by Maxwell Ashby Armfield. Oil on canvas, 86.5x76.2 cm. Signed with monogram.]
Attributed works:
[Messum’s. London. Plumbago - Jane in the Garden, Corfù by Wilfrid Gabriel de Glehn RA (1870-1951). Oil on canvas, 76 x 61 cm. Signed lower right: ìW. G. v. Glehn']
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Dante Gabriel Rossetti. Study of Marie Spartali for 'Dante's Dream' (detail). Coloured chalks 14 1/2 by 11 3/4cm. 37 by 301 in.]
Attributed works:
[Stoppenbach & Delestre. 25 Cork Street. London. Roches à pont-Aven, 1891, by Henry Moret (1856-1913). Oil on canvas, 65x46 cm. Inscribed at the back: 'Cette toile a été achetée à Pont-Aven lors d'une vente des amis d'Henri Moret en 1814']
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Walter Sickert 1860-1942. Noctes Ambrosiannae. Etching and acquatint 26.5x39.3cm]
Attributed works:
[Thomas Colville. Connecticut and New York. Afternoon on the Hudson, 1868, by Alfred T. Bricher. Oil on canvas, 40.6 x 76.2 cm. Signed and dated 'A. T. Bricher 68' lower left.]
Attributed works:
[William Thullier. London. A classical landscape with semi-circular temple surmounting a hill-town in the distance figures by a column in the right foreground by Charles Canda. Oil on canvas, 64.8 x 82 cm. Signed and dated 1822 lower left.]
Book Review
Harold Gilman and William Ratcliffe: Southampton
07/2002 | 1192 | 144
Pages: 442-443
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
56. Portrait of Sylvia Gosse, by Harold Gilman. 1913. 69.5 by 51.3 cm. (Southampton City Art Gallery).
Attributed works:
57. Edwardian Interior, by Harold Gilman. c.1907. 53.3 by 54 cm. (Tate, London; Exh. Southampton City Art Gallery).
Attributed works:
58. Girl with a Teacup, by Harold Gilman. c.1914. 62.2 by 52.1 cm. (Private Collection; Exh. Southampton City Art Gallery).
Attributed works:
59. Clarence Gardens, by William Ratcliffe. 1912. 50.8 by 76.2 cm. (Tate, London, © The Artist's Estate, 2000; Exh. Southampton City Art Gallery).
Attributed works:
60. Mrs Mounter at the Breakfast Table, by Harold Gilman. c.1917. 61 by 41 cm. (Tate, London; Exh. Southampton City Art Gallery).
Advertisements
Advertisements November 1988 (Front)
11/1988 | 1028 | 130
Pages: i-lx
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
[Agnew, 43 Old Bond Street, London] Harold Gilman. London Street Scene in Snow, 1917-1918. 19½ × 15¼ Inches (49.5 × 38.7 cms.). Oil on Canvas
Attributed works:
[Akademie der Bildenden Kunste, 32 Schillerplatz, Vienna] 1. Pieter Bruegel the older, Rocky landscape with castle and river valley. Inv.4595 Pen and brown and yellow ink, on white paper, 136 × 210mm. Signed and dated lower left corner "P Brvegel 1559". This drawing is the earliest of Bruegel's small landscapes.
Attributed works:
[Akademie der Bildenden Kunste, 32 Schillerplatz, Vienna] 2. Isack van Ostade, A Female Peasant Walking with a Boy, Inv.17.119 Pen and Brown Ink and Brown Wash over Graphite, on White Paper, 93 × 66mm.
Attributed works:
[Austin/Desmond, 15A Bloomsbury Square, London] Bryan Wynter (1905-1975). 'Cock in Landscape' 1949 Lithograph
Attributed works:
[Berggruen & Cie, 70 rue de l'Université, Paris] Picasso. Study for the Sculpture. "Ape and Baby" Green Crayon 21 × 13,5
Attributed works:
[Brand Inglis Limited, 9 Halkin Arcade, Motcomb Street, London] An Early 17th Century Parcel-Gilt Tazza. The Shallow Bowl Lightly Flat-Chased with Interlaced Strapwork Rests on an Elegant Baluster Stem and Circular Foot, all Similarly Flat-Chased. Maker's Mark: Two Bells. Perhaps N. Italian, Circa 1610. Height: 5½ Inches. Diameter: 6½ Inches.
Attributed works:
[C. & J. Goodfriend, 61 East 77th Street, New York] Baldassare Peruzzi (1481-1536), An Allegory of Liberality. Pen and Brown Ink and Wash with White Heightening on Pink Prepared Paper, Lightly Squared for Transfer, 335 × 185 mm. Strong No. 59; Frommel No. 66c, Plate XLIId. Ex Collection Sir Peter Lely (Lugt 2092); Earl of Pembroke; Irma N. Straus.
Attributed works:
[C. John (Rare Rugs) Ltd, 70 South Audley Street, London] An Aubusson tapestry, part of the series, Pastoral Scenes. The scenes in oval picture frame borders, on a foundation of Jaune damassé, are enhanced by festoons, swags of flowers and pendant trophies. Second half of the Eighteenth Century. 12′7″ × 8′2″
Attributed works:
[C.G. Boerner, 13 Kasernenstraße, Dusseldorf] Master Na Dat with the Mousetrap. The Two Armies at the Battle of Ravenna. Engraving. (c.1512/13). 151 × 221 mm Sheet Size. Bartsch XIII, 2. Hind V, 267,2, pl.850.
Attributed works:
[Christie's, Cornelis Schuytstraat 57, Amsterdam] Pieter Stevens, c. 1567 - After 1624: A Wooded Landscape with a Ruined Castle, Dated [15]97, Pen and Brown Ink and Watercolour, 213 × 333 mm. Estimate: £15,000 - £20,000; f150,000 - f170,000
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Albrecht Dürer (1471-1528). Engraving. Lady on Horseback and a Lansquenet. Meder 84, State 'b', of 'd'
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Andrea di Vanni d'Andrea (1332-Siena-1413). Crucifixion. Tempera on Panel: 59 × 26 cm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Bartolomeo Coriolano (Bologna Mid-17th Century). Buste d'Amor after Guido Reni. Chiaroscuro Woodcut. B.2. Size 297 × 374 mm
Attributed works:
[Daniel B. Grossman Galleries, 1100 Madison Avenue, New York] John Gibson (English, 1790-1866). The Sleeping Shepherd. White Carrara marble. 44½″h. × 40½″w. × 22½″ deep. (113.0 × 102.9 × 57.2 cm). Inscribed on the base: Johannis. Gibson Me fecit Roma. Executed Circa 1824
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] Rachel Ruysch (1664-Amsterdam-1750). Canvas, 32 × 25.8 cm. Signed and Dated 1695.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Edgar Chahine: La Promenade 1902
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Jean-Léon Gérôme: Portrait d'Homme. Oil on Canvas 57 × 46,5 cm. Signed and Dated 1853.
Attributed works:
[Frederick Cummings, 146 West 57th Street, New York] James Jacques Joseph Tissot (1836-1902). Out Post Duty (Grand'garde, souvenir du siege de Paris) Black Chalk on White Paper. 6¾ × 5 Inches (17.1 × 12.7 cm.)
Attributed works:
[Galerie Charles & André Bailly, 25 quai Voltaire, Paris] B. E. Murillo. Le Christ au Jardin des Oliviers. 53,5 × 38,8 cm
Attributed works:
[Galerie de la Scala, 68 rue de la Boétie, Paris] Pieter Molyn (1595-1661). Landscape. 15 × 20 cm. Signed and Dated (1657) Lower Centre.
Attributed works:
[Galerie du Fleuve, 6 rue de Seine, Paris] Gligor Tchemersky. 'Les Insectes Viennent'
Attributed works:
[Galerie Gerda Bassenge, 5A Erdener Strasse, Berlin] Käthe Kollwitz (1867 Königsberg - 1945 Moritzburg). Die Klage (Zum Gedenken von Ernst Barlach). Bronze. 1940.
Attributed works:
[Galerie Perrin, 98 Faubourg Saint Honore, Paris] Jean-Baptiste Greuze 1725-1805. French School. Study of the Head of a Child for Une jeune enfant qui joue avec son chien (Salon of 1769, Representing the Third Daughter of the Artist). Edgar Munhall Has Kindly Confirmed This Identification. H. 31.5 cm; L. 24.9 cm. Charcoal and White Chalk on Brown Paper.
Attributed works:
[Galerie Pierre-Yves Gabus Gallery, 2022 Bevaix, Switzerland] Foujita « Le Colin-Maillard ». Tempera on Gold, 42×32 cm, Signed and Dated 1918 - Estimated 340 000 / 380 000 S. Ref. « La vie et l'œuvre de Foujita », by S. and D. Buisson.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] E W Godwin 1833-1866. A Design for Northampton Town Hall, 1861. Brown Pen & Washes. 17¾ × 23 Inches
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Adriaen de Gryef (1670-1715). 'Hunting Trophies'. Two Pendant Panels, Signed. 32 by 39 cm
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Bartolomé Esteban Murillo. Seville 1618-1682. Virgin of the Flowers. Oval, 81 by 65 cm
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Christian George Schutz I, 1754. Landscape on the Banks of the Rhine. 50 by 119 cm.
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Giovanni Battista Salvi, Called Il Sassuferrato (1609-85). Copy of the Predella of Raphael's Vatican Coronation of the Virgin. Each Panel 27 by 51 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Circle of Cristoforo Orimina. Naples c. 1350
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Marten-Jacobsz van Veen Heemskerk 1498-1574
Attributed works:
[Heim Gallery Limited, 59 Jermyn Street, London] Louis Michel van Loo (Toulon 1707-Paris 1771). Portrait of the Président Jacques Julien, Comte Devin, His Wife Comtesse Devin and Their Son Jean Jacques Devin, Marquis de Fontenay. Signed and Dated 1767. Oil on Canvas 160 by 150 cms.
Attributed works:
[Henry Sotheran Limited, 80 Pimlico Road, London] Veduta del Sotterraneo. Etching. 715 × 455 mm. Fondamento del manusoleo. Etching for Le Antichità Romane. Rome. 1756. 1st Paris Edition 1800-1807.
Attributed works:
[Herbert Roman Inc., 17 East 77th Street, New York] John Rollin Tilton (1828-1888). The Ruins of Kom Ombos, Upper Nile, Egypt. Oil on Canvas, 30 × 48 Inches. Signed with Hieroglyphic Monogram Lower Right
Attributed works:
[Jacques Fischer - Chantal Kiener, 46 rue de Verneuil, Paris] Henry-Joseph Boichard. Né à Versailles en 1783. 'La générosité de Bayard'. Huile sur toile; signée et datéc: "Boichard 1827"; 90 × 117 cm.
Attributed works:
[Kate de Rothschild & Didier Aaron Inc., 32 East 67th Street, New York] Charles-Joseph Natoire (1700-1777). Christ on the Cross
Attributed works:
[Kate Ganz Ltd, 49 Maddox Street, London] Guido Reni (1575-1642) Study for The Nativity, 1642, Red and Black Chalk on Blue Grey Paper 28.4 × 17.2 cms.
Attributed works:
[Katrin Bellinger, exhibiting at Harari & Jones Ltd, 12 Duke Street, London] Rosalba Carriera Venice 1675-1757 Venice. Diana, Pastel on Paper 450 × 340 mm
Attributed works:
[Laurance D. Strapelias, Galerie del Borgo, 5 rue de l'Université, Paris] Louis Galloche 1670-1761. 522 × 415mm
Attributed works:
[Marc Villette, 12 rue de l'Abbaye, Paris] Jean-Charles Delafosse (Paris 1734-1791). Prison Gate. Pen and Grey and Brown Wash, Signed Bottom Left. On the Back of the Old Mount Is the Left-Hand Part of an Elevation by the Same Artist.
Attributed works:
[Marcello Aldega-Margot Gordon] Giovanni Francesco Barbieri detto il Guercino. Cento 1591 - Bologna 1666. Red Chalk, Buff Paper. 298 × 217 mm
Attributed works:
[Marlbourgh Fine Art (London) Ltd, 6 Albemarle Street, London] The Space Beyond 1988 Paint on Canvas and Board. 48 × 79in./122 × 200.7cm. Signed with Initials Lower Centre
Attributed works:
[Mathias F. Hans, Jungfernstieg 34, Hamburg] Francesco Ubertini. Bacciacca. Florenz 1494 - 1575. Portrait of Vittoria Colonna. Oil on Panel, 72 × 52 cm
Attributed works:
[Mia N. Werner, 36 East 44th Street, New York] P. F. Mola Caricature. Pen & Brown Ink & Wash. 13⅜ x 10⅜.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] Orazio Sammachini (1532-1577). 'The Flagellation of Christ'. Oil on Canvas, 18½ × 13½ ins.
Attributed works:
[Pamela Gordon, 25 rue de Lille, Paris] Jean-Louis Lemoyne (Paris 1665-1755). A Companion of Diana. Black and White Chalk. 368 × 157 mm.
Attributed works:
[Paul McCarron, 1014 Madison Avenue, Graham Gallery Building, New York] Kathe Kollwitz 1867-1945 Besuch im Krankenhaus. Woodcut, 277 × 359 mm., 1929 Klipstein 236, V/VIb. A Proof before the Final Edition of 130. A Brilliant Impression on Japan Paper.
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris] Baldassare Franceschini dit Il Volterrano. Volterra 1611 + Florence 1689. Study for an Altar, Possibly Made for the Canonization of Santa Maria Maddalena de'Pazzi Which Was Celebrated in Florence in 1669. Red Chalk, Pen and Brown Ink. 383 × 250
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Aert Schouman, (1710-1792), "A Shoveler Duck on a River Bank," Signed Verso, with Initials, Dated 1755 and Inscribed. "Een Berg Eerd Nag Nict Half Levers Groot," Watercolour, 325mm × 245mm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Giovanni Bernardo Carbone, (1614-1683), "Portrait of a Young Nobleman Standing before a Red Curtain" Oil on Canvas 143cm × 117cm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Henri Martin, "Le Berger", Oil on Canvas, Signed, 65 cm × 100 cm. Estimate: £30,000-£40,000
Attributed works:
[Phillips, Hayes Place, Lisson Grove, London] Attributed to Abraham Bisschop, (1670-1731), "Still Life of Exotic and Domestic Fowl in a Landscape," Oil on Canvas, 99.8cm × 133cm.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jan van der Straet (Called Stradanus). The Charity of St. Nicholas. Black Chalk and Brown Wash Heightened with White on Paper Washed Light-Brown. 283 by 426mm
Attributed works:
[Société Labatut, 199 bis Boulevard Saint-Germain, Paris] Gabriel-François Doyen. The Death of Virginia. Canvas 77 × 129 cms
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine Marble Bust of Christ by Giovanni Battista Caccini (Circa 1598), 72.5 cm High (28½ in). Estimate: £40,000-60,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jean-François Millet, La Provende des Oisons, Signed, Black Chalk and Pastel, 57 by 40cm (22½ by 15¾ in). Estimate: £300,000-400,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Sebastiano Mazzoni (Circa 1611-1678), Portrait of Two Small Girls, Oil on Canvas, 112 by 95cm (44 by 37½ in). Estimate: £80,000-120,000
Attributed works:
[Sotheby's, Monaco] Marinus van Reymerswael, The Two Tax Gatherers, Oil on Panel, 94 by 78cm (37 by 30¾ in). Estimate: FF2,400,000-2,800,000 (£240,000-280,000)
Attributed works:
[Sotheby's, Sporting d'Hiver, Place du Casino, Monte Carlo] Guillaume de Groot, A Mediaeval Soldier, Bronze, Signed, 165cm (65 in) High.
Attributed works:
[Sotheby's, Sporting d'Hiver, Place du Casino, Monte Carlo] Théodore Géricault, Mameluck Ramassant sa Lance, on the Reverse, Composition Classique (Circa 1810), Pen and Brown Ink Heightened with Charcoal, 17.3 by 22.1cm (7 by 9 in). Estimate: FF200,000-300,000 (£20,000-30,000)
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, London] Philip James De Loutherbourg (Strasbourg 1740-1812 London). Skating in Hyde Park. Signed and Dated 1776 Lower Left. Oil on Canvas. 36 1/16 x 48¾ Inches (89 × 124cms).
Attributed works:
[Stanza del Borgo, via G. Puccini 5, Milan] Domenico Campagnola, St. Sebastian, Pen and Ink, 318 by 217 mm, Dateable 1530.
Attributed works:
[Stephen Mazoh & Co. Inc., 43 East 75th Street, New York] Paul Cezanne Studies. Black Crayon and Pencil on Blue Paper 6 11/16 x 9⅞ Inches (17 × 25.1 cm.) 1867-69
Attributed works:
[The Leger Galleries, 13 Old Bond Street, London] Francis Towne. Naples, 1781
Attributed works:
[Thomas Le Clair, 156 Elbchausse, Hamburg] Giulio Campi (Cremona c.1505-1572). Danae, Pen and Brown Ink, Yellow and Grey Washes, White Heightening. 145 × 247mm.
Attributed works:
[W.M. Brady & Co., 3 East 76th Street, New York] John Hamilton Mortimer A. R. A. (1741-1779). Salvator Rosa. Signed and Dated 1776. Pen and Black Ink, 11 × 8¼ Inches (280 × 210 mm)
Attributed works:
[Wildenstein & Co. Inc., 19 East 64th Street, New York] H. Robert (1733-1808) 'Cascade in Tivoli'. Oil on Canvas: 24⅞ x 20 1/16 Inches
Attributed works:
[William Drummond at the Chinese Porcelain Company, 822 Madison Avenue, New York] James Seymour 1702-1752. Haute Ecole. Red Chalk 6½ × 7 Inches.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] Toulouse-Lautrec: Un Monsieur et une Dame. Colour Lithograph. 1895. 12½" x 9⅜"
Attributed works:
[Yale University Press, 13 Bedford Square/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] Claude Lorraine, Scène de Brigands, 1633
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Large Chinese Seated Wood Figure of a Bodhisattva. Song Dynasty 960-1279. Height: 172cm
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Two Chinese Standing Wood Figures of Bodhisattvas. Late Tang Period 9-10th Century. Height: 142.3 and 144cm
Non-western art unattributed:
[Ming Furniture, 4400 N. Federal Hwy, Boca Raton, Florida] Ming Dynasty chi-ch'ih-mu Side or Altar Table - Circa 16th Century. Length: 71 ins (177 cm)
Western art unattributed:
[Christie's, 8 King Street, London] A late 11th or early 12th century Byzantine bronze incense burner, cast with scenes from the life of Christ, 4⅔ in. high. Estimate: £40,000-£60,000. A rare late 12th century Limoges copper gilt and enamel plaque of a bearded apostle, 7 × 3½ in. Estimate: £15,000-£20,000. An early 16th century Malines polychrome and gilt-wood group of the Virgin and Child, 15 in. high. Estimate: £8,000-£12,000.
Western art unattributed:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Dutch school, 18th Century. Trompe l'œil, with Three Engravings. Superimposed over French Landscape Subjects. Oil on Canvas, Inscribed at Top. 73 by 54.5 cm
Western art unattributed:
[Trinity Fine Art Ltd, 23 Ellington Street, London] The Visconti/Annoni Marriage Bowl. Bronze. Lombard, c. 1580. Width 37.5cm.
Supplement
Recent Acquisitions and Loans at the National Portrait Gallery
02/1985 | 983 | 127
Pages: 124-126
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Illustrations
Attributed works:
50. Virginia Woolf, by Duncan Grant. 1911. Board, 55.9 by 40.6 cm. Painted at 46 Gordon Square in the Year before the Author's Marriage. Loan.
Attributed works:
51. Self Portrait, by Edward Wadsworth. 1911. 39.8 by 34.8. Painted While the Artist Was at the Slade School of Fine Art. Loan.
Attributed works:
52. Self Portrait, by Edward Wolfe. c. 1923. 89.5 by 59.2 cm. Painted in Italy While Wolfe Was a Guest of Berenson at I Tatti.
Attributed works:
53. Self Portrait, by Harold Gilman. 61.6 by 46.2 cm. Unfinished Work Probably Painted c. 1916-18. Loan.
Attributed works:
54. Sir John Summerson, by Leonard Rosoman. 1984. 152.1 by 122 cm. The Subject is Shown in Sir John Soane's Museum, from Which He Retired Last Year as Director, Having Been Appointed There in 1945. 55. Sir Nikolaus Pevsner, by Hans Schwarz. 1969. Board, 122.2 by 81 cm. Pevsner in a Characteristic Attitude, Painted in the Year He Was Knighted. An Obituary of Pevsner was Published in This Magazine in April 1984. Schwarz Was Born in Vienna in 1922 and Came to England in 1939. 56. Richard Church, by William Johnstone. 1932. 91.5 by 71.6 cm. An Interesting Early Work by This Scottish Painter; Church was Best Known as a Poet at the Time of the Painting and Later Helped Edit the Well Known Everyman Anthology Poems of Our Time. 57. Philip Larkin, by Humphrey Ocean. 1984. Acrylic, 52.3 by 44.8 cm. Poet, Novelist, Jazz Critic and University Librarian at Hull; Painted in Hull at the Poet's Home.
Attributed works:
58. Dame Rebecca West, by Wyndham Lewis. 1932. Pencil, 43 by 31 cm. A Drawing from the Author's Extensive Collection Purchased by the Gallery in 1983, the Year She Died Aged Ninety-One. Her Novel This Real Night Was Published Posthumously Last Year. 59. Sir Oswald Mosley, by Glyn Philpot. 1925. 76.2 by 63.5 cm. The future Founder of the British Union of Fascists Seen Here at the Age of Twenty-Nine. A Portrait Recently Included in the NPG's Glyn Philpot Exhibition. Loan. 60. Self Portrait, by Leon Kossoff. 1981. Board, 42.4 by 33 cm. One of the Youngest Artists to be Represented in the Collection. 61. Self Portrait, by Carel Weight. c. 1930. 60.7 by 50.8 cm. Said to be the Artist's First Oil Painting, It Shows Him at the Age of Twenty-Two; In the Following Year Weight First Showed at the Royal Academy, of Which He Was Elected a Trustee in 1975.
Supplement
Twentieth-Century British Paintings Acquired by The Whitworth Art Gallery, Manchester: Supplement
01/1983 | 958 | 125
Pages: xii
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Illustrations
Attributed works:
Fig. 58. Abstract Construction, by John Piper (b.1903). 1935. Oil and Sand on Board with Glued Wood Construction, 51.4 by 61.5 cm.
Attributed works:
Fig. 59. August Flowers, by Ivon Hitchens (1893-1979). 1943. Oil, 84.2 by 50.8 cm.
Attributed works:
Fig. 60. John Deth, by Edward Burra (1905-1976). 1932. Water-Colour, 54 by 76.1 cm.
Attributed works:
Fig. 61. Composition with Figures, by David Bomberg (1890-1957). c. 1912-13. Panel, 41 by 32.8 cm.
Attributed works:
Fig. 62. Man's Head, Portrait 1 (Self-Portrait), by Lucian Freud (b. 1922). 1963. 53.3 by 50.8 cm.
Attributed works:
Fig. 63. The Blue and Yellow of the Yacht Club, by Michael Andrews (b. 1920). 1969. Board, 61 by 61 cm.
Attributed works:
Fig. 64. Nude on a Bed, by Harold Gilman (1876-1919). 1911-12. 62.2 by 51 cm.
Attributed works:
Fig. 65. Soldiers Washing, by Stanley Spencer (1891-1959). c. 1927. 67.3 by 44.5 cm.
Exhibition Review
London. Harold Gilman at the Royal Academy
03/1982 | 948 | 124
Pages: 180-183
related names
Reviewer:
Baron, Wendy (Baron, Wendy; Dimson, Wendy)
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Attributed works:
71. The Breakfast Table, by Harold Gilman (?). 1910. 60.6 by 52.7 cm. (Southampton Art Gallery; Exh. Royal Academy).
Attributed works:
72. Girl with a Teacup, by Harold Gilman. 1914? 62.2 by 52.1 cm. (Private Collection; Exh. Royal Academy).
Attributed works:
73. The Kitchen, by Harold Gilman. 1908? 61 by 45.8 cm. (National Museum of Wales; Exh. Royal Academy).
Attributed works:
74. Portrait of a Lady, by Harold Gilman. 1915-16. 61.5 by 51.5 cm. (City Art Gallery, Manchester; Exh. Royal Academy).
Attributed works:
75. Interior with the Artist's Mother, by Harold Gilman. 1917-18. 51.2 by 61.4 cm. (City Art Gallery, Manchester; Exh. Royal Academy).
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