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Advertisements April 1999 (front)
04/1999 | 1153 | 141
Pages: i-xx
Subjects
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subjects:
Illustrations
Attributed works:
St John the Baptist, by Ercole de' Roberti. c.1478. Oil and Oil/Tempera Emulsion on Panel, 54 by 31 cm. (Gemäldegalerie, Berlin; Exh. The J. Paul Getty Museum, Los Angeles)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Louis Leopold Boilly (1761-1845). La Folie du Jour. Black Chalk, Pen and Brown Ink and Watercolour. 320 × 400 mm
Attributed works:
[Aldega-Gordon, New York, New York]. Sketch. Giuseppino Galliari, 1752-1817
Attributed works:
[Arnoldi-Livie, Munich. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Baptist Isabey: Portrait of a Young Lady Sitting on a Verandah, c.1810. Black Chalk with Stumping, Heightened with White, 28 × 23 cm.
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Christoffer Wilhelm Eckersberg (1783-1853), A Brig under Sail in Fair Weather, Oil on Canvas, 1844-45, 18½ × 26 3/4 Inches (47 × 68 cm.)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Wilhelm Schadow (Berlin 1788 - 1862 Düsseldorf). Portrait of Friedrich Gottlieb Schadow. Black Chalk, Heightened with White. Signed 1808. 32.2 × 27 cm. Portrait of the Berlin Court-Architect Friedrich Gottlieb Schadow (1761-1831).
Attributed works:
[Arturo Cuellar, Zurich. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Johann Gottfried Schadow: Portrait of Charlotte Susanna Juliane Schadow, née Hielkert. Signed. Chalk, 33.5 × 27.6 cm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] School of Cremona, XVth Century. The Sacrifice of Isaac. Tempera on Panel, 27.5 × 19 cm
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Luigi Miradori Called Genovesino. Genoa c.1605 - Cremona after 1654. Portrait of a Youth. Oil on Canvas: 122 × 90.2 mm
Attributed works:
[Colnaghi, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Francesco Guardi: View of the Rialto and the Riva del Vin. Signed Lower Left. Pen and Brown Ink with Brown and Grey Washes, 24.7 × 42.3 cm.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Giovanni Battista Tiepolo. Venice 1696∼1770 Madrid. The Madonna and Child with Angels Appearing to a Kneeling Pilgrim and a Seated Saint. Black Chalk, Pen and Brown Ink, Brown Wash 12¼ × 8 7/8 Inches (310 × 226 mm)
Attributed works:
[Flavia Ormond, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Giacomo Cavedone: Madonna and Child Seated on Clouds (Recto); Study of Hands (Verso), c.1620. Black Chalk on Blue Paper, 37.8 × 27.3 cm.
Attributed works:
[Galerie Antoine Laurentin, 65 rue Sainte-Anne, Paris, France] François Bonvin. Paris 1817 - 1887 Saint-Germain-en Laye. Falaise de Mers près du Tréport. Aquarelle, Gouache et lavis d'encre brune. Porte une trace de signature en bas, à droite. 223 × 330 mm
Attributed works:
[Galerie du Bayser, 69 rue Sainte-Anne, Paris, France] Jean-Honoré Fragonard (1732-1806). Portrait of a Seated Man. Black Chalk. 33 × 25 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Hanns Lautensack. Bamberg 1524 - 1566 Vienna. A View of Steyr on Enns. Etching; 1544. Hollstein 28, Only State. A Fine, Atmospheric Impression.
Attributed works:
[Joanna Booth, 247 King's Road, London, UK] Belisario Corenzio (1560-1640). Study of Horses' Heads, Brush and Blue Wash, 183 × 178mm
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Jacques le Moyne de Morgues. Dieppe c.1533 - 1588 London. Peaches. Gouache and Gold Leaf on Vellum; Inscribed Verso: 35. 152 × 113 mm.
Attributed works:
[Olimpia Theodoli, 14 Dover Street, London, UK] Aenea Vico, Vase from the Antique. Engraving, 1542
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Fra Semplice DA Verona. Verona? c.1589 - 1654. Seated Woman in Profile Turned to the Right. Black and Red Chalk with White Heightening on Grey-Blue Paper
Attributed works:
[Sotheby's, International Realty, 123 Sloane Street, London, UK] Images of: painting by Thomas Gainsborough, R. A. Gilt Bronze Mythical Beast - Han Dynasty. painting by John Frederick Lewis and photo of Lyall Mews, London.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France] Jean-Baptiste Greuze (1725-1805). Bourgeoise de Florence. 1755. Pen, Black Ink and Wash. Signed and Dated Lower Left. Engraved by F.-A. Moitte in 1768. 19.8 × 13.4 CM
Attributed works:
[Talabardon & Gautier, Paris. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Adam Elsheimer: The Denial of St Peter. Pen and Brown Ink, 12.4 × 16.5 cm.
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Karl Friedrich Schinkel. 1781 Neuruppin - Berlin 1841. Design for the Title Page of Fairy Tales by Clemens Brentano. Gouache over Pen and Ink. 180 × 120 mm. Signed and Dated Bottom Right: Schinkel 1815.
Attributed works:
[Thomas Le Clare, Hamburg. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Michel Moreau, Called Moreau le Jeune: Scene from Virgil's Aeneid, Pen and Brown Ink with Brown Wash. 22.3 × 15.6 cm.
Attributed works:
[Yvonne Tan Bunzl, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France]Luigi Sabatelli: The Crucifixion. Black Chalk, Pen and Brown Ink Heightened with White on Prepared Paper. 52.9 × 36.4 cm.
Non-western art unattributed:
[British Museum, London] The British Museum's Head of Organic Artefacts Conservation, Allyson Rae, Is Helping Preserve a 1980s Papua New Guinea Festival Head Dress.
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Advertisements November 1990 (front)
11/1990 | 1052 | 132
Pages: i-xxxi
Subjects
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Annamaria Edelstein, Robin Symes, 94 Jermyn Street, London] Salvator Rosa (Arenella 1615-Rome 1675) Lucretia. Pen and Brown Ink, Brown Wash, Fragmentary Watermark 98 by 91 mm. Dateable Late 1630s.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Wilhelm von Schadow. Carl Wilhelm Wach. (c. 1805/1810). Black Chalk and White Bodycolour. 520 × 373 mm. Coll. E. Ehlers.
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Matignan and 11 quai Voltaire, Paris] Matteo Civitali (Lucca 1436-1501). 'St Sebastian' - Terracotta. H: 145 cm
Attributed works:
[Christopher Mendez, incorporating Craddock and Barnard, 58 Jermyn Street, London] Rembrandt 1606-1669. Self Portrait in a Fur Cap. Etching, 1631. Bartsch 16
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Simon Vouet Paris 1590 - 1649. Erato, Muse of Poetry. Oil on Panel: 81 × 64 cms
Attributed works:
[David Koetser Gallery, Talstrasse 37, Zurich] Jan Bruegel the Elder. Signed and Dated: 1612. On Copper, 8 × 12¼ ins
Attributed works:
[Front cover] Queen's Road Station, by Walter Richard Sickert. 1916. 62.3 by 73 cm. (The Fry Collection, Courtauld Institute Galleries, London)
Attributed works:
[Galerie Pierre - Yves Gabus sa, Geneva 19, cours de Rive/ 16 rue Kleberg, Geneva] Oguiss Takanori (1901-1986) Japon Vue d'un quartier de Paris; huile sur toile signée en bas à gauche; 60×73 cm. Estimation: FS 280 000/320 000.-
Attributed works:
[Gallery Lingard, The Buildind centre, 26 Store Street, London] St. Paul's from Stationers' Hall, London, 1942. Pencil, Gouache & Watercolour Signed & Dated 16½ × 11 Inches.
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street St James, London/ 46 Rokin, Amsterdam] Anders Zorn (1860-1920). 'Seaward Skerries, 1913'. Asplund: 256, Hjert & Hjert 265. Etching: 180 × 250mm
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, St James, London] Edgar Degas 1834-1917. Danseuse sur la scène. Pencil, 23.8 × 15.8 cm. Signed and Inscribed un peu honteux. Datable 1877-1880
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, St James, London] John Greenhill 1649-1670 Portrait of a lady.
Attributed works:
[Ia Gallery, 21 Chelsea Garden Market, Chelsea Harbour, London] Young Woman Seated by Roger Fry Signed - Oil on Canvas 65 × 48 cms.
Attributed works:
[IDC Microform Publishers,, Leiden]Theo van Doesburg. Photograph by Lucia Moholy Nagy
Attributed works:
[Marlborough, 6 Albemarle Street, London] Frank Auerbach (b. 1931). Head of Sheila Fell, 1954. Charcoal on Paper, 30 × 22in./76.2 × 55.9 cm.
Attributed works:
[Musee des Beaux Arts de Lille] Jean-Siméon Chardin (1699-1779). Les apprêts d'un déjeuner (dit aussi le Gobelet d'argent), (signé) (0,86 × 0,645)
Attributed works:
[Patrick Perrin, 98 Faubourg Saint Honore, Paris] Nicolas-Bernard Lepicie (1735-1784). French School. Jeune Homme à la Pipe. Black Ink Wash and Red Chalk. H. 28.2 cm; W. 20.5 cm. Signed down on the Left: "Lépicié". Inscribed Verso: "Lépicié"
Attributed works:
[Phillips, 101 New Bond street London] Pirro Ligorio, (1500-1583), "A Design for a Title Page", Pen and Brown Ink with Wash, 47.4cm × 68cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Caspar David Friedrich, (German 1774-1840), "Landscape with a Pond, Straw Covered Huts and a Church Spire beyond", Inscribed on Label on Reverse. Oil on Panel. 27.3cm × 37.9cm. Estimate: £100,000-£150,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Edgar Degas, "La sortie du bain" (Grande Planche, (Reed and Shapiro 66), Lithograph on Laid Paper, Printed in Dark Grey, Fifth and Final State, Signed in Pencil Lower Left, 30cm × 31cm. (Image). Estimate: £40,000-£60,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Girolamo Sicciolante da Sermoneta, (1521-c.1500), "Madonna with Saints," Pen ink and Wash, Heightened with White, 57.5cm × 34cm. Estimate: £10,000-£15,000.
Attributed works:
[Phillips, 101 New Bond Street, London] John Constable, "The Entrance to Fen Lane" (a detail)
Attributed works:
[Phillips, 101 New Bond Street, London] John Constable, R. A., 1776-1837, "The Entrance to Fen Lane", Oil on Canvas, 68.5cm × 91.5cm. Estimate: £2,000,000-£3,000,000
Attributed works:
[Rafael Valls Limited, 11 Duke Street, St James, London] Sir Peter Lely (1618-1680). A Portrait of a Young Man, Half-Length, Wearing a Black Costume and Pointing to a Marble Sculpture Oil on Canvas: 51 × $38frac{3}{4}$ Inches (129 × 98.3 cms) Inscribed Bottom Right-Hand Corner
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street St james, London/ Feigen Incorporated, 325 West Hiron Street, Chicago] Johann Zoffany, David & Goliath, 1756, Oil on Canvas, 91.44 × 73.66 cm. Signed and Dated on Belt: '1756 Zauffaly Inv Roma'
Attributed works:
[Societe Labatut, J.Cl. Serre e J. Leegenhoek, 199bis, Boulevard Saint Germain, Paris / Galerie d'Arenberg, 14 rue aux Laines, Brussels] Abraham Janssens and Jan Wildens, Noli me tangere, c. 1620. Canvas, 155 × 206 cm
Attributed works:
[Sotheby's, 34-35 New Bond street, London] A Terracotta Relief of the Virgin and Child, School of Donatello, Padua?, Mid 15th Century, Overall Height 82.5 cm (32½in). Estimate Available on Request.
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Giovanni Benedetto Castiglione (Genoa 1609 - Mantua 1664). Viaggio Pastorale. Drawn with the Brush in an Oil Medium, Two Shades of Brown, with Touches of Red Chalk. 38 by 54 cm. Provenance: Vallardi Collection (L. 1223).
Attributed works:
[Thos. Agnew's & Sons Ltd, 43 Old Bond Street, London]Theodore Roussel (1847-1926). La Chine. Etching, drypoint & softground, printed in colour. 1896-7. In original mount and frame designed and printed by the artist. Image size: 93 × 138 mm; frame size: 475 × 500 mm.
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London] Domenico Zampieri Called Il Domenichino, Head of a Boy, Black Chalk, 265 × 189 mm
Attributed works:
[Villa Grisenbach Auctions, Fasanenstrasse 25, Berlin] Max Beckmann. "Clown, Rosaviolett." 1946. Oil on Canvas. 60.5 × 40 cm. Signed and Dated on upper Right: Beckmann A 46. Göpel 711. Estimate: DM 600,000 - 700,000
Western art unattributed:
[Harvey Miller, 20 Marryat Road, London] One of the Finest English 13th-Century Illuminated Manuscripts
Western art unattributed:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. Panel 4½ × 3½ ins.
Western art unattributed:
[Sam Fogg Rare Books and Manuscripts, 14 Old Bond Street, London] Illuminated manuscript.