By using this website you agree to our Cookie policy

Search

20 articles
Article
New perspectives on Gérard Douffet in Italy and Malta
02/2023 | 1439 | 165
Pages: 128-139
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Pope Nicholas V visiting the tomb of St Francis, by Gérard Douffet. c.1627. Oil on canvas, 404 by 347 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
10. St John the Baptist with a ram, by Caravaggio. 1602. Oil on canvas, 129 by 95 cm. (Pinacoteca Capitolina, Rome).
Attributed works:
11. Death of Hyacinth, copy (?) after Gérard Douffet. 1620s. Oil on canvas, 131 by 96.5 cm. (Private collection).
Attributed works:
12. St Roch and St Carlo Borromeo interceding with the Virgin on behalf of the plague-stricken, by Gérard Douffet (or/and Bertholet Flémal?). c.1620. Oil on canvas, 240 by 172 cm. (Sainte-Véronique, Liège; © KIKIRPA, Brussels).
Attributed works:
13. Detail of Fig.12, showing a dead mother and her child.
Attributed works:
14. Penitent Mary Magdalene, here attributed to Gérard Douffet, c.1627. Oil on canvas, 144 by 102 cm. (Schaezlerpalais, Augsburg).
Attributed works:
2. St Helena discovering the True Cross, by Gérard Douffet. 1624. Oil on canvas, 309 by 367 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
3. Detail of Fig.1, showing a man with ringlets looking up.
Attributed works:
4. Christ appearing to St James the Great, by Gérard Douffet. 1633–34. Oil on canvas, 227 by 169 cm. (Schloss Schleissheim, Munich).
Attributed works:
5. Detail of Fig.4, showing the free-floating strands of hair on Christ’s head.
Attributed works:
6. Taking of Christ, here attributed to Gérard Douffet (and Valentin de Boulogne?). c.1618–20. Oil on canvas, 147 by 194 cm. (Museum of Fine Arts, Boston).
Attributed works:
7. St Paul killing the serpent on Malta, here attributed to Gérard Douffet (and assistants?). c.1621–23. Oil on canvas, 163.5 by 220.5 cm. (Private collection).
Attributed works:
8. Death of Hyacinth, here attributed to Gérard Douffet. c.1618–24. Oil on canvas, 132 by 91.2 cm. (Musée Thomas Henry, Cherbourg).
Attributed works:
9. The choice of Hercules, by Bartolomeo Manfredi or his circle (Gérard Douffet?). c.1616–22. Oil on canvas, 104.1 by 146.7 cm. (Fondation Albert Vandervelden, Ferrières).
Exhibition Review
Caravaggio e Artemisia: la sfida di Giuditta. Violenza e seduzione nella pittura tra Cinquecento e Seicento
02/2022 | 1427 | 164
Pages: 192-195
related names
Reviewer:
Christiansen, Keith (Christiansen, Keith; Christiansen, K.)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Caravaggio e Artemisia: la sfida di Giuditta. Violenza e seduzione nella pittura tra Cinquecento e Seicento Palazzo Barberini, Rome 26th November 2021– 27th March 2022 | :
Illustrations
Attributed works:
11. Judith and her maidservant with the head of Holofernes, by Orazio Gentileschi. c.1621–24. Oil on canvas, 136 by 159 cm. (Wadsworth Atheneum Museum of Art, Hartford CT; exh. Palazzo Barberini, Rome).
Attributed works:
12. Judith beheading Holofernes, by Artemisia Gentileschi. c.1612. Oil on canvas, 159 by 126 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Palazzo Barberini, Rome).
Attributed works:
13. Installation view of Caravaggio e Artemisia: la sfida di Giuditta. Violenza e seduzione nella pittura tra Cinquecento e Seicento at Palazzo Barberini, Rome, 2021–22. (Photograph Alberto Novelli).
Book Review
Un misto di grano e di pula: Scritti su Caravaggio e l’ambiente caravaggesco
08/2021 | 1421 | 163
Pages: 768-770
related names
Reviewer:
Gash, John (Gash, John)
Subjects
Reviewed Items
subjects:
Un misto di grano e di pula: Scritti su Caravaggio e l’ambiente caravaggesco By Gianni Papi. 272 pp. incl. 228 col. + 41 b. & w. ills. (Editori Paparo, Rome and Naples, 2020), €60. ISBN 978–88–319–8339–6. | :
Illustrations
Attributed works:
5. The judgment of Midas, here attributed to David de Haen. c.1620–21. Oil on canvas, 97 by 132 cm. (National Museum, Lublin).
Exhibition Review
Utrecht, Caravaggio and Europe
04/2019 | 1393 | 161
Pages: 328-330
related names
Reviewer:
Pappi, Gianni (Pappi, Gianni)
Subjects
dates:
media:
museums and institutions:
places:
styles:
Illustrations
Attributed works:
11. Christ before the High Priest, by Gerrit van Honthorst, c.1616–17. Canvas, 272 by 183 cm. (National Gallery, London; exh. Centraal Museum, Utrecht).
Attributed works:
12. Christ among the doctors, by Jusepe de Ribera. 1612–13. Canvas, 188 by 270 cm. (Musée d’Art et d’Histoire de Langres; exh. Centraal Museum, Utrecht).
Attributed works:
13. Christ displaying his wounds, by Giovanni Antonio Galli (Lo Spadarino). Canvas, 132.2 by 97.8 cm. (Perth Museum and Art Gallery; exh. Centraal Museum, Utrecht).
Exhibition Review
Valentin de Boulogne. New York and Paris
08/2017 | 1373 | 159
Pages: 660-663
related names
Reviewer:
Brejon de Lavergnée, Arnauld (Brejon de Lavergnée, Arnauld; Lavergnée, Arnauld Brejon de; Brejon, Arnauld; Lavergnee, Arnaud Brejon de)
Subjects
dates:
subjects:
Illustrations
Attributed works:
69. Crowning with thorns, by Valentin de Boulogne. c.1613-14 (Private collection; exh. Musée du Louvre, Paris)
Attributed works:
70. The fortune teller with soldiers, by Valentin de Boulogne. c.1616-20 (Toledo Museum of Art; exh. Musée du Louvre, Paris)
Attributed works:
71. The fortune teller with soldiers, by Jean Ganière after Valentin de Boulogne. c.1640 (Bibliothèque Nationale de France, Paris)
Attributed works:
72. Concert with eight figures, by Valentin de Boulogne. 1628-30 (Musée du Louvre, Paris)
Attributed works:
73. Crowning with thorns, by Sebastiano Vaiani, after Annibale Carracci. 1627 (British Museum, London)
Article
Valentin de Boulogne’s ‘Abraham sacrificing Isaac’ at the Montreal Museum of Fine Arts
10/2015 | 1351 | 157
Pages: 687-690
related names
Author:
Goldfarb, Hilliard T. (Goldfarb, Hilliard T.)
Subjects
dates:
subjects:
Illustrations
Attributed works:
13. Abraham sacrificing Isaac, by Valentin de Bourgogne. 1630-32 (Montreal Museum of Fine Arts)
Attributed works:
16. Sacrifice of Isaac, by Orazio Riminaldi. c.1624 (Galleria Nazionale d'Arte Antica, Palazzo Barberini, Rome)
Attributed works:
17. Sacrifice of Isaac, by Orazio Riminaldi. Between the early and the mid-1620s (Present whereabouts unknown; formerly Luigi Koelliker collection, Milan)
Western art unattributed:
14. X-radiograph of Fig.13
Western art unattributed:
15. Infra-red photograph of Fig.13
Exhibition Review
Peintres de la Réalité. Paris
04/2007 | 1249 | 149
Pages: 277-278
related names
Reviewer:
Langdon, Helen (Langdon, Helen)
Subjects
dates:
museums and institutions:
places:
print:
print:
subjects:
Reviewed Items
subjects:
Orangerie, 1934: Les \'Peintres de la Réalité\' | institution: Musée de l'Orangerie
Illustrations
Attributed works:
57. Job and his wife, by Georges de la Tour. Canvas, 145 by 97 cm. (Musée départemental d’art ancien et contemporain, Epinal; exh. Musée de l’Orangerie, Paris).
Attributed works:
58. Still life with chessboard, by Lubin Baugin. c.1630. Panel, 55 by 73 cm. (Musée du Louvre, Paris; exh. Musée de l’Orangerie, Paris).
Attributed works:
59. Judith with the head of Holofernes, by Valentin de Boulogne. 1620s. Canvas, 97 by 74 cm. (Musée des Augustins, Toulouse; exh. Musée de l’Orangerie, Paris).
Article
Cardinal Ascanio Filomarino's Purchases of Works of Art in Rome: Poussin, Caravaggio, Vouet and Valentin
07/2001 | 1180 | 143
Pages: 404-411
related names
Author:
Lorizzo, Loredana (Lorizzo, Loredana)
Subjects
artists:
artists:
artists:
dates:
places:
Illustrations
Attributed works:
1. Portrait of Cardinal Ascanio Filomarino, by Albert Clouwet. Engraving, 20 by 15.1 cm. (From Cardinalium S. R. E. Imagines ex Calcografia Rev. Camerae Apostolicae, I, Rome 1648).
Attributed works:
2. Angel with a Lance and Sponge, by Simon Vouet. 102 by 78 cm. (Museo di Capodimonte, Naples).
Attributed works:
3. Angel with Dice and a Tunic, by Simon Vouet. 102 by 78 cm. (Museo di Capodimonte, Naples).
Attributed works:
4. Christ Healing the Man Born Blind, by Nicolas Poussin. Pen and Ink with Wash, 13.5 by 17.1 cm. (Royal Library, Windsor Castle. Reproduced by Kind Permission of H. M. The Queen).
Attributed works:
5. Christ Healing the Man Born Blind, by Nicolas Poussin. Pen and Ink, 15.1 by 22 cm. (Royal Library, Windsor Castle. Reproduced by Kind Permission of H. M. The Queen).
Attributed works:
6. Holy Family, by Jean Robert Ango after Poussin. Black Chalk, 24 by 36 cm. (Musée des Beaux Arts et Archéologie, Besançon).
Attributed works:
7. The Stigmatisation of St Francis, by Michelangelo Merisi, Called Caravaggio. 92.5 by 127.8 cm. (Wadsworth Atheneum, Hartford CT).
Attributed works:
8. Portrait of Scipione Filomarino, by Giovan Battista Calandra after Valentin. Mosaic. (Cappella Filomarino, SS. Apostoli, Naples).
Book Review
Valentin de Boulogne
07/1991 | 1060 | 133
Pages: 455-456
related names
Reviewer:
Cuzin, Jean-Pierre (Cuzin, Jean-Pierre)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Valentin de Boulogne | author: Mojana, Marina
Illustrations
Attributed works:
26. Young St John the Baptist, by Valentin de Boulogne. (St Jean-de-Maurienne Cathedral, Savoie).
Attributed works:
27. Cupid at the Fountain, by Cecco del Caravaggio. (Present Whereabouts Unknown).
Attributed works:
28. St John the Baptist, by Valentin de Boulogne. 57 by 84 cm. (Private Collection, Paris).
Advertisements
Advertisements June 1988 (Front)
06/1988 | 1023 | 130
Pages: ii-lii
Subjects
advertisements:
artists:
artists:
Illustrations
Attributed works:
Bust of Isaac Ware, by Louis-François Roubiliac. c.1741. Marble, Height 51.5 cm. (Detroit Institute of Arts)
Attributed works:
[Ader-Picard-Tajan, 12 rue Favart, Paris] Valentin de Boulogne St. John the Evangelist Canvas 97 × 134 cm From a Series of Paintings of the Four Evangelists
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Ubaldo Gandolfi 1728-1781 Deposition (Of Christ) Pen and Beige and Brown Ink and Wash on Light Beige Paper, 290 × 206 mm
Attributed works:
[Anthony Roth Fine Arts Ltd, 49 Maddox Street, London] Lorenzo Bartolini (1777-1850). Bust of Giambattista Nicolini (1792-1861). Marble, 30.5 cm. High (Excluding verde antico socle)
Attributed works:
[Arnoldi-Livie, Galeriestr. 2b, Munich] Giambattista Piazzetta Venice 1682-1754 Head of a Shepherd. Black Chalk, Traces of White Heightening on Faded Blue Paper. 36,5 × 28 cm.
Attributed works:
[Asprey, 165-169 New Bond Street, London] Emerald and Diamond Set Edwardian Tiara Convertible to a Necklet
Attributed works:
[Bernheimer, 32 St. George Street, London] A French Transitional Commode Louis XV/XVI Stamped RVLC JME (Roger Vandercruse, called Lacroix, Maître in 1755) Very fine flower marquetry: rosewood, palisander and maplewood veneered on oak. On four s-shaped legs, the straight rectangular body has three shallow drawers in the frieze and two deep drawers, sans traverse, below. Very rich ormolu mounts. Marble top, breche de Mont Cenis. Height: 88 cm Width: 128 cm Depth 57.5 cm
Attributed works:
[Browse & Darby, 19 Cork Street, London] Sickert, Canal Scene, Venice. Oil on Canvas, 18 × 15 Inches
Attributed works:
[Buch und Grafik Antiquariat Falk & Falk, Kirchgasse 38, Zurich] Robert de Vaugondy, G. Nouvel atlas portrait
Attributed works:
[C. John, 70 South Audley Street, London] An Excellent Royal Aubusson Tapestry Signed: Manufacture Royal D'Aubusson and by the Weaver F. Grellet. In pristine Condition. Circa 1750. Size: 9′2″ High × 7′4″ Wide (279cm × 223cm)
Attributed works:
[C.G. Boerner, Kasernenstraße, Dusseldorf] Adolph Menzel. Pencil. 210 × 133 mm. Monogrammed Lower Left: A. M. Study for Heinrich v. Kleist. Der Zerbrochene Krug. 1876/77.
Attributed works:
[Carré Rive Gauche - J&M Duptel, 20 rue de Beaune, Paris] A. Matignon - Sainte Cécile - 146 × 175 - H. S. T. - S. B. G.
Attributed works:
[Carré Rive Gauche - Guy Monégier du Sorbier, 18 rue de Beaune, Paris] "Jeune Fille Endormie" - marbre de A. Bartholome 1848-1928.
Attributed works:
[Carré Rive Gauche - Lyons-Coulemonde-Samson, 9 rue de Beaune, Paris] Jean Antoine Laurent 1763-1832 Jeune fille au dévidoir. Signé b. d. daté. Bois 35,3 × 27
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Matignon, Paris] Portrait of the Knight Riccardo Rota Marble, Venice 16th Century Workshop of the Lombardi Later Inscription
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London] Anton Raphael Mengs Aussig 1728-Rome 1779 The Penitent Magdalen Canvas, 108.7 × 86.8 cm.
Attributed works:
[Christie's, Park Palace, Monte Carlo, Monaco] Jean Auguste Dominique Ingres: Portrait of Madame Victor Baltard with Her Daughter Paule, Signed, Inscribed and Dated 'Rome 1836', Pencil, 306 × 228mm.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Christoffel van Sichem (1546-1624) after Hendrick Goltzius (1558-1617) Portrait of a man with a Plumed Hat Woodcut, Hollstein 135
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Johann Rottenhammer. Munich 1564 - Augsburg 1625. Allegory of the Arts and Sciences. Pen and Wash. 398 × 321mm.
Attributed works:
[David Koester Gallery, Talstrasse 37, Zurich] Hendrik van Vliet (1611-Delft-1675) Panel, 34,5 × 30 cm, Signed
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Paul Baudry: Sketch for Salome in the Great Foyer of the Paris Opéra. Oil on Canvas, 132 × 47 cm.
Attributed works:
[Fischer Fine Art, 30 King Street, London] Giacomo Manzu 'Donna Appoggiata'
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Marc Charles Gabriel Gleyre (1806-1874) Head of Omphale Mine de Plomb on White Laid Paper 9 5/16 × 6⅞ inches (23.5 × 17.3cm), with a Rounded Top.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Alessandro Algardi (1598-1654) Bust of Pope Innocent X Terracotta, Painted White, Height 85 cm.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Pietro da Cortona (1596-1669) 'Gli angeli segnano la fronte a coloro che devono essere illesi dai flagelli' Canvas, 95 × 198 cm. The Original Oil Sketch for One of the Mosaics in St Peter's
Attributed works:
[Galerie H. Odermatt-Ph. Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Odilon Redon (1840-1916): "Le Fumeur d'Opium." Huile sur toile. Signé en bas à droite "Odilon Redon." 27,5 × 22,5 cm - 10¾ × 8¾ in.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] François Cressent (1663-?) Père de Charles Cressent, ébéniste du Régent Louis, Duc d'Orléans, Gouverneur du Dauphiné, fils du Régent. Terre cuite originale, vers 1720 Hauteur: 61 cm (avec socle)
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] William Burges Architect 1827-1881 A Design for Knightshayes, North Devon, 1869.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Jean-Léon Gérôme 1824-1904. Paul Baudry au travail. Black Chalk, 35.5 × 23cm. Signed and Inscribed à son ami Paul Baudry. Datable Circa 1875
Attributed works:
[Jean-Max Cassel, 15 Quai Voltaire, Paris] Andrea Camassei Bevagna 1602 - Rome 1648 The Death of Orpheus Oil on Canvas, 103 by 80 cm
Attributed works:
[John Davies Framing Ltd, 8 Bury Street, London] The View of Delft by J Vermeer Reproduced by Kind Permission of the Maurithuis, Den Haag. Frame - A Copy of a Combination Forward Moulding Ripple Frame Selected by the Maurithuis and Built to Their Specifications.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London] Sir Thomas Lawrence Oil Painting on Canvas. Portrait of an Officer. 36 × 28 Inches With Fine Antique Frame
Attributed works:
[Julius Böhler, Pacellistrasse 8, Munich] Madonna with Child and the Infant St. John. Relief in Terracotta, with Original Polychrome. From the Workshop of Benedetto da Maiano (1442-1497). 52 by 43 cm. In the Original Frame, 88,5 by 79,8 cm.
Attributed works:
[Kimbell Art Museum, Fort Worth, Texas] Nicolas Poussin, French, 1594-1665, Diana and Endymion (Detail), 1628, The Detroit Institute of Arts, Founders Society Purchase, Membership and Donations Fund
Attributed works:
[Lefevre, 30 Bruton Street, London] Picasso Etude Pour Saltimbanque, 1905, Carnet 24, p.35 - 5¾in × 3½in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Frank Auerbach J. Y. M. Seated VI 1983, oil on Canvas 26¼ × 28⅜ in./66.7 × 72.1 cm.
Attributed works:
[Oscar & Peter Johnson Ltd, 27 Lowndes Street, London] Girl with a Doll. A Portrait of Lilly, Daughter of J. Noble, Esq. by Sir John Everett Millais, PRA (1829-1896). Oil Painting; Signed with Monogram and Dated 1864 Inscribed on Labels on Reverse: (1) 'Lilly, Daughter of J. Noble, Esqre. 7 Cromwell Place, South Kensington' (2) 'Royal Academy Winter Exhibition 1898 Sir J. E. Millais, PRA Lilly, Daughter of J. Noble, Esq.' Canvas 35⅞ × 28¼ inches; Framed Exhibited: Royal Academy, 1864, No. 570
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Ommeganck
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Robie
Attributed works:
[Phillips, 7 Blenheim Street, London] Joseph van Aken, "Elegant Figures at a Vegetable Sellers Stall," Oil on Copper, Size 39.5 cm × 52 cm - Estimate: £4,000-£6,000.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pablo Picasso, "Nature Morte à la pipe et au Tabac," oil on Canvas, 22 cm × 27 cm. Estimate: £230,000-£280,000.
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Sir William Orpen RA RHA NEAC (1878-1931). An Aran Islander - Oil on Canvas The Model Was Margaret Crilley, a Pupil of Orpen and Later the Wife of Harry Clarke the Stained Glass Artist.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jean-Baptiste Joseph Pater, 'Young Lady Resting'. Red Chalk on Paper, 6¾ by 10 Inches (17.1 by 25.4 cm)
Attributed works:
[Ronald A. Lee Plc, 1-9 Bruton Place, London] The cabinet was supplied to William Duckwoth in 1859, who was charged 250 guineas by the excellent Venetian view painter - E.W. Cooke (signed and dated 1859 and monogrammed into the frame). To add further interest we have also managed to purcahse the original pencils sketch for the frame and painting, from the artist's family.
Attributed works:
[Sam Fogg, 66 Highbury, London] A Franciscan Preaching. Master of the Budapest Antiphonary. Lombardy Mid 15th Century
Attributed works:
[Schuster Gallery, 14 Maddox Street, London] Sweert "Tulips" Florilegium, 1612. The Flowering Garden Florilegia 1600-1700
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Eugène Delacroix, An Arab Horseman at the Gallop, Signed, Oil on Canvas, 54 by 45 cm. Estimate: £400,000-600,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine bronze group of Roger and Angelica by Ferdinando Tacca, Circa 1680-85, 42.5 cm (16¾ in.) High. Estimate: £30,000-40,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Nicolò dell'Abate, Apollo, Black Chalk and Pen and Brown Ink and Wash, Heightened with White, 26.5 by 17.6 cm. Estimate: £10,000-15,000
Attributed works:
[Spink & Son Ltd, King Street, London] Henry Lamb. Lord David Cecil.
Attributed works:
[Spink & Son Ltd, King Street, London] John Methuen (1650-1706) was the man responsible for the famous Methuen trade treaty signed between England and Portugal in 1703. Lord Chancellor and Speaker of the Irish House of Lords in 1697, he became Ambassador Extraordinary to Portugal in the year the treaty was signed. This set of eight silver salvers, engraved with his coat of arms, was almost certainly part of John Methuen's ambassadorial service; no comparable set of eight salvers is known. They were made in 1703 by Andrew Moore, the London silversmith who also made the spectacular silver table, hanging mirror and andirons which the City of London presented to William III. They are now at Buckingham Palace. Each salver measures 10⅛ inches (25.7 cms) in diameter, stands 2⅜ inches (6.1 cms) high and the total weight is 249 ounces 10 dwt. Your attention is drawn to the finely engraved coat of arms and the cut-card decoration round the detachable octagonal foot with screw fitting, a very rare feature.
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] François Boucher. Head of Young Woman. Black Chalk, Heightened with White, on Cream Paper, 6 by 5⅛ Inches (152 by 130 mm.)
Attributed works:
[Thomas Le Clarie, Elbachaussee 156, Hamburg] François Boucher (1703 Paris 1770) 'Studies of a Male Nude' Red and White Chalk on Brown Paper. 35 × 30cm.
Attributed works:
[Wartski, 14 Grafton Street, London] Louis XV Gold Snuff-Box in a Chased Scrolling Cage Work Mount Set with Six Engraved Mother-of-Pearl Panels Encrusted with chinoiserie Scenes in burgau, Coral, Ivory, a Turquoise and Gold. The Cover Shows a Servant Offering tea to a Mandarin Seated upon His Throne. The Front Panel with a Kneeling Servant Working the Bellows on a Fire under a Steaming Tea-Kettle. The Other Panels, Engraved with Colonnading and Trees, Are Decorated with Palm, Pine and Banana Trees and Exotic Birds. By Barnabé Sageret, a Favourite Goldsmith of the King. Paris: 1749 3⅛ × 2¼ in × 1½ in. Sageret (1688-1758) began his career as an orfèvre privilégié, appointed by the King, of the Duc d'Orléans who had in turn been authorized to attach the goldsmith to his household. A gold snuff-box in the Louvre is set with similar panels on mother-of-pearl of the same date, also concerned with the ceremonial preparation and serving of tea. This box however was made much later by Vachette between 1809 and 1819.
Attributed works:
[Wildenstein, 147 New Bond Street, London] Sculpture by Medina-Campeny
Non-western art unattributed:
[Kyburg Limited, 39 Duke Street, London] A Unique Collection of Indian Drawings Illustrating the Production of Kashmir Shawls, Commissioned for the 1867 Paris Exposition
Non-western art unattributed:
[Michael B. Weisbrod, 987 Madison Avenue, New York] GILT BRONZE FIGURE OF A STRIDING DRAGON. Six Dynasties Period 3rd-6th century Height: 2⅛ in (5.2 cm). Length: 3½ in (8.8 cm)
Non-western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Canton H. 1.30 m
Western art unattributed:
[Antiquaires a Paris] Armchair Bernard Steinitz, Bureau Plat Aveline, Commode Jacques Perrin, Pedestals Aveline, Candelabras Didier Aaron, Painting Maurice Segoura, Clock Bernard Steinitz, Porcelain Vases Jacques Perrin, Gueridon Table Didier Aaron, Conversation Chair Michel Meyer.
Western art unattributed:
[Antiquaires a Paris] Armchair Jacques Perrin, Drum Table Maurice Segoura, Conversation Chair Michel Meyer, Boulle Cabinet Michel Meyer, Porcelain Vases Jacques Perrin, Clock Bernard Steinitz, Candelabras Didier Aaron, Carpet Aveline.
Western art unattributed:
[de Havilland, 48 Sloane Street, London] Cabinet of Break-Front Form, Satinwood Inlaid with Ebony, with Gilded Bronze Rosettes. Early Nineteenth Century. 4ft 2½in by 2ft 5in. Very Similar to the Cabinet in the V & A Collection, Given by Mr F Howard Reed, but with the Original Panelled Door.
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Directoire
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] French XVIIIth Century Gold H. 10 cm
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Galle
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Imp. Collection Weapons and Helmets (200 Pieces)
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Louis XIV Period
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Nap. III Period H. 1.35 m
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] XVIIIth Century
Western art unattributed:
[Pelham Galleries, 163 & 165 Fulham Road, London] An Outstanding Mid 17th Century Franco-Flemish Ebony Cabinet on Stand, the Interior Fitted with Drawers and a Central Tabernacle; Immaculate, Original Condition. Height: 74″ Width: 64″ Depth: 22″
Western art unattributed:
[Stephen Somerville Ltd at Bernheimer's, 32 St. George Street, London] Italian School 18th Century. Study of a Standing Male Figure Seen from Behind. Black Chalk Heightened with White on a Brown-Toned Paper. 431 × 284 mm.
load more