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28 articles
Article
Eugène Boudin’s beach scenes at the Salon during the 1860s
05/2019 | 1394 | 161
Pages: 374-387
related names
Author:
Manoeuvre, Laurent (Manoeuvre, Laurent)
Subjects
dates:
Illustrations
Attributed works:
1. Detail of Fig.23.
Attributed works:
10. Beach scene, by Eugène Boudin, here identified as A meeting on a beach. 1866. Canvas, 73.5 by 104 cm. (Private collection).
Attributed works:
11. Caricature of The beach at Trouville by Eugène Boudin, exhibited at the Salon in 1866, by ‘Bertall’, published in ‘Le Salon de 1866’, Le Journal Amusant, no.545 (9th June 1866).
Attributed works:
12. Figures on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 17.4 by 13.7 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
13. Beach scene, by Eugène Boudin. 1865. Pencil and watercolour on paper, 13 by 19.4 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
14. Figures on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 14 by 18.2 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
15. Children on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 10.6 by 14.6 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
16. Bathers, by Eugène Boudin. 1865. Pencil and watercolour on paper, 9.2 by 17.3 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
17. Study of a dog, by Eugène Boudin. 1865. Pencil on paper, 8.2 by 11 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
18. The jetty, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 7th edition, Paris 1867.
Attributed works:
19. Beach scene, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 7th edition, Paris 1867.
Attributed works:
2. Bathing hour at Trouville beach, by Eugène Boudin. 1864. Canvas, 67.5 by 104 cm. (Art Gallery of Ontario, Toronto).
Attributed works:
20. The jetty at Le Havre, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 17th edition (Paris 1867).
Attributed works:
21. Leaving for the pardon, Finistère, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 17th edition (Paris 1867).
Attributed works:
22. Beach scene, by Eugène Boudin. 1867. Canvas, 63 by 89 cm. (National Museum of Western Art, Tokyo).
Attributed works:
23. Beach scene, by Eugène Boudin, here identified as Beach near Trouville, painted in 1864 and reworked in 1869. Canvas, 67.3 by 104.1 cm. (Minneapolis Institute of Art).
Attributed works:
24. Reading on the beach, by Eugène Boudin. 1869. Pencil and watercolour on paper, 12.5 by 18.5 cm. (Private collection).
Attributed works:
25 and 26. Beach scenes, by Eugène Boudin (recto and verso of a single sheet). 1868. Pencil and watercolour on paper, 13.2 by 21 cm. (Private collection).
Attributed works:
3. Concert at Deauville casino, by Eugène Boudin. 1865. Canvas, 41 by 73 cm. (National Gallery of Art, Washington).
Attributed works:
4. Drawing by Eugène Boudin after Fig.2, illustrated in L’Autographe au Salon et dans les Ateliers (13th May 1865), p.27.
Attributed works:
5. Bathing hour at Trouville beach, by Eugène Boudin. 1864. Canvas, 31.1 by 48.5 cm. (Private collection).
Attributed works:
6. Bathing hour at Trouville beach, by Eugène Boudin. c.1865. Pencil on paper, 20 by 30 cm. (Private collection).
Attributed works:
7. Bathing hour at Trouville beach, by Emile Vernier after Eugène Boudin. c.1865. Lithograph. (Musée Villa Montebello, Trouville).
Attributed works:
8. Beach scene, by Eugène Boudin. c.1865. Pencil on paper, 20 by 30 cm. (Private collection).
Attributed works:
9. Beach scene, by Eugène Boudin. 1866. Watercolour over pencil on paper, 13.5 by 25.7 cm. (Private collection).
Book Review
A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture. By Sharon Hecker; Medardo Rosso: Experiments in Light and Form. By Sharon Hecker and Tamara H. Schenkenberg; Medardo Rosso: Sight Unseen and his Encounters with London. Edited by Sharon Hecker and Julia Peyton-Jones
11/2018 | 1388 | 160
Pages: 982-983
related names
Reviewer:
McKever, Rosalind (McKever, Rosalind)
Subjects
art literature:
Illustrations
Attributed works:
6. Ecce puer (Behold the child), by Medardo Rosso. 1906. Plaster coated with sealant, 50 by 38.5 by 32.5 cm. (Museo Medardo Rosso, Barzio).
Book Review
The End Again: Degeneration and Visual Culture in Modern Spain. By Oscar E. Vázquez
09/2018 | 1386 | 160
Pages: 804-805
Book Review
Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture. Edited by Daniel Harkett and Katie Hornstein; Horace Vernet. Dessinateur lithographe 1816–1838: Catalogue raisonné de l’oeuvre lithographié. Edited by Pierre Sanchez
07/2018 | 1384 | 160
Pages: 608-610
Exhibition Review
Corot: The Painter and his Models. Musée Marmottan Monet, Paris
06/2018 | 1383 | 160
Pages: 499-501
related names
Reviewer:
Clarke, Michael (Clarke, Michael)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
13. Corot’s studio. Young woman sitting in front of an easel, by Camille Corot. c.1873. Canvas, 63 by 42 cm. (Musée du Louvre, Paris; exh. Musée Marmottan Monet, Paris).
Attributed works:
14. Melancholy, by Camille Corot. c.1850–60. Canvas, 48 by 36 cm. (Ny Carlsberg Glyptotek, Copenhagen; exh. Musée Marmottan Monet, Paris).
Attributed works:
15. Monk with a cello, by Camille Corot. 1874. Canvas, 72.5 by 51 cm. (Hamburger Kunsthalle, Hamburg; exh. Musée Marmottan Monet, Paris).
Book Review
Manet, Wagner, and the Musical Culture of Their Time, T. Dolan
09/2014 | 1338 | 156
Pages: 609-610
related names
Reviewer:
Lilley, Ed (Lilley, Ed; Lilley, Ed)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
41. Tannhäuser: Venusberg, by Henri Fantin-Latour. 1862. Lithograph, 39.8 by 49.5 cm. (Boston Public Library).
Advertisements
Advertisements September 2011 (front)
09/2011 | 1302 | 153
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
artists:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Metamorphic Venus 4, by William Turnbull (b.1922). 1982. Edition of six. Bronze on stone base. Height: 56.6 cm. Width: 23.5 cm]
Attributed works:
[Austin/Desmon, London. Standing figure, by Keith Vaughan (1912-77), 1948. Signed and dated: Vaughan /48. Gouache, wax crayon and black chalk on paper, 72 by 55.5 cm]
Attributed works:
[Beaux Arts, London. Fawley I, by John Piper (1903-92), 1989. Oil on canvas, 91 by 121. 5 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Henry Moore O.M., C.M. (British, 1898-1986). Shelter Drawing. Seated Mother]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Wolfgang-Adam Topffer (Geneva 1766-1847 Geneva). Scène de village avec montreur d'images (Village scene with image show). Circa 1830. Oil on canvas, 55.5 x 76 cm. (22 by 30 in)]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jan Brueghel I (1569 - 1625), Rape of Proserpine, oil on copper, 18.7 x 26 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Simone di Filippo. Simone dei Crocefissi (1355.1399). The Coronation of Mary, tempera on panel, 90 x 56 cm]
Attributed works:
[Dr. Fischer, Fine Art Auctions. Trappenseeschlosschen – 74074 Heilbronn – Germany. Augsburg, circa 1680 / Max Pechstein, 1927 / Juan Pantoja de la Cruz, 1605 / Sèvres, A.-V. Poupart, 1836/37 / Facon de Venise, circa 1600 / Wilhelm Lehmbruck, 1912/14 / Emile Gallé, Nancy, 1902.]
Attributed works:
[Enrico Frascione, Florence. The Horse Gallicus, by Jan van Straet (1523-1605). Pencil on paper, 21 by 30 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Montelatici, called Cecco Bravo. Florence, 1601 - Innsbruck, 1661. Ulysses and Nausicaa. Oil on canvas, 97 x 135 cm (38 3/16 x 53 1/8 in)]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse 1. CH-6003. Luzern. Pierre Bonnard (1867 - 1947). "Nature morte et paysage". Gouache and watercolour, 49 x 32 cm]
Attributed works:
[Galleria Il Quadrifoglio, Milan. Portrait of a man, by Jacopo Folchi (1502-6). Oil on wood, 114.3 by 85 cm]
Attributed works:
[Jonathan Clark, London. Your physique, by Eduardo Paolozzi (1924-2005). Signed and dated lower right. Collage on paper, 35.5 by 22.8 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Frans Francken II (detail)]
Attributed works:
[MOMA, New York. Willem de Kooning. Excavation, 1950. Oil and enamel on canvas.]
Attributed works:
[Moretti Fine Art, Florence, London and New York. A bishop St and St Bartholomew, by Andrea Bonaiuti (c.1345 - 50 - 79). 157 by 75 cm]
Attributed works:
[Offer Waterman & Co. 11 Langton Street. London. Sir Eduardo Paolozzi, R.A. 1924-2005, A.G.5, 1958, bronze, 40 by 15 ins]
Attributed works:
[Offer Waterman, London. Untitled (lemon), by Diarmuid Kelley (b. 1972). 2011. Oil on linen. 35.6 by 27.9 cm]
Attributed works:
[Osborne Samuel, London. Six forms in a circle, by Barbara Hepworth (1903-73). 1967. Edition of 7. Polished bronze, 33.7 by 60 cm]
Attributed works:
[P.E. Audap and F. Mirabaud. 42 Boulevard Malesherbes. Paris. Giacomo GUARDI (1764-1835), "Venice, Piazza San Marco", "Venice, Rialto Bridge". Pair of panels, 18 x 30,5 cm.]
Attributed works:
[P.E. Audap and F. Mirabaud. 42 Boulevard Malesherbes. Paris. Lucas CRANACH the Elder (1472-1553), "The Nymph of the Spring". Oil on panel, signed with the folded wings flying serpent, 48,5 x 74,2 cm]
Attributed works:
[Piano Nobile, London. Linked figures, by Kenneth Armitage (1916-2002). Signed and dated 1949/84. Bronze with brown green patination, 99 by 83 by 28 cm]
Attributed works:
[Redfern Gallery, London. The June of youth, by Leon Underwood (1890-1975). 1933). Signed, dated, titled and numbered II, from an edition of four. Terracotta, 60 by 38 by 26 cm]
Attributed works:
[Robilant + Voena, London and Milan. View of the Arno with the Ponte Santa Trinita, by Tomas Patch (1725-82). Oil on canvas, 85 by 170.5 cm]
Attributed works:
[Salamon & Co. Palazzo Cicogna. Via San Damiano 2. Milano. Luca Cambiaso (Moneglia 1527 - 1585 El Escorial. Saint Jerome in the Desert. Pen and Brown ink. 242 x 270 mm (9 1/2 x 10 5/8 in)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. Giovanni Battista Foggini (1652-1725). Il Posquino (Menelaus with the body of Patroclus). Bronze, rich warm brown patina with golden red lacquer]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Alessandro Algardi (Bologna 1598 - Rome 1654). Christ Resurrected. Terracotta. Height: 52 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Charles Baudelaire, Les fleures du mal, Paris, 1857. Presentation copy for Edmond Texier.]
Attributed works:
[Walker Art Gallery. Liverpool. Paul Sérusier, La pluie sur la route (detail), 1893, private collection]
Attributed works:
[Whitford Fine Art, London. Chariot, by Clive Barker (b. 1940). 1974. Edition of 7. Chrome plated brass and bronze, 19 by 23 cm]
Attributed works:
[William Westan Gallery, London. Fruit and bowl, by Patrick Caulfield (1936-2005). 1979/80. Signed in pencil. Screenprint, 83.9 by 59.6 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Early Italian Bowl. Silver, parcel-gilt. Naples ca. 1500. Diameter: 28 cm, weight 270 g. A similar bowl in the painting Sacred and Profane Love by Titian 1515. Galleria Borghese, Rome]
Western art unattributed:
[Guido Bartolozzi Antichità, Florence. Two sculptures of dogs. Tuscany, the first half of the nineteenth century, Marble, Height: 93 cm. Bases: 85 by 40 cm]
Western art unattributed:
[Piva & Cie, Milan. A pair of carved walnut tables, with Verona marble tops. Each, 81 by 99 by 54.5 cm]
Western art unattributed:
[Wannenes. Palazzo Gianfigliazzi. Lungarno Corsini 4. Florence. Palazzo del Melograno. Piazza Campetto 2. Genoa. L'arte del Vasajo. Important Italian maiolica from a private collection]
Publication Received
Salon de 1859
05/2008 | 1262 | 150
Pages: 339
related names
Reviewer:
Stevenson, Lesley (Stevenson, Lesley)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Salon de 1859 | author: Baudelaire, Charles , editor: Drost, Wolfgang , contributor: Riechers, Ulrike
Article
Rops: peintre de la femme moderne
05/1984 | 974 | 126
Pages: 260-265
related names
Author:
Hoffmann, Edith (E. H.) (Hoffmann, Edith (E. H.); H., E.)
Subjects
artists:
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
10. La grève, by Félicien Rops. 1874. Etching.
Attributed works:
11. La cigale, by Félicien Rops. 1869. Charcoal, 45.1 by 28.6 cm. (Institut Néerlandais, Paris).
Attributed works:
2. Modernité, by Félicien Rops. 1883. Etching and Dry-Point.
Attributed works:
3. Manette Salomon, by Félicien Rops. 1866-67. Charcoal and Water-Colour, 55 by 36 cm. (Musées Royaux des Beaux-Arts, Brussels).
Attributed works:
4. Parisine, by Félicien Rops. 1876. Pen, Pencil and Water-Colour, 21 by 16 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
5. La femme et le pantin, by Félicien Rops. 1877. Pencil and Water-Colour, 41 by 57 cm. (Private Collection, Namur).
Attributed works:
6. Frontispiece to La Comédie de notre temps, Engraved by Bertall. [1874], Vol. I.
Attributed works:
7. Fashion Drawing, by Félicien Rops. 1883. (Bibliothèque Royale, Brussels).
Attributed works:
8. La marchande de Caricoles, by Félicien Rops. Charcoal, Sepia and White Gouache on Brown Paper. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
9. Foire de Gand, by Félicien Rops. 1874. Charcoal, 23 by 18 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Article
Notes on the Iconography of Félicien Rops
04/1981 | 937 | 123
Pages: 204+206-215+217-218
related names
Author:
Hoffmann, Edith (E. H.) (Hoffmann, Edith (E. H.); H., E.)
Subjects
artists:
artists:
artists:
dates:
places:
places:
subjects:
Illustrations
Attributed works:
13. Les Lorettes, by Paul Gavarni. 1841. Lithograph.
Attributed works:
14. Le plus bel amour de Don Juan, by Félicien Rops. 1886. Etching.
Attributed works:
15. Cover for Abel Hermant's Novel Nathalie Madoré, by Théophile-Alexandre Steinlen. 1895. Coloured Lithograph.
Attributed works:
16. Awakening, by Max Klinger. 1887. From Eine Liebe, Series of Etched and Engraved Sheets.
Attributed works:
17. L'ordre règne à Varsovie, by Félicien Rops. 1863. Lithograph.
Attributed works:
18. La France-Prométhée et l'aigle-vautour, by Honoré Daumier. 1871. Lithograph.
Attributed works:
19. La France livrée aux corbeaux de toute espèce, by Isidore Grandville. Lithograph by Delaporte, Published in La Caricature, 15th October 1831.
Attributed works:
20. L'ordre règne à Varsovie, by Isidore Grandville. 1831. Coloured Lithograph, Published by Aubert.
Attributed works:
21. Je séparerai l'ivraie du bon, by Isidore Grandville. Lithograph, Published in La Caricature, 14th October 1831.
Attributed works:
22. Satan semant l'ivraie, by Félicien Rops. 1867. (Private Collection).
Attributed works:
23. Satan semant l'ivraie, by Félicien Rops. 1868. Drawing. (Private Collection).
Attributed works:
24. Au coin de la rue, by Félicien Rops. 1881. Charcoal and Wash, 23 by 16 cm. From Cent Croquis. (Private Collection).
Attributed works:
25. Voulez-vous monter chez moi, mon petit Monsieur?, by Isidore Grandville. 1829. Lithograph from Voyage pour l'Eternité, Published 1830.
Attributed works:
26. Poster Announcing the Publication of Charles de Coster's Légendes flamandes, by Félicien Rops. 1858. Lithograph.
Attributed works:
27. La Médaille de Waterloo, by Félicien Rops. 1858. Lithograph.
Attributed works:
28. The Apotheosis of Hoche, by James Gillray. 1798. Etching.
Attributed works:
29. A Phantasmagoria, by James Gillray. 1803. Etching.
Attributed works:
30. La belle Rosine, by Antoine Wiertz. 1847. 140 by 100 cm. (Musées Royaux des Beaux-Arts de Belgique, Brussels).
Attributed works:
31. La femme à la tête de mort, by Félicien Rops. After 1870? Etching.
Attributed works:
32. A Severed Head, by Antoine Wiertz. 1855. Oil Sketch. (Musée Wiertz, Brussels).
Attributed works:
33. A Severed Head, by Félicien Rops. 1857? Black Chalk with Grey Wash, 21.5 by 15.5 cm. (Bibliothèque Royale Albert ler, Brussels).
Attributed works:
34. Diaboli virtus in lumbis, by Félicien Rops. 1878-81. Pencil and Water-Colour, 29 by 18 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
35. Ridyck, by Félicien Rops. Charcoal and Pastel, 29.4 by 22.1 cm. (Bibliothèque Royale Albert ler, Brussels).
Attributed works:
36. La mort au bal, by Félicien Rops. Between 1865 and 1875. 151 by 85 cm. (Rijksmuseum Kröller-Müller, Otterlo).
Attributed works:
37. La mort qui danse, by Félicien Rops. c. 1875? Etching.
Attributed works:
38. Mors syphilitica, by Félicien Rops. About 1875. Etching and Drypoint.
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