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13 articles
Article
A statue of Marcantonio Colonna by Guglielmo della Porta
11/2020 | 1412 | 162
Pages: 928-937
related names
Author:
Extermann, Grégoire (Extermann, Grégoire)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Marcantonio Colonna, here attributed to Guglielmo della Porta. c.1572–74. Marble, height 240 cm. (Palazzo dei Conservatori, Rome; © Roma – Sovrintendenza capitolina ai beni culturali).
Attributed works:
10. Detail of Fig.1, showing two horn-playing tritons on the cuirass.
Attributed works:
11. Detail of Fig.1, showing the cingulum.
Attributed works:
12. Detail of a drawing depicting a cingulum, by Pierre Jacques de Reims. c.1572–74. Pen on paper, sheet 14.6 by 11 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
13. Detail of Fig.1, showing a lappet with tritons and nereids.
Attributed works:
14. Detail of Fig.1, showing a lappet with a triton and nereid.
Attributed works:
15. Detail of Fig.1, showing a lappet with a putto and dolphin.
Attributed works:
16. Detail of a drawing depicting Eros and a dolphin, by Pierre Jacques de Reims. c.1572–74. Pen on paper, sheet 14.5 by 11 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
17. Detail of Henri IV, by Nicolas Cordier, showing two lappets, one with a man slaying a lion and another with an Amazon. 1606–08. Bronze. (S. Giovanni in Laterano, Rome).
Attributed works:
18. Detail of Fig.1, showing the face of Marcantonio Colonna.
Attributed works:
19. Detail of Fig.1, showing Colonna’s right sandal.
Attributed works:
2. Marcantonio Colonna, by Niccolò Pippi (Nicolas d’Arras). c.1584, with alterations by Ippolito Buzzi, 1610. Marble, height 246 cm. (Palazzo Colonna, Rome).
Attributed works:
3. Detail of Fig.1, showing the front of the helmet.
Attributed works:
4. Detail of Fig.1, showing the back of the helmet.
Attributed works:
5. Detail of the tomb of Francisco de Solis, which now forms part of the tomb of Paul III, by Guglielmo della Porta. c.1544–45. Bronze. (St Peter’s, Rome; sepia photograph courtesy Bibliotheca Hertziana – Max-Planck-Institut für Kunstgeschichte, Rome).
Attributed works:
6. Neptune calming the waters after the shipwreck of Aeneas, by Giulio Bonasone. Engraving, 22.8 by 32.1 cm. (Gabinetto Nazionale dei Disegni e delle Stampe, Bologna).
Attributed works:
7. Study of armour for the statue of Marcantonio Colonna, by Guglielmo della Porta. c.1572. Pen and brown ink, 28.6 by 29.8 cm. (Gabinetto dei Disegni e delle Stampe, Gallerie degli Uffizi, Florence).
Attributed works:
8. Studies of helmets for the statue of Marcantonio Colonna, by Guglielmo della Porta. c.1572. Pen and brown ink, 28.3 by 20.3 cm. (Gabinetto dei Disegni e delle Stampe, Gallerie degli Uffizi, Florence).
Attributed works:
9. Detail of Fig.8, showing a variant for the cuirass.
Western art unattributed:
20. Julius Caesar. First–second century. Marble, height 310 cm. (Capitoline Museum, Rome; Bridgeman Images).
Book Review
Apogeo e fine del Medioevo (La Pittura Medievale a Roma, 312–1431. Corpus VI). Edited by Serena Romano
12/2018 | 1389 | 160
Pages: 1066-1067
Article
The provenance of Raphael’s ‘Madonna of the pinks’ – II
10/2018 | 1387 | 160
Pages: 836-839
related names
Author:
Puddu, Pier Ludovico (Puddu, Pier Ludovico)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Scenes from the lives of the Virgin and other saints, by Giovanni da Rimini. c.1300–05. Panel, 54.4 by 36.5 cm. (National Gallery, London).
Attributed works:
2. The Garden of Eden, by Jan Brueghel the Elder. 1613. Oil on copper, 23.7 by 36.8 cm. (Private collection, on loan to the National Gallery, London).
Article
The provenance of Raphael’s ‘Madonna of the pinks’ – I
10/2018 | 1387 | 160
Pages: 833-835
related names
Author:
Cavazzini, Patrizia (Cavazzini, Patrizia)
Subjects
dates:
Illustrations
Attributed works:
1. Madonna of the pinks, by Jean Boulanger, after Raphael. c.1665–80? Engraving, 44.8 by 31.5 cm. (Wellcome Collection, London).
Attributed works:
2. Madonna of the pinks (‘Madonna dei garofani’), by Raphael. c.1506–07. Panel, 27.9 by 22.4 cm. (National Gallery, London).
Book Review
Mecenati a confronto. Committenza, collezionismo e mercato dell’arte nella Roma del primo Seicento. Le famiglie Massimo, Altemps, Naro e Colonna
03/2011 | 1296 | 153
Pages: 185
related names
Reviewer:
Robertson, Clare (Robertson, Clare)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
Mecenati a confronto. Committenza, collezionismo e mercato dell’arte nella Roma del primo Seicento. Le famiglie Massimo, Altemps, Naro e Colonna | author: Nicolai, Fausto
Article
The patronage and date of the legend of St Francis in the Upper Church of S. Francesco at Assisi
10/2009 | 1279 | 151
Pages: 663-665
related names
Author:
Binski, Paul (Binski, Paul)
Subjects
artists:
dates:
patrons:
Illustrations
Western art unattributed:
4. St Francis releases the heretic Peter. Here dated 1290–95. Fresco. (Upper Church, Basilica of S. Francesco, Assisi).
Short Notice
Tempesta at the Capitoline
10/1999 | 1159 | 141
Pages: 618-621
related names
Author:
Leuschner, Eckhard (Leuschner, Eckhard)
Subjects
artists:
dates:
museums and institutions:
patrons:
places:
Illustrations
Attributed works:
32. Preparatory Study for the Colonna Relief in the Capitoline, by Antonio Tempesta. Pen and Brown Ink with Brown Wash and Traces of Black Chalk, 19.9 by 17.4 cm. (Musée du Louvre, Paris).
Attributed works:
33. Battle Scene, by Antonio Tempesta. Pen and Ink with Wash, 30 by 28.2 cm. (Private Collection; Photo Courtesy Christie's).
Attributed works:
34. Monumental Relief Honouring Marcantonio Colonna, Designed by Antonio Tempesta, Executed by Meo Bassi. 1590. Marble. (Sala dei Fasti Consulari, Palazzo dei Conservatori, Rome).
Attributed works:
36. 'Conclusione' with an Allegory Dedicated to Ascanio Colonna, by Luca Ciamberlano after Antonio Tempesta. 1607. Engraving, 83 by 56.7 cm. (Biblioteca Angelica, Rome).
Attributed works:
37. Design for the Stucco Decorations of the Cappella Benozzi in S. Giovanni dei Fiorentini, Rome, by Antonio Tempesta. 1597. Pen and Brown Ink with Brown Wash, 19.9 by 17.4 cm. (Musée du Louvre, Paris).
Western art unattributed:
35. Relief Honouring Alessandro Farnese, by an Unidentified Sculptor. 1588. (Sala dei Fasti Consulari, Palazzo dei Conservatori, Rome).
Article
The High Altar of S. Carlo ai Catinari, Rome
10/1996 | 1123 | 138
Pages: 660-667
related names
Author:
Anselmi, Alessandra (Anselmi, Alessandra)
Subjects
artists:
artists:
dates:
patrons:
places:
subjects:
subjects:
Illustrations
Attributed works:
34. High Altar of S. Carlo ai Catinari, Rome, Designed by Martino Longhi, with Sculpture by Orfeo Boselli, Bronzes by Pasquale Pasqualini, 1643-51, and with Altar-Piece by Pietro da Cortona, 1651-67 (See Fig.41).
Attributed works:
35. Altar of the Filonardi Chapel, S. Carlo ai Catinari, Rome, by P. Maruscelli.
Attributed works:
36. Detail of Fig.34, Showing Upper Half of Altar-Piece. [High Altar of S. Carlo ai Catinari, Rome, by Pietro da Cortona, 1651-67].
Attributed works:
37. Coat-of-Arms of the Colonna Family, by Pasquale Pasqualini and Geronimo Grippa. Bronze. (High Altar of S. Carlo ai Catinari, Rome).
Attributed works:
38. Coat-of-Arms of the Borromeo Family, by Pasquale Pasqualini and Geronimo Grippa. Bronze. (High Altar of S. Carlo ai Catinari, Rome).
Attributed works:
39. Study for S. Carlo Borromeo Carrying the Cross in Procession, by Pietro da Cortona. 41.8 by 31 cm. (Albertina, Vienna).
Attributed works:
40. Bozzetto for S. Carlo Borromeo Carrying the Cross in Procession, by Pietro da Cortona. 70 by 50 cm. (Colonna Collection, Rome).
Attributed works:
41. S. Carlo Borromeo Carrying the Cross in Procession, by Pietro da Cortona. 1651-67. 500 by 330 cm. (S. Carlo ai Catinari, Rome).
Western art unattributed:
32. Chirograph of Alexander VI, with Sectional Drawing of S. Carlo ai Catinari. 17th April 1660. 49 by 62 cm. (Archivio storico dei Barnabiti, Rome).
Western art unattributed:
33. Interior View of S. Carlo ai Catinari, Rome, Towards the High Altar.
Short Notice
Ludovisi's Tomb for a Colonna Prince
12/1993 | 1089 | 135
Pages: 822-824
related names
Author:
Enggass, Robert (Enggass, Robert)
Subjects
dates:
patrons:
places:
Illustrations
Attributed works:
46. Tomb of Filippo Colonna, by Bernardino Ludovisi. 1745. White and Coloured Marbles with Gilt Bronze. (S. Andrea, Paliano).
Attributed works:
47. Detail of Fig.46. [Tomb of Filippo Colonna, by Bernardino Ludovisi. 1745. White and Coloured Marbles with Gilt Bronze. (S. Andrea, Paliano).]
Article
'The Enchanted Castle' by Claude: Subject, Significance and Interpretation
11/1988 | 1028 | 130
Pages: 812-820
related names
Author:
Levey, Michael (Levey, Michael; Levey, Mr.)
Subjects
artists:
dates:
museums and institutions:
patrons:
places:
sources:
subjects:
Illustrations
Attributed works:
1. Psyche Seated outside Cupid's Palace ('The Enchanted Castle') by Claude Lorrain. 87 by 151 cm. (National Gallery, London).
Attributed works:
2. The Enchanted Castle, by François Vivarès and William Woollett after Claude. 1782. Engraving. 48.5 by 59.5 cm. (British Museum, London).
Attributed works:
3. Psyche Saved from Drowing Herself, by Claude Lorrain. 91 by 155 cm. (Wallraf-Richartz Museum, Cologne).
Attributed works:
4. Psyche Transperted by Zephyrus; Seated on the Ground; and Received at Cupid's Palace, by the Master of the Die after Michiel Coxie. Engraving. 19.4 by 22.8 cm.
Attributed works:
5. Detail of Fig. 1. [Psyche Seated outside Cupid's Palace ('The Enchanted Castle') by Claude Lorrain. 87 by 151 cm. (National Gallery, London).]
Attributed works:
6. Psyche seated outside Cupid's Palace, by Claude Lorrain. Pen and wash, Heightened in white, on blue paper, 19.5 by 25.9 cm. Liber Veritatis, No.162. (British Museum, London).
Attributed works:
7. Landscape with Psyche seated, by Claude Lorrain. Signed and dated 1663. Chalk and brown wash, 15.4 by 21 cm. (Stefan Zweig Collection, London).
Attributed works:
8. Landscape with Psyche Seated near Cupid's Palace, by Claude Lorrain. Pen and Brown Wash, with Red Chalk, 18.2 by 34.5 cm. (Staatliche Kunsthalle, Karlsruhe).
Attributed works:
9. Detail from View of Culzean Castle, by Alexander Nasmyth. (The National Trust for Scotland, Culzean Castle, Ayrshire).
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