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21 articles
Article
Cut from the same cloth: a composite canvas by Paul Cezanne
12/2022 | 1437 | 164
Pages: 1224-1233
related names
Author:
Aebi, Kiko (Aebi, Kiko)
Author:
Haddad, Abed (Haddad, Abed)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Still life with apples, by Paul Cezanne. c.1878. Oil on canvas, 19 by 27 cm. (Fitzwilliam Museum, Cambridge, lent by the Provost and Fellows of King’s College, Cambridge, Keynes Collection).
Attributed works:
10. Study of heads, by Pierre-August Renoir. 1890s. Oil on canvas, 46 by 38 cm. (Barnes Foundation, Philadelphia).
Attributed works:
2. Glass and apples, by Paul Cezanne. 1879–80. Oil on canvas. 31.5 by 40 cm. (Rudolf Staechelin, Basel).
Attributed works:
3. Female nude (Leda), by Paul Cezanne. c.1887. Oil on canvas stretched on pasteboard, 44 by 62 cm. (Von der Heydt- Museum, Wuppertal).
Attributed works:
4. Reconstituted study sheet of drawings by Paul Cezanne, subsequently divided into three separate compositions: Sheet of studies, including a Skull (left), A historical or Biblical scene (The rape of Lucretia) (top right), and A historical or Biblical scene (bottom right). (From W. Feilchenfeldt, J. Warman and D. Nash: The Paintings, Watercolors and Drawings of Paul Cezanne, www.cezannecatalogue.com).
Attributed works:
5. Image of Glass with apples (right) and Still life with apples (left) unframed and in their original configuration, revealing contiguous brush strokes across both pictures. (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
6. X-ray radiograph of Glass with apples (right) and Still life with apples (left). (Fondation Beyeler, Riehen, and Fitzwilliam Museum, Cambridge).
Attributed works:
7. MA-XRF maps of Glass with apples (right) and Still life with apples (left), showing the distribution of iron (Fe), calcium (Ca), zinc (Zn), copper (Cu), cobalt (Co), chromium (Cr) and mercury (Hg). (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
8. Lead L-series (Pb-L) MA-XRF map of Glass with apples (right) and Still life with apples (left), with inset details magnifying holes along the edge of the original canvas. (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
9. Five apples, by Paul Cezanne. 1877–78. Oil on canvas, 12.7 by 25.5 cm. (Private collection).
Exhibition Review
Rodin/Arp Picasso-Rodin
05/2021 | 1418 | 163
Pages: 459-463
related names
Reviewer:
Loreti, Silvia (Loreti, Silvia)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Picasso-Rodin Edited by Catherine Chevillot, Virginie Perdrisot-Cassan and Véronique Mattiussi. 424 pp. incl. 490 col. + b. & w. ills. (Musée Rodin, Paris, Musée national Picasso-Paris, and Gallimard, Paris, 2021), €45. ISBN 978–2–07–292758–4. | :
subjects:
Rodin/Arp Edited by Raphaël Bouvier. 200 pp. incl. 125 col. + b. & w. ills. (Fondation Beyeler, Basel, and Hatje Cantz, Berlin, 2020),  58. ISBN 978–3–7757–4875–9. | :
Illustrations
Attributed works:
13. The kiss, by Pablo Picasso. 1969. Oil on canvas, 97 by 130 cm. (Musée national Picasso-Paris;   Succession Picasso 2021;   RMN-Grand Palais; photograph Adrien Didierjean).
Attributed works:
14. The kiss, by Auguste Rodin. c.1885. Plaster, 86 by 51.5 by 55.5 cm. (Musée Rodin, Paris; photograph Hervé Lewandowski).
Attributed works:
15. Crouching woman, by Auguste Rodin. c.1882–85. Plaster 31.9 by 28.7 by 21.2 cm. (Musée Rodin, Paris).
Attributed works:
16. Automatic sculpture (Homage to Rodin), by Jean (Hans) Arp. 1938. Granite, 26 by 22 by 11.5 cm. (Private collection).
Exhibition Review
Picasso: Blue and Rose Musée d’Orsay, Paris; The Young Picasso: Blue and Rose Periods. Fondation Beyeler, Basel
02/2019 | 1391 | 161
Pages: 154-156
related names
Reviewer:
Cowling, Elizabeth (Cowling, Elizabeth)
Subjects
art literature:
artists:
dates:
places:
Illustrations
Attributed works:
18. Woman in blue, by Pablo Picasso. 1901. Canvas, 133 by 100 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; exh. Fondation Beyeler, Basel).
Attributed works:
19. The embrace, by Pablo Picasso. 1903. Pastel on paper, 98 by 57 cm. (Musée de l’Orangerie, Paris; exh. Musée d’Orsay, Paris).
Attributed works:
20. Absinthe drinker, by Pablo Picasso. 1901. Canvas, 81 by 60 cm. (Kunstmuseum, Basel; exh. Fondation Beyeler, Basel).
Attributed works:
21. La coiffure, by Pablo Picasso. 1906. Canvas, 174.9 by 99.7 cm. (Metropolitan Museum of Art, New York; exh. Fondation Beyeler, Basel).
Exhibition Review
Georg Baselitz at eighty
09/2018 | 1386 | 160
Pages: 766-771
related names
Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
dates:
media:
Illustrations
Attributed works:
1. Man in the moon – Franz Pforr, by Georg Baselitz. 1965. Canvas, 161.9 by 129.9 cm. (National Gallery of Art, Washington; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
2. Opposite The naked man, by Georg Baselitz. 1962. Canvas, 114 by 146 cm. (Private collection, Seattle; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
3. Meissen woodsmen, by Georg Baselitz. 1969. Canvas, 250 by 200 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
4. Orange eater IX, by Georg Baselitz. 1981. Oil and tempera on canvas, 146 by 114 cm. (Skarstedt, New York; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
5. Below The Brücke chorus, by Georg Baselitz. 1983. Canvas, 280 by 450 cm. (Private collection; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
6. My new hat, by Georg Baselitz. 2003. Cedarwood and oil paint, 310.5 by 83.5 by 107 cm. (Pinault Collection, Venice; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
8. Dystopian couple, by Georg Baselitz. 2015. Canvas, 400 by 600 cm. (Courtesy the artist and White Cube; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Western art unattributed:
7. Georg Baselitz’s studio, Ammersee. (Photograph courtesy Georg Baselitz Archive, Munich).
Exhibition Review
In Search of 0,10 – The Last Futurist Exhibition of Painting
01/2016 | 1354 | 158
Pages: 061–062
related names
Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
dates:
places:
Illustrations
Attributed works:
80. Travelling woman, by Lyubov Popova. 1915 (State Museum of Contemporary Art, Thessaloniki, Costakis Collection; exh. Fondation Beyeler, Basel)
Attributed works:
81. Suprematism: non-objective composition, by Kazimir Malevich. 1915 (Ekaterinburgh Museum of Fine Arts; exh. Fondation Beyeler, Basel)
Attributed works:
82. Corner counter-relief, by Vladimir Tatlin. 1925 reconstruction by the artist of the 1915 original (State Russian Museum, St Petersburg; exh. Fondation Beyeler, Basel)
Book Review
Gustave Courbet, U Küster, ed., with contributions by S. ­Guégan, M. Hilaire, L. Madeline, B. Mottin and J.H. Rubin. Gustave Courbet, Les années suisses, L. Madeline, ed.
09/2015 | 1350 | 157
Pages: 635-636
related names
Reviewer:
Herding, Klaus (Herding, Klaus)
Subjects
artists:
dates:
places:
Exhibition Review
Gauguin
06/2015 | 1347 | 157
Pages: 432-433
related names
Reviewer:
Brettell, Richard R. (Brettell, Richard R.; Brettell, Richard)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
57. Rupe Rupe, by Paul Gauguin (Pushkin State Museum of Fine Arts, Moscow; exh. Fondation Beyeler, Basel)
Attributed works:
58. Polynesian woman with children, by Paul Gauguin (The Art Institute of Chicago; exh. Fondation Beyeler, Basel)
Attributed works:
59. The artist's family, by Hans Holbein the Younger (Kunstmuseum, Öffentliche Kunstsammlung, Basel)
Exhibition Review
Marlene Dumas
04/2015 | 1345 | 157
Pages: 279-280
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
48. Great Britain, by Marlene Dumas (Vicki and Kent Logan collection; exh. Tate Modern, London)
Attributed works:
49. Death of the author, by Marlene Dumas (Jolie van Leeuwen collection; exh. Tate Modern, London)
Attributed works:
50. Magdalena (Venus), by Marlene Dumas (Private collection; exh. Tate Modern, London)
Exhibition Review
Max Ernst: Retrospective. Vienna and Basel
06/2013 | 1323 | 155
Pages: 430-431
related names
Reviewer:
Hopkins, David (Hopkins, David)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
85. Woman, old man and flower, by Max Ernst (Museum of Modern Art, New York; exh. Fondation Beyeler, Basel)
Attributed works:
86. Monument to the birds, by Max Ernst (Musée Cantini, Marseille; exh. Fondation Beyeler, Basel)
Attributed works:
87. At the first limpid word, by Max Ernst (Kunstsammlung Nordrhein-Westfalen, Düsseldorf; exh. Fondation Beyeler, Basel)
Exhibition Review
Pierre Bonnard. Riehen/Basel
05/2012 | 1310 | 154
Pages: 367-368
related names
Reviewer:
Zutter, Jörg (Zutter, Jörg)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Pierre Bonnard | institution: Fondation Beyeler
Illustrations
Attributed works:
81. La Nappe blanche, by Pierre Bonnard. 1925. Canvas, 100 by 109 cm. (Von der Heydt-Museum, Wuppertal; exh. Beyeler Foundation, Riehen/Basel).
Attributed works:
82. Place Clichy, by Pierre Bonnard. 1912. Canvas, 138 by 203 cm. (Musée national d’Art moderne, Centre Georges Pompidou, Paris, on loan in the Musée des Beaux-Arts et d’Archéologie, Besançon; exh. Beyeler Foundation, Riehen/Basel).
Attributed works:
83. Autoportrait (Le Boxeur), by Pierre Bonnard. 1931. Canvas, 53 by 74.3 cm. (Musée d’Orsay, Paris; exh. Beyeler Foundation, Riehen/Basel).
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