Venezia 500: The Gentle
Revolution of Venetian Painting. Edited by
Andreas Schumacher. 230 pp. incl. 160 col.
ills. (Bayerische Staatsgemäldesammlungen,
Munich, and Hirmer Verlag, Munich, 2023),
€39. ISBN 978–3–7774–4176–4. German
edition: Venezia 500: Die Sanfte Revolution
der Venezianischen Malerei. ISBN 978–3–
7774–4174–0. |
:
subjects:
Venezia 500: The Gentle
Revolution of Venetian Painting
Alte Pinakothek, Munich
27th October 2023–
4th February 2024 |
:
Illustrations
Attributed works:
11. A pupil and
his teacher,
perhaps Giovanni
Borgherini and
Trifone Gabriele,
by Giorgione (?).
1509–10. Oil on
canvas, 91.5 by
67 cm. (Alte
Pinakothek,
Munich).
Attributed works:
12. St Jerome
reading in a
landscape, by
Giovanni Bellini.
c.1480–85. Oil
on panel, 46.8
by 33.8 cm.
(National Gallery,
London; exh.
Alte Pinakothek,
Munich).
Attributed works:
13. Portrait of a
young woman in
a blue dress with
a fan, by Jacopo
Negretti (Palma
il Vecchio). After
1514. Oil on panel,
63.5 by 51 cm.
(Kunsthistorisches
Museum, Vienna;
exh. Alte
Pinakothek,
Munich).
Book Review
Lorenzo Lotto: Catalogo generale dei dipinti
Giovan Battista Moroni: Opera completa
Giovan Battista Moroni: Opera
completa
By Simone Facchinetti. 510 pp. incl. 320 col. ills.
(Officina Libraria, Rome, 2021), €85.
ISBN 978–88–336–7154–3. |
:
subjects:
Lorenzo Lotto: Catalogo generale
dei dipinti
By Enrico Maria Dal Pozzolo. 624 pp. incl.
numerous col. + b. & w. ills. (Skira, Milan,
2021), €95. ISBN 978–88–572–3999–6. |
:
Illustrations
Attributed works:
3. Prospero Alessandri, by Giovanni Battista
Moroni. c.1560. Oil on canvas, 105 by 84 cm.
(Kunstmuseum Liechtenstein, Vaduz-Vienna).
Book Review
The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian Palace
The Art Collector in Early Modern Italy:
Andrea Odoni and his Venetian Palace
By Monika Schmitter. 340 pp. incl. 143 col. +
b. & w. ills. (Cambridge University Press,
Cambridge and New York, 2021), £75.
ISBN 978–1–108–84408–6. |
:
4. St Andrew kneeling, fragment of an
altarpiece, by Bronzino. 1556. Oil on panel,
160.3 by 90.2 cm. (Galleria dell’Accademia
Nazionale di San Luca, Rome).
Attributed works:
5. St Bartholomew flayed, fragment of an
altarpiece, by Bronzino. 1556. Oil on panel,
155.7 by 93.7 cm. (Galleria dell’Accademia
Nazionale di San Luca, Rome).
Attributed works:
6. Putto crowning a skull, by Lorenzo Lotto.
1523–24. Oil on canvas, 52 by 51 cm. (Alnwick
Castle; Bridgeman Images).
Attributed works:
7. Descent into Limbo, by Lelio Orsi. c.1560–70.
Oil on canvas, 68.5 by 55 cm. (Private collection).
Book Review
The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto’s Italy (Louise Smith Bross Lecture Series)
The Endless Periphery: Toward a
Geopolitics of Art in Lorenzo Lotto’s
Italy (Louise Smith Bross Lecture Series)
By Stephen J. Campbell. 352 pp. incl. 172 col.
ills. (University of Chicago Press, Chicago,
2019), £49. ISBN 978–0–226–48145–6. |
:
Book Review
La chiesa di San Giacomo dall’Orio: Una trama millenaria di arte e fede
La chiesa di San Giacomo dall’Orio: Una
trama millenaria di arte e fede
Edited by Massimo Bisson, Isabella Cecchini and
Deborah Howard. 280 pp. incl. 19 col. ills. (Viella,
Rome, 2018), £60. ISBN 978–88–331–3098–9. |
:
Illustrations
Western art unattributed:
7. Nave of S. Giacomo dall’Orio, Venice.
(Photograph Francesco Turio Böhm).
Book Review
Subject Matter in Italian Renaissance Art: A Study of Early Sources. By Joseph Manca
1. Samson tearing asunder the lion, here attributed to Lorenzo Lotto. c.1530–35. Panel, 26.7 by 97.8 cm. (Private collection, Charlecote Park, Warwickshire).
Attributed works:
2. Samson pulling down the temple, here attributed to Lorenzo Lotto, c.1530–35. Panel, 26.7 by 97.8 cm. (Private collection, Charlecote Park, Warwickshire).
Attributed works:
3. Samson, by Giovan Francesco Capoferri after a drawing by Lorenzo Lotto. 1531–32. Intarsia, 41.7 by 39.4 cm. (S. Maria Maggiore, Bergamo).
Attributed works:
4. Detail of Fig.1.
Attributed works:
5. Detail of Fig.1.
Attributed works:
6. Detail of Portrait of a man, by Lorenzo Lotto. c.1535. Panel, 118 by 105 cm. (Galleria Borghese, Rome).
Attributed works:
7. Detail of Fig.2.
Attributed works:
8. Detail of Fig.2.
Publication Received
Immagini ed eresie nell’Italia del Cinquecento. By Massimo Firpo and Fabrizio Biferali