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05/2022 | 1430 | 164
Pages: i-xxvii
Subjects
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Christie, Manson & Woods, London, Great Britain / TEFAF (Maastricht) / Getty Trust Publications , Great Britain / Galerie Gerda Bassenge, Berlin, Germany / Salon du dessin, Paris, France / Stephen Ongpin Fine Art, London, Great Britain / Paul Prouté S.A. (gallery), Paris, France / Arnoldi-Livie (dealer), Munich, Germany / Master Drawings London / F.LLI Romano, Florence, Italy / Galerie de Bayser S.A., Paris, France / Onne van Seggelen, Rotterdam, Netherlands / Charles Ratton & Guy Ladrière, Paris, France / Paul Mellon Centre for Studies in British Art, London, Great Britain / David Tunick Inc., New York, United States / Galerie Chenel, Paris, France / Friedman Benda Gallery, New Yoork, United States / Cazeau & Beraudiere (art moderne), Paris, France / London Original Print Fair / Heritage Auctions, Dallas, United States / Hermann Historica (auctioneers), Munich, Germany / Osborne Samuel Gallery, London, Great Britain / Marlborough Fine Art, London, Great Britain / Frederick Mulder, London, Great Britain / Eames Fine Art, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Wallace Collection, London, Great Britain / Daniel Crouch Rare Books, London, Great Britain / Karsten Schubert, London, Great Britain / Advanced Graphics London, London, Great Britain / Masterpiece London / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / French and Company Art, New York, United States / New Raritet Gallery, Vienna, Austria / The-saleroom.com / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Courtauld Institute of Art, London, Great Britain / Minerva Magazine / Lund Humphries Publishers Limited, London, Great Britain / Simiolus, Art Journal, The Netherlands / Dorotheum (auction house), Vienna, Austria
Illustrations
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000 [Camper Dabernat]
Attributed works:
Attributed to ROSALBA CARRIERA, 1675 – Venice – 1757 Portrait of a Woman Wearing a Zendale Bodycolor on ivory (?) pasted on board. Height: 7 cm. Length: 5 cm With a signature: J.E. Liotard f lower left [Ratton and Ladrière]
Attributed works:
Beautiful night, by Louise Bourgeois (1911–2010). 1994. Lithograph, 52.7 by 70.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Bullfighting, by Germaine Richier (1902–59). 1953. Bronze, 116 by 54 by 101 cm. [Galerie de la Béraudière, Brussels]
Attributed works:
Chuquicamata Copper Mine Overburden #2, Calama, Chile, by Edward Burtynsky. 2017. Archival Pigment Print, 121.9 by 162.6 cm. (© Edward Burtynsky; courtesy Flowers Gallery, London, and Metivier Gallery, Toronto).[Photo London]
Attributed works:
Count Ugolino in the Tower of Hunger, by Pelagio Palagi (1775– 1860). Pen, brown ink, wash and white highlights, 38 by 53.3 cm. [MAURIZIO NOBILE, BOLOGNA, PARIS, MILAN]
Attributed works:
CV 2 01, by Charlotte Verity (b. 1954). 2022. Watercolour monotype, 33 by 40.8 cm. [KARSTEN SCHUBERT, LONDON]
Attributed works:
Disappointed soul, by Ferdinand Hodler (1853–91). 1891. Ink, oil and coloured chalks, 49.5 by 35.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Doryphoros, after Polykleitos. Greece. c.1st century AD. Marble, 70 by 55 by 27 cm. [Galerie Chenel, Paris]
Attributed works:
Eternal Queen (cobalt blue), by Bradley Theodore (b. 1990). 2022. Etching with relief printing, 83.5 by 80.2 cm. [MANIFOLD EDITIONS, LONDON]
Attributed works:
Experiment on electrical stimulation of muscle – weeping woman, plate 50 from Mécanisme de la Physionomie Humaine (1862), by Guillaume-Benjamin- Amand Duchenne de Boulogne. 1855–56. Albumen print from a glass negative, 23.8 by 17.5 cm. (Robert Hershkowitz Ltd, London).[Photo London]
Attributed works:
Flow desk, by Wendell Castle (1932–2018). 2009. Stained cherry wood, 86.4 by 165 by 67 cm. [Friedman Benda, New York and Los Angeles]
Attributed works:
Giovanna Garzoni (1600 - 1670). Still life with pears, an almond and a fly. Gouache and watercolor on vellum. 14.2 x 19.3 cm. Estimate: € 60,000. [Bassenge]
Attributed works:
Hats, Father’s Day picnic, Seattle, WA, by William Heick. 1951. Gelatin silver print, 38.1 by 45.7 cm (© 2021 William Heick; courtesy Peter Fetterman Gallery, Santa Monica).[Photo London]
Attributed works:
HENDRICK GOLTZIUS (1558–1617) Pluto, after Polidoro da Caravaggio Pen and brown ink and brown wash, heightened with white, over an underdrawing in black chalk, on blue paper 264 x 170 mm. (103⁄8 x 65⁄8 in.)[Stephen Ongpin]
Attributed works:
Kyubigitsune, by Hiromitsu Takahashi (b. 1959). 2016. Stencil, 76 by 49 cm. [HANGA TEN, LONDON]
Attributed works:
Large head of Jacqueline wearing a hat, by Pablo Picasso (1881– 1973). 1962. Linocut, signed, 64 by 53 cm. [FREDERICK MULDER LTD, LONDON]
Attributed works:
Mallow leaf, by Albertus Jonas Brandt (1788–1821). Pencil and brown ink, 35.2 by 8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM]
Attributed works:
Marc Chagall (French/Russian, 1887-1985) Esquisse pour "Les fiancés à l'oiseau" (Le mariage), circa 1960 Pastel, oil, India ink, and pencil on paper 15-3/4 x 10-7/8 inches (sheet) Estimate: $80,000 - $120,000 [Heritage Auctions]
Attributed works:
MICHELANGELO BUONARROTI (1475-1564) A nude man (after Masaccio) and two figures behind, 1496 or slightly after pen and two shades of brown ink, brown wash 33 × 20 cm (13 × 7 7/8 in.) Estimate on request [Christie's]
Attributed works:
Montagne Sainte-Victoire, by Paul Cézanne (1839–1906). Watercolour on paper, 28 by 40 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Nicolas Robert, Chouette effraie, collection M & Mme Pierre Rosenberg. © Photography : Suzanne Nagy. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Ocean Park #23, by Richard Diebenkorn (1922–93). 1969. Oil and charcoal on canvas, 236.2 by 205.7 cm. [Berggruen Gallery, San Francisco]
Attributed works:
Painting, by Pierre Soulages (b.1919). 1974. Oil on canvas, 202 by 256 cm. [Applicat-Prazan, Paris]
Attributed works:
Paul-Elie RANSON Limoges 1861 – Paris 1909 Nude in the forest, circa 1905. Pastel on grey laid paper, 470 × 370 mm [Paul Prouté]
Attributed works:
Piglet goes shopping, by Keith Haring (1958–90). 1989. Acrylic on canvas, 182.9 by 243.8 cm. Robilant + Voena, London
Attributed works:
Princesse Maleine, by Léon Spilliaert (1881–1946). 1903. Pencil, ink and wash, 15.5 by 19 cm. [AMBROISE DUCHEMIN, PARIS]
Attributed works:
Red caryatid on a black ground, by Amedeo Modigliani (1884– 1920). c.1913–14. Pencil and gouache on card, 62.5 by 42.5 cm. [David Tunick Inc., New York]
Attributed works:
Royal mask. Kingdom of Bekom, Cameroon 19th century. Wood, copper and kaolin, height 45 cm. [Galerie Bernard Dulon, Paris]
Attributed works:
Sailors’ holiday, by Lill Tschudi (1911–2004). 1932. Linocut, 20 by 26 cm [OSBORNE SAMUEL, LONDON]
Attributed works:
Scarlet ibis, by Nicolas Robert (1614–85). Watercolour and gouache on vellum with gold edging, 30.5 by 21.2 cm. [DE BAYSER, PARIS]
Attributed works:
Southern sunrise, Collioures, by Karen Keogh. 2020. Etching, 19.5 by 16 cm. [EAMES FINE ART, LONDON]
Attributed works:
Still life, by Giorgio Morandi (1890–1964). 1948. Oil on canvas, 33 by 50 cm. [Galleria d’Arte Maggiore, Bologna]
Attributed works:
Stone gorillas, by Francois-Xavier Lalanne (1927–2008). c.1983. Burgundy stone (pierre d’Euville), 76 by 60 by 58–60 cm. [Galerie Lefebvre, New York]
Attributed works:
Street scene, near a canal, in a Dutch city, by Johannes Huibert Prins (1757–1806). Watercolour, brown and Indian ink with black pencil, 31.4 by 21 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
Study of a human body after Ingres, by Francis Bacon (1909–92). 1982. Lithograph, 88 by 60.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Study of three heads, by Mauro Gandolfi (1764–1834). Pen and ink, 23.2 by 18.7 cm. [ROMANO FINE ARTS, FLORENCE]
Attributed works:
Sur le trône act1 tms2 from the series The blue moon of Ouagadougou, by Saïdou Dicko. 2021. Paint on archival pigment print on Hahnemühle Fine Art Baryta 325g. (© Saïdou Dicko and A  karis, Paris).[Photo London]
Attributed works:
The golf player, by Rembrandt van Rijn (1606–69). 1654. Original etching, 9.6 by 14.5 cm. [ELIZABETH HARVEY-LEE, OXFORDSHIRE]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen, brown ink and wash, 27.7 by 20 cm. [GRÄSSLE – HÄRB – NUTI, MUNICH AND LONDON]
Attributed works:
The painter and his model, by Pablo Picasso (1881–1973). 1963. Oil on canvas, 73 by 116 cm. [Van de Weghe, New York]
Attributed works:
Théodore Géricault (Rouen 1791 - 1824 Paris) Various Male Figures in Movement, a Horse and Rider, c. 1817 Pen in brown ink, 18.4 x 25.5 cm [Arnoldi-Livie]
Attributed works:
Tiziano Vecellio, called Titian, The Penitent Magdalen, oil on canvas, 96.7 x 115 cm, Auction: 11 May 2022 [Dorotheum]
Attributed works:
Untitled, by Key Sato (1906–78). 1969. Ink, 25 by 32 cm. [LOUIS & SACK, PARIS]
Attributed works:
Up Town I, by Vanessa Jackson (b. 1953). 2022. Screenprint, 50.3 by 125.3 cm. [ADVANCED GRAPHICS, LONDON]
Attributed works:
Winter woman, by Wenceslaus Hollar (1607–77). 1643. Engraved print with etching, 36.1 by 25.8 cm. [DANIEL CROUCH RARE BOOKS, LONDON]
Non-western art unattributed:
Lot 9 An Elamite appliqué of silver with bull’s head and cloisonné work with stone inlays, late 3rd - early 2nd millennium B.C. [Hermann Historica]
Western art unattributed:
LIMOGES, SECOND HALF 13th CENTURY A GILT-COPPER PYXIS REPRESENTING THE VIRGIN AND CHILD 13 1/2 in. (34.5 cm.) high Provenance: F. Spitzer Collection; V. Martin Le Roy Collection; J.-J. Marquet de Vasselot Collection, thence by descent. Estimate: €500,000 - 700,000 [Christie's]
Western art unattributed:
Lot 52 A Roman marble statue of Hermanubis with features of Alexander the Great, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 59 A Roman bronze urn with profound epigram in sophisticated calligraphy, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 88 A North Germanic jewellery bracteate (B-bracteate) of gold, late 5th - early 6th century A.D. [Hermann Historica]
Exhibition Review
Master Drawings. London
09/2012 | 1314 | 154
Pages: 649-652
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Master Drawings London | institution: Agnew's , institution: August Laube , institution: Ben Elwes Fine Art , institution: C.G. Boerner (dealer) , institution: Christie's , institution: Crispian Riley-Smith Fine Arts Ltd , institution: Didier Aaron , institution: Florian Härb , institution: Hill-Stone Inc. , institution: James Mackinnon , institution: Jean-Luc Baroni , institution: José de la Mano Galería de Arte , institution: Katrin Bellinger , institution: Lowell Libson , institution: Simon Dickinson , institution: Stephen Ongpin Fine Art , institution: Stoppenbach & Delestre , institution: Trinity Fine Art Ltd
Illustrations
Attributed works:
32. Adoration of the shepherds, by Tommaso Manzuoli, called Maso da San Friano. c.1565. Pen and brown ink and wash over black chalk, heightened with white, on blue paper, 26.5 by 19.5 cm. (Exh. Florian Härb, London).
Attributed works:
33. La Passionnée, by François Boucher. 1745–50. Black, white and red chalks with black pastel and stump, 25 by 17 cm. (Exh. Katrin Bellinger at Colnaghi, London).
Attributed works:
34. Allegorical funerary monument to Leonardo da Vinci, by Luis Paret y Alcázar. c.1784. Pen and sepia ink and wash, 27.8 by 14.5 cm. (Exh. José de la Mano Galería de Arte at Mackinnon, London).
Attributed works:
36. Detail of A view from the Palatine Hill, Rome, the Alban Hills in the distance, by Carlo Labruzzi. c.1765–75. Watercolour over graphite, 37.2 by 53 cm. (Exh. Dickinson, London).
Attributed works:
37. La Scuola di Virgilio, by Michael Wentzel. 22nd June 1829. Watercolour over pen and ink with traces of graphite on Canson paper, 30.5 by 47.3 cm. (Exh. C.G. Boerner at Trinity Fine Art, London).
Attributed works:
38. The Fountain of the Four Rivers, Piazza Navona, Rome, by Charles-François-Pierre de La Traverse. 1751–59. Pen and black ink with brown wash, heightened with white, 78 by 57 cm. (Exh. Didier Aaron, London).
Attributed works:
39. Parental affection, or The Meeting of a Family in Heaven, by William Blake. c.1785–90. Pen and watercolour over graphite, 14.3 by 9.2 cm. (Exh. Lowell Libson, London).
Western art unattributed:
35. The sky at sunset, by an unidentified French(?) artist. 4th May 1821. Oil on paper laid on canvas, 24 by 30 cm. (Exh. Ben Elwes Fine Art, London).
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06/2012 | 1311 | 154
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Adrian Alan Fine Art & Antiques, London. A Florentine Renaissance revival pietre dure and carved giltwood centre table, by Angiolo Barbetti. c.1870. Height: 95 cm. Width: 125 cm. Depth: 68 cm]
Attributed works:
[Adrian Sassoon, London. Bud, by Kate Malone. 2011. Crystalline glazed stoneware. Height: 100 cm]
Attributed works:
[Agnew's, 35 Albemarle Street, W1. In the gardens of the Villa Negroni at Rome, by John Robert Cozens (1752-1790). Watercolour, 26.1 by 37.1 cm]
Attributed works:
[Agnew's, London. Charles I and Henrietta Maria with their two eldest children, Prince Charles and Princess Mary, by Sir Anthony van Dyck (1612-51). Oil on oak panel, 20 by 23.5 cm]
Attributed works:
[August Laube Exhibiting at: Daniel Crouch Rare Books LLP, 4 Bury Street, SW1. Boy looking down, by Ernst Ludwig Kirchner (1880-1938). Chalk on wove paper, 50.5 by 35 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, W1S. A view in Italy, by Jean-Charles-Joseph Rémond (1795-1875). Oil on canvas, 22.5 by 35 cm]
Attributed works:
[Browse & Darby. 19 Cork Street. London. Edgar Degas (1834-1917). Danseuse, Grande Arabesque, premier tamps]
Attributed works:
[C.G. Boerner Exhibiting at: Trinity Fine Art Ltd, 29 Bruton Street, W1. The singer's contest at Warburg Castle, by Anton Romako (1832-1889). Signed lower left: Pencil on wove paper, 39.4 by 52.8 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Att. to Jacques du Broeucq (1505 (?) - 1584). Alabaster. XVIth century. H. 31.3 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Hercole Procaccini (1596-1676). 37,5 x 25,8 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Three chairs stamped G. Jacob. Circa 1775. From Comte d'Artois in Versaille]
Attributed works:
[Darnley Fine Art, London. Portrait of William Warham, after Hans Holbein the Younger (1497-1543). Oil on canvas, 83.8 by 71.1 cm]
Attributed works:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Sedes Sapientiae - Enthroned Virgin. Polychromed Wood - Spain/Catalunya, about 1220 - h: 58 cm]
Attributed works:
[Dickson, 58 Jermyn Street, SW1. The tomb of Caecilia Metella on the Via Appia, outside Rome, by Carlo Labruzzi (1748-1817). Watercolour over pencil, 37.8 by 51.7 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street, W1. Study for 'The union of design and colour', by Charles-Joseph Natoire (1700-1777). Inscribed upper left: n° 26. Blacjk chalk heightened with white on blue paper, 28.5 by 35.5 cm]
Attributed works:
[Florian Harb, 5 Dalmeny Cout, 8 Duke Street, SW1. The adoration of the shepherds, by Tommaso Manzuoli, called Maso da San Friano (1536-1571). Pen and brown ink and wash, over black chalk heightened with white on blue paper, 26.5 x 19.5 cm]
Attributed works:
[Florian Härb. 5 Dalmeny Court, 8 Duke Street, St. James’s. London. Giovan Battista Dell'Era (Treviglio 1765-1799 Florence). Giovanni Antonio Santarelli (1758-1826). Signed in pencil, lower right, Batta Dell Era fecit. Black and red chalk, 330 by 240 mm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bernardino Campi. Reggio Emilia, 1521-1591. Venus, Eros and Anteros. Oil on wood panel, 25 x 20 cm (9 7/8 x 7 7/8 in)]
Attributed works:
[Harry Moore Gwyn, London. Promenaders in the park at Golden Hill, by Ethelbert White, R.W.S. (1891-1972). Signed: Ethelbert White. Oil on panel, 51 by 40 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Works 1960-1966. Earls Court studio, 1964.]
Attributed works:
[Hazlitt, Holland-Hibbert, London. Two seated figures, by Henry Moore (1898-1986). 1944. Signed and dated. Pencil, wax crayon, chalk, charcoal, watercolour, pen and ink, 49.3 by 49.5 cm]
Attributed works:
[Hill-Stone Exhibiting at: The Fine Art Society, 148 New Bond Street, W1. A study for the figure of Charon, by George Romney (1734-1802). Pen and brown ink over black chalk, 34.6 by 27.2 cm.]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Gaetano Gandolfi. San Matteo della Decima 1734 - 1802 Bologna. A Sheet of Head Studies. Drawing in red pen and ink; 1795. Signed with the artist's initials and dated verso in the same red ink in which the drawing was executed. 148 x 209 mm (5 7/8 x 8 1/4 inches)]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Giovanni Paolo Panini. Pair of Landscape with Ruins and Figures (detail).]
Attributed works:
[Jane Kahan Gallery, New York. Femme sur l'echelle, by Pablo Picasso. Aubusson tapestry, 202 by 178 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard, SW1. Self-portrait on a diff top in Howth, by Sir William Orpen. Signed: ORPEN at lower right. CHarcoal with gouache and oil on buff coloured paper, 50 by 36 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Francesco Barbieri, called Il Guercino. Cento 1591 - 1666 Bologna. Study of a dragon pierced by a lance. Pen and brown ink, 194 x 186 cm]
Attributed works:
[Johnny Van Haeften Ltd, 13 Duke Street, SW1. The gates of hell, by Cornelis Saftleven (1607-81). Oil on panel, 46 by 58 cm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. La laitière normande, by Jean-François Millet (1814-1875). Stamped with the estate stamp: J.F.M, lower right. Red chalk, 22.5 by 16.3 cm]
Attributed works:
[Lefevre Fine Art, London. A boxwood figure, by Henry Moore (1898-1986). 1912. Height: 43.2 cm]
Attributed works:
[Mark Mitchell, London. Still life with mustard jar, tomatoes, knife and glass on a striped tablecloth, by George Weissbort. 1928. Signed. Oil on canvas laid onto board 38.4 by 61.3 cm]
Attributed works:
[Rafael Valls Ltd, 11 Duke Street, SW1. A trompe l'oeil of a violin and a violin bow hanging from a red silk ribbon on a deal wood panel, by Claes Bellekin (1620-c.1675). Oil on canvas, 90 by 65 cm]
Attributed works:
[Robilant + Voena, 1st Floor, 38 Dover Street, W1. Virgin and Child with a Saint, by Andrea Solario (c. 1465-c.1524). c. 1517. Tempera and oil on panel, 37.5 by 33.5 cm]
Attributed works:
[Rountree Fine Art, London. Study of Mr. J.J. Moubray's Bay Hunter, by Sir Alfred Munnings P.R.A., R.W.S. (1878-1969). Oil on panel, 30.5 by 40.6 cm]
Attributed works:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. Ferdinand-Victor-Eugène Delacroix. Arab Chief.]
Attributed works:
[Sphinx Fine Art Exhibiting at: 50 Maddox Street, W1S. Portrait of the Right Honorable William Pitt the Younger (1759-1806), three-quarter length in a black coat, standing before a column and gold brocade drape, by John Hoppner (1758-1810). Oil on canvas, 144.5 by 114.5 cm]
Attributed works:
[Stephanie Hoppen Gallery, London. Hummingbird and tubors, by Orlanda Broom. 2012. Acrylic and resins, 100 by 150 cm.]
Attributed works:
[Stephen Ongpin, London. Design for the cover of Sir magazine (no.4, 1964), by René Gruau (1909-2004). Signed with the artist's initial '*G' in black ink, gouache, and green film, over a pencil underdrawing, on paper, 41 by 28.7 cm]
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, W1. The estuary at Trieux, Bretagne, by Paul Signac (1863-1935). Signed lower right. Watercolour, pencil and ink, 11.2 by 20 cm]
Attributed works:
[The Silver Fund, London. Tea and coffee set on trey, by Jean Puiforcat. Mexico, c.1934. Signed. Sterling silver with green onyx handles]
Attributed works:
[Tomasso Brothers Fine Art, Leeds. Captive Dacians, by Francesco Righetti (1749-1819), and Luigi Righetti (1780-?1852). Signed and dated: FR. RIGHETTI. ET. FIL. FECIT. ROM / 1811. Bronze, rich brown-green patina. Height: 32.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Joseph Claus (active between 1754-1783). Bust of Caracalla. Signed J. CLAUS FECIT, dated 1757 and inscribed with the artists monogram I.C. White marble. 74 cm high]
Attributed works:
[Trinity Fine Art Exhibiting at: 29 Bruton Street, W1. The studio of artist Charles Guigon, by Fanny Guigon. Signed lower right: F. Guigon. Oil on cardboard, 25.5 by 33.2 cm]
Attributed works:
[Waterhouse Dodd, London. Le pesage Ombregé à Deauville, by Raoul Dufy. 1929-30. Signed. Watercolour and Gouache on paper, 50 by 65 cm.]
Non-western art unattributed:
[Jorge Welsh, London and Lisbon. 'Kinrade plate'. Ming Dynasty, c.1540-1600. Chinese porcelain in underglaze cobalt blue, overglaze iron red and gilt. Diameter: 19 cm]
Non-western art unattributed:
[Laura Bordignon, Finchingfield, Essex. Japanese okimono group of father and son. Wood and ivory. Signed in a tsuidhu red lacquer reserve. Sadamitsu, late Meiji Period.]
Western art unattributed:
[Cahn. Galleries in Basle and St. Moritz. A black-figure White-ground Lekythos. Attributed to the Athena Painter. With Munzen und Medaillen AG, Basle, ca. 1965.]
Western art unattributed:
[Charles Ede Ltd, London. A Roman marble Bust of the Aphrodite of Epidauros, Aphrodite Armata. c.1st century AD to early 2nd century AD.]
Western art unattributed:
[Daguerre. 5 bis, rue du Cirque. Paris. Languedoc. Circa 1120-1140. H. 31.5 cm]
Western art unattributed:
[De Backker Works of Art, Hoogstraten, Belgium. A stone capital with fir-cones. Italian. Height: 35 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. ,,The Falcon's Bathe". Flanders, 1400-1415. Warp and Weft: wool, height: 333 cm, width: 445 cm]
Western art unattributed:
[Jean-David Cahn, Basel. A head of Medusa from the Traianeum of Pergamon. c.114-29 AD. Grey, middle-grained marble. Height: 37.5 cm]
Western art unattributed:
[Joanna Booth. French, Paris, circa 1350. Ivory diptych wing, The Crucifixion. Height: 10 cm (4 in)]
Western art unattributed:
[Joanna Booth. Spain, Catalonia circa 1300. Bishop or Saint, probably St. Martin of Tours (detail). Limestone with some original colour. Height: 110 cm (43 1/2 in)]