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Advertisements December 2010 (front)
12/2010 | 1293 | 152
Pages: s.p.
Subjects
subjects:
Illustrations
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Miguel Parra (Valence 1780-1846 Madrid). Still Life with flowers and a stone figure fountain in a landscape. Signed and dated lower right: M. l Parra Valencia 1830. Oil on canvas unlined. One of a pair, 119 by 88 cm (46 3/4 by 34 3/4 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1 The Property of a private French collector. Pierre Bonnard (1867-1947). Terrasse à Vernon. Painted in 1923. Oil on canvas. 46 1/2 x 40 1/2 in. (118 x 103 cm) signed and dated 'Bonnerd 23' (lower right)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Michael Rysbrack (1694-1770). A Terracotta bust of John Locke, 1755. Plus a letter from Rysbrack to his Patron dated 31 July 1756, Discussing the delivery of the bust.]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Georges Seurat (1859-1891), Paysage avec Cheval, 1882/3. Inscribed on the reverse by Maximilien Luce in blue chalk: Catalogue Seurat 2/ G.Seaurat / Catalogue de La Revue 54 /L.. Oil on panel, 16 x 25 cm (6 1/4 x 9 7/8 in)]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Georges Seurat (1859-1891), Paysan travaillant, 1882/3. Inscribed on the reverse by Maximilien Luce in blue chalk: G. Seurat L 43. Oil on panel, 16 x 25 cm (6 1/4 x 9 7/8 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Andrea De Lione. Naples, 1610 - 1685. The Crossing of the Red Sea. Oil on octagonal canvas, 74 x 74 cm (29 x 29 cm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mariotto di Nardo. (1394 Florence 1424). Presentation of the Virgin. Oil on panel: 23.1 by 37.5 cm]
Attributed works:
[Moretti. 43-44 New Bond Street. London. Quattro 'favole' inedite di Giacinto Gimignani]
Attributed works:
[Stern Pissarro Gallery. 66 St. James’s Street. London. Alfred Sisley, La Seine à Saint-Cloud, oil on canvas, 38 x 55.3 cm / 15 x 21.8 in, signed & dated 1877.]
Western art unattributed:
[Galleria Longari. Via Bigli 12, 20121 Milan. Lapicida lombardo del XII secolo. LEONE GUARDIANO. Granito grigio. 43 x 74 x 26 cm]
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Advertisements October 2005 (Front)
10/2005 | 1231 | 147
Pages: i-xvi
Subjects
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subjects:
Illustrations
Attributed works:
[August Laube. Trittligasse 19. CH-8001. Zurich. Max Beckmann (Leipzig 1884-1950 New York). Frauenbad (Women's Bathhouse). Drypoint etching. 1922.]
Attributed works:
[August Laube. Trittligasse 19. CH-8001. Zurich. The Great passion, by Albrecht Durer (1471-1528). Series of 12 woodcuts.]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Nicolò Della Casa (active in Rome 1543-1548) attributed to. Portrait of the sculptor Baccio Bandinelli in his workshop. Engraving. 42.5 x 33 cm. An underscribed proof impression. The only known impression.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. RICHARD WILSON (British, 1713-1782). The Cascatelli of Tivoli and Villa Maecenas with the Artist painting in the Foreground. 1752. 16 1/2 x 28 3/8 inches (42x72 cm). Oil on canvas. Signed lower left: R.W.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. A woman bathing her feet in a brook, by Rembrandt Harmensz. van Rijn. 1658. Etching, 16.2 by 8.2 cm]
Attributed works:
[Carolyn Staley Fine Japanese Prints. Seattle. Roaring tiger near rocks, by Ohara Koson (1877-1945). Early 1900s.]
Attributed works:
[Courtesy Hill-Stone, Inc., New York. The billowing trees, by Armand Seguin (1869-1903). 1893. Etching, drypoint and softground.]
Attributed works:
[David Tunick, Inc., New York. Enfoncé lafayette! Attrappe mon vieux!, by Honoré Daumier. 1834. Lithograph on chine appliqué]
Attributed works:
[Frederick Baker, Inc. Chicago. La rue: affiches Charles Verneau, by Theophile-Alexandre Steinlen (1859-1923). 1896. Colour lithograph on six joined sheets, 233.6 by 298 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jacopo dal Ponte, called Bassano. (Bassano del Grappa, c. 1510-13 February 1592). The Adoration of the Shepherds. Oil on canvas, 75.8 x 102 cm (29 7/8 x 40 1/8 in)]
Attributed works:
[Gemini G.E.L. at Joni Moisant Weyl. Los Angeles. The Yangtze, from states of the river, by Ellsworth Kelly. 2005. Lithograph, 114.3 by 81.3 cm. Edition of 25.]
Attributed works:
[John Spink at Colnaghi's, 15 Old Bond Street, London, W1. Windsor Castle from Fellows Eyot, 1811 - Francis Towne (Provenance: JH Merivale and by descent.)]
Attributed works:
[Mary Ryan Gallery, Inc. New York. Water made of lines, by David Hockney. 1978-80. Lithograph, 66 by 86.4 cm. Edition of 39.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ana Maria Pacheco, Misfortunes of a Sardine 7, drypoint, plate size 12 x15 cm.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ash to Dark Water, by Marcus Rees Roberts. A triple-section Artist's Book presented in a wooden box with engraved lid. Etching, drypoint, acrylic, chalk and crayon on Hahnemuhle 'Bugra' 140gsm. Box size: 49 by 35 by 6.2 cm. Edition of 25.]
Attributed works:
[Sragow Gallery, New York. Automatism A, by Robert Motherwell. 1965-66. Lithograph, 71.1 by 54 cm.]
Attributed works:
[Stern Pissarro Gallery. 46 Ledbury Road, London W11 2AB. Camille Pissarro, Paysage à Pontoise, Pastel and Charcoal on paper, 26.5 x 42 cm (10 1/2 x 16 1/2 inches). Executed c. 1873-1874.]
Attributed works:
[Stern Pissarro Gallery. 46 Ledbury Road, London W11 2AB. Camille Pissarro, Une Rue à l'Hermitage, Pontoise, Pastel and charcoal on paper, 26 x 40 cm (10 1/4 x 15 3/4 inches). Executed c. 1873-1874.]
Attributed works:
[The Marlborough Gallery, London. Natural History, part I mushrooms, no. II, by Cy Twombly. 1974. Mixed media, 76.2 by 56 cm. Edition of 98.]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Illustrated: Shadow Dance. Drypoint by Martin Lewis, 1930.]
Attributed works:
[Wildenstein & Co. Inc. 19 East 4th Street. New York, NY 10021. Philippe de Champaigne (1602-1674) The Visitation, c. 1643. Oil on canvas: 112.4 x 97.8 cm.]
Western art unattributed:
[C.J. Goodfriend Drawings and Prints, New York. Raphael and his mistress, Anonymous after Raphael. Chiaroscuro woodcut.]
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Advertisements October 2003 (Front)
10/2003 | 1207 | 145
Pages: i-xiv
Subjects
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Illustrations
Attributed works:
[Aaron Galleries. 50 East Oak Street. Chicago, IL 60611, US. Stuart Davis (1892-1964) Arch No.2, 1929. Lithograph on chine colle, ed. 13/20, pencil signed & numbered. 11x14 inches.]
Attributed works:
[Alan Cristea Gallery. London. We lounged by the pool by Julian Opie. 2003. Screenprint woodblock.]
Attributed works:
[Artemis Fine Art. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Aufruhr - Uprising ca. 1899 by Kathe Kollwitze (1867 Konigsberg - Moritzburg 1945). Etching, drypoint, acquatint and brush etching; worked over by artist in red chalk, pencil and yellowish white heightening. Sheet size: 280x300 mm]
Attributed works:
[Artemis Fine Art. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. REMBRANDT HARMENSZ. VAN RIJN (1606-1669). Christ Crucified Between the Two Thieves: "The Three Crosses" 1653. Drypoint and burin, second state (of five), 15 3/16 x 17 13/16 inches (386x452 cm)]
Attributed works:
[Artemis Fine Art. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. The Madonna nursing the Child from the Workshop of The Meister der Bergwolken. Dotted metal cut, circa 1470-80 (?). Coloured in rose madder lake, rose madder, yellow and dark green, 178x124 mm. Unique.]
Attributed works:
[C.J. Goodfriend Drawings and Prints, New York. Colassaei Ro, Prospectus I, 1551 by Hieronymus Cock. Etching, 237x326 mm]
Attributed works:
[Carolyn Staley Fine Japanese Prints. Seattle. Outside Chang Man Gate, Peking, China (Shopping at the Chang Men, Peking, 1925, by Elizabeth Keith. Edition: 75, Paper: 16 1/8 x 11 5/8 inches.]
Attributed works:
[Galerie St. Etienne. New York. The Fall of Man, 1919, by Lovis Corinth, woodcut, 9 7/8 x 9 inches, ed.50]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Giovacchino Fortini (Settignano 1671-1736). Portrait bust of Lorenzo Magalotti (Florence 1637-1711). Patinated bronze. 20.5 cm, base 15 cm.]
Attributed works:
[Goya-Girl Press & Contemporary Art Gallery. Baltimore. Prague 1998, by Christian Marclay. Lithograph, 2002, 12 7/8 x 19 7/8 inches]
Attributed works:
[Grisebach Auctions. Frasenenstrße 25. D-10719 Berlin. From our autumn sale ,,Selected Works": Adolph von Menzel. ,,Der Schafgraben in Berlin". Circa 1845/50. Oil on canvas. 60.5 x 47 cm. Tschudi 38.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. JEAN-AUGUSTE-DOMINIQUE INGRES (1780-1867). Portrait of Mademoiselle Marie Reiset, later Vicomtesse Adolphe-Louis-Edgar de Ségur-Lamoignon. Black lead on paper, 34.3x24.2 cm (13 1/2 x 9 1/2 in) signed.]
Attributed works:
[Hessink’s Auction. Willemsvaart 18 – 8019 AB – Zwolle (The Netherlands). Paul Cézanne (1839-1906), "La Famille de Paysans", ca. 1885. Oil on canvas, 46x38 cm]
Attributed works:
[Hill-Stone, Inc., Box 273, Gracie Station, New York. Jean Duvet. Dijon 1485 - circa 1562 Dijon. Saints Sebastian, Anthony and Roch. Engraving. Bartsch 10. Bersier 48. Eisler 70.]
Attributed works:
[Hill-Stone, Inc., Box 273, Gracie Station, New York. Theuerdank dismisses Unfalo because of his iniquities by Loenhard Beck (Augsburg c. 1480 - 1542). Woodcut; 1517.]
Attributed works:
[Hill-Stone, Inc., New York. The Venetian Ball by Hendrick Goltzius (1558-1617). Dutch. Engraving, after Theodor Barentsz; 1584.]
Attributed works:
[Marc Rosen Fine Art Lts., New York. Nature morte à la suspension by Pablo Picasso. 1962. Lino cut, printed in colours.]
Attributed works:
[Marlborough Graphic, New York. Reflection VII by Bill Jacklin. Monotype, 2001.]
Attributed works:
[Remba Gallery. West Hollywood. Regolo, 2003, by Kiki Smith. Mixografia print on handmade paper with glitter, 21x25 inches. Edition of 50.]
Attributed works:
[Shark,s Ink, Lyons, Colorado. Crossing the River: Leaping by Hung Liu, 2003. Color lithograph, 30x44 inches, ed.30.]
Attributed works:
[The Burlington Magazine 1903-2003. Edison Mazda, by Stuart Davis. 1924. Cardboard, 62,2, by 47.3 cm. (Metropolitan Museum of Art, New York)]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Going West (Express Train). Lithograpg by Thomas Benton, 1934.]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Rainy day, Queens by Martin Lewis. 1931. Recordered impressions 70. Image size 10 5/8 x 11 7/8 inches. (270x302 mm)]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Wet Saturday by Martin Lewis. Draypoint, 1929, Recordered impressions 72, 9 13/16 x 10 3/8 inches (250 x 264 mm)]
Attributed works:
[Tobey C. Moss Gallery. Los Angeles. Manhattan by Werner Drewes, 1954. Colour woodcut, 18x11 inches. 11 from an edition of 40.]
Western art unattributed:
[Paul McCarron Fine Prints and Drawings. New York. De Actiewereld op Haar Einde (The End of the Stock-Market World). Master C L and an anonymous 18th Century. Dutch artist after Pieter Quast, 1720. Engraving, 300x381 mm.]
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Advertisements November 2002 (front)
11/2002 | 1196 | 144
Pages: i-xvi
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Abby Green Antiques, Mariaplaats 45, 3511 LL Utrecht, Holland] Wooden relief of a marten raiding a robin's nest by Jean Demontreuil. circa 1793. 17 in (43 cm) 14 1/2 in (37 cm)
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Paolo de Matteis (Cliento 1662 - 1728 Naples) The Triumph of Galatea, oil on canvas 125 x 97cm (49 1/4 x 38 1/8in).
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Pseudo Pier Francesco Fiorentino. Active Second Half of the Fifteenth Century Madonna and Child with the Young Saint John the Baptist, with God the Father Above Tempera on popular panel, with an arched top, 40⅛ by 20½ in, 101.9 by 52.1 cm
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A bowl of flowers, by Jean Baptiste Monnoyer (1636-1699). Signed. Oil on canvas, 86.3 x 106.6 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An important massive Flight, Barr & Barr Worcester vase. English, circa 1820-25
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Cornelis Jacobsz, Delff, (1571-1643) Still Life of Kitchen Utensils Oil on panel, 75 x 105 cm
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] How Now Spirit, Whither Wander You? Puck Mocking Three Wood Nymphs, by Arthur Rackham, 1923. Signed and dated. Oil on board, 48.3 x 34.3 cm
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Two figures in front of an Amada, attributed to Lazzaro Tavarone (Genoa 1556-1641 Genoa). Pen and brown ink over black chalk with brown wash.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Claude Lorrain Lorraine 1600 - 1682 Rome Le soleil levant (Harbour Scene with rising sun) Etching; 1634. Mannocci 15, the rare fourth state of eight before the addition of the date
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Ludolf Backhuysen (1631-1708) The IJ in Amsterdam with a Fluyt and Men O'War Oil on canvas: 44.5 x 58.8 cms. Signed.
Attributed works:
[Sam Fogg, 35 St. George Street, London, UK] A detail from a panel of stained glass by Hans Holbein the Younger, c. 1520
Attributed works:
[Stern Pissarro Gallery, 46 Ledbury Road, London, UK] Yvon (Vey) Pissarro. Farmhands, Pencil drawing, 80 x 120cm, Signed lower centre
Attributed works:
[Yale University Press advertisement] The Blue Four Collection at the Norton Simon Museum Vivian Endicott Barnett This beautiful book presents almost five hundred items from the collection of Emmy (Galka) Scheyer, the founder of the Blue Four artists' group. It features numerous works by the Blue Four, as well as those by such European artists as Picasso, Léger, Nolde, Kurt Schwitters and El Lissitzky.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Japanese bronze group of combatant Sumurai. Meiji period, circa 1880. Height: 35 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] qAn underglaze blue charger. Arita, Edo period Japan, circa 1680.
Non-western art unattributed:
[Paul Champkins, 41 Dover Street, London, UK] A fine standing pottery figure of a court lady wearing long elaborate robes covered in a rich sancai glaze. The feet enclosed in curled upturning slippers. Chinese, Tang Dynasty 618-906 AD. Height: 38 cm (15 in).
Non-western art unattributed:
[Paul Champkins, 41 Dover Street, London, UK] A fine standing pottery figure of a court lady. Chinese, Tang Dynasty, 618-906 AD. Height: 38 cm
Western art unattributed:
Joseph with Jacob in Egypt, By Jacopo Pontormo. Probably 1518. Panel, 96.5 by 109.5cm. (National Gallery, London)
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A gilt and polychrome sculpture in oak from an Antwerp altar-piece. Flemish, 1500. Height: 37 cm.
Western art unattributed:
[Prestel (printers) advertisement] Africa: Art and Culture Ethnological Museum, Berlin Edited by Hans-Joachim Koloss One of the world's finest collections of African art, the Ethnological Museum in Berlin contains important masterpieces from throughout the continent. This stunning volume surveys the collection's highlights including the world famous Ife collection from Nigeria.
Western art unattributed:
[Prestel (printers) advertisement] Glass Art Reflections of the Centuries Helmut Ricke A valuable resource covering all periods of glass from pre-history to the present, this magnificent book is a catalogue of the world-famous collection of the Glasmuseum Hentrich in Düsseldorf's Museum Kunst Palast.
Western art unattributed:
[Prestel (printers) advertisement] Robert Campin A Monograph and Survey of Work Felix Thürlemann This superbly illustrated volume sheds new light on the "Master of Flémalle", an artist whose importance ranks alongside that of van Eyck. Based on years of research, with many fresh attributions and a comprehensive catalogue raisonné.
Western art unattributed:
[Prestel (printers) advertisement] The Raft of the Medusa Géricault, Art, and Race Albert Alhadeff In this dramatic re-examination of one of the most influential paintings of the Romantic era, the author shows how Géricault's seminal canvas was one of the first uses in European art of a black figure to symbolize the hopes of all humanity.
Western art unattributed:
[Yale University Press advertisement] Artists on the Left American Artists and the Communist Movement, 1926-1956 Andrew Hemingway This remarkable book is the first to examine in abundant detail the relation between visual artists and the American Communist movement during the twentieth century.
Western art unattributed:
[Yale University Press advertisement] Georgia O'Keeffe and the Calla Lily in American Art, 1860-1940 Barbara Buhler Lynes With essays by Charles C. Eldredge and James Moore The exotic South African calla lily, introduced in the United States during the second half of the 19th-century, became a recurring motif in works by important painters and photographers, particulary Georgia O'Keeffe who depicted the flower so many times and in such provocative ways that by the early 1930s she became known as 'the lady of the lilies'. This gorgeous book features 54 paintings, photographs and drawings of the calla lily dating from the 1860s to 1940, and an introduction by the esteemed O'Keeffe scholar Barbara Buhler Lynes.
Western art unattributed:
[Yale University Press advertisement] John Ruskin Tim Hilton This captivating and moving book is the authoritative biography of John Ruskin. Drawing on the complete text of Ruskin's diaries and many thousands of unpublished letters and other documents, Tim Hilton provides fresh insight into Ruskin's literary achievement and tormented life. "A stupendous biography"-Fiona MacCarthy, The Times
Western art unattributed:
[Yale University Press advertisement] Marsden Hartley Edited by Elizabeth Mankin Kornhauser Marsden Hartley (1877-1943) was a painter, poet, writer and pioneer of American modernism. This superbly illustrated book encompasses the extraordinary range and depth of Hartley's creative output.
Western art unattributed:
[Yale University Press advertisement] Millet to Matisse 19- and 20-Century French Paintings from Kelvingrove Art Gallery. Glasgow Edited by Vivien Hamilton The City of Glasgow possesses an internationally-renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features 64 of the finest paintings in this collection, providing a short essay on each work as well as full catalogue details.
Western art unattributed:
[Yale University Press advertisement] Mrs. Astor's New York Money and Social Power in a Gilded Age Eric Homberger Mrs. Astor, undisputed queen of New York society in the decades before the First World War, used her prestige to create a social aristocracy in the city. Her story, which reads like a novel by Edith Wharton, sheds important new light on the origins, extravagant lifestyle and social competitiveness of this aristocracy, and it is told here with vigour and elegance by Eric Homberger.
Western art unattributed:
[Yale University Press advertisement] Print the Legend Photography and the American West Martha A. Sandweiss Resurrecting scores of little-known images of the 19th-century American West, this book offers engaging tales of ambitious photographic adventurers, missing photographs and misinterpreted images. Chronicling both the history of a place and the history of a medium, it portrays how Americans first came to understand western photographs, and, consequently, to envision their expanding nation.
Western art unattributed:
[Yale University Press advertisement] The Medici, Michelangelo, and the Art of Late Renaissance Florence Cristina Acidini et al. This beautiful and authoritative book is the catalogue for an international exhibition.
Western art unattributed:
[Yale University Press advertisement] Théodore Chassériau The Unknown Romantic Bruno Chenique, Stéphane Guégan, Vincent Pomarède and Louis-Antoine Prat With contributions by Christine Peltre and Peter Benson Miller Théodore Chassériau was one of the most sensual and intellectual painters of his time. This beautiful book presents more than 250 of his paintings, drawings and prints. The text of the essays and entries focus on the artist's personality, his professional and social milieu and on the works themselves.
Western art unattributed:
[Yale University Press advertisement] Venice, Fragile City 1797-1997 Margaret Plant This wide-ranging cultural history of Venice from the fall of the Republic in 1797 until 1997 shows how it has changed and adapted, and how perceptions of it have shaped its reality.