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06/2023 | 1443 | 165
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
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Advertisements April 2010 (front)
04/2010 | 1285 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Thistle still life, by Craigie Aitchison. 2007. Screenprint, 30.5 by 25.5 cm.]
Attributed works:
[Alan Cristea Gallery, London. Star spangled, by Gilian Ayres. 2009-20. Sugarlift aquatint and carborundum, 78 by 104.5 cm]
Attributed works:
[Elizabeth Harvey-Lee, Oxford. Mars, Venus and Cupid, by Lucas van Leyden. 1530. Engraving, 19 by 24.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giulio Cesare Procaccini. Bologna, 1574 - Milan, 1625. The Holy Family with the Young Saint John the Baptist. Oil on walnut wood panel, 97 x 64,5 cm (38 3/16 x 25 3/8 in)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Lucas van Valckenborch the Elder. Leuven ca. 1533 - 1597 Frankfurt. The Babel Tower. Oil on copper, diameter: 27 cm (16. inches). Monogrammed and dated : L.V.V. 1584.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Robert Bevan. 1865-1925. Houses in Sunlight, 1915. Oil on canvas. 20 x 24 inches; 51 x 61 cm. Signed.]
Attributed works:
[Hill-Stone, New York. Salisbury cathedral: the large plate, David Lucas (1802-81) after John Constable (1776-1837). Mezzotint. Shirley 39. A progress proof close to Shirley, progress proof 'e', with the artists' names scratched below the framing line.]
Attributed works:
[Hill-Stone, New York. URS GRAF (Solothurn c.1485 - 1527/28 Basel). Two Mercenaries and a Woman with Death in a Tree. Woodcut, with extensive hand colouring of the period: 1524. Hollstein 28, only state; Major & Grandmann, Urs Graf, 151. A very fine impression in very good condition, trimmed to the border, and in places just shaved into the border. Of the greatest rarity; Hollstein cities only fourteen impressions in public collection.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Meister der Wenzel-Scheibe (active in Austria in the 1st third of the 15th C.). Flagellation of Christ. Tempera on wood, 55.5 x 51.5 cm]
Attributed works:
[Markus Nass, Berlin. The goldsmith, by Rembrandt van Rijn. 1655. Etching, 9 by 6.7 cm.]
Attributed works:
[Mary Ryan Gallery, New York. Afternoon swimming, by David Hockney. 1980. Lithograph, 80 by 100 cm.]
Attributed works:
[Musée National de la Renaissance. Chateau D'Ecouen. The portrait of the Trojan Prince Paris acquired at the Yves Saint Laurent / Pierre Bergé sale 2009 is now on display at the Chateu of Ecouen, along with other heroes from the set designed by Leonard Limosin after Ovid's 'Heroes'.]
Attributed works:
[Royal Academy of Arts. London. Paul Sandby. The North Terrace, Windsor Castle. Looking West (detail), c.1765. Bodycolour over graphite. 379 x 545 mm.]
Attributed works:
[Simms Reed, London. Just what was it that made yesterday's homes so different, so appealing? by Richard Hamilton. 1992. Laser print in colours, 42 by 29.7 cm]
Attributed works:
[Sims Reed. Turing 6, by Eduardo Paolozzi. 2000. Screenprint in colours, 76 by 56 cm.]
Attributed works:
[The 45th London Original Print Fair. Royal Academy of Arts. Burlington House. London.. Howard Hodgkin. Night Palm, 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Speed, by Claude Flight. c.1922. Linocut, 22.5 by 28.5 cm]
Attributed works:
[The Old Print Shop, New York. Little penthouse, by Martin Lewis. 1931. Drypoint, recorded impression, 25.2 by 17.3 cm.]
Short Notice
Gillian Ayres's Mural of 1957 for South Hampstead High School for Girls
04/2000 | 1165 | 142
Pages: 236-238
related names
Author:
Gaskin, Fiona (Gaskin, Fiona)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
37. A Fashion Model Photographed in Front of Mural by Gillian Ayres's, Vogue, 1958.
Attributed works:
38. Three Panels of the Mural by Gillian Ayres. 1957. c.2.5m. High (South Hampstead High School for Girls, London).
Attributed works:
39. The Fourth Panel of the Mural by Gillian Ayres. 1957. c.2.5m. High (South Hampstead High School for Girls, London).
Advertisements
Advertisements April 2000 (front)
04/2000 | 1165 | 142
Pages: i-xii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
One of Four Panels of a Mural by Gillian Ayres. 1957. c.2.5 m. High (South Hampstead High School for Girls, London)
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Rembrandt van Rijn (1606-1669) The Angel Appearing to the Shepherds, 1634 Etching in Drypoint, 261 × 218 mm Bartsch 44; White-Boon 44 iii/3
Attributed works:
[Browse & Darby, 19 Cork street, London, UK] Philip Wilson Steer (1860-1942), Children and Nurses on the Beach, Boulogne. Oil on Panel, Painted Circa 1888/89, 8 × 10½ Inches
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Francesco Fontebasso (1701-1767). The Annunciation. Oil on Unlined Canvas: 26.4 × 21.3 cms.
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Giuseppe Maria Crespi (Bologna, 1665-1747). Sleeping Cupids Disarmed by Nymphs. Oil on Copper, 52.8 by 74.7 cm.
Attributed works:
[Pandora Old Masters, 8 East 77th Street, New York, New York] Giulio Cesare Procaccini, A Head of a Woman. Oil on Paper, Laid down on Canvas, 440 × 303 mm.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Roger Hilton (1911-1975), Composition in Grey.
Attributed works:
[Sothebys.com] John Varley. On the Mahmoudieh Canal, Alexandria. Circa 1880. Oil on Canvas. 17 7/8 in. by 24 in. (45.5 cm. by 61 cm.)
Attributed works:
[Tate Gallery, Millbank, London, UK] John Bettes, A Man in a Black Cap, 1545 (Detail)
Attributed works:
[Tate Gallery, Millbank, London, UK] Lucian Freud, Leigh Bowery, 1991
Western art unattributed:
[Carlton Hobbs, 8 Little College Street, London, UK] The Chrysler Commode Anglo-German. Circa 1760 Of Mahogany with Gilt Brass Mounts.
Western art unattributed:
[Umberto Allemandi & C., Via Mancini 8, Torino, Italy] Book cover: Prix Cinoa 1999
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Advertisements October 1999 (front)
10/1999 | 1159 | 141
Pages: i-xv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
A Dead Tree Overgrown with Brambles, Attributed to Anthony van Dyck. c.1618. 35.2 by 29.8 cm. (Devonshire Collection, Chatsworth; Exh. British Museum, London)
Attributed works:
[Agnew's, London. Exh. International Fine Art Fair, New York] Anton Raphael Mengs: The Infanta Maria Ludovica de Borbon. c. 1765. 45 by 33 cm.
Attributed works:
[Alan Christea Gallery, London. Exh. International Fine Print Dealers Association Print Fair, New York, New York] Gillian Ayres: Blue Flame. 1999. Carborundum Etching (Edition of 13), 12.1 by 15.9 cm.
Attributed works:
[Aldega-Gordon, New York, New York] Giovanni Francesco Barbieri, Called IL Guercino, 1591-1666. Pen and Brown Ink, Brown Wash, 207 × 305 mm.
Attributed works:
[August Laube, Trittligasse 19, Zurich, Switzerland] Jean Duvet (1485-CA. 1561). SS. Sebastian, Anthony, and Roch. Engraving. Eisler 70. Wm. Small Grapes. 24.3:16.2 cm.
Attributed works:
[August Laube, Zurich. Exh. International Fine Print Dealers Association Print Fair, New York, New York] Rembrandt: Ephraim Bonus, Jewish Physician. 1647. Etching (Second State of Two), Drypoint, Burin, 24 by 17.5 cm. Inscribed in an Early Hand 'de jootschen Doctoor Bonus'
Attributed works:
[Bassenge, Erdener Str. 5A, Berlin, Germany] Isaac Duchemin (Active 2nd Half of the 16th Century). Tabula Asinaria. Engraving. Hollstein 4
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Johannes Teyler (1648 - Nijmegen - before 1709) Rooster. Engraving, Inked à la poupée in Various Colours. 675 × 524 mm.
Attributed works:
[C. G. Boerner, London. Exh. International Fine Print Dealers Association Print Fair, New York, New York] Barthel Beham: Madonna at the Window. Engraving, 10.7 by 8.6 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] School of Francesco Squarcione (1394/7-1468). The Head of a Youth. Black Chalk or Metalpoint, Brush and Brown Ink and Wash, Heightened with White, on Grey Prepared Paper. 186 × 151 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Ben Shahn: Seward Park. 1936. Lithograph Printed in Colour. Signed in Pencil and Inscribed 'Proof' in Lower Right Margin. 30 by 45.2 cm.
Attributed works:
[Exh. International Print Fair, New York, New York] Print of Satyr and Nymph by Hendrik Golztius, 1592.
Attributed works:
[Galerie Eric Coatalem, 93, Faubourg Saint-Honore, Paris, France] Louis Léopold Boilly. The Falling Rose. Oil on Canvas, 50.5 × 41.5 cm. Signed: "L. Boilly pinx"
Attributed works:
[Galleria Moretti, Palazzo Niccolini, Piazza Ottaviani 17/r, Florence, Italy] Bernardo Daddi. Central Panel: Crucifixion; Left Shutter: Madonna and Child Enthroned with Two Angels in Adoration; Right Shutter: above, St Francis Receiving the Stigmata, below, Sts. Peter and Bartholomen. Tempera on Panel; 67 × 38.5 cm. (Central Panel); 65.5 × 20 cm. (Shutters).
Attributed works:
[H. Blairman & Sons LTD, London. Exh. International Fine Art Fair, New York] Oak and Inlaid Sideboard, Designed by Bruce Talbert. c. 1867.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Antonio Canaletto. Venice 1697 - 1768 Venice. The Portico with the Lantern. Etching; c.1740. Bromberg 10, the Second State of Three. Watermark: Three Crescents.
Attributed works:
[Hill-Stone, New York. Exh. International Fine Print Dealers Association Print Fair, New York, New York] Albrecht Dürer: St George on Foot. 1504-5. Engraving, Meder 55a.
Attributed works:
[Hopkins-Thomas-Custot, Paris. Exh. International Fine Art Fair, New York] Paul Signac: Avignon, Matin. 1909. 73.5 by 92 cm.
Attributed works:
[Kate de Rothschild and Yvonne Tan Buzl, London. Exh. International Fine Art Fair, New York] Jacopo Palma il Giovane: A Figure Climbing. Red Chalk Heightened with White Chalk, 103 by 93 mm.
Attributed works:
[Lutz Riester, Freiburg im Breisgau. Exh. International Fine Print Dealers Association Print Fair, New York, New York] Claude Vignon: A Massacre under the Triumvirate. c.1624. Etching, 25.4 by 35.6 cm.
Attributed works:
[Mia N. Weiner, New York. Exh. International Fine Art Fair, New York] Michel Corneille: Bacchanal. Pen and Grey Ink with Wash over Black Chalk, 27.3 by 42.2 cm.
Attributed works:
[Nissman,Abromson, LTD., 286 Clinton Road, Brookline, Boston, MA, USA] Jan van Goyen (Leiden 1596 - 1656 The Hague). Landscape with Coach at an Inn by a Riverbank. Signed: VG 1653. Black Chalk and Grey Wash, $6frac{3}{4}$ × $10frac{3}{4}$ Inches (172 × 274 mm)
Attributed works:
[Olimpia Theodoli, 14 Dover Street, London, UK] Giovanni Battista d'Angeli, Called Battista del Moro (Verona, Middle of the XVIth Century) The Four Seasons, after Giulio Romano. Etching. Bartsch 22, an Early Impression. 275 × 404 mm
Attributed works:
[Olimpia Theodoli, London. Exh. International Fine Print Dealers Association Print Fair, New York, New York] Jacques Bellange: The Death of Portia. Etching (Only State), 24.7 by 18.8 cm.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Odilon Redon. Tentation de Saint Antoine, texte de Gustave Flaubert (Première série). Complete Set of 10 Plates and a Cover-Frontispiece, 1888. (Mellerio 83 to 93). Partout des prunelles flamboient.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] An Important and Rare Pair of Piedmontese Marquetry Commodes, in the Manner of Luigi Revelli, Turin, Circa 1790, Each 122cm Wide. Estimate: £70,000-£90,000.
Attributed works:
[Pratt Contemporary Art, The Gallery, Igtham, Kent, UK] Ana Maria Pacheco, Study for St. Sebastian I, 1998. Plate: 79.8 cm × 59.8 cm.
Attributed works:
[Robilant and Voena at Dickinson Roundell, Inc., 19 East 66th Street, New York New York] Guido Reni (1575 - 1642), St. Dorothy. Oil on Canvas, 33½ × 31 1/8 in, 80 × 56 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Giovanni Antonio Canal, Called Canaletto (1697-1768). A Capriccio of a Courtyard: A Staircase of a Palazzo, with a Servant Opening a Door and a Seated Figure, Pen and Brown Ink over Black Chalk 251 by 212mm. Estimate: $50,000-70,000 £30,000-50,000
Attributed works:
[Stair Sainty Matthiesen, 22 East 80th Street, New York, New York] Eugène Delacroix. Arab Riders Crossing the Sebou River. Oil on Paper Laid on Board, 27 by 37 cm.
Attributed works:
[The Old Print Shop Inc., 150 Lexington Avenue, New York, New York] Stuart Davis 1894 - 1964. Cole #15 Lithograph 1931 Edition 25. Signed in Pencil, Inscribed "21/25" 117/8 × 17 7/8 301 × 454 mm
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Lord Nuget Attributed to John-Laurent Mosnier (1743 - 1808) Oil on Canvas, Holburne Museum, Bath
Attributed works:
[Ursus Rare Books Ltd, New York. Exh. International Fine Art Fair, New York] Eastern Poppy, from John Edwards: A Collection of Flowers, Drawn after Nature..., London [1801]. Folio, 52 by 35.5 cm.
Western art unattributed:
[Galerie Blondeel-Deroyan, Paris. Exh. International Fine Art Fair, New York] Athena. Greco-Roman, 1st c. B. C. - 1st c. A. D. Bronze.
Exhibition Review
Gillian Ayres. London
04/1997 | 1129 | 139
Pages: 273-274
related names
Reviewer:
Newman, Geoffrey (Newman, Geoffrey)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
56. Suddenly Last Summer, by Gillian Ayres. 1996. 244 by 366 cm. (The Artist's Collection; Exh. Royal Academy, London).
Attributed works:
57. Turkish Blue and Emerald Green That in the Channel Stray, by Gillian Ayres. 1996. 244 by 396.5 cm. (The Artist's Collection; Exh. Royal Academy, London).
Exhibition Review
Stephen McKenna, Gillian Ayres, Painting 83. London and Oxford
02/1984 | 971 | 126
Pages: 108-111
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
artists:
dates:
museums and institutions:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
35. Jupiter and Antiope, by Stephen McKenna. 1983. 150 by 220 cm. (Private Collection; Exh. Museum of Modern Art, Oxford).
Attributed works:
36. Prometheus, by Gillian Ayres. 1983. 182.9 by 327.6 cm. (Knoedler, London; Exh. Serpentine Gallery, London).