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5 articles
Article
Caravaggio’s ‘Entombment of Christ’ and the birth of Christian archaeology
01/2022 | 1426 | 164
Pages: 34-40
related names
Author:
Danesi Squarzina, Silvia (Danesi Squarzina, Silvia; Squarzina, Silvia Danesi)
Subjects
dates:
subjects:
subjects:
Illustrations
Attributed works:
1. The entombment of Christ, after Caravaggio, by Pietro Fontana after a drawing by Luigi Cochetti. c.1821, published 1834. Engraving, 51.9 by 35.6 cm. (Biblioteca Casanatense, Rome).
Attributed works:
10. St Philip Neri at prayer in the Catacombs of S. Callisto, Rome. Engraving. (From P. Aringhi: Unterirdisches Rom, ed. J.F. Haagen, Arnheim 1668, p.238; Bibliotheca Hertziana, Rome).
Attributed works:
2. The entombment of Christ, by Caravaggio. c.1602–04. Oil on canvas, 306 by 214 cm. (Vatican Museums).
Attributed works:
3. The entombment of Christ, by Filippo and Vincenzo Cocchi, Domenico Cerasoli and Antonio Castellini after Caravaggio. c.1821. Mosaic, 300 by 190 cm. (Sacristy of St Peter’s, Rome).
Attributed works:
4. The entombment of Christ, by Vincenzo Camuccini after Caravaggio. 1796. Oil on canvas, 306 by 214 cm. (Private collection; photograph A. Vasari).
Attributed works:
5. Woman in prayer. Mural painting, 2nd–3rd century. Cuniculum of the Five Saints, Catacombs of S. Callisto, Rome. Chromolithograph by G. Mariani. (From G.B. de Rossi: La Roma sotterranea cristiana, Rome 1877, III, pl.3).
Attributed works:
6. Frontispiece from P. Aringhi, ed.: Roma subterranea novissima, Rome 1651, by Giuseppe Baroni. Engraving, 41 by 26 cm. (Photograph Bibliotheca Hertziana, Rome).
Attributed works:
8. The burial of St Lucy, by Caravaggio. 1608. Oil on canvas, 408 by 300 cm. (S. Lucia, Syracuse; Bridgeman Images).
Attributed works:
9. St Philip Neri at prayer in the Catacombs of S. Callisto, Rome. Engraving. (From P. Aringhi: Roma subterranea novissima, Rome 1651, p.195; Bibliotheca Hertziana, Rome).
Western art unattributed:
7. Wall tombs in the Catacombs of S. Sebastiano, Rome. 2nd century. (Photograph Granger; Bridgeman Images).
Article
The provenance of Raphael’s ‘Madonna of the pinks’ – II
10/2018 | 1387 | 160
Pages: 836-839
related names
Author:
Puddu, Pier Ludovico (Puddu, Pier Ludovico)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Scenes from the lives of the Virgin and other saints, by Giovanni da Rimini. c.1300–05. Panel, 54.4 by 36.5 cm. (National Gallery, London).
Attributed works:
2. The Garden of Eden, by Jan Brueghel the Elder. 1613. Oil on copper, 23.7 by 36.8 cm. (Private collection, on loan to the National Gallery, London).
Article
The provenance of Raphael’s ‘Madonna of the pinks’ – I
10/2018 | 1387 | 160
Pages: 833-835
related names
Author:
Cavazzini, Patrizia (Cavazzini, Patrizia)
Subjects
dates:
Illustrations
Attributed works:
1. Madonna of the pinks, by Jean Boulanger, after Raphael. c.1665–80? Engraving, 44.8 by 31.5 cm. (Wellcome Collection, London).
Attributed works:
2. Madonna of the pinks (‘Madonna dei garofani’), by Raphael. c.1506–07. Panel, 27.9 by 22.4 cm. (National Gallery, London).
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Advertisements March 2013 (front)
03/2013 | 1320 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
Advertisements
Advertisements November 1982 (Front)
11/1982 | 956 | 124
Pages: i-xxvi
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Agnew, 43 Old Bond Street, London ] Philip Baptising the Eunuch. Inscribed and Dated 1677. Pen and Brown Wash. 205 × 292 mm
Attributed works:
[ Artemis Fine Arts Limited, 6 Mason's Yard, St James's, London ] Domenico Tiepolo-The Grocer's Shop, Pen and Ink and Grey-Brown Wash over Black Chalk, Signed and Dated 1791, 296 × 222 mm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Jacob de Gheyn II. The Landscape with the Farm-House. Etching. (About 1603 or Later). Hollstein 293.
Attributed works:
[ Chaucer Fine Arts, 45 Pimlico Road, London ] Vincenzo Camuccini (Rome 1771-1844). The Magnanimity of the Roman Women. The Return of Atilius Regulus to Carthage. Oil on Paper Laid on Canvas, a Pair, 25.5 × 43.9 cm. Each
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Salvator Rosa. A Philosopher. Naples 1615-Florence 1673. Oil on Canvas, 136 × 99 cms
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Jacob Esselens. Signed. Canvas, 45 × 65 cms
Attributed works:
[ French & Company, 17 East 65th Street, New York ] Il Bacchiacca. Woman with a Cat. Panel, 20¾ × 17 in.
Attributed works:
[ Front cover ] Detail from Portrait of Pépin, by Simon Vouet. Black Chalk, White Crayon, with Red, Yellow and Brown Pastel. (Private Collection).
Attributed works:
[ Harari & Johns Ltd, 173 New Bond Street, London ] Anton Rafael Mengs. Self Portrait of The Artist. Painted Circa 1773. Oil on Canvas, 97 × 74cm
Attributed works:
[ Heim, 59 Jermyn Street, St James's Street, London ] Madonna Adoring the Christ Child by Simon Vouet (Paris 1590-1649). Oil on Canvas: 118 × 132 cm. Bibl: Richard E. Spear, Storia dell'arte, no. 14, 1972 pp. 150-1, fig. 3
Attributed works:
[ Kate de Rothschild ] Willem van de Velde the Elder 1611-1693. Figures Riding in a Wagon on the Beach. Pen and Brown Ink and Graphite. 103 × 112mm.
Attributed works:
[ Kate Ganz Ltd, 54 Holland Park Avenue, London ] Annibale Carracci Susanna and the Elders c. 1590; i/iv
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle Street, London ] Lyonel Feininger Drobsdorf, 1927, Oil on Canvas, 100.4 × 125.7 cm
Attributed works:
[ Martyn Gregory Gallery, 34 Bury Street, St James's Street, London ] Lymington Quay. Signed & Dated 1826. 11 × 15 cms
Attributed works:
[ Matthiesen, 7-8 Masons's Yard Duke Street, London ] Luca Giordano (1632-1705). Phineas and His Companions Turned to Stone at the Wedding Feast of Perseus and Andromeda. Canvas: 113 × 144 ins.
Attributed works:
[ Maurice Segoura, 58 East 79th Street, New York ] Jean-Honoré Fragonard "Les Deux Jumeaux." Oil on Canvas: 37 × 47 cm.
Attributed works:
[ Mia N. Weiner, 36 East 64th Street, New York ] Attributed to Pietro da Cortona (Cortona 1596-1669 Rome). Study of a Dioscouros (For the Ceiling of Sala di Marte, Palazzo Pitti, 1644-1646). Red Chalk; 5 × $6frac{3}{4}$"; Verso: Two Male Studies, Black Chalk
Attributed works:
[ Noortman & Brod, Maastricht Galleries, Vrijthof 49, Maastricht ] David Teniers the Younger. 1610-Antwerp-1690. Landscape with Castle and Shepherds with Flock. Panel, 21.5 × 28.5 cm. Signed with Monogram
Attributed works:
[ Pardo, 160 Boulevard Haussmann, Paris ] Eustache Le Sueur. "Alexandre et son médecin". Canvas 123 cm × 67.5 cm
Attributed works:
[ Phillips, 7 Blenheim Street New Bond Street, London ] Jean François Demay. "The Village Fête." Canvas 23 cms × 31.5 cms. Signed & Dated.
Attributed works:
[ Rafael Valls Gallery, 34 Bury Street, London ] Pierre Puget, 1620-1694. A Pair of Mediterranean Port Scenes: Shipping Approaching Harbour; Tradesmen Unloading a Goods Boat in Harbour. Oil on Copper Framed 7¼ by 9 Inches (18.5 by 23 cms)
Attributed works:
[ Richard J. Collins, 605 Madison Avenue, New York ] Pierre Mignard (1612-1695). The Apotheosis of Psyche. Brush and Brown Ink with White Bodycolour over Graphite, ca. 1666. 35½ × 27¼ Inches (90 × 69 cm.)
Attributed works:
[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Nicholaes Moyaert, "Christ and the Woman Taken in Adultery." Oil on Panel, 100 by 143 cm
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Francisco Jose de Goya y Lucientes, Los Caprichos (D. 38-117; H. 36-115), the Set of 80 Plates, Etchings and Aquatints, Fine Impressions, One of a Small Number of 'Presentation' Copies Specially Bound for the Artist in Contemporary Spanish Mottled Calf Gilt.
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Rembrandt Harmensz. van Rijn, Landscape with Cottage and a Haybarn (B. Holl. 225; H. 177; BB 41-A), Etching with Drypoint, 1641, Rich Impression, with Burr, 129 by 320 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Lambert Sustris, An Allegory of the Pursuit of Fortune, 146 by 228 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pablo Picasso, Flutiste Assise et Dormeuse, VI (Geiser 469), Monotype, 1933, 150 by 186mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pablo Picasso, Portrait of Fernande Olivier (Not in Bloch or Geiser), Drypoint, 1906, Printed with Burr and Plate Tone, One of Only Four Impressions Known, 162 by 118mm.
Attributed works:
[ Thomas Le Claire, Adickestrasse 40, Hamburg ] Julius Schnorr von Carolsfeld (1794-1872): 'Studies of Arms', Preparatoring Drawing for 'The Baptism of Rudiger' in the Hall of Ariost in the Villa Massimo, Rome, Pencil and Black Chalk with Traces of Red Chalk, 307 × 490 mm; With the Estate Stamp.
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St James's, London ] Bernardo Cavallino (Naples 1616-Circa 1656). St. Peter & St. Paul (A Pair) Signed. Canvas 127 × 94cm. Octagonal
Attributed works:
[ Wildenstein, 147 New Bond Street, London ] Bellotto. The Capitol with Santa Maria d'Aracoeli, Rome
Attributed works:
[Ian Birksted Gallery, 37 Great Russell Street, London] William Henderson
Attributed works:
[Kimbell Art Museum, Fort Worth] Jusepe de Ribera, 1591-1652, The Club-Footed Boy (Le Pied-Bot), 1642, Oil on Canvas. Musée du Louvre, Paris.
Western art unattributed:
[ Bernard Baruch Steinitz, 4 Rue Drouot, Paris ] Detail of a pair of console tables, French Consulate period, of exceptional quality, in chased and gilded bronze. They are extremely rare; no other pieces of this type are known. A central column, in the form of a lictor's fasces flanked by flags and trophies of war, rests on a mahogany base. The pair is believed to have been specially ordered by the Emperor Napoleon I and offered as a wedding present to General Le Marois, who after the Italian campaign had the honour of bringing the captured enemy flags back to Paris. Publicité Gerard - Photo Studio Lourmel