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Advertisements (front)
05/2022 | 1430 | 164
Pages: i-xxvii
Subjects
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Christie, Manson & Woods, London, Great Britain / TEFAF (Maastricht) / Getty Trust Publications , Great Britain / Galerie Gerda Bassenge, Berlin, Germany / Salon du dessin, Paris, France / Stephen Ongpin Fine Art, London, Great Britain / Paul Prouté S.A. (gallery), Paris, France / Arnoldi-Livie (dealer), Munich, Germany / Master Drawings London / F.LLI Romano, Florence, Italy / Galerie de Bayser S.A., Paris, France / Onne van Seggelen, Rotterdam, Netherlands / Charles Ratton & Guy Ladrière, Paris, France / Paul Mellon Centre for Studies in British Art, London, Great Britain / David Tunick Inc., New York, United States / Galerie Chenel, Paris, France / Friedman Benda Gallery, New Yoork, United States / Cazeau & Beraudiere (art moderne), Paris, France / London Original Print Fair / Heritage Auctions, Dallas, United States / Hermann Historica (auctioneers), Munich, Germany / Osborne Samuel Gallery, London, Great Britain / Marlborough Fine Art, London, Great Britain / Frederick Mulder, London, Great Britain / Eames Fine Art, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Wallace Collection, London, Great Britain / Daniel Crouch Rare Books, London, Great Britain / Karsten Schubert, London, Great Britain / Advanced Graphics London, London, Great Britain / Masterpiece London / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / French and Company Art, New York, United States / New Raritet Gallery, Vienna, Austria / The-saleroom.com / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Courtauld Institute of Art, London, Great Britain / Minerva Magazine / Lund Humphries Publishers Limited, London, Great Britain / Simiolus, Art Journal, The Netherlands / Dorotheum (auction house), Vienna, Austria
Illustrations
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000 [Camper Dabernat]
Attributed works:
Attributed to ROSALBA CARRIERA, 1675 – Venice – 1757 Portrait of a Woman Wearing a Zendale Bodycolor on ivory (?) pasted on board. Height: 7 cm. Length: 5 cm With a signature: J.E. Liotard f lower left [Ratton and Ladrière]
Attributed works:
Beautiful night, by Louise Bourgeois (1911–2010). 1994. Lithograph, 52.7 by 70.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Bullfighting, by Germaine Richier (1902–59). 1953. Bronze, 116 by 54 by 101 cm. [Galerie de la Béraudière, Brussels]
Attributed works:
Chuquicamata Copper Mine Overburden #2, Calama, Chile, by Edward Burtynsky. 2017. Archival Pigment Print, 121.9 by 162.6 cm. (© Edward Burtynsky; courtesy Flowers Gallery, London, and Metivier Gallery, Toronto).[Photo London]
Attributed works:
Count Ugolino in the Tower of Hunger, by Pelagio Palagi (1775– 1860). Pen, brown ink, wash and white highlights, 38 by 53.3 cm. [MAURIZIO NOBILE, BOLOGNA, PARIS, MILAN]
Attributed works:
CV 2 01, by Charlotte Verity (b. 1954). 2022. Watercolour monotype, 33 by 40.8 cm. [KARSTEN SCHUBERT, LONDON]
Attributed works:
Disappointed soul, by Ferdinand Hodler (1853–91). 1891. Ink, oil and coloured chalks, 49.5 by 35.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Doryphoros, after Polykleitos. Greece. c.1st century AD. Marble, 70 by 55 by 27 cm. [Galerie Chenel, Paris]
Attributed works:
Eternal Queen (cobalt blue), by Bradley Theodore (b. 1990). 2022. Etching with relief printing, 83.5 by 80.2 cm. [MANIFOLD EDITIONS, LONDON]
Attributed works:
Experiment on electrical stimulation of muscle – weeping woman, plate 50 from Mécanisme de la Physionomie Humaine (1862), by Guillaume-Benjamin- Amand Duchenne de Boulogne. 1855–56. Albumen print from a glass negative, 23.8 by 17.5 cm. (Robert Hershkowitz Ltd, London).[Photo London]
Attributed works:
Flow desk, by Wendell Castle (1932–2018). 2009. Stained cherry wood, 86.4 by 165 by 67 cm. [Friedman Benda, New York and Los Angeles]
Attributed works:
Giovanna Garzoni (1600 - 1670). Still life with pears, an almond and a fly. Gouache and watercolor on vellum. 14.2 x 19.3 cm. Estimate: € 60,000. [Bassenge]
Attributed works:
Hats, Father’s Day picnic, Seattle, WA, by William Heick. 1951. Gelatin silver print, 38.1 by 45.7 cm (© 2021 William Heick; courtesy Peter Fetterman Gallery, Santa Monica).[Photo London]
Attributed works:
HENDRICK GOLTZIUS (1558–1617) Pluto, after Polidoro da Caravaggio Pen and brown ink and brown wash, heightened with white, over an underdrawing in black chalk, on blue paper 264 x 170 mm. (103⁄8 x 65⁄8 in.)[Stephen Ongpin]
Attributed works:
Kyubigitsune, by Hiromitsu Takahashi (b. 1959). 2016. Stencil, 76 by 49 cm. [HANGA TEN, LONDON]
Attributed works:
Large head of Jacqueline wearing a hat, by Pablo Picasso (1881– 1973). 1962. Linocut, signed, 64 by 53 cm. [FREDERICK MULDER LTD, LONDON]
Attributed works:
Mallow leaf, by Albertus Jonas Brandt (1788–1821). Pencil and brown ink, 35.2 by 8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM]
Attributed works:
Marc Chagall (French/Russian, 1887-1985) Esquisse pour "Les fiancés à l'oiseau" (Le mariage), circa 1960 Pastel, oil, India ink, and pencil on paper 15-3/4 x 10-7/8 inches (sheet) Estimate: $80,000 - $120,000 [Heritage Auctions]
Attributed works:
MICHELANGELO BUONARROTI (1475-1564) A nude man (after Masaccio) and two figures behind, 1496 or slightly after pen and two shades of brown ink, brown wash 33 × 20 cm (13 × 7 7/8 in.) Estimate on request [Christie's]
Attributed works:
Montagne Sainte-Victoire, by Paul Cézanne (1839–1906). Watercolour on paper, 28 by 40 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Nicolas Robert, Chouette effraie, collection M & Mme Pierre Rosenberg. © Photography : Suzanne Nagy. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Ocean Park #23, by Richard Diebenkorn (1922–93). 1969. Oil and charcoal on canvas, 236.2 by 205.7 cm. [Berggruen Gallery, San Francisco]
Attributed works:
Painting, by Pierre Soulages (b.1919). 1974. Oil on canvas, 202 by 256 cm. [Applicat-Prazan, Paris]
Attributed works:
Paul-Elie RANSON Limoges 1861 – Paris 1909 Nude in the forest, circa 1905. Pastel on grey laid paper, 470 × 370 mm [Paul Prouté]
Attributed works:
Piglet goes shopping, by Keith Haring (1958–90). 1989. Acrylic on canvas, 182.9 by 243.8 cm. Robilant + Voena, London
Attributed works:
Princesse Maleine, by Léon Spilliaert (1881–1946). 1903. Pencil, ink and wash, 15.5 by 19 cm. [AMBROISE DUCHEMIN, PARIS]
Attributed works:
Red caryatid on a black ground, by Amedeo Modigliani (1884– 1920). c.1913–14. Pencil and gouache on card, 62.5 by 42.5 cm. [David Tunick Inc., New York]
Attributed works:
Royal mask. Kingdom of Bekom, Cameroon 19th century. Wood, copper and kaolin, height 45 cm. [Galerie Bernard Dulon, Paris]
Attributed works:
Sailors’ holiday, by Lill Tschudi (1911–2004). 1932. Linocut, 20 by 26 cm [OSBORNE SAMUEL, LONDON]
Attributed works:
Scarlet ibis, by Nicolas Robert (1614–85). Watercolour and gouache on vellum with gold edging, 30.5 by 21.2 cm. [DE BAYSER, PARIS]
Attributed works:
Southern sunrise, Collioures, by Karen Keogh. 2020. Etching, 19.5 by 16 cm. [EAMES FINE ART, LONDON]
Attributed works:
Still life, by Giorgio Morandi (1890–1964). 1948. Oil on canvas, 33 by 50 cm. [Galleria d’Arte Maggiore, Bologna]
Attributed works:
Stone gorillas, by Francois-Xavier Lalanne (1927–2008). c.1983. Burgundy stone (pierre d’Euville), 76 by 60 by 58–60 cm. [Galerie Lefebvre, New York]
Attributed works:
Street scene, near a canal, in a Dutch city, by Johannes Huibert Prins (1757–1806). Watercolour, brown and Indian ink with black pencil, 31.4 by 21 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
Study of a human body after Ingres, by Francis Bacon (1909–92). 1982. Lithograph, 88 by 60.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Study of three heads, by Mauro Gandolfi (1764–1834). Pen and ink, 23.2 by 18.7 cm. [ROMANO FINE ARTS, FLORENCE]
Attributed works:
Sur le trône act1 tms2 from the series The blue moon of Ouagadougou, by Saïdou Dicko. 2021. Paint on archival pigment print on Hahnemühle Fine Art Baryta 325g. (© Saïdou Dicko and A  karis, Paris).[Photo London]
Attributed works:
The golf player, by Rembrandt van Rijn (1606–69). 1654. Original etching, 9.6 by 14.5 cm. [ELIZABETH HARVEY-LEE, OXFORDSHIRE]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen, brown ink and wash, 27.7 by 20 cm. [GRÄSSLE – HÄRB – NUTI, MUNICH AND LONDON]
Attributed works:
The painter and his model, by Pablo Picasso (1881–1973). 1963. Oil on canvas, 73 by 116 cm. [Van de Weghe, New York]
Attributed works:
Théodore Géricault (Rouen 1791 - 1824 Paris) Various Male Figures in Movement, a Horse and Rider, c. 1817 Pen in brown ink, 18.4 x 25.5 cm [Arnoldi-Livie]
Attributed works:
Tiziano Vecellio, called Titian, The Penitent Magdalen, oil on canvas, 96.7 x 115 cm, Auction: 11 May 2022 [Dorotheum]
Attributed works:
Untitled, by Key Sato (1906–78). 1969. Ink, 25 by 32 cm. [LOUIS & SACK, PARIS]
Attributed works:
Up Town I, by Vanessa Jackson (b. 1953). 2022. Screenprint, 50.3 by 125.3 cm. [ADVANCED GRAPHICS, LONDON]
Attributed works:
Winter woman, by Wenceslaus Hollar (1607–77). 1643. Engraved print with etching, 36.1 by 25.8 cm. [DANIEL CROUCH RARE BOOKS, LONDON]
Non-western art unattributed:
Lot 9 An Elamite appliqué of silver with bull’s head and cloisonné work with stone inlays, late 3rd - early 2nd millennium B.C. [Hermann Historica]
Western art unattributed:
LIMOGES, SECOND HALF 13th CENTURY A GILT-COPPER PYXIS REPRESENTING THE VIRGIN AND CHILD 13 1/2 in. (34.5 cm.) high Provenance: F. Spitzer Collection; V. Martin Le Roy Collection; J.-J. Marquet de Vasselot Collection, thence by descent. Estimate: €500,000 - 700,000 [Christie's]
Western art unattributed:
Lot 52 A Roman marble statue of Hermanubis with features of Alexander the Great, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 59 A Roman bronze urn with profound epigram in sophisticated calligraphy, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 88 A North Germanic jewellery bracteate (B-bracteate) of gold, late 5th - early 6th century A.D. [Hermann Historica]
Exhibition Review
Decadence and Dark Dreams: Belgian Symbolism
03/2021 | 1416 | 163
Pages: 278-280
related names
Reviewer:
Anklam, Nico (Anklam, Nico)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Decadence and Dark Dreams: Belgian Symbolism Alte Nationalgalerie, Berlin 18th September 2020– 17th January 2021 | :
Illustrations
Attributed works:
11. Installation view of Fountain with kneeling youths, by George Minne, in Decadence and Dark Dreams: Belgian Symbolism, Alte Nationalgalerie, Berlin, 2021.
Attributed works:
12. Caresses, by Fernand Khnopff. 1896. Oil on canvas, 50 by 150 cm. (Royal Museums of Fine Arts of Belgium, Brussels; exh. Alte Nationalgalerie, Berlin).
Attributed works:
13. Self-portrait (2 November), by Léon Spillaert. 1908. Mixed media on paper, 49 by 63.8 cm. (Private collection; exh. Alte Nationalgalerie, Berlin).
Exhibition Review
Léon Spilliaert: self-portraits. Paris
06/2007 | 1251 | 149
Pages: 427-428
related names
Reviewer:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Léon Spilliaert: un esprit libre | institution: Musée d'Orsay
Illustrations
Attributed works:
55. Self-portrait with a red crayon, by Léon Spilliaert. 1908. Ink wash, crayon and gouache on paper, 84.5 by 68.2 cm. (Museum voor Schone Kunsten, Ostend; exh. Musée d’Orsay, Paris).
Attributed works:
56. Self-portrait with masks, by Léon Spilliaert. 1903. Pencil, pen and ink, ink wash and crayon on paper, 27.5 by 27.2 cm. (Musée d’Orsay, Paris).
Attributed works:
57. Self-portrait with dead leaves, by Léon Spilliaert. 1915. Brush and ink, crayon, pastel and gouache on paper, 34.5 by 23.8 cm. (Koninklijk Museum voor Schone Kunsten, Antwerp; exh. Musée d’Orsay, Paris).
Exhibition Review
Sironi and Permeke; Delvaux. Milan and Turin
02/2006 | 1235 | 148
Pages: 140–142
related names
Reviewer:
Michaelides, Chris (Michaelides, Chris)
Subjects
dates:
places:
print:
print:
subjects:
Reviewed Items
subjects:
Il surrealismo di Delvaux tra Magritte e de Chirico | institution: Palazzo Bricherasio
subjects:
Mario Sironi – Constant Permeke: I luoghi e l\'anima. Con immagini e progetti di Francesco Jodice | institution: Palazzo Reale
Illustrations
Attributed works:
79. The shepherd, by Mario Sironi. 1931–32. 90 by 50 cm. (Civico Museo Revoltella, Galleria d'Arte Moderna, Trieste; exh. Palazzo Reale, Milan).
Attributed works:
80. The cart, by Constant Permeke. 1926. 165 by 128 cm. (PMMK Museum Constant Permeke, Jabbeke; exh. Palazzo Reale, Milan).
Attributed works:
81. The iron age, by Paul Delvaux. 1951. Panel, 152 by 240 cm. (Museum voor Schone Kunsten, Ostend; exh. Palazzo Bricherasio, Turin).
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Advertisements June 1989 (front)
06/1989 | 1035 | 131
Pages: i-lii
Subjects
advertisements:
advertisements:
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artists:
artists:
subjects:
Illustrations
Attributed works:
Detail of Annunciation, by Philippe de Champaigne, after Cleaning and Restoration. 334.3 by 214.5cm. (Wallace Collection, London).
Attributed works:
[Agnew's, 43 Old Bond Street, London] Amico Aspertini (1474-1552) A Cleric Holding a Scroll Panel 24½ × 19 ins.
Attributed works:
[Agnew's, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Joseph Wright of Derby Mrs Anne Hanway
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Francesco Zuccarelli (Pitigliano 1702-1788 Firenze) Lady with a Cat. Charcoal, Heightened with White, on Buff-Coloured Paper. 23 × 18 cm.
Attributed works:
[Asprey, 165-169 New Bond Street, London, UK and 725 Fifth Avenue, New york, New York. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A William and Mary Ebonised Pull Quarter Repeating Timepiece with Alarm by George Halsey, London. Circa 1690. Height 15 Inches.
Attributed works:
[Brand Inglis Limited, 9 Halkin Arcade, Motcomb Street, London, UK] A pair of George I trencher salts of Extremely Heavy Quality. They are Oblong with Cut Corners and Slightly Concave Sides and Are Each Engraved with an Identical Contemporary Crest.
Attributed works:
[Browse & Darby, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Edgar Degas Cheval en Marche. Bronze, Marked Degas Numbered 10/N and Stamped AA Hebrard, cire perdue. Height: 8 1/8 ins (21.3 cms). Original Wax Executed Circa 1880, Cast between 1919 and 1922
Attributed works:
[Buch- und Grafikantiquariat Falk + Falk Auktionen, Friedrich Falk Kirchgasse 28, CH-8001, Zurich, Switzerland] Liebermann-Fontane, TH, Effi Briest. Officina Serpentis for Munich, Maximilian Gesellschaft, 1926. 4to. With 21 orig. Lithographs by Max Liebermann (1 Signed). Orig. Vellum with Gilt Stamped Decoration by Marcus Behmer. One of the 325 De luxe Copies.
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London, UK] Jacob Pynas (Haarlem (?) c. 1585-Delft 1648) Moses and Aaron Oil on copper, 40 × 50 cm. Provenance: Lord Northwick
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London, UK] Jan de Bray Portrait of a Girl Canvas, Laid on Panel, 40.5 × 31.5 cm. Jan de Bray Portrait of a Girl Canvas, Laid on Panel, 40.5 × 31.5 cm.
Attributed works:
[Christopher Mendez, 59 Jermyn Street, London, UK] Jean Mignon. fl. 1537-1552 The Complete Set of 14 Herms, Published by Ciartres Etchings, Zerner 9-22
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giovan Antonio Burrini 1656-Bologna-1727 Fabio Albergati Received by Philip II of Spain Who Has Given Orders That His Portrait Be Painted In Secret Canvas: 104 × 68 ins. (264.1 × 172.8 cms.)
Attributed works:
[Daniel Katz Ltd, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Phillipe Mercier (1689-1760) Portrait of Cosmo George, 3rd Duke of Gordon Signed Lower Right and Inscribed Lower Left: Cosmo George. 1 Duke of Gordon/AEtat 25. Oil on Canvas 49¼ × 40 in 125 × 100 cms
Attributed works:
[David Jones, 109 rue Cardinet, Paris, France] Francesco Guardi, 1712-1793 A Quay Animated with Figure Studies. Pen and Grey Ink 112 × 285mm
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Gabriel Gresley (1712 Paris-Besançon 1756) 'A trompe l'œil of Playing Cards, Letters and Sketches on a Wood Wall' Canvas, 76.2 × 99 cm.
Attributed works:
[De Havilland Ltd., 48 Sloane Street, London, UK] George III Brass Eight-Day Chiming Clock with Paste Bezel by Paul Rimbault. Signed on Back Plate 'Paul Rimbault Denmark Street Soho London' Circa 1775
Attributed works:
[des Lyons-Samson, 9 rue de Beaune, Paris, France] Fernand Pinal - 1881-1958 Le printemps à Pavant (Aisne) H. S. T. 0,54 × 0,65 - S. B. G.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Jean Francois Raffaelli (1850-1924) 'Les Figurantz de Paris Watercolour and Bodycolour: 34 × 57 cm Signed with a Monogram
Attributed works:
[Douwes Fine Art, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Gaspar Van Den Hoecke (ca.1575 - Antwerp - After 1648) on Panel: 52,4 × 43,3 cm
Attributed works:
[Drouot Montaigne, 15 Avenue Montaigne, Paris, France] Auguste Renoir Pastel 45 by 60 cm Signed Lower Right
Attributed works:
[Entwistle, 37 Old Bond Street, London, UK] Leon Spilliaert Self-Portrait Circa 1903
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] Henri Alexandre Georges Regnault (1843-1871) A Gondolier 15¼ × 10 3/4 Inches (38.8 × 27.3 cm.) Watercolour on Paper.
Attributed works:
[Galeria Gilli, Via Gesu 17, Milan, Italy] Donato Creti (Cremona 1671-Bologna 1749) Lute Player Coloured Crayon, Traces of Red Chalk; 725 × 555.
Attributed works:
[Galerie Cailleux, 136 Faubourg Saint Honore, Paris, France] C. Van Loo, Agar et Abraham, Huile sur toile, 479 mm × 392 mm, Cat. M. C. Sahut, 1977, No. 145.
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Images of a Van der Meulen sketch and an Intéieur Autrici
Attributed works:
[Galerie de la Scala, 68 rue La Boetie, Paris, France] Hughes Taraval (1729-1785) Hercule enfante étouffant des serpents Crayon noir, sanguine, plume, 52 × 36 cm. Etu de préparatoire pour le tableau du Louvre de 1785, commandé pour le Roi Louis XVI à l'artiste.
Attributed works:
[Galerie du Bayser, 69 rue Sainte-Anne, Paris, France] Th. Chasseriau Desdemona (La Romance du Saule) Pen & Wash, Corrected by White 113/4 x 81 11/16 ins. (The Ian Woodner Family Collection)
Attributed works:
[Galerie du Stoel, 6 rue Royale, Paris, France] Louis Nicolas de Lespinasse (1734-1808) Panorama de la rade de Toulon (Détail) Aquarelle 43 × 65 cms
Attributed works:
[Guy Monegier du Sorbier, 18 rue de Beaune, Paris, France] François Marius Granet - 1775-1849 - H. S. P. 39 × 45 - S. B. D.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Charles Gleyre 1806-1874. Tête de jeune fille Black, White and Red Chalks on Bluish Paper, 45 × 30.7 cm.
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] Jean-Pierre-Antoine Tassaert (Antwerp 1727-Berlin 1788) Louis XV as the Pythian Apollo Marble, 105cm. High. (Article in Print for the Festschrift of Prof. Dr. Henning Bock, Director of Sculpture Dept., Berlin Dahlem Museum)
Attributed works:
[J & M Duputel, 20 rue de Beaune, Paris, France] H. Le Sidaner - 1862-1939 "A Madame Emond, Hommage Respectueux. Henri Le Sidaner - 1889" 73 × 54 - S. H. G.
Attributed works:
[Jean Williams Master Drawings, rue Ernest Allard, Brussels, Belgium] Jean-Honoré Fragonard, Grasse 1732-1806, Paris, Black Chalk 180 × 229 mm Fragonard's Garden at Charenton
Attributed works:
[Jean-Max Cassel, 15 quai Voltaire, Paris, UK] Laurent Pecheux (Lyon 1729-Turin 1821). 'La Continence de Scipion' Huile sur toile H. 0,99; L. 1,353 cm/H.39; L. 53¼ in. No 21 de l'Inventaire de 1804 Executé vers 1765
Attributed works:
[Jill Newhouse, 12 East 86th Street, New York, New York] Adolph von Menzel, Studies of Three Men, 1892 Graphite on Paper, 5 1/8 x 8 1/16 in. Signed Lower Right
Attributed works:
[Kate de Rothschild and Yvonne Tan Bunzl. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Fine Chinese Huang Huali Two-Door Book Cabinet, 17th/18th Century.Giovanni Paolo Panini (1691/2-1765) A Perspectival Study of a Star on a Plinth Surrounded by a Circular Balustrade. Pen and Brown Ink and Red Wash over Black Chalk. Signed and Dated 1709. 495 × 366 mm
Attributed works:
[Kate de Rothschild. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Santi di Tito 1536-1603. The Holy Family with the Infant St. John
Attributed works:
[Kate Ganz Ltd., 49 Maddox Street, London, UK. Exh. Douwes Fine Art, 38 Duke St., London, UK] G. B. Piranesi, a Standing Man, Pen, Brown Ink & Wash, 1765
Attributed works:
[Maas Gallery, 15 a Clifford Street, New Bond Street, London, UK] Dante Gabriel Rossetti, Fanny Cornforth, Pencil, 5½ × 4 1/8 in
Attributed works:
[Marc Villette, 12 rue de l'Abbaye, Paris, France] Louis Belanger (Paris 1736-Stockholm 1816) Paysage italien Aquarelle gouachée, signée et datée en bas à droite, 28 × 45 cm
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Further and Better Particulars, 1989. Oil on Canvas 54 1/8 × 72 in./137.5 × 182.9 cm.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Pierre Henri De Valenciennes Toulouse 1750-Paris 1819. Ideal Classical Landscape with Washerwomen around a Fountain. Canvas 100 × 140 cms. Signed and Dated at the Lower Right. P. H. Valenciennes, 1807
Attributed works:
[Michael Simpson Ltd., 11 Savile Row, London, UK] Fernand Toussaint (Born 1873). Woman Reclining on a Couch. Panel: 24 cm × 33 cm. Signed Lower Right
Attributed works:
[Newhouse Galleries, 19 East 66th Street, New York, New York] Bartolommeo Passarotti (1529-1592). Portrait of a Gentleman Oil on Canvas 41 × 35 5/8 in.; 104 × 90.5 cm.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jan Erasmus Quellinus (1634-1715) The Marriage at Cana, c. 1680. Pen and Black Ink, Red Chalk, Brown Grey and Beige Washed with White and Blue Heightening. 45.5 by 60 cms. Inscribed 'Quellinus Fect.
Attributed works:
[Perrin Antiquites, 3 Quai Voltaire and 98 Rue Faubourg Saint-Honore, Paris, France] Gabriel-Jacques de Saint-Aubin (1724-1780) French School The Harp Lesson Brown Wash over Black Chalk. H. 15,4 cm; L. 19,1 cm. Collector Mark of Marquis de Vallori (L.2500) Bottom Right.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Rombout van Troyen, (1605?-1650), "The Siege of Troy", Signed and Dated 1652, Oil on Canvas, 99cm × 126cm.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Tsuguharo Foujita, "Femme aux Mimomas," Signed and Inscribed "Paris 1951," Oil on Canvas, 19cm × 24 cm. Estimate: £200,000-£300,000.
Attributed works:
[Richard Green, london. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Pieter de Hooch (1629-1684). A Couple Playing Music and a Maidservant Pouring Wine. Signed. Canvas: 22½ × 25 3/4 in/57 × 65.5 cm
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] John Martin, The Assuaging of the Waters, 1840 Oil on Canvas, 56½ by 86¼ Inches (143.5 by 218 cm) Signed, Lower Right: "J. Martin 1840"
Attributed works:
[Roy Miles Fine Paintings Limited, 29 Bruton Street, London, UK] Sergei Chepik, Mixed Media on Canvas. The Madhouse. 62″ × 68″
Attributed works:
[S. J. Philips, London. [Richard Green, london. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] XVIth Century German Silver Gilt Figure of a Turkey with a Cowrie Shell Body by Joachim Hiller, Breslau c. 1590. Height: 5½″. Formerly in the Collection of Max von Goldschmidt Rothschild.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Fernand Khnopff, L'Encens, Signed with the Monogram, Signed and Dated 1898, Oil on Canvas, in the Artist's Original Frame, 86 by 50cm ($33frac{3}{4}$ by 19½ in). Estimate: £500,000-700,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Giovanni Battista Tiepolo, The Madonna of the Rosary, Oil on Canvas, 236 by 152cm, (93 by 59 3/4 in). Signed and Dated Joa. Batta Tiepolus. F./1735. Estimate: £750,000-1,250,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Pierre Peyron (1744-1814), The Death of Alcestes or the Heroism of the Conjugal Love, Signed and Dated in the Low Left Corner, P. Peyron. Pinxit/1794, 96.5 by 97 cm (38 by 38¼ in). Estimate: FF 1,000,000-1,500,000 (£100,000-150,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Caspar David Friedrich, A Waterfall in a Pine Forest, Oil on Canvas, 44.5 by 35cm (17½ by 13 3/4 in). Estimate: £700,000-1,000,000.
Attributed works:
[Spencer A. Samuels Gallery, 39 East 72nd Street, New York, New York] Jean Robert Ango (?-ca. 1773, Rome) The Creation of the World (After Michelangelo) Sanguine 7 3/4 × 16 Inches (200 × 410 mm)
Attributed works:
[Spink & Son, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Francis Barlow 1626-1702 A Group of Spaniels Playing with Monkeys on a Terrace with a Classical Landscape beyond Signed and Dated 1661 103 × 132 cms (40½ × 52 ins)
Attributed works:
[Stanza Del Borgo, Via Turati 7, Milano, Italy] Aureliano Milani (Bologna 1675 - Rome 1749) Vulcan Forging the Arms of Achilles Pen and Brown Ink over Traces of Pencil. 31 by 41.5 cms. Dateable c. 1730.
Attributed works:
[The International Ceramics Fair and Seminar, The Park Lane Hotel, London, UK] Dutch Delft Oval Dish Decorated in Blue in Chinese Style. Marked AK Monogram (Adrian Koex). End 17th Century. 53 × 42 cm.
Attributed works:
[The International Ceramics Fair and Seminar, The Park Lane Hotel, London, UK]A Fine 'Newcastle' Engraved Armorial Wine Goblet with the Arms of William IV of Orange, Surrounded by the Arms of the Seven Provinces of the Netherlands. c.1750. Attributed to Jacob Sang. 19.5 cm High.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Giovanni Balducci, Called Il Cosci (Florence 1560-after 1631 Naples) The Last Supper Inscribed on the Album Page, Verso, with an Attribution to Naldini Pen and Brown Ink over Black Chalk, with Gouache on Blue Paper 9¼ × 14 5/8 Inches (235 × 373 mm)
Attributed works:
[Walpole Gallery, 38 Dover Street, London, UK] Pietro Paolo Bonzi, Called Il Gobbo Dei Carracci. Active First Quarter Seventeenth Century in Rome. Landscape with Diana and Endymion. Oil on Canvas: 31.8 × 50.8 cms.
Non-western art unattributed:
[Bernheimer Fine Arts, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK]One of a Pair of Very Fine Arita Plates. Japan, Genroku (1688-1703). Diameter: 53 cm.
Non-western art unattributed:
[S. Marchant & Son, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Fine Chinese Huang Huali Two-Door Book Cabinet, 17th/18th Century.
Non-western art unattributed:
[The International Ceramics Fair and Seminar, The Park Lane Hotel, London, UK] Chinese 16th-Century Blue and White Meiping. Chinese Double Gourd Blue and White Vase, Circa 1650. Chinese Qianlong Mark and Period Underglaze Blue and Copper Red Dragon Dish, Circa 1750.
Western art unattributed:
[Didier Aaron, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Suite of Furniture from the Château de Fontainbleau by Jacob Desmalter, Acajou Flammé, Mounted in Ormolu. French Empire.
Western art unattributed:
[Heribert Tenschert Antiquariat, D-8399, Rotthalmunster, Germany] Unique 15th Century Binding with 2 Large Embroidered Inlays from Our Catalogue XIX (No.3): 'Fine Bindings 15th to 20th Centuries'
Western art unattributed:
[Ronald A. Lee, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] An 18th-Century Chelsea Porcelain Group Taken from the François Boucher Engraving Le Mérite de tout Pais, 1742. It Is the Only Colour Decorated Example Recorded and Joins a White Group in the Museum of Fine Arts, Boston. Despite Some Damage It Is of Prime Importance. Raised Red Anchor Mark. Circa 1750. Height 9 ins.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Mosan Champlevé Enamel Plaque of the Sacrifice of Cain and Abel, Mid-12th Century, 10 by 10.1cm. Estimate on Request.
Exhibition Review
Paris [Léon Spilliaert et alia]
12/1981 | 945 | 123
Pages: 758+761-762+767
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
54. 'Numinous' (Study XIV), by John Walker. 1978. Acrylic, Charcoal and Oil-Stick on Paper, 117 by 97 cm. (Private Collection; Exh. Arc, Musée d'Art Moderne de la ville de Paris).
Attributed works:
55. Sheila, by Larry Rivers. 1981. Acrylic, 193.4 by 204.5 cm. (Exh. Marlborough Gallery, London).
Attributed works:
56. La porteuse d'eau, by Léon Spilliaert. Signed and Dated 1912. Pastel and Coloured Pencil, 90 by 70 cm. (Exh. Grand Palais, Paris).
Attributed works:
57. Amitié à Richard Lindner (suite pour un bonnet), by Jean Hélion. c.1942. 1981. Acrylic, 130 by 195 cm. (Galerie Karl Flinker, Paris; Exh. F. I. A. C., Grand Palais, Paris).
Attributed works:
58. Les flacons, by Léon Spilliaert. Signed and Dated 1909. Ink Wash, 49 by 64 cm. (Private Collection; Exh. Grand Palais, Paris).
Attributed works:
66. Composition, by Serge Poliakoff, 1968, 92 by 73 cm. (Louis Carré, Paris).
Exhibition Review
Current and Forthcoming Exhibitions:Belgian Art at the Grand Palais
04/1972 | 829 | 114
Pages: 262-263+265
related names
Reviewer:
Hoffmann, Edith (E. H.) (Hoffmann, Edith (E. H.); H., E.)
Subjects
artists:
artists:
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
65. La Mort au Bal, by Félicien Rops. 1870. Canvas, 151 by 85 cm. (Rijksmuseum Kröller-Müller, Otterlo; Exh, Petit Palais, Paris.). 66. La Ville Abandonnée, by Ferdnand Khnopff. Signed. 1904. Drawing, 60 by 79 cm (Musées Royaux des Beaux-Arts de Belgique; Exh. Petit Palais, Paris.). 68. La Fin du Règne, by Jean Delville. 1893. Canvas, 87.5 by 58.5 cm. (Galleria del Levante, Milan; Exh. Petit Palais, Paris.)