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Article

Tanguy's titles

09/2023 | 1446 | 165

Pages: 932–45

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Author:

Mack, Stephen (Mack, Stephen)

Subjects

artists:

Tanguy, Yves / Sage (Tanguy), Kay / Dalí, Salvador

dates:

1920-1929 / 1930-1939 / 1940-1949

sources:

Nostradamus

subjects:

French art / Dada / Surrealism / Titles of works of art / Poetry / Literature / Breton, André / Translations

Illustrations

Attributed works:

1. Maman, Papa est blessé, by Yves Tanguy. 1927. Oil on canvas, 92.1 by 73 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Museum of Modern Art, New York).

Attributed works:

2. Dame à l’absence, by Yves Tanguy. 1942. Oil on canvas, 115 by 89.5 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; photograph by Walter Klein; Kunstsammlung Nordrhein- Westfalen, Dusseldorf).

Attributed works:

3. Inventions of the monsters, by Salvador Dalí. 1937. Oil on canvas, 51.4 by 78.4 cm. (© Salvador Dali, Fundació Gala-Salvador Dalí; DACS, London; Art Institute of Chicago).

Attributed works:

4. Poem-object, by André Breton. 1941. Carved wood bust of man, oil lantern, framed photograph, toy boxing gloves and paper mounted on drawing board, 45.8 by 53.2 by 10.9 cm. (© ADAGP, Paris and DACS, London; Museum of Modern Art, New York).

Attributed works:

5. Le Diaposin de satin, by Yves Tanguy. 1940. Oil on canvas, 99.1 by 81.3 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Metropolitan Museum of Art, New York).

Attributed works:

6. La Grue des sables, by Yves Tanguy. 1945. Gouache on paper, 46.1 by 31 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Art Institute of Chicago).

Attributed works:

7. Terre d’ombre, by Yves Tanguy. 1927. Oil on canvas, 99.1 by 80.3 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; |Detroit Institute of Art).

Article

Whistler’s ‘Symphony in white no.1’ through the lens of copyright history

05/2022 | 1430 | 164

Pages: 486-491

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Author:

Cooper, Elena (Cooper, Elena)

Subjects

artists:

Whistler, James Abbott McNeill

dates:

1860-1869

museums and institutions:

Royal Academy of Arts, London, Great Britain

subjects:

Illustrations

Attributed works:

1. Symphony in white no.1: the white girl, by James Abbott McNeill Whistler. 1862. Oil on canvas, 213 by 107.9 cm. (National Gallery of Art, Washington; exh. Royal Academy of Arts, London).

Attributed works:

2. Symphony in white no.2: the little white girl, by James Abbott McNeill Whistler. 1864. Oil on canvas, 76.5 by 51.1 cm. (Tate; exh. Royal Academy of Arts, London).

Attributed works:

3. Symphony in white no.3, by James Abbott McNeill Whistler. 1865–67. Oil on canvas, 51.4 by 76.9 cm. (Barber Institute of Fine Arts, University of Birmingham; Bridgeman Images; exh. Royal Academy of Arts, London).

Attributed works:

4. Weary, by James Abbott McNeill Whistler. 1863. Drypoint on Japanese paper, 25.4 by 16.5 cm. (National Gallery of Art, Washington).

Attributed works:

5. Nocturne: grey and gold – Chelsea snow, by James Abbott McNeill Whistler. 1878. Oil on canvas, 47 by 62.2 cm. (Fogg Art Museum, Harvard University).

Attributed works:

6. The Woman in White, by Frederick Walker. 1872. Gouache on paper, 217.2 by 128.9 cm. (Tate; exh. Royal Academy of Arts, London).

Article

‘The big Italian’: Giambologna and his model Bartolommeo di Lionardo Ginori

11/2018 | 1388 | 160

Pages: 912-919

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Author:

Avery, Charles (Avery, Charles)

Subjects

art literature:

Baldinucci, Filippo

artists:

Giambologna / Zuccaro, Federico / Santi di Tito / Michelangelo / Pollaiolo, Antonio del

dates:

1550-1599

media:

Sculpture / Marbles / Bronzes / Wax sculpture / Models (representations) / Paintings

museums and institutions:

Loggia dei Lanzi, Florence, Italy

patrons:

Cosimo I, Grand Duke of Tuscany, 1519-1574 / Philip II, King of Spain, 1527-1598 / Francesco I, Grand Duke of Tuscany, 1541-1587 / Christian I, Elector of Saxony, 1560–1591

places:

Italy / Florence

subjects:

Italian sculpture / Models (people) / Sitters / Ginori, Bartolommeo di Lionardo / Ginori family / Biographies / Soldiers / Crucifixes / Portraits / Statuettes / Gifts / Commissions / Rape of the Sabines / Mars / Hercules / Prometheus / Titles of works of art / Identification

Illustrations

Attributed works:

1. Rape of the Sabines, by Giambologna. 1582. Marble, height (excluding the base) c.410 cm. (Loggia dei Lanzi, Florence; Bridgeman Images).

Attributed works:

10. Prometheus, cast from a model by Giambologna. c.1590. Gilt bronze, height 23 cm. (Private collection; photograph courtesy Tomasso Brothers Fine Art, UK).

Attributed works:

2. Crucified Christ, by Giambologna. 1580s. Bronze, 33.5 by 21.5 cm (Cleveland Museum of Art; Bridgeman Images).

Attributed works:

3. Portrait of Giambologna, with his model for ‘Samson and a Philistine’, by Federigo Zuccaro. 1575. Black and red chalk, 26.1 by 188 cm. (National Galleries of Scotland, Edinburgh).

Attributed works:

4. Rape of the Sabines, by Giambologna. c.1581. Clay with traces of whitewash, height c.410 cm. (Galleria dell’Accademia, Florence).

Attributed works:

5. Mars, by Giambologna. c.1581–87. Gilt bronze, height 39.4 cm. (Staatliche Kunstsammlung, Dresden; photograph Arrigo Coppitz).

Attributed works:

6. Portrait of Bartolommeo di Lionardo Ginori, by Santi di Tito. c.1583. Canvas, height c.250 cm. (Private collection, Florence; photo Galleria dell’Accademia, Florence).

Attributed works:

7. Portrait of Pietro di Cosimo de’ Medici, by Santi di Tito. c.1583. Canvas, 208 by 113 cm. (Galleria degli Uffizi, Florence).

Attributed works:

8. Mars and Prometheus, cast from models by Giambologna. c.1587 and c.1590 respectively. Bronze, heights 39.4 cm. and 23 cm. (Both private collection; photograph courtesy Tomasso Brothers Fine Art, UK).

Attributed works:

9. Man seen from three angles, by Antonio del Pollaiuolo. Fifteenth century. Stylus, pen and ink and wash on paper, 26.5 by 36 cm. (Musée du Louvre, Paris).

Article

The Paston prospective

07/2018 | 1384 | 160

Pages: 536-544

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Author:

Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)

Subjects

art literature:

Taylor, John / Liedtke, Walter

artists:

Stone, Nicholas, the Elder / Stone, Nicholas, the Younger / Repton, John Adey / Faithorne, William / Vredeman de Vries, Hans / Vredeman de Vries, Paul / Keyser, Hendrick de / Jones, Inigo / Caus, Isaac de / Pearce, Edward, the Elder / Janssen van Ceulen, Cornelius / Dyck, Anthony van / Portman, George / Tempesta, Antonio / Houckgeest, Gerard / Bassen, Bartholomeus van

buildings:

Oxnead Hall, Oxnead, Great Britain / Wilton House, Salisbury, Great Britain

collectors and dealers:

Charles I, King of England, 1600-1649

dates:

1600-1649

media:

Paintings / Drawings / Sketches / Watercolours / Sculpture / Prints / Architecture / Architectural components / Gardens

patrons:

Paston, William, 1st Baronet / Paston, Clement / Frederick V, Elector Palatine, 1596–1632

places:

Great Britain / Norfolk

subjects:

British painting / British architecture / Grand tours / Reconstructions / Collections, Private / Coats of arms / Heraldry / Pattern books / Patronage / Perspective / Hunting / Country houses / Attribution / Identification / Titles of works of art

Illustrations

Attributed works:

10. Charles I, Henrietta Maria and Charles II when Prince of Wales, dining in public, by Gerrit Houckgeest. 1635. Panel, 63.2 by 92.4 cm. (The Royal Collection; © H.M. Queen Elizabeth II).

Attributed works:

2. Oxnead Hall, by John Adey Repton. c.1843. Pen and ink and watercolour, 19.5 by 29 cm. (Nicholas Poole-Wilson).

Attributed works:

5. Frontispiece of Le Jardin de la Noblesse Françoise, by Abraham Bosse. Etching, 14.7 by 9.3 cm. (British Museum, London).

Attributed works:

6. Hortvs Pembrochianvs (The garden of Wilton House, seen from the house), by Isaac de Caus. Etched c.1640, edition of 1654. Etching, 41.7 by 52.3 cm. (British Museum, London).

Attributed works:

7. Fountain formerly at Oxnead, by John Cleghorn after John Adey Repton. 1844. Wood engraving, 7.3 by 7.8 cm., from The Gentleman’s Magazine 21 (1844), p.21.

Attributed works:

8. A Garden and Princely Villa, for Coelum Britannicum, Scene 5, by Inigo Jones and/or Edward Pearce. 1634. Pen and brown ink over graphite, 43.7 by 56.5 cm. (The Trustees of the Chatsworth Settlement; Bridgeman Images).

Western art unattributed:

1. Detail of Fig.4.

Western art unattributed:

3. Detail of Fig.4 showing the escutcheon with the coat of arms of Paston and Hewitt impaled.

Western art unattributed:

4. The Paston prospective. c.1640. Canvas, 117 by 164 cm. (Private collection).

Western art unattributed:

9. Detail of Fig.4, showing figures here identified as William Paston and Margaret Hewitt.

Publication Received

Titres, toiles et critique d'art: determinants institutionnels du discours sur l'art au dix-neuvieme siecle en France

02/2002 | 1187 | 144

Pages: 115

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Reviewer:

Shone, Richard (Shone, Richard; S., R.; Shone, Richard)

Subjects

print:

French / Art

subjects:

Art literature / Titles of works of art / Zola, Emile

Reviewed Items

subjects:

Titres, toiles et critique d\'art: determinants institutionnels du discours sur l\'art au dix-neuvième siècle en France | author: Hoek, Leo H.

Letter

A Sisley Problem

11/1981 | 944 | 123

Pages: 676

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related names

Author:

Thomson, Richard (Thomson, Richard)

Subjects

artists:

Sisley, Alfred

dates:

1870-1879

places:

France

private galleries:

David Carritt Ltd, London, Great Britain

subjects:

French painting / Dating / Titles of works of art

Article

Gauguin's Tahitian Titles

04/1967 | 769 | 109

Pages: 228-233

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related names

Author:

Danielsson, Bengt (Danielsson, Bengt)

Subjects

artists:

Gauguin, Paul

dates:

1890-1899

places:

France / Tahiti

subjects:

French painting / Titles of works of art / Inventories

subjects:

Language

subjects:

French Polynesian

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