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01/2024 | 1450 | 166
Pages: i-xx
Subjects
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
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02/2023 | 1439 | 165
Pages: OBC
Subjects
artists:
Illustrations
Attributed works:
Nicolas Robert (1614-1685), Papaver somniferum (Linné). Muséum national d’Histoire naturelle, Collection des vélins, portefeuille 4141, folio 49. Cliché Tony Querrec (RMN) ©. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin].
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03/2018 | 1380 | 160
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Subjects
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Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
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Subjects
artists:
subjects:
Illustrations
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Loe Bar, by Peter Lanyon. 1962. Oil on board.]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[TEFAF Maastricht. A maid setting a table, by Vilhelm Hammershøi. 1895. Canvas, 97 by 70 cm. (Daxer & Marschall, Munich).]
Attributed works:
[TEFAF Maastricht. Abstract composition, by Serge Poliakoff. c.1930. Canvas, 96 by 130 cm. (Galerie de la Béraudière, Geneva).]
Attributed works:
[TEFAF Maastricht. Apocalypsis cum figuris (second Latin edition in book form), by Albrecht Dürer. 1511. Engraving, 39.4 by 28 cm. (Dr Jörn Günther Rare Books AG, Basel).]
Attributed works:
[TEFAF Maastricht. Reclining nudes with heads turned left, by Gustav Klimt. Pencil, 363 by 562 cm. (W&K – Wienerroither & Kohlbacher, Vienna).]
Attributed works:
[TEFAF Maastricht. Roses, by Graham Sutherland. 1972. Gouache, pastel, pen and collage, 66.5 by 48 cm. (Christopher Kingzett Fine Art, London).]
Attributed works:
[TEFAF Maastricht. Study of a figure for the painting Le Conteur, by Jean-Antoine Watteau. Black and red chalk, 22.7 by 16.8 cm. (Jean-Luc Baroni Ltd, London).]
Attributed works:
[TEFAF Maastricht. The corn harvest, by Joos de Momper and Jan Breughel the Elder. Panel, 69 by 105.6 cm. (Arnoldi-Livie, Munich).]
Attributed works:
[TEFAF Maastricht. The Golden Lion at anchor by Willem van de Velde the Younger. c.1680. Canvas, 82 by 65 cm. (Galerie Sanct Lucas, Vienna).]
Attributed works:
[TEFAF Maastricht. The governesses of the lepers’ asylum, Amsterdam, by Ferdinand Bol. c.1668. Canvas, 170 by 208 cm. (Rijksmuseum, Amsterdam).]
Attributed works:
[TEFAF Maastricht. Various birds, a hare and a basket of fruit, by Jan Weenix. Canvas, 123 by 99.8 cm. (Adam Williams Fine Arts Ltd, New York).]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Walter Padovani, Milan. Female head, by Giovanni Marchiori. c.1750. Terracotta on its original carved wooden base, 38 by 36 cm., height 52 cm.]
Western art unattributed:
[Peter Finer, London. A close helmet (Burgonet). Germany. c.1550. Steel and leather, 33 by 25.4 cm. ]
Western art unattributed:
[TEFAF Maastricht. Portrait of a Knight of the Order of St John of Jerusalem. German school. Late 15th century. Panel, 28 by 18.8 cm. (Galerie de Jonckheere, Geneva and Monaco).]
Western art unattributed:
[TEFAF Maastricht. Reliquary casket with The Crucifixion and Christ in Majesty and Apostles. Limoges, France. c.1195–1200. Champlevé enamel on copper gilt, 17.6 by 21.7 cm. (Brimo de Laroussilhe, Paris).]
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03/2017 | 1368 | 159
Pages: s.p.
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Agnews, London. Venus, Cupid and Ceres, by Cornelis Cornelisz van Haarlem (1562-1638). Oil on canvas, 96.7 by 109.2 cm]
Attributed works:
[Agnew’s. 6 St. James Place. London. Matthias Stomer, The Martyrdom of Saint Bartholomew (a detail)]
Attributed works:
[Aktis Gallery, London. Still life with guitar, plates, book, pipes bottles and glasses, by Le Courbusier (1887-1965). Collage, gouache and ink on paper, 74 by 81 cm]
Attributed works:
[Arnoldi-Livie. Galleriest. 2b. Munich. Wilhelm von Kobell (1766-1853). Fox Hunting in Upper Bavaria, 1834 (detail). Watercolor, 19.3 x 24.2 cm. Signed and dated lower right: "W Kobell 1834"]
Attributed works:
[Bijl-Van Urk BV, Alkmaar. A river landscape with angler beyond the Grote Kerk of Naarden, by Jacob van Ruisdael (1628-1682). c. 1649. Oil on canvas, 26.5 by 38 cm]
Attributed works:
[Bonhams. New Bond Street. London. A set of four George III silver candlesticks by Paul Storr. London 1815]
Attributed works:
[Bonhams. New Bond Street. London. Demetre Chiparus (Romanian, 1886-1947). An Art Deco bronze and ivory figure of The Starfish Dancer.]
Attributed works:
[Bonhams. New Bond Street. London. Lord Frederic Leighton (British, 1830-1896). A bronze figure of an Athlete struggling with a Pyton]
Attributed works:
[Brame & Lorenceau, Paris. Coloured Rhytm (project for a large panel exhibited in the Tuileries), by Sonia Delaunay (1885-1979). Gouache and pencil on paper, 39 by 46.5 cm]
Attributed works:
[Burzio, London and Farnham. A royal neoclassical table en commode for King Vittorio Amodeo III, by Giovanni Galletti (1735-1810). Marquetry in precious woods and ivory.]
Attributed works:
[Carlo Orsi, Milan. Christ as the suffering redeemer, by Giovanni Battiste Benvenuti, called L'Ortolano (1485-1527). Oil on panel, 19.5 by 39.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. François Boucher (1703 - Paris - 1770). Jephté se lamentant à la vue de sa fille. Red chalk, 44 x 57 cm]
Attributed works:
[Christie’s. Paris. 9. Avenue Matignon. Francesco GUardi (1712-1793). Piazza San Marco, with the Basilica and the Campanile. oil on canvas. 69.8 x 101.9 cm. (27 1/2 x 40 1/8 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. A Bishop destroying idols, by Gabriel-François Doyen (1726-1806). Pen and brown ink and wash, 21.9 by 16 cm]
Attributed works:
[Didier Aaron. Antoine-François Callet. Portrait of Louis XVI]
Attributed works:
[Dorotheum. Palais Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128x200 cm (detail).]
Attributed works:
[Dr. Jorn Gunther Rare Books AG, Basel. Compleints de la Foy, by the Master of the Entry of François I. Lyon, c. 1504-1506. Vellum, 28.1 by 18.5 cm]
Attributed works:
[Eric Gillis Fine Art, Brussels. Bretons resting, by Charles Laval (1862-1894). 1889. Gouache, watercolour, chalk and pencil on board, 49 by 63 cm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Male figures and horses and riders in movement, by Théodore Géricault (1791-1824). c.1817. Pen and brown ink, 18.4 by 25.5 cm]
Attributed works:
[Galerie Berés, Paris. Composition 1948, by Nicolas de Stael (1914-55). Pen, brush and India ink on paper, 28.5 38 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Wallerant Vaillant (Lille, 1623 - Amsterdam, 1677). Self-Portrait with a Turban. Oil on canvas, 74 x 59,5 cm (29 1/8 x 23 7 /16)]
Attributed works:
[Galerie Eric Coatalem, Paris. People in a forest, or A mysterious conversation, by Odilon Redon (1840-1916). Charcoal on paper, 47.7 by 33.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136 Fbg St. Honoré. Paris. Hyacinthe Rigaud (Perpignan 1659 - Paris 1743). Preparatory sketch for Louis XIV, King of France. Oil on its original canvas, 55 cm x 46 cm]
Attributed works:
[Galerie Karsten Greve AG, St. Moritz. Pregnant woman II, by Louise Bourgeois (1911-2010). 1947-1949. Bronze with polished patina. Height: 40.6 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Study for the triumphal march of Napoleon towards the Temple of Immortality, by Jean-Baptiste Regnault (1754-1829). Black crayon and white chalk on paper, 54.5 by 41 cm]
Attributed works:
[Galerie Nathalie Motte Masselink. 12 rue Jacob. Paris. Charles Eisen (1720-1778). Allégorie de la Créativité Artistique. Plume, encre grise, lavis brun, gouache blanche. 372 x 275 mm]
Attributed works:
[Galerie Paul Prouté, Paris. A country scene with horses and paesants with a large building in the background, by Jean-Jacques de Boissieu (1736-1810). 1783. Pen and ink with grey wash, 14.5 by 22.5 cm]
Attributed works:
[Galerie Zlotowski, Paris. Study for the 1924 'Bal-musette', by Georges Valmier. Gouache on paper, 175 by 20.5 cm]
Attributed works:
[Hammer Galleries, New York. Loses im rot (loosely in red), by Wassily Kandinsky (1866-1944). 1925. Oil on cardboard, 69.2 by 49.5 cm]
Attributed works:
[Helene Bailly Gallery, Paris. Young woman wearing a corset with a blue ribbon, by Marcel Duchamp (1887-1968). India ink, pencil and goauche on paper, 29.5 by 20.5 cm]
Attributed works:
[Irish Arts Review. Sir William Orpen. Self Portrait.]
Attributed works:
[Kungstgaleij Albricht BV, Oosterbeek and London. The Nieuve Kerk and old houses in The Hague, by Vincent van Gogh (1853-1890). 1883. Oil on canvas laid down on panel, 35 by 25 cm]
Attributed works:
[Lowell Libson Ltd, London. The city of God and the waters of life, by John Martin (1789-1854). Oil on canvas, 46 by 66 cm]
Attributed works:
[Marty de Cambiaire, Paris. A faun and a nymph, by Jean-Baptiste-Marie Pierre (1714-89). Black and white chalk, with stumping on buff paper, 40 by 46.5 cm]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris Frans Pourbus called the Elder. Bruges 1545 - Antwerp 1581. Self portrait. Oil on canvas. Signed and dated: F. POURBUS 1570 on the palette. 80,5 x 64 cm (31 3/4 x 25 1/4 in.)]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris. Giuseppe Cesari, also called the Cavaliere d'Arpino. 1568 Rome or Arpino - Rome 1640. A seated man, seen from behind. Inscribed Caval, Arpino at the lower left. Black chalk, red chalk, 402 x 272 mm (15 7/8 x 10 3/4 in.)]
Attributed works:
[Maurizio Nobile, Bologna, Paris. The Holy Family, by Mauro Gandolfi (1764-1834). Pen , brush, black ink and grey wash on vellum. Diameter 22.5 cm]
Attributed works:
[Maurizio Nobile. 45, Rue de Pethièvre. Paris. Via Santo Stefano, 19/a. Bologna. Théodore Géricault (Rouen, 1791 - Paris, 1824). Studies of hands, horse head and two figures fighting (detail). Pen, brown ink on laid paper. Laid down on white paper, 205 x 272 mm (221 x 290 mm)]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. After Nino Pisano (1315 - Pisa - 1368) Madonna and Child. Alabaster, with traces of original polychrome and gilding. Italy, Sicily, c. 1450. H. 59.5 x W. 19.5 x D 15 cm]
Attributed works:
[Nathalie Motte Masselink, Paris. A scene from 'The Marriage of Figaro', by Alexandre-Evariste Fragonard (1780-1850). Pen and brown ink, brown wash, white gouache and pencil, 21.9 by 17.8 cm]
Attributed works:
[Pandora Old Masters, New York. Self-portrait, by Vincenzo Gemito (1852-1939). 1917. Pencil and lithographic pencil on paper, 46.5 by 36.7 cm]
Attributed works:
[Pandora Old Masters. Giacomo Balla]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, Paris. Louis-Maurice Boutet de Monvel (Orléans 1850 - Paris 1913), Faust and Mephistopheles. Pen and watercolor heightened with gouache, 217 x 350 mm. Signed and dated MB. de Monvel. 1878.]
Attributed works:
[Reginart Collections, Geneva. Woman with flowers, by Pablo Picasso (1881-1973). Pen and pencil on paper, 36.5 by 31.5 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. The Israelits attacking the Amalekites, by Antonio Tempesta (1555-1630). Oil on marble, 42 by 66.5 cm]
Attributed works:
[Robilant + Voena. Louise Boutellier (Paris 1783-1828). Portrait of Césarine de Houdetot, Baronne de Barante: Les Pamplemousses. oli on convas, 193.5 x 143 cm]
Attributed works:
[Sam Fogg, London. John the Baptist, by Jan Crocq (c. 1450 - 60 - 1510). c. 1500 - 1510. Tonnerre limestone, 16.3 by 59 by 40 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Gerard Hoet. The Head of Cyrus being Presented to Tomyrus (detail)]
Attributed works:
[Stephen Ongpin Fine Art. River Wide House, 6 Mason’s Yard, Duke Street st. James’s, London. Hendrick Sonnius (c. 1615 - c. 1688). An Italianate Landscape with travellers and a Donkey. Pen and brown ink and brown wash on vellum. Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647. on the verso. 346 x 485 mm. ( 13 5/8 x 19 1/8 in.)]
Attributed works:
[Talabardon & Gautier, Paris. Almanacks nouveaux and Argens des glans, from 'Les Cris de Paris', by Pierre Barbiette (1598-1642). Red and black chalk on paper, 24.1 by 22.8 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Johann Konig (Nuremberg, 1586-1642), Saint Christopher carrying the Infant Christ, oil on copper. 15.3 x 21.2 cm. Signed lower right: Jo: Konig. Fec.]
Attributed works:
[The London Original Print Fair. London. Brian Eno. Grapefruit, Agate, Eclipse, Sunburnt, 2016. Etchings. 63.5 x 63.5 cm. Each in an edition of 25.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. Portrait of an African woman holding a clock, by Annibale Carracci (1560-1609). Oil on canvas, 60 by 39.5 cm]
Attributed works:
[Tomasso Brothers Fine Arts. Paul Heermann (1673-1732). Saturn and Ops. White marble. 139.5 cm (55in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Albert Anker (1831-1910). Green tiled stove. Dated 1894. Oil on canvas, 23 x 31.5 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. H. Toulouse-Lautrec in: Pan. Complete series of the magazine. 1895-99]
Attributed works:
[W. Agnew & Company Ltd. An Eighteenth-century bronze bust of the English philosopher John Locke (1632-1704), by John Cheere (1709-87). 22 1/2 ins high, 20 1/2 ins. wide]
Attributed works:
[[Galerie Michel Descours. 44 rue Auguste-Comte. Lyon. Pierre Puvis de Chavannes (1824-1898), Man standing, back view, study for "Ludus pro Patria", c. 1880-1883. Black chalk, squared, 67.5 x 25.2 cm]
Non-western art unattributed:
[Daniel Katz Ltd, London. Head of Pharaoh Amenhotep II. Royal workshop, Thebes, c. 1427-1401 BC. Grandiorite. Height: 14.5 cm]
Western art unattributed:
[Bonhams. New Bond Street. London. A George III mahogany serpentine display cabinet. circa 1760]
Western art unattributed:
[Hargesheimer. Friederich-Ebert-Str. 11+12. Dusseldorf. Antwerp School, ca. 1550/1600. Adoration of the Magi.]
Western art unattributed:
[Merrin Gallery, New York. Mask of Silenus. Hellenistic-early Roman, 1st century BC - 1st century AD. Bronze. Height: 19.3 cm]
Western art unattributed:
[Mullanny Haute Epoque FIne Art, London. Virgin and Child Enthroned. Mosan, first half 14th century. Boxwood. Height: 32.5 cm. Width: 15.5 cm. Depth: 9 cm.]
Western art unattributed:
[Peter Finer. 38 & 39 Duke Street. London. A Lloyd's Patriotic FUnd Sword of £50 Value, Presented to R. Torin Esquire, Commander of the Honourable East India Company's Ship Coutts, dated 15th February 1804.]
Western art unattributed:
[Rupert Wace Ancient Art, London. The Gustiniani Aphrodite. Roman, 2nd century AD. Height 107. 5 cm]
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02/2017 | 1367 | 159
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Illustrations
Attributed works:
[Bijl van Urk. Master Paintings. Jacob van Ruisdael, Haarlem 1628/29 - 1682 Amsterdam. Winter Landscape with a View on a Town, Probably Doesburg. Oil on canvas, 36 x 41 cm. Signed lower right: "Ruisda [...]". Datable second half 1670s or later.]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Reiner Noomis, called Zeeman (Amsterdam c. 1623-1664). Venice: The Molo from the Bacino di San Marco on Ascension Day. Signed 'Zeeman' (lower left). Oil on canvas. 17 7/8 x 30 7/8 in. (45.5 x 78.4 cm)]
Attributed works:
[David Tunick, Inc, New York. Woman sitting half dressed by a stove, by Rembrandt van Rijn (1606-69). Etching, engraving and drypoint on Japanese paper, 22 by 18.7 cm]
Attributed works:
[De Jonckheere, 7 rue de L’Hôtel-de-Ville, Geneve. Pieter Brueghel the Younger. 1564 Brussels - Antwerp 1638. Winter Landscape with Ice Skaters. Panel: 40 x 57 cm. Signed bottom right: P. BREVGHEL]
Attributed works:
[De Jonckheere, Geneva and Paris. Landscape with travellers on a country road, by Jan Brueghel the Elder (1568-1625). 1611. Oil on copper, 20.3 by 31.8 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pompeo Batoni, Lucca, 1708 - Rome, 1787. Bacchus, Ceres. Two ovals, oil on canvas, 47.5 x 37.5 cm (18 3/4 x 14 3/4 in). The Bacchus bears a later inscription at upper left: "BATTONI"]
Attributed works:
[Kollenburg Antiquairs. Jean Grandjean (Amsterdam 1752-1781 Rome). Celebration of Spring, 1776-1777]
Attributed works:
[Koopman Rare Art, London. Pair of four-light candelabra, by Paul Storr (1771-1843). London, 1810. Silver. Height: 69.8 cm]
Attributed works:
[Les Enluminures, Paris, Chicago, New York. The Hours of Isabeau de Croix, by the Master of the Harvard Hannibal (active c.1415-30), the Master of the Golden Legend (active c.1420-60) and the Dunois Master (active c.1435-508). Paris, circa 1430-50. Illuminated manuscript on parchment]
Attributed works:
[Lowet de Wotrenge Fine Art. Vleminckveld 74. Antwerp. Jan II Brueghel (Antwerp 1601-1678) & Frans II Francken (Antwerp 1581-1642). An Allegory of Air and FIre. Oil on oak panel, 53 x 74 cm]
Attributed works:
[Senger Bamberg Kunsthandel, Bamberg. Christ as the man of sorrows. Workshop of Michel Erhart (c.1440-45). Limewood with original polychromy. Height: 157 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adriaen Thomasz. Key. Portrait of a Bearded Gentleman. Bust-length (detail)]
Attributed works:
[Stephen Ongpin Fine Art, London. Sheep grazing among classical monuments, by Jacob van der Does (1623-73). Grey wash, black chalk and brown ink, 25.5 by 40.6 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Hendrick Sonnius (c. 1615-c.1688). An Italianate Landscape with Travellers and a Donkey. Pen and brown ink and brown wash on vellum. Inscribed A. v. d. Velde near the lower left. Signed Hanritio zonius fl. 60 / Rome 1647 on the verso. 346 x 485 mm (13 5/8 x 19 1/8 in)]
Attributed works:
[Thomas Gibson FIne Art, London. Jeune Tahitienne assise, by Paul Gauguin (1848-1903). Watercolour and pencil on paper, 26 by 16 cm]
Attributed works:
[V&A. Giambologna (1525-1608). River God, about 1580, Florence]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. L. A Ring (1854-1933). Outside the artist's house. Signed and dated 1928. Oil on canvas, 33.5 x 27 cm]
Attributed works:
[Venduehuis de Notarissen. Nobelstraat 5. The Hague, The Netherlands. A pair of Dutch Delft blue tulipières and covers. Late 17th Century. Marked AK for Adriaen Kocks, "De Grieksche A"]
Attributed works:
[Venduehuis de Notarissen. Nobelstraat 5. The Hague, The Netherlands. A silver chanuka lamp, Amsterdam. Maker Harmanus Nieuwenhuys, N=1747. From the estate of Mrs Rebecca D. Maduro. Sold for E 514.600]
Attributed works:
[Venduehuis de Notarissen. Nobelstraat 5. The Hague, The Netherlands. Leonid Vloadimirovich Pozen )1849-1921). "The Jewish Carter", a bronze group of a traveling Jewish family. Signed L. Posene.]
Attributed works:
[W. Utermann KG, Dortmund. Brandung, by Emil Nolde (1867-1956). Watercolour, ink and tempera on Japan paper, 18.2 by 12.9 cm]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. A Renaissance pomader. Germany, c.1620. Fire-gilt silver and niello. Height: 7 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Saint Cathrine. Brussels, c.1510. Oak with traces of original polychromy. Height: 76 cm]
Western art unattributed:
[Peter Finer, London. Sword, Brunswick, c.1570. Steel, wood, leather amd brass. Length: 188 cm. Width: 65 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A wheellock holster pistol from the personal collection of King Louis XIII of France, circa 1635-40.]
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03/2016 | 1356 | 158
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Subjects
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Illustrations
Attributed works:
[Antoine Laurentin Gallery, Paris. Standing woman, by Auguste Rodin (1840-1917). Graphite with stumping watercolour heightened with pen and brown ink on vellum, 31,5 by 24.5 cm]
Attributed works:
[Art Cuéllar Nathan, Zurich. Backyards with two figures, by Vincent van Gogh (1853-90). 1882. Charcoal on paper, 23.9 by 35.2 cm]
Attributed works:
[Art Cuéllar Nathan. Arturo Cuéllar and Salomon Cuéllar. Zäheingerplatz 11. Zurich. Pierre Bonnard, La Baignoire, Gouache, pastel and colored crayon on paper, 50.2 x 65.4 cm]
Attributed works:
[Charles Beddington, London. The Piazzetta, looking south, by Bernardo Canal (1673-1744). Oil on canvas, 55.8 by 74.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Alessandro Algardi (Bologna 1598 - 1654 Rome). Design for a Reliquary with the Papal Arms of Pope Innocent X. Pen and Brown ink with grey washes. 375 x 275 mm. Laid down]
Attributed works:
[Day & Faber, London. A half-length study of a male nude, by Giovanni Battista Tiepolo (1696-1770). 1747. Red chalk, heightened with white, on blue paper, 13.2 by 17.8 cm]
Attributed works:
[Didiar Aaron & Cie, Paris. Two Putti, by François Boucher (1703-70). 1747.Three crayon, 22.5 by 28 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jacopo del Sellaio (1441-1493). The Holy Family with the Infant Saint John the Baptist, tempera on panel, diameter 68 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Workshop of Hans Memling, Nativity (detail), oil on panel, 99.2 x 72.5 cm.]
Attributed works:
[Galerie Arnldi-Livie, Munich. A scene from the life of St. Mark, by Domenico Tintoretto (1560-1615). Preparatory study to a composition in the Scuola di San Marco, Venice. Brush in dark brown, grey and white on brown prepared paper, 22.6 by 30.5 cm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Théodore Géricault (1791 - 1824). Chevaux de ferme (detail). Pen and ink in grey and brown wash, 20 x 27.2 cm. Germain Bazain. Catalogue raisonné, no. 2496]
Attributed works:
[Galerie Berès, Paris. An imaginary old town, by Victor Hugo (1802-87). Pen and wash, 11 by 14 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Vittore Ghislandi, dit Fra' Galgario. Bergame, 1655-1743. Boy with a Turban. Oil on canvas, 67 x 53 cm (26 3/8 x 20 7/8 in). Signed centrally, under the fictive octagonal frame: "FF.Vet. Ghisland"]
Attributed works:
[Galerie Johannes Faber, Vienna. Hanna Schygulla, by Alfred Eisenstardt (1898-1995). Silverprint, 24.1 by 16.4 cm]
Attributed works:
[Galerie Michel Descours. 44 rue Auguste Comte. Lyon. Joseph Guichard, Autoportrait, 1829, huile sur toile, 68 x 48 cm]
Attributed works:
[Galerie Nathalie Motte Masselink.13 Rue Jacob. Paris. Jacques-Louis David. Académie d'homme en Hercule, sanguigne. 670 x 357 mm. signé: L. David f]
Attributed works:
[Galerie Odermatt-Vedovi, Brussels. Concerto Spaziali, Attesa, by Lucio Fontana (1899-1968). 1963. Water-based paint on canvas, 60 by 46 cm]
Attributed works:
[Galerie Patricia Trigano, Paris. Le lavoir de billancourt, by Alfred Sisley (1839-99). Oil on canvas, 50.3 by 65.6 cm]
Attributed works:
[Galerie Tanakaya, Paris. Asangami (The Moment of Awakening), by Torii Kotondo (1900-1976). Woodblock print, 40.8 by 25.6 cm]
Attributed works:
[Gallerie Canesso, Paris. Still life with a basket of fruit, a bottle, figs and mashrooms, by Simone del Tintore (1630-1708). Oil on canvas 72 by 93 cm]
Attributed works:
[Gana Art Gallery, Seoul. L'image en soi, by René Magritte (1898-1967). Oil on canvas. 56 by 60 cm]
Attributed works:
[Gian Enzo Sperone. Chasa dal Guvernatur. Sent. Switzerland. Domenico Fiasella (Sarzana 1589 - Genova 1669). Alexander the Great and Diogenes, oil on canvas - 175 x 122 cm]
Attributed works:
[H. Blairman & Sons Ltd, London. Armchair, by Thomas Hope (1769-1831). c.1802. Mahogany, the upholstery of later date. Height: 94.5 cm. Width: 61.5 cm. Depth: 59.6 cm]
Attributed works:
[Irish Arts. 15 Harcourt Terrace. Dublin. Ireland. Sir John Lavery. A Bacchante, 1910.]
Attributed works:
[Jean-Luc Baroni, London. The game of cards, by Adriaen van der Werff (1659-1722). Oil on panel. 27.5 by 28.2 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Battista Piranesi (Mogliano 1720 - 1778 Rome). A Sheet of Studies: Three Figures. Pen and brown ink and wash. Bears inscription in a different ink: Goya. 273 x 163 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattia Preti (Taverna, Calabria 1613 - 1699 Valletta, Malta). St. Jerome. Oil on canvas, 135,3 x 102,3 cm]
Attributed works:
[Martin Graessale Kunsthandel, Munich. Four actresses in theatrical costume, by Claude Gillot (1673-1722). Pen and black ink, sanguigne wash and traces of pencil. 14.6 by 20 cm]
Attributed works:
[Museo del Prado. Madrid. Exhibition. Georges de La Tour. The Cheat with the Ace of Diamonds. Paris, Musée du Louvre. Départment des Peintures. Aquis en 1972.]
Attributed works:
[Pandora Old Master, New York. Allergy of Time, by Salvatore Rosa (1615- 74). Pen and brown ink, 210 by 17.5 cm]
Attributed works:
[Pushkin State Museum of Fine Arts, Moscow (Loan Exhibition). Composition, by Wassily Kandinsky (1866-1944). Watercolour, pencil and pen and ink on paper, 30.6 by20.8 cm]
Attributed works:
[Robert Funk Fine Art. 1581 Brickwell Avenue, Suite 2303. Miami. Florida. USA. Portrait of Mrs. Johnstone. A painting by Sir Henry Raeburn. Painted circa 1790-1810. h: 35.5 x w: 27 in]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adrian Thomasz Key. Portrait of a Bearded Gentleman, Bust-Length, in a black doublet with a White lace Ruff (detail)]
Attributed works:
[Stair Sainty. 38 Dover Street. London. Francisco de Goya y Lucientes. (Fuendetodos, Spain 1746 - 1828 Bordeaux, France). Portrait of Don Pedro Gil de Tejada, c. 1795. Oil on canvas, 112 x 84 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a man asleep against a table, by Gustave Courbet (1819-1877). Black chalk heightened with white on blue-grey paper. 24.4 by 22.6 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Herman Saftleven (1609-1685). A Sticky Nightshade or Litchi Tomato Plant. Watercolour, gouache and gun arabic. Signed and dated HS. f. 1683 den 31 octob: at the lower centre. 354 x 256 mm. (13 7/8 x 10 1/8 in.)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin. Fragments. 2015. A series of six screenprints.]
Attributed works:
[The Royal Academy. Exhibition In the Age of Giorgione. Giorgione (1478-1510). Portrait of a Young Man.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The Hohenzollern Man, by Giambologna (1529-1608). c. 1580. Bronze. Height: 39.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Giovanni Battista Foggini (1652-1725). Bacchus and a Younger Satyr. After Michelangelo Buonarroti (1475-1564). Bronze, with a warm known patina and traces of a red lacquer. 46 cm (18 in.) high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Massimiliano Soldati-Benzi (1656-1740). Charity, c.1695. After a model by Alessandro Algardi (1598-1654). Bronze with a gold and red patina. 47 cm (181/2 in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Laurits Andersen Ring (1854-1933). Evening. Oil on canvas, 81 x 123 cm. Signed and dated 1892.]
Attributed works:
[Zlotowski Gallery, Paris. Bull, by Le Corbusier (1887-1965). 1963. Collage of coloured paper and newspaper, white gouache and Indian ink on paper, 55.9 by 70.2 cm]
Western art unattributed:
[Peter Finer, London. A northern Italian armour for the tilt. Milan, c.1580. Steel. Height: 180 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched state glaive (Gardekeuse) for the guard of the imperor Maximilian II (R. 1564-1576), South German, dated 1564]
Western art unattributed:
[Rupert Wace Ancient Art Ltd, London. An Egyptian painted wood stele. Third intermediate period, 22nd Dynasty. 945-730 BC. Painted wood. Height: 25 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ars moriendi. Cologne. N. Goetz. 1475. With 11 woodcuts.]
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02/2016 | 1355 | 158
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Daxer & Marschall, Munich. Waterfall, by Peder Balke (1804-87). Oil on canvas, 11.5 by 8.2 cm]
Attributed works:
[De Jonckheere, 100 rue du Faubourg Saint Honoré. Paris. 7 rue de l’Hôtel-de-Ville. Geneva. Master of the Holy Blood. Active in Bruges around 1520. Triptych: Mystical Marriage of Saint Catherine (central panel) Saint Barbara and Saint Mary Magdalena (wings). Panels: 113,5 x 170,2 cm]
Attributed works:
[Didier Aaron & Cie, Paris, New York & London. Indigence and Honor, by Hilaire Ledru (1769-1840). Oil on canvas, 212 by 280 cm.]
Attributed works:
[Frank Partridge, London. One of a pair of Louis mahogany console tables by Fidelys Schey. French, c. 1780. Stamped. Height: 88 cm. Width: 98 cm. Depth: 48 cm]
Attributed works:
[French & Company, New York. Still life, by Willem Claesz Heda (1594-1680). Oil on panel, 80.6 by 101.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Magnasco. Genoa, 1667-1749. The Quaker Meeting. Oil on canvas, 99 x 138 cm (39 x 54 3/8)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Joachim Anthonisz. Wtewael (Ultrecht 1566-1638). The Apotheosis of Venus and Dian, monogrammed JW f, oil on canvas, dim.: 209,8 x 159,3 cm.]
Attributed works:
[Georg Laue, Munich. Adam and Eve in the Garden of Eden, by Leonhard Kern (1588-1662). Alabaster, 30.5 by 22 cm]
Attributed works:
[Gian Enzo Sperone. Chasa dal Guvernatur. Sent. Switzerland. Sante Monachesi. Alluminio a luce mobile, 1937 - alluminum 40 x 33 cm]
Attributed works:
[Jean-Luc Baroni, London. Portrait of a young man with an open collar, by Théodore Géricault (1791-1824). Oil on canvas, 54 by 45 cm]
Attributed works:
[Johnny van Haeften, London. A church interior with a christening, by Dirck van Delen (1604/5 - 71). 1629. Oil on copper, 24.4 by 34.9 cm]
Attributed works:
[Lowet de Wotrenge Fine Art. Vleminckveld 74. Antwerp. Details, upper left to lower right: Sebastiaen Vrancx, "Allegory of Winter" | Frans II Francken "The Adoration of the Golden Calf" | Artus Quellinus the Elder, "Virgin and Child" | Isaac Wigans, "A still life with a pie, a flute glass of red wine and a goblet"]
Attributed works:
[Otto Naumann, London. Martyrdom of St. Bartholomew, by Matthias Stomer (c. 1600 - after 1652?). Oil on canvas, 111.8 by 157.5 cm]
Attributed works:
[Rafael Valls Ltd, London. Sarcophagus with a bas-relief showing the discovery of Erichtonius by the daughters of Cecrops, by Henry Farquarson (1655/65-1730). Oil on a canvas, 38 by 49 cm]
Attributed works:
[Salomon Lilian, Amsterdam. The Battle of Leckerbeetje, by Sebastian Vrancx (1573-1647). Monogrammed lower right on a horse: SV. Oil on panel, 52 by 82.5 cm]
Attributed works:
[Salomon Lilian. Spiegelgracht 5. Amsterdam. 6 rue Verdaine. Geneva. Nicolaes Eliasz Pickenoy. 1588-1653/56. Portrait of the Wine Merchant Dirck van Dans. Dated upper right A° . 1626. Oil on panel, 53 x 61 cm]
Attributed works:
[Senger Bamberg, Bamberg. St. Martin, by the workshop of Hans Schnatterpeck (c. 1450 - c. 1510). Linden wood with original polychromy. Height: 72 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Gerard Hoet. 'The head of Cyrus being presented to Tomyrus (detail)]
Attributed works:
[Tate Britain. London. Exhibition. Rudolf Swoboda. Bakshiram. 1886. Royal Collection Trust/ © Her Majesty Queen Elisabeth II 2015]
Attributed works:
[The National Gallery. London. Eugène Delacroix. Lion Hunt (detail). 1861. ©The Art Institute of Chicago. Illinois]
Attributed works:
[The Weiss Gallery, London. An unknown man, by Frans Pourbus the Younger (1569-1622). Oil on panel, 119 by 96.5 cm]
Attributed works:
[The Weiss Gallery. 59 Jermyn Street. London. Frans Pourbus the Younger (1569-1622). Willem Van Vyve (detail). Oil on panel: 101.5 x 72.8 cm. Inscribed upper right with the armorial of van Wyve and upper left: 'ANNO.DNI.1591' / 'AETATIS SUAE.26']
Attributed works:
[Tobias Birch, Cheltenham. A George III mahogany longcase regulator with silvered dial, by James Pike. c.1790. Height: 203 cm.]
Attributed works:
[Trinity House Paintings, London. L'église de Saint-Cirq-Lapopie, by Henri Martin (1860-1943). Signed lower right. Oil on canvas, 112 by 85 cm]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Wilhem Bendz (1804-1832). Study of a young artist looking at a sketch in a Mirror. Oil on canvas, 18 x 17 cm. Painted around 1825]
Non-western art unattributed:
[Farnham Antique Carpets, Crondall. Isfahan rug. Persian, c. 1910. Woven in wool on a silk foundation with silk highlights (detail). Height: 231 cm. Width: 152 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A German decorated iron strongbox from the treasury of His Serene Highness Charles Joseph von Lothringen (Lorraine), circa 1711-1715. Height: 59 cm / 23 in. Width: 90 cm / 35 1/2 in. Depth: 50 cm /19 1/2 in.]
Western art unattributed:
[Sam Fogg, London. Adam and Eve (from a triptych). (Antwerp, c. 1515). Oil on panel, 66.5 by 22.6 and 66.7 by 22.8 cm]
Western art unattributed:
[Strachan Fine Art, London. Portrait of a Gentleman, circle of Cornelis Ketel (1548-1616). Dutch, c.1591. Inscription upper right: 'Ao 1591 /AETATVIS 29'. Oil on oak panel, 54 by 43.2 cm]
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03/2013 | 1320 | 155
Pages: s.p.
Subjects
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museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
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03/2012 | 1308 | 154
Pages: s.p.
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Essex. A Charles II quarter repeating spring table table timepiece in an ebony and gilt metal mounted case by Thomas Tompion. London, c.1682. Height: 30 cm. (12 in)]
Attributed works:
[Antiquariat Bibermuhle, Ramsen. David and Goliath. Book of hours in Latin and French, illuminated manuscript on vellum with 14 large miniatures by the Master of the Burgundian Prelats. Burgundy (Dijon?). From the collection of William Waldorf Astor. c.1480. 23.4 by 16cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Wilhelm Leibl (Cologne 1844 - 1900 Wurzburg). The Son of Dr. Reindl, 1883. Signed and dated lower left: 'W. Leibl 83/ Aibling'. Black chalk on handmade paper, 52.5 x 34 cm]
Attributed works:
[Arturo Cuellar, Zurich. Knitting peasant girl, by Max Lieberman (1847-1935). Signed lower right (in pencil): 'M Liebermann'. Indian ink and gouache]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Charles-François Grenier de Lacroix called LACROIX DE MARSEILLE (circa 1720 - after 1782). View of Civitavecchia Seaport. Oil on canvas. 99.5 by 162.5 cm. (39 1/4 by 64 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Even (B., M., Holl. 1). engraving, 1504, a fine Meder II impression, 251 x 194 mm.]
Attributed works:
[Damiano Lapiccirella, Florence. A centaur abduction a girl, by Gian Domenico Tiepolo (1727-1804). c.1755. Pen and brown ink with brown wash, 19 by 27 cm.]
Attributed works:
[Daniel Katz Ltd, London. The Annunciation, by Tilman Riemenschneider (c.1460-1531). 1515-20. Alabaster relief. 32 by 21.5 by 4 cm]
Attributed works:
[David & Constance Yates. Box 580. Lenox Hill Station. New York 10021. Jean-Pierre Dantan (Paris 1800 - 1869 Baden). Niccolò Paganini (1782-1840). Cast, reworked and patinated plaster. Signed Dantan and dated 1832 on proper left edge of base. Height: 31 cm]
Attributed works:
[Daxer & Marschall Kunsthandel, Munich. Landscape in Finmark, by Peder Balke (1804-87). Oil on paper, 19.2 by 25.4 cm]
Attributed works:
[Day & Faber, London. Hercules and the Stymphalian bird [recto]- Hercules and the Oxen of Gryon [verso], by Baldassarre Peruzzi (1481-1536). Pen and brown ink within a drawn circle, 11.5 by 11.6 cm]
Attributed works:
[De Jonckheere, Geneva and Paris. The harvest, by Pieter Brueghel the Younger (1464-1638). Signed and dated 'P.BRUEGHEL, 1621'. Oil on panel, 71.5 by 102 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. A young boy in an artist's studio, by Etienne Jeurat (1699-1709). Inscribed: 'm. aved'. Black chalk heightened with white on blue paper, 35 x 32 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lorenzo Lippi (1606-1665), David and Goliath, oil on canvas, 127 x 98.5 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Mademoiselle O., by John Duncan Ferguson. Signed and titled on the back. Oil on board, 66 by 37 cm]
Attributed works:
[Eric Coatalem, Paris. Italian column, by Ben Nicholson (1894-1982)- 1965. Signed and dated on reverse. Ink and collage, 31.5 by 26 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Antonio Canova (Possagno, 1757 - Venice, 1822). Male figure draped, 1798. Written in pencil at the top left: di Febbraio 1798. Pencil on white paper, 239 x 170 mm.]
Attributed works:
[Galerie Canesso, Paris. Angelica and Medoro, by Simone Peterzano (c.1535-99). Oil on canvas, 154.8 by 194 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Moroni. Albino, 1525-1578. Portrait of Isotta Brembati (?). Oil on canvas, 49 x 42 cm (19 1/4 x 16 1/2 in)]
Attributed works:
[Galerie Kruger & Cie, Paris. Dancer standing with hands clasped behind her back, by Edgar Degas (1834-1917). 1874. Stamp of atelier, on left 'Degas' (L.658). Black and white chalk on prepared grey paper, 45 by 29.7 cm]
Attributed works:
[Galerie Krugier & Cie. 29-31 Grand-Rue. Geneve. Pablo PICASSO. Etude de mains d'Olga, 1920. Pastel on paper, 50 x 47.5 cm]
Attributed works:
[Gallerie Pandora, Milan. Study of a hand and arm, by Antonio d'Errico, called Tanzio da Varallo (1580-1635). Red chalk on pink-orange prepared paper, traces of white heightening, 23.8 by 14.1 cm]
Attributed works:
[Gallery Delaive, Amsterdam. Victoire de Samothrace (S9), by Yves Klein (1928-62). Dry blue pigment and synthetic resin laid on plaster and stone base, 49.5 by 24.7 by 29.2 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Standing Nude with Drapery. Gouache, watercolour, pencil, black crayon, 56.5 x 35 cm, signed & dated at the lower right "Schiele 1918"]
Attributed works:
[Jean-Luc Baroni, London. The mender (Preparatory study for a lost painting of The occupation according to age, by Antoine Watteau (1684-1721). Red chalk, 21,8 by 17.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Lelio Orsi. 1511 - Novellara - 1587. Aegina with Jupiter as an Eagle. Pen and brown ink and wash, 222 x 109 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattias Stomer. Amersfoort c. 1600 - c.1652 Sicily or Northern Italy. A Woman Counting Coins by the Light of an Oil Lamp. Oil on canvas, 67.5 x 83.5 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8 x 13.5 cm]
Attributed works:
[Kunsthandel Schlichte Bergen, Amsterdam. Rue à Samois, by Odilon Redon (1840-1916). Signed and annotated: 'haut Samois // Od.R. Pencil, 26.3 by 18.8 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Gerrit Dou. Allegory of Painting. Signed and dated 1649. Oil on panel, 68.2 x 53.5 cm]
Attributed works:
[Michal Tollemache Fine Art. 43 Duke Street, St. James’s. London. Backgammon Players by Dirk van Baburen, ca. 1622. Oil on canvas, ca. 96.5 x 124 cm (ca. 38 x 49 inches)]
Attributed works:
[Otto Neumann Ltd, New York. Portrait of Baron François de Chambrier (1739-781), Chamberlain to the King of Prussia, by Pompeo Batoni (1708-87). Signed and dated lower right: 'P. BATONI PINXIT ROMA ANN. 1771'. Oil on canvas, 60.5 by 73 cm]
Attributed works:
[Palais de la Borse, Paris. Affiche. Michal Batory]
Attributed works:
[Pandora Old Masters. Ubaldo Gandolfi (1728-1781), Adam and Eve Expelled from Paradiso. Pen and brown ink with brown wash, laid down. 290 x 210 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Above: Picasso. Linocut - Femme Accoudee, 1959. Right: Richard Ham. Picasso in Studio, Photograph, 1945.]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostles (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm. (30 x 25 3/4 in)]
Attributed works:
[Stephan Ongpin Fine Art. London. Portrait of James Lord, by Alberto Giacometti (1901-1966). Signed and dated: 'Alberto Giacometti 54' in pencil at the lower right. Pencil on paper, with framing lines in pencil, 45.1 by 32.3 cm]
Attributed works:
[Stephan Ongpin, London. The raising of the cross, by Giovanni Domenico Tiepolo (1727-1804). Signed: 'Dom.o Tiepolo f.' at the lower right. Pen and brown ink and brown wash ink, over an underdrawing in black chalk, 46.5 by 36.2 cm]
Attributed works:
[Stephen Ongpin Fine Art. River wide House. 6 Mason’s Yard, Duke Street St. James’s. London. Eva Gonzales (1847-1883). La Mariée. Pastel on canvas, 462 x 382 mm. (18 1/4 x 15 in.)]
Attributed works:
[Talabardon & Gautier. 154 Faubourg St-Honoré. Paris. Louis-Léopold Boilly (1761-1845). La Grande Seur, black chalk, heightened with white.]
Attributed works:
[Talabardon &Gautier, Paris. An Armchair, study for La Famille Bellelli, by Edgar Degas (1834-1917). Watercolour, 35.3 by 22.8cm]
Attributed works:
[The Canon Gallery, Huntingdon, Cambridge. The Lagoon, Venice, by Federico Nerly Junior (1824-1919). Signed. Oil on canvas, 29 by 51 cm]
Attributed works:
[The Gallery in Redchurch Street London. Body Languagge. Tony Heath]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. London. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen edition of 40. Sims Reed Gallery.]
Attributed works:
[Thomas French Fine Art. Lynn Chadwick, 1914-2003. Winged Figure, 1962. Ink on paper, 58 cm x 48 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Francesco Caporale, known as il Soncino (active 1606-c.1635). Bust of a young nobleman (Marcantonio II Colonna, Captain General of the Holy League at the Battle of Lepanto in 1571) in the guise of a Roman Emperor. White marble, with additions in various rare coloured marbles. 84 cm high x 65 cm wide (33 in high x 25 1/2 in wide)]
Attributed works:
[Trinity House, Broadway and London. Arbres, by Paul Cézanne 1839-1906. Signed. Gouache and watercolour on paper, laid down on canvas, 19.7 by 15.9 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Th. und J. I. de Bry, Vera description regni Africani, Frankfurt a. M. 1598]
Non-western art unattributed:
[Frank Partridge, London. An early eighteenth-century Chinese chest on chest. c.1720. Height: 94 cm. Width: 69 cm. Depth: 35 cm.]
Western art unattributed:
[Godson & Coles, London. A pair of Regency period carved oak open armchairs, English, c.1820. Height: 94 cm. (17 in.). Width: 60 cm (23 3/4 in). Depth: 64 cm (25 in.)]
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