1. Rape of the Sabines, by Giambologna. 1582. Marble, height (excluding the base) c.410 cm. (Loggia dei Lanzi, Florence; Bridgeman Images).
Attributed works:
10. Prometheus, cast from a model by Giambologna. c.1590. Gilt bronze, height 23 cm. (Private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
2. Crucified Christ, by Giambologna. 1580s. Bronze, 33.5 by 21.5 cm (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
3. Portrait of Giambologna, with his model for ‘Samson and a Philistine’, by Federigo Zuccaro. 1575. Black and red chalk, 26.1 by 188 cm. (National Galleries of Scotland, Edinburgh).
Attributed works:
4. Rape of the Sabines, by Giambologna. c.1581. Clay with traces of whitewash, height c.410 cm. (Galleria dell’Accademia, Florence).
Attributed works:
5. Mars, by Giambologna. c.1581–87. Gilt bronze, height 39.4 cm. (Staatliche Kunstsammlung, Dresden; photograph Arrigo Coppitz).
Attributed works:
6. Portrait of Bartolommeo di Lionardo Ginori, by Santi di Tito. c.1583. Canvas, height c.250 cm. (Private collection, Florence; photo Galleria dell’Accademia, Florence).
Attributed works:
7. Portrait of Pietro di Cosimo de’ Medici, by Santi di Tito. c.1583. Canvas, 208 by 113 cm. (Galleria degli Uffizi, Florence).
Attributed works:
8. Mars and Prometheus, cast from models by Giambologna. c.1587 and c.1590 respectively. Bronze, heights 39.4 cm. and 23 cm. (Both private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
9. Man seen from three angles, by Antonio del Pollaiuolo. Fifteenth century. Stylus, pen and ink and wash on paper, 26.5 by 36 cm. (Musée du Louvre, Paris).
Exhibition Review
Shadows of Time: Giambologna, Michelangelo and the Medici Chapel. The Sculpture Collection, Dresden
7. Detail of Day, attributed to Giambologna, after Michelangelo. Before 1574. Alabaster, 44.5 by 48.5 by 14.7 cm. (Staatliche Kunstsammlung, Dresden; photograph Hans-Peter Klut; exh. The Sculpture Collection, Dresden).
Attributed works:
8. Day, attributed to Giambologna, after Michelangelo. Before 1574. Alabaster, 44.5 by 48.5 by 14.7 cm. (Staatliche Kunstsammlung, Dresden; photograph Hans-Peter Klut; exh. The Sculpture Collection, Dresden).
Attributed works:
9. Allegory of Francesco I de’Medici, by Giambologna. c.1560–61. Alabaster, 32 by 45.8 cm. (Museo Nacional del Prado, Madrid; exh. The Sculpture Collection, Dresden).
52. Study after Rubens’s ‘Allegory of Peace and War’, here attributed to Eugène Delacroix. c.1825. Watercolour and gouache, 33.5 by 26 cm. (Private collection).
Attributed works:
53. Allegory of Peace and War, by Peter Paul Rubens. 1629–30. Canvas, 203.5 by 298 cm. (National Gallery, London).
Attributed works:
54. St Barnabas healing a sick man (after Veronese), by Eugène Delacroix. 1834. Watercolour and pencil, 25.4 by 19.2 cm. (Musée des Beaux-Arts, Rouen).
Attributed works:
55. Seated old woman, by Eugène Delacroix. c.1824. Watercolour and pencil, 25.2 by 33.3 cm. (Kupferstichkabinett, Kunsthalle, Bremen).
Attributed works:
56. The miracle of the speaking babe (after Titian), by Eugène Delacroix. c.1825. Watercolour and pencil, 23.5 by 33.3 cm. (Musée des Beaux-Arts, Dijon).
Short Notice
An Unknown 'Mars and Venus' by Maarten van Heemskerck
36. Mars and Venus Trapped by Vulcan, by Maarten van Heemskerck. 1561. Canvas, Transferred from Panel, 62 by 98.5 cm. (Pavlovsk Palace-Museum).
Attributed works:
37. Momus Censuring the Gods' Creations, by Maarten van Heemskerck. 1561. Panel, 120 by 174 cm. (Gemäldegalerie, Berlin).
Attributed works:
38. Venus and Cupid, by Maarten van Heemskerck. 1545. Panel, 108 by 157.5 cm. (Wallraf-Richartz Museum, Cologne).
Attributed works:
40. Mars and Venus Trapped by Vulcan, by Maarten van Heemskerck. c. 1540. Panel, 96.5 by 99 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
41. Ruins, by Maarten van Heemskerck. 1538. Pen and Brown Ink with Brown Wash and White Heightening on Grey Prepared Paper, 39.5 by 43.5 cm. (British Museum, London).
Western art unattributed:
39. Mars and Venus, Italian, Sixteenth Century Engraving.
Short Notice
Three New Mythological Paintings by Giambattista Pittoni