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03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
Exhibition Review
Alfred Sisley. Greenwich CT and Aix-en-Provence
10/2017 | 1375 | 159
Pages: 850-851
related names
Reviewer:
Clarke, Michael (Clarke, Michael)
Subjects
artists:
styles:
Reviewed Items
styles:
Alfred Sisley (1839-1899): Impressionist Master, at Bruce Museum, Connecticut and Hôtel de Caumont, Aix-en-Provence. | :
Illustrations
Attributed works:
93. Church at Moret - rainy weather, morning, by Alfred Sisley. 1893 (Hunterian Art Gallery, University of Glasgow; exh. Hôtel de Caumont, Aix-en-Provence).
Attributed works:
94. On the edge of the forest - Les Sablons, by Alfred Sisley. c.1884-85 (Private collection; exh. Hôtel de Caumont, Aix-en-Provence).
Attributed works:
95. The route to Louveciennes - Snow, by Alfred Sisley. 1884 (Museum Barberini, Potsdam; exh. Hôtel de Caumont, Aix-en-Provence).
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Advertisements March 2016 (front)
03/2016 | 1356 | 158
Pages: s.p.
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Antoine Laurentin Gallery, Paris. Standing woman, by Auguste Rodin (1840-1917). Graphite with stumping watercolour heightened with pen and brown ink on vellum, 31,5 by 24.5 cm]
Attributed works:
[Art Cuéllar Nathan, Zurich. Backyards with two figures, by Vincent van Gogh (1853-90). 1882. Charcoal on paper, 23.9 by 35.2 cm]
Attributed works:
[Art Cuéllar Nathan. Arturo Cuéllar and Salomon Cuéllar. Zäheingerplatz 11. Zurich. Pierre Bonnard, La Baignoire, Gouache, pastel and colored crayon on paper, 50.2 x 65.4 cm]
Attributed works:
[Charles Beddington, London. The Piazzetta, looking south, by Bernardo Canal (1673-1744). Oil on canvas, 55.8 by 74.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Alessandro Algardi (Bologna 1598 - 1654 Rome). Design for a Reliquary with the Papal Arms of Pope Innocent X. Pen and Brown ink with grey washes. 375 x 275 mm. Laid down]
Attributed works:
[Day & Faber, London. A half-length study of a male nude, by Giovanni Battista Tiepolo (1696-1770). 1747. Red chalk, heightened with white, on blue paper, 13.2 by 17.8 cm]
Attributed works:
[Didiar Aaron & Cie, Paris. Two Putti, by François Boucher (1703-70). 1747.Three crayon, 22.5 by 28 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jacopo del Sellaio (1441-1493). The Holy Family with the Infant Saint John the Baptist, tempera on panel, diameter 68 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Workshop of Hans Memling, Nativity (detail), oil on panel, 99.2 x 72.5 cm.]
Attributed works:
[Galerie Arnldi-Livie, Munich. A scene from the life of St. Mark, by Domenico Tintoretto (1560-1615). Preparatory study to a composition in the Scuola di San Marco, Venice. Brush in dark brown, grey and white on brown prepared paper, 22.6 by 30.5 cm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Théodore Géricault (1791 - 1824). Chevaux de ferme (detail). Pen and ink in grey and brown wash, 20 x 27.2 cm. Germain Bazain. Catalogue raisonné, no. 2496]
Attributed works:
[Galerie Berès, Paris. An imaginary old town, by Victor Hugo (1802-87). Pen and wash, 11 by 14 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Vittore Ghislandi, dit Fra' Galgario. Bergame, 1655-1743. Boy with a Turban. Oil on canvas, 67 x 53 cm (26 3/8 x 20 7/8 in). Signed centrally, under the fictive octagonal frame: "FF.Vet. Ghisland"]
Attributed works:
[Galerie Johannes Faber, Vienna. Hanna Schygulla, by Alfred Eisenstardt (1898-1995). Silverprint, 24.1 by 16.4 cm]
Attributed works:
[Galerie Michel Descours. 44 rue Auguste Comte. Lyon. Joseph Guichard, Autoportrait, 1829, huile sur toile, 68 x 48 cm]
Attributed works:
[Galerie Nathalie Motte Masselink.13 Rue Jacob. Paris. Jacques-Louis David. Académie d'homme en Hercule, sanguigne. 670 x 357 mm. signé: L. David f]
Attributed works:
[Galerie Odermatt-Vedovi, Brussels. Concerto Spaziali, Attesa, by Lucio Fontana (1899-1968). 1963. Water-based paint on canvas, 60 by 46 cm]
Attributed works:
[Galerie Patricia Trigano, Paris. Le lavoir de billancourt, by Alfred Sisley (1839-99). Oil on canvas, 50.3 by 65.6 cm]
Attributed works:
[Galerie Tanakaya, Paris. Asangami (The Moment of Awakening), by Torii Kotondo (1900-1976). Woodblock print, 40.8 by 25.6 cm]
Attributed works:
[Gallerie Canesso, Paris. Still life with a basket of fruit, a bottle, figs and mashrooms, by Simone del Tintore (1630-1708). Oil on canvas 72 by 93 cm]
Attributed works:
[Gana Art Gallery, Seoul. L'image en soi, by René Magritte (1898-1967). Oil on canvas. 56 by 60 cm]
Attributed works:
[Gian Enzo Sperone. Chasa dal Guvernatur. Sent. Switzerland. Domenico Fiasella (Sarzana 1589 - Genova 1669). Alexander the Great and Diogenes, oil on canvas - 175 x 122 cm]
Attributed works:
[H. Blairman & Sons Ltd, London. Armchair, by Thomas Hope (1769-1831). c.1802. Mahogany, the upholstery of later date. Height: 94.5 cm. Width: 61.5 cm. Depth: 59.6 cm]
Attributed works:
[Irish Arts. 15 Harcourt Terrace. Dublin. Ireland. Sir John Lavery. A Bacchante, 1910.]
Attributed works:
[Jean-Luc Baroni, London. The game of cards, by Adriaen van der Werff (1659-1722). Oil on panel. 27.5 by 28.2 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Battista Piranesi (Mogliano 1720 - 1778 Rome). A Sheet of Studies: Three Figures. Pen and brown ink and wash. Bears inscription in a different ink: Goya. 273 x 163 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattia Preti (Taverna, Calabria 1613 - 1699 Valletta, Malta). St. Jerome. Oil on canvas, 135,3 x 102,3 cm]
Attributed works:
[Martin Graessale Kunsthandel, Munich. Four actresses in theatrical costume, by Claude Gillot (1673-1722). Pen and black ink, sanguigne wash and traces of pencil. 14.6 by 20 cm]
Attributed works:
[Museo del Prado. Madrid. Exhibition. Georges de La Tour. The Cheat with the Ace of Diamonds. Paris, Musée du Louvre. Départment des Peintures. Aquis en 1972.]
Attributed works:
[Pandora Old Master, New York. Allergy of Time, by Salvatore Rosa (1615- 74). Pen and brown ink, 210 by 17.5 cm]
Attributed works:
[Pushkin State Museum of Fine Arts, Moscow (Loan Exhibition). Composition, by Wassily Kandinsky (1866-1944). Watercolour, pencil and pen and ink on paper, 30.6 by20.8 cm]
Attributed works:
[Robert Funk Fine Art. 1581 Brickwell Avenue, Suite 2303. Miami. Florida. USA. Portrait of Mrs. Johnstone. A painting by Sir Henry Raeburn. Painted circa 1790-1810. h: 35.5 x w: 27 in]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adrian Thomasz Key. Portrait of a Bearded Gentleman, Bust-Length, in a black doublet with a White lace Ruff (detail)]
Attributed works:
[Stair Sainty. 38 Dover Street. London. Francisco de Goya y Lucientes. (Fuendetodos, Spain 1746 - 1828 Bordeaux, France). Portrait of Don Pedro Gil de Tejada, c. 1795. Oil on canvas, 112 x 84 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a man asleep against a table, by Gustave Courbet (1819-1877). Black chalk heightened with white on blue-grey paper. 24.4 by 22.6 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Herman Saftleven (1609-1685). A Sticky Nightshade or Litchi Tomato Plant. Watercolour, gouache and gun arabic. Signed and dated HS. f. 1683 den 31 octob: at the lower centre. 354 x 256 mm. (13 7/8 x 10 1/8 in.)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin. Fragments. 2015. A series of six screenprints.]
Attributed works:
[The Royal Academy. Exhibition In the Age of Giorgione. Giorgione (1478-1510). Portrait of a Young Man.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The Hohenzollern Man, by Giambologna (1529-1608). c. 1580. Bronze. Height: 39.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Giovanni Battista Foggini (1652-1725). Bacchus and a Younger Satyr. After Michelangelo Buonarroti (1475-1564). Bronze, with a warm known patina and traces of a red lacquer. 46 cm (18 in.) high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Massimiliano Soldati-Benzi (1656-1740). Charity, c.1695. After a model by Alessandro Algardi (1598-1654). Bronze with a gold and red patina. 47 cm (181/2 in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Laurits Andersen Ring (1854-1933). Evening. Oil on canvas, 81 x 123 cm. Signed and dated 1892.]
Attributed works:
[Zlotowski Gallery, Paris. Bull, by Le Corbusier (1887-1965). 1963. Collage of coloured paper and newspaper, white gouache and Indian ink on paper, 55.9 by 70.2 cm]
Western art unattributed:
[Peter Finer, London. A northern Italian armour for the tilt. Milan, c.1580. Steel. Height: 180 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched state glaive (Gardekeuse) for the guard of the imperor Maximilian II (R. 1564-1576), South German, dated 1564]
Western art unattributed:
[Rupert Wace Ancient Art Ltd, London. An Egyptian painted wood stele. Third intermediate period, 22nd Dynasty. 945-730 BC. Painted wood. Height: 25 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ars moriendi. Cologne. N. Goetz. 1475. With 11 woodcuts.]
Article
Sisley’s house at Louveciennes
04/2014 | 1333 | 156
Pages: 237-239
related names
Author:
Pickvance, Ronald (Pickvance, Ronald)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
32. Rue de la Princesse, Louveciennes, evening, by Alfred Sisley (Phillips Family Collection, USA)
Attributed works:
33. Road at Louveciennes under snow, by Alfred Sisley (Sotheby's London, 21st June 2004, lot 4)
Attributed works:
34. Rue de la Princesse, Louveciennes, by Alfred Sisley (Private collection, USA)
Attributed works:
35. Rue de la Princesse, Louveciennes, by Alfred Sisley (Marion and Henry Bloch collection, Kansas City)
Attributed works:
36. Sisley's house, 2 rue de la Princesse, Louveciennes (Photograph by Gina Pickvance)
Attributed works:
37. Street frontage of Sisley's house, 2 rue de la Princesse, Louveciennes (Photograph by Gina Pickvance)
Attributed works:
38. Sisley's house, 2 rue de la Princesse, Louveciennes (at right), taken from the viewpoint in Fig. 33. (Photograph by Gina Pickvance)
Attributed works:
39. Rue de la Princesse, Louveciennes, taken from the viewpoint in Fig. 34. (Photograph by Gina Pickvance)
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Advertisements December 2010 (front)
12/2010 | 1293 | 152
Pages: s.p.
Subjects
subjects:
Illustrations
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Miguel Parra (Valence 1780-1846 Madrid). Still Life with flowers and a stone figure fountain in a landscape. Signed and dated lower right: M. l Parra Valencia 1830. Oil on canvas unlined. One of a pair, 119 by 88 cm (46 3/4 by 34 3/4 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1 The Property of a private French collector. Pierre Bonnard (1867-1947). Terrasse à Vernon. Painted in 1923. Oil on canvas. 46 1/2 x 40 1/2 in. (118 x 103 cm) signed and dated 'Bonnerd 23' (lower right)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Michael Rysbrack (1694-1770). A Terracotta bust of John Locke, 1755. Plus a letter from Rysbrack to his Patron dated 31 July 1756, Discussing the delivery of the bust.]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Georges Seurat (1859-1891), Paysage avec Cheval, 1882/3. Inscribed on the reverse by Maximilien Luce in blue chalk: Catalogue Seurat 2/ G.Seaurat / Catalogue de La Revue 54 /L.. Oil on panel, 16 x 25 cm (6 1/4 x 9 7/8 in)]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Georges Seurat (1859-1891), Paysan travaillant, 1882/3. Inscribed on the reverse by Maximilien Luce in blue chalk: G. Seurat L 43. Oil on panel, 16 x 25 cm (6 1/4 x 9 7/8 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Andrea De Lione. Naples, 1610 - 1685. The Crossing of the Red Sea. Oil on octagonal canvas, 74 x 74 cm (29 x 29 cm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mariotto di Nardo. (1394 Florence 1424). Presentation of the Virgin. Oil on panel: 23.1 by 37.5 cm]
Attributed works:
[Moretti. 43-44 New Bond Street. London. Quattro 'favole' inedite di Giacinto Gimignani]
Attributed works:
[Stern Pissarro Gallery. 66 St. James’s Street. London. Alfred Sisley, La Seine à Saint-Cloud, oil on canvas, 38 x 55.3 cm / 15 x 21.8 in, signed & dated 1877.]
Western art unattributed:
[Galleria Longari. Via Bigli 12, 20121 Milan. Lapicida lombardo del XII secolo. LEONE GUARDIANO. Granito grigio. 43 x 74 x 26 cm]
Exhibition Review
Sisley in England and Wales. London and Cardiff
02/2009 | 1271 | 151
Pages: 114-115
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
dates:
museums and institutions:
places:
places:
subjects:
Reviewed Items
subjects:
Sisley in England and Wales | institution: National Gallery , institution: National Museum of Wales
Illustrations
Attributed works:
39. Regatta at Hampton Court, by Alfred Sisley. 1874. Canvas, 45.5 by 61 cm. (Private Collection, Switzerland; exh. National Gallery , London).
Attributed works:
40. Storr's Rock, Lady's Cove, evening, by Alfred Sisley. 1897. Canvas, 65.5 by 81.5 cm. (National Museum Wales, Cardiff; exh. National Gallery, London).
Advertisements
Advertisements July 2004 (Front)
07/2004 | 1216 | 146
Pages: i-xii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Beddington & Blackman Ltd. 16 Saville Row, London, W1S 3PL. Gabriel Bella (1730-1799). A regatta before a Venetian Palazzo. Signed on reverse of the unlined canvas. Oil on canvas, 38x59 1/4in (96.5 x 150.5 cm)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Giambattista Piazzetta (1682-Venice-1754). A bearded man holding a stick. Oil on canvas, 45 by 37 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Giovanni Domenico Tiepolo (1727-1804). The Temptation of Christ. Pen and brown ink and wash over traces of black chalk, 48.5 x 38.5 cm (19 1/2 15 1/2 in). Signed lower right dom° Tiep]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Francesco Barbieri, Il Guercino (1591-1666), Studies of a Dragon Pierced by a Lance. Pen and brown ink, 194x185 mm. (5 5/8 x 7 1/4 in.)]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. William Turner of Oxford. 1789-1862. An April shower. Binsey Ferry near Oxford looking towards Port Meadow. Watercolour. 18 x 27 inches; 455 x 685 mm. Signed, and signed and inscribed recto]
Attributed works:
[Mainichi Auction Inc. Haseman Bldg., Tomioka 2-11-6, Koto Ward, Tokyo. Henri Matisse. A woman and Flowers (Le Bouquet de roses) 1920. Oil on canvas board, size of the board 34.8x42.6cm. A letter confirming the authenticity by Madame Wanda de Guebriant, April 5, 2004]
Attributed works:
[Mainichi Auction Inc. Haseman Bldg., Tomioka 2-11-6, Koto Ward, Tokyo. Henri Matisse. Nude on Sofa (Sur la chaise longue) 1920. Oil on canvas, size of canvas 73x92cm. A letter confirming the authenticity by Madame Wanda de Guebriant, April 5, 2004]
Attributed works:
[Mainichi Auction Inc. Haseman Bldg., Tomioka 2-11-6, Koto Ward, Tokyo. Henri Matisse. Sitting nude 1923. Dessin (Pencil on paper), size 29x23cm. A letter confirming the authenticity by Madame Wanda de Guebriant, April 5, 2004]
Attributed works:
[Mainichi Auction Inc. Haseman Bldg., Tomioka 2-11-6, Koto Ward, Tokyo. Pablo Picasso. A woman Combing her hair 1901. Pastel on paper, size 16x12cm.]
Attributed works:
[Renaissance Bronzes. 77 Pimlico Road, London. A limited edition of five gilded bronze figures of Apollo (after the Belvedere original, Rome) commissioned by Her Royal Highness The Princess Margaret Countess of Snowdon in the year 2000. Height 1.86 m / 73 inches. Sculptured by Folco Romanelli. Florence. Italy.]
Attributed works:
[The Carmen Thyssen-Bornemisza. Madrid. The flood at Port-Marly, 1876. Alfred Sisley.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Carlo Dolci (Florence 1616-1687). Allegory of Patience. Signed and dated 1677. Oil on canvas, oval, 71x54 cm]
Exhibition Review
Alfred Sisley. Ferrara, Madrid and Lyon
11/2002 | 1196 | 144
Pages: 709-712
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
69. Boat in the flood, by Alfred Sisley. 1876. 50 by 61 cm. (Musée d'Orsay, Paris; exh. Musée des Beaux-Arts, Lyon).
Attributed works:
70. The path to By through the wood of Roches-Courtaut - Indian summer, by Alfred Sisley. 1881. 59.1 by 81 cm. (Museum of Fine Arts, Montreal; exh. Musée des Beaux-Arts, Lyon).
Attributed works:
71. Bridge at Hampton Court, by Alfred Sisley. 1874. 46 by 61 cm. (Wallraf-Richartz Museum, Cologne; exh. Musée des Beaux-Arts, Lyon).
Attributed works:
72. Storr's Rock, Langland Bay - morning, by Alfred Sisley. 1897. 65.5 by 81.5 cm. (Kunstmuseum, Bern; exh. Musée des Beaux-Arts, Lyon).
Attributed works:
73. Snow effect at Louveciennes, by Alfred Sisley. 1874. 54 by 65 cm. (Private collection; exh. Musée des Beaux-Arts, Lyon).
Attributed works:
74. The church at Moret - evening, by Alfred Sisley. 1894. 101 by 82 cm. (Petit Palais, Paris; exh. Musée des Beaux-Arts, Lyon).
Attributed works:
75. Train station at Sèvres, by Alfred Sisley. 1879. 46.3 by 55.8 cm. (County Museum of Art, Los Angeles; exh. Musée des Beaux-Arts, Lyon).
Short Notice
A Welsh Sisley for Wales
11/1994 | 1100 | 136
Pages: 763-764
related names
Author:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
36. The Cliff at Penarth, Evening, Low Tide, by Alfred Sisley. 1897. 54.4 by 65.7 cm. (National Museum of Wales, Cardiff).
Attributed works:
38. Le canal de Bristol, by Alfred Sisley. 1897. Coloured Crayon, 18.8 by 25.3 cm. (Musée du Petit Palais, Paris).
Attributed works:
39. La falaise, Pourville, by Claude Monet, 1897. 73.7 by 91.4 cm. (Private Collection, Washington).
Western art unattributed:
37. View towards Lavernock Point from Penarth. Photograph, 1992.
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