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95 articles
Book Review
Lucian Freud: New Perspectives Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews
03/2024 | 1452 | 166
Pages: 316–319
related names
Reviewer:
Farey, Luke (Farey, Luke)
Subjects
art literature:
dates:
subjects:
Reviewed Items
subjects:
Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews By Richard Calvocoressi et al. 128 pp. incl. 83 col. + 16 b. & w. ills. (Gagosian, London, 2023), $100. ISBN 978–1–951449–47–6. | :
subjects:
Lucian Freud: New Perspectives By Daniel F. Herrmann et al. 224 pp. incl. 142 col. ills. (National Gallery Global, London, and Museo Nacional Thyssen-Bornemisza, Madrid, 2022), £35. ISBN 978–1–85709–686–6. | :
Illustrations
Attributed works:
12. Frank Auerbach, by Lucian Freud. 1975–76. Oil on canvas, 40 by 26.5 cm. (© Lucian Freud Archive and Bridgeman Images; private collection).
Attributed works:
13. Lorenza Mazzetti in Italy, by Michael Andrews. 1954. Oil on canvas, 196.3 by 145.3 cm. (© Estate of Michael Andrews and Tate; private collection).
Attributed works:
14. Large interior, W9, by Lucian Freud. 1973. Oil on canvas, 91.4 by 91 cm. (© Lucian Freud Archive and Bridgeman Images; Devonshire Collections, Chatsworth).
Article
A ‘crucifixion complex’: two newly discovered sketches attributed to Francis Bacon
03/2024 | 1452 | 166
Pages: 225–235
related names
Author:
Daniels, Rebecca (Daniels, Rebecca)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
1. Sketch, by Francis Bacon. c.1930. Pencil on tracing paper mounted on paper, 25.2 by 16.6 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin;).
Attributed works:
10. Studio Interior, by Francis Bacon. c.1936. Pastel and pencil on paper, 23.5 by 35 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
11. Sketch for triptych, here attributed to Francis Bacon. c.1933. Pencil. (Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
12. Three Studies for Figures at the Base of a Crucifixion, by Francis Bacon. 1944. Oil and pastel on fibreboard, each panel approx. 94 by 74 cm. (irregular). (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Tate).
Attributed works:
2. Two pencil sketches, here attributed to Francis Bacon. c.1933. Pencil on paper, 26 by 18.5 cm. (On the half-title page of A. Level: Picasso, Paris 1928; Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
3. Sketch of a Biomorph, by Francis Bacon. c.1936. Black, blue and darkbrown ink on lined paper, 16.7 by 12.1 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin).
Attributed works:
4. Abstraction from the Human Form, by Francis Bacon, c.1936. Medium and dimensions unknown. Destroyed by the artist. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024).
Attributed works:
5. Sketch for Portrait of M.E. Sadler [skull], here attributed to Francis Bacon. c.1933. Pencil and possibly wash. (Art Gallery of New South Wales; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of, Sydney; Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
6. Crucifixion [skeleton], by Francis Bacon. 1933. Oil on canvas, 62 by 48.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
7. ‘A candidate for Baptism’, detail of Baptism of Christ, by Piero della Francesca. (From R. Longhi: Piero della Francesca, Milan 1930).
Attributed works:
8. The Crucifixion [skull], by Francis Bacon. 1933. Oil on canvas, 111.5 by 86.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
9. Replica of Portrait of Michael Sadler, by Loris Rey. Bronze. (University College, University of Oxford).
Article
Denis Wirth-Miller’s studio collection
09/2023 | 1446 | 165
Pages: 976-87
related names
Author:
Günther, Katharina (Günther, Katharina)
Subjects
dates:
places:
Illustrations
Attributed works:
1 and 2. Denis Wirth-Miller’s studio, Wivenhoe. 2014. (Photographs Ben Harrison).
Attributed works:
10. Study for ‘Dog in movement’, by Denis Wirth-Miller. c.1953. Oil on canvas. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
11. Dog; walking; mastiff. Dread, by Eadweard Muybridge. (From E. Muybridge: Animal Locomotion, Philadelphia 1887, plate 704).
Attributed works:
12. Dog, by Francis Bacon. 1952. Oil on canvas, 198.1 by 137.2 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Tate Britain, London).
Attributed works:
13. Part of the floor of Francis Bacon’s studio at 7 Reece Mews, London. 1998. Photograph by Perry Ogden. (© The Estate of Francis Bacon. All rights reserved, DACS / Artimage 2023).
Attributed works:
14. Francis Bacon working material, torn-out page, folded, attached to support and inserted in plastic bag, of ‘Pugilist. Striking a blow’ from E. Muybridge: The Human Figure in Motion, London 1901 (possibly), plate 63. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Dublin City Gallery The Hugh Lane).
Attributed works:
15. Detail of Fig.14, showing the folded page and two merged frames.
Attributed works:
16. Study from the Human Body (Man Turning on Light), 1973, by Francis Bacon. 1973. Oil and alkyd paint on canvas, 200.6 by 148.4 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; private collection).
Attributed works:
3. Denis Wirth-Miller, working material, page from Maxick (Max Sick): Muscle Control or Body Development by Will-Power, London 1949, pp.93– 94, Wivenhoe 112, 22 by 13.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
4. Denis Wirth-Miller, working material, cut and mounted blackand- white photographic reproduction showing two United Nations soldiers in a trench, from S. Simmons: ‘Pusan Beach–Head’, Picture Post (5th August 1950), p.15, no.724v. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
5. Denis Wirth-Miller, working material, fragment of a page, mounted on carboard, showing a single frame from the series ‘The Walk’, ‘Some phases in the Walk of a Dog from series 14’, from E. Muybridge: Animals in Motion, London 1899, p.63, Wivenhoe 49, 15.5 by 15.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco) .
Attributed works:
6. Denis Wirth-Miller, working material, cut-out image mounted on cardboard, from ‘The Defense of Europe’, TIME: The Weekly Newsmagazine, Atlantic Overseas Edition 55:2 (April 1950), p.15, Wivenhoe 106, 25 by 18 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
7. Walking man, by Denis Wirth-Miller. c.1954. Oil on canvas, 130 by 99 cm. (© The Estate of Denis Wirth-Miller; private collection).
Attributed works:
8. Denis Wirth-Miller, working material, fragment of a page mounted on cardboard, from TIME: The Weekly Newspaper Atlantic Overseas Edition (13th June 1949), p.16, Wivenhoe 174, 25.5 by 20.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
9. Reconstitution of Francis Bacon’s studio at 7 Reece Mews, London, at Dublin City Gallery The Hugh Lane. (Photograph © Leonard de Selva; Bridgeman Images).
Book Review
Francis Bacon – In the Mirror of Photography: Collecting, Preparatory Practice and Painting
03/2023 | 1440 | 165
Pages: 346-348
related names
Reviewer:
Hammer, Martin (Hammer, Martin)
Subjects
Reviewed Items
subjects:
Francis Bacon – In the Mirror of Photography: Collecting, Preparatory Practice and Painting By Katharina Günther. 446 pp. incl. 51 col. + 107 b. & w. ills. (De Gruyter, Berlin, 2022), £62.40. ISBN 978–3–11–072062–4. | :
Illustrations
Attributed works:
6. Figure getting out of a car, by Francis Bacon. 1944. Oil on canvas, 144 by 128.6 cm. (Courtesy Estate of Francis Bacon).
Exhibition Review
Denis Wirth-Miller: Landscapes and Beasts
01/2023 | 1438 | 165
Pages: 67-69
related names
Reviewer:
Günther, Katharina (Günther, Katharina)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Denis Wirth-Miller: Landscapes and Beasts Firstsite, Colchester 1st October 2022–22nd January 2023 | :
Illustrations
Attributed works:
1. Walking man, by Denis Wirth- Miller. c.1954. Oil on canvas, 130 by 99 cm. (Estate of Denis Wirth-Miller; exh. Firstsite, Colchester).
Attributed works:
2. Gust of wind, by Denis Wirth- Miller. 1970–71. Oil on canvas, 76 by 91 cm. (Estate of Denis Wirth-Miller; exh. Firstsite, Colchester).
Attributed works:
3. Dog, by Denis Wirth-Miller. 1954. Oil on canvas, 99 by 129 cm. (Estate of Francis Bacon; exh. Firstsite, Colchester).
Advertisements
Advertisements (front)
05/2022 | 1430 | 164
Pages: i-xxvii
Subjects
advertisements:
Christie, Manson & Woods, London, Great Britain / TEFAF (Maastricht) / Getty Trust Publications , Great Britain / Galerie Gerda Bassenge, Berlin, Germany / Salon du dessin, Paris, France / Stephen Ongpin Fine Art, London, Great Britain / Paul Prouté S.A. (gallery), Paris, France / Arnoldi-Livie (dealer), Munich, Germany / Master Drawings London / F.LLI Romano, Florence, Italy / Galerie de Bayser S.A., Paris, France / Onne van Seggelen, Rotterdam, Netherlands / Charles Ratton & Guy Ladrière, Paris, France / Paul Mellon Centre for Studies in British Art, London, Great Britain / David Tunick Inc., New York, United States / Galerie Chenel, Paris, France / Friedman Benda Gallery, New Yoork, United States / Cazeau & Beraudiere (art moderne), Paris, France / London Original Print Fair / Heritage Auctions, Dallas, United States / Hermann Historica (auctioneers), Munich, Germany / Osborne Samuel Gallery, London, Great Britain / Marlborough Fine Art, London, Great Britain / Frederick Mulder, London, Great Britain / Eames Fine Art, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Wallace Collection, London, Great Britain / Daniel Crouch Rare Books, London, Great Britain / Karsten Schubert, London, Great Britain / Advanced Graphics London, London, Great Britain / Masterpiece London / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / French and Company Art, New York, United States / New Raritet Gallery, Vienna, Austria / The-saleroom.com / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Courtauld Institute of Art, London, Great Britain / Minerva Magazine / Lund Humphries Publishers Limited, London, Great Britain / Simiolus, Art Journal, The Netherlands / Dorotheum (auction house), Vienna, Austria
Illustrations
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000 [Camper Dabernat]
Attributed works:
Attributed to ROSALBA CARRIERA, 1675 – Venice – 1757 Portrait of a Woman Wearing a Zendale Bodycolor on ivory (?) pasted on board. Height: 7 cm. Length: 5 cm With a signature: J.E. Liotard f lower left [Ratton and Ladrière]
Attributed works:
Beautiful night, by Louise Bourgeois (1911–2010). 1994. Lithograph, 52.7 by 70.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Bullfighting, by Germaine Richier (1902–59). 1953. Bronze, 116 by 54 by 101 cm. [Galerie de la Béraudière, Brussels]
Attributed works:
Chuquicamata Copper Mine Overburden #2, Calama, Chile, by Edward Burtynsky. 2017. Archival Pigment Print, 121.9 by 162.6 cm. (© Edward Burtynsky; courtesy Flowers Gallery, London, and Metivier Gallery, Toronto).[Photo London]
Attributed works:
Count Ugolino in the Tower of Hunger, by Pelagio Palagi (1775– 1860). Pen, brown ink, wash and white highlights, 38 by 53.3 cm. [MAURIZIO NOBILE, BOLOGNA, PARIS, MILAN]
Attributed works:
CV 2 01, by Charlotte Verity (b. 1954). 2022. Watercolour monotype, 33 by 40.8 cm. [KARSTEN SCHUBERT, LONDON]
Attributed works:
Disappointed soul, by Ferdinand Hodler (1853–91). 1891. Ink, oil and coloured chalks, 49.5 by 35.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Doryphoros, after Polykleitos. Greece. c.1st century AD. Marble, 70 by 55 by 27 cm. [Galerie Chenel, Paris]
Attributed works:
Eternal Queen (cobalt blue), by Bradley Theodore (b. 1990). 2022. Etching with relief printing, 83.5 by 80.2 cm. [MANIFOLD EDITIONS, LONDON]
Attributed works:
Experiment on electrical stimulation of muscle – weeping woman, plate 50 from Mécanisme de la Physionomie Humaine (1862), by Guillaume-Benjamin- Amand Duchenne de Boulogne. 1855–56. Albumen print from a glass negative, 23.8 by 17.5 cm. (Robert Hershkowitz Ltd, London).[Photo London]
Attributed works:
Flow desk, by Wendell Castle (1932–2018). 2009. Stained cherry wood, 86.4 by 165 by 67 cm. [Friedman Benda, New York and Los Angeles]
Attributed works:
Giovanna Garzoni (1600 - 1670). Still life with pears, an almond and a fly. Gouache and watercolor on vellum. 14.2 x 19.3 cm. Estimate: € 60,000. [Bassenge]
Attributed works:
Hats, Father’s Day picnic, Seattle, WA, by William Heick. 1951. Gelatin silver print, 38.1 by 45.7 cm (© 2021 William Heick; courtesy Peter Fetterman Gallery, Santa Monica).[Photo London]
Attributed works:
HENDRICK GOLTZIUS (1558–1617) Pluto, after Polidoro da Caravaggio Pen and brown ink and brown wash, heightened with white, over an underdrawing in black chalk, on blue paper 264 x 170 mm. (103⁄8 x 65⁄8 in.)[Stephen Ongpin]
Attributed works:
Kyubigitsune, by Hiromitsu Takahashi (b. 1959). 2016. Stencil, 76 by 49 cm. [HANGA TEN, LONDON]
Attributed works:
Large head of Jacqueline wearing a hat, by Pablo Picasso (1881– 1973). 1962. Linocut, signed, 64 by 53 cm. [FREDERICK MULDER LTD, LONDON]
Attributed works:
Mallow leaf, by Albertus Jonas Brandt (1788–1821). Pencil and brown ink, 35.2 by 8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM]
Attributed works:
Marc Chagall (French/Russian, 1887-1985) Esquisse pour "Les fiancés à l'oiseau" (Le mariage), circa 1960 Pastel, oil, India ink, and pencil on paper 15-3/4 x 10-7/8 inches (sheet) Estimate: $80,000 - $120,000 [Heritage Auctions]
Attributed works:
MICHELANGELO BUONARROTI (1475-1564) A nude man (after Masaccio) and two figures behind, 1496 or slightly after pen and two shades of brown ink, brown wash 33 × 20 cm (13 × 7 7/8 in.) Estimate on request [Christie's]
Attributed works:
Montagne Sainte-Victoire, by Paul Cézanne (1839–1906). Watercolour on paper, 28 by 40 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Nicolas Robert, Chouette effraie, collection M & Mme Pierre Rosenberg. © Photography : Suzanne Nagy. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Ocean Park #23, by Richard Diebenkorn (1922–93). 1969. Oil and charcoal on canvas, 236.2 by 205.7 cm. [Berggruen Gallery, San Francisco]
Attributed works:
Painting, by Pierre Soulages (b.1919). 1974. Oil on canvas, 202 by 256 cm. [Applicat-Prazan, Paris]
Attributed works:
Paul-Elie RANSON Limoges 1861 – Paris 1909 Nude in the forest, circa 1905. Pastel on grey laid paper, 470 × 370 mm [Paul Prouté]
Attributed works:
Piglet goes shopping, by Keith Haring (1958–90). 1989. Acrylic on canvas, 182.9 by 243.8 cm. Robilant + Voena, London
Attributed works:
Princesse Maleine, by Léon Spilliaert (1881–1946). 1903. Pencil, ink and wash, 15.5 by 19 cm. [AMBROISE DUCHEMIN, PARIS]
Attributed works:
Red caryatid on a black ground, by Amedeo Modigliani (1884– 1920). c.1913–14. Pencil and gouache on card, 62.5 by 42.5 cm. [David Tunick Inc., New York]
Attributed works:
Royal mask. Kingdom of Bekom, Cameroon 19th century. Wood, copper and kaolin, height 45 cm. [Galerie Bernard Dulon, Paris]
Attributed works:
Sailors’ holiday, by Lill Tschudi (1911–2004). 1932. Linocut, 20 by 26 cm [OSBORNE SAMUEL, LONDON]
Attributed works:
Scarlet ibis, by Nicolas Robert (1614–85). Watercolour and gouache on vellum with gold edging, 30.5 by 21.2 cm. [DE BAYSER, PARIS]
Attributed works:
Southern sunrise, Collioures, by Karen Keogh. 2020. Etching, 19.5 by 16 cm. [EAMES FINE ART, LONDON]
Attributed works:
Still life, by Giorgio Morandi (1890–1964). 1948. Oil on canvas, 33 by 50 cm. [Galleria d’Arte Maggiore, Bologna]
Attributed works:
Stone gorillas, by Francois-Xavier Lalanne (1927–2008). c.1983. Burgundy stone (pierre d’Euville), 76 by 60 by 58–60 cm. [Galerie Lefebvre, New York]
Attributed works:
Street scene, near a canal, in a Dutch city, by Johannes Huibert Prins (1757–1806). Watercolour, brown and Indian ink with black pencil, 31.4 by 21 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
Study of a human body after Ingres, by Francis Bacon (1909–92). 1982. Lithograph, 88 by 60.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Study of three heads, by Mauro Gandolfi (1764–1834). Pen and ink, 23.2 by 18.7 cm. [ROMANO FINE ARTS, FLORENCE]
Attributed works:
Sur le trône act1 tms2 from the series The blue moon of Ouagadougou, by Saïdou Dicko. 2021. Paint on archival pigment print on Hahnemühle Fine Art Baryta 325g. (© Saïdou Dicko and A  karis, Paris).[Photo London]
Attributed works:
The golf player, by Rembrandt van Rijn (1606–69). 1654. Original etching, 9.6 by 14.5 cm. [ELIZABETH HARVEY-LEE, OXFORDSHIRE]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen, brown ink and wash, 27.7 by 20 cm. [GRÄSSLE – HÄRB – NUTI, MUNICH AND LONDON]
Attributed works:
The painter and his model, by Pablo Picasso (1881–1973). 1963. Oil on canvas, 73 by 116 cm. [Van de Weghe, New York]
Attributed works:
Théodore Géricault (Rouen 1791 - 1824 Paris) Various Male Figures in Movement, a Horse and Rider, c. 1817 Pen in brown ink, 18.4 x 25.5 cm [Arnoldi-Livie]
Attributed works:
Tiziano Vecellio, called Titian, The Penitent Magdalen, oil on canvas, 96.7 x 115 cm, Auction: 11 May 2022 [Dorotheum]
Attributed works:
Untitled, by Key Sato (1906–78). 1969. Ink, 25 by 32 cm. [LOUIS & SACK, PARIS]
Attributed works:
Up Town I, by Vanessa Jackson (b. 1953). 2022. Screenprint, 50.3 by 125.3 cm. [ADVANCED GRAPHICS, LONDON]
Attributed works:
Winter woman, by Wenceslaus Hollar (1607–77). 1643. Engraved print with etching, 36.1 by 25.8 cm. [DANIEL CROUCH RARE BOOKS, LONDON]
Non-western art unattributed:
Lot 9 An Elamite appliqué of silver with bull’s head and cloisonné work with stone inlays, late 3rd - early 2nd millennium B.C. [Hermann Historica]
Western art unattributed:
LIMOGES, SECOND HALF 13th CENTURY A GILT-COPPER PYXIS REPRESENTING THE VIRGIN AND CHILD 13 1/2 in. (34.5 cm.) high Provenance: F. Spitzer Collection; V. Martin Le Roy Collection; J.-J. Marquet de Vasselot Collection, thence by descent. Estimate: €500,000 - 700,000 [Christie's]
Western art unattributed:
Lot 52 A Roman marble statue of Hermanubis with features of Alexander the Great, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 59 A Roman bronze urn with profound epigram in sophisticated calligraphy, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 88 A North Germanic jewellery bracteate (B-bracteate) of gold, late 5th - early 6th century A.D. [Hermann Historica]
Exhibition Review
Francis Bacon: Man and Beast
04/2022 | 1429 | 164
Pages: 399-401
related names
Reviewer:
Daniels, Rebecca (Daniels, Rebecca)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Francis Bacon: Man and Beast Royal Academy, London 29th January–17th April | :
Illustrations
Attributed works:
17. Head I, by Francis Bacon. 1948. Oil and tempera on board, 100.3 by 74.9 cm. (Metropolitan Museum of Art, New York; © Estate of Francis Bacon; DACS / Artimage 2021; photograph Prudence Cuming Associates Ltd; exh. Royal Academy of Arts, London).
Attributed works:
18. Two figures in the grass, by Francis Bacon. 1954. Oil on canvas, 152 by 117 cm. (Private collection; exh. Royal Academy of Arts, London).
Attributed works:
19. Study for bullfight no.1, by Francis Bacon. 1969. Oil on canvas, 198 by 147.5 cm. (Private collection; © Estate of Francis Bacon; DACS/ Artimage 2021; photograph Prudence Cuming Associates Ltd; exh. Royal Academy of Arts, London).
Book Review
Francis Bacon: Revelations
12/2021 | 1425 | 163
Pages: 1216
related names
Reviewer:
Arya, Rina (Arya, Rina)
Subjects
art literature:
Reviewed Items
artists:
Francis Bacon: Revelations By Mark Stevens and Annalyn Swan. 880 pp. incl. 40 col. + 122 b. & w. ills. (William Collins, London, 2021), £41. ISBN 978–0–307–27162–4. | :
Book Review
Art and Masculinity in Post-War Britain: Reconstructing Home
08/2021 | 1421 | 163
Pages: 772-773
related names
Reviewer:
Ram, Rosie (Ram, Rosie)
Subjects
Reviewed Items
subjects:
Art and Masculinity in Post-War Britain: Reconstructing Home By Gregory Salter. 224 pp. incl. 29 b. & w. ills. (Routledge, Abingdon-on-Thames, 2019), £90. ISBN 978–1–350–05272–7. | :
Illustrations
Attributed works:
7. Man in Blue IV, by Francis Bacon. 1954. Oil on canvas, 198 by 137 cm. (Museum Moderner Kunst Stiftung Ludwig, Vienna; © Estate of Francis Bacon; DACS / Artimage 2021; photograph Prudence Cuming Associates Ltd).
Article
Francis Bacon and the Wilton Royal Carpet Factory
06/2020 | 1407 | 162
Pages: 472-480
related names
Author:
Daniels, Rebecca (Daniels, Rebecca)
Subjects
dates:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Rug designed by Francis Bacon, and made by the Wilton Royal Carpet Factory Company Ltd. 1929. Wool, 212 by 126 cm. (Francis Bacon MB Art Foundation. MB Art Collection;   Estate of Francis Bacon; DACS London 2020; photograph   Francis Bacon MB Art Foundation/MB Art Collection).
Attributed works:
2. Francis Bacon’s studio at 17 Queensberry Mews West, London. (Repr. in The Studio, August 1930, pp.141).
Attributed works:
3. Gouache, by Francis Bacon. 1929. Gouache, distemper and watercolour on paper, 35.5 by 25 cm. (Francis Bacon MB Art Foundation. MB Art Collection;   Estate of Francis Bacon; DACS London 2020; photograph   Francis Bacon MB Art Foundation/MB Art Collection).
Attributed works:
4. Rug, designed by Francis Bacon, and made by the Wilton Royal Carpet Factory Company Ltd. 1929. Wool, 200 by 120 cm. (Francis Bacon MB Art Foundation. MB Art Collection;   Estate of Francis Bacon; DACS London 2020; photograph   Francis Bacon MB Art Foundation/MB Art Collection).
Attributed works:
5. Rug, designed by Francis Bacon and made by the Wilton Royal Carpet Factory Company Ltd. c.1929. Wool, 208.8 by 122 cm. (Location unknown;   Estate of Francis Bacon; DACS London 2020).
Attributed works:
6. Francis Bacon’s Queensberry Mews West Studio, by Roy de Maistre. 1930. Oil on canvas, 60 by 44.5 cm. (The Estate of Francis Bacon Collection).
Attributed works:
7. A room scheme by Francis Bacon, including furniture and a rug designed by him. The rug was made by the Wilton Royal Carpet Factory Company Ltd. c.1929. Wool, 240 by 122 cm. (  Estate of Francis Bacon. All Rights Reserved; DACS London 2020).
Attributed works:
8. Still life, by Roy de Maistre. 1933. Oil on canvas, 91.4 by 60.8 cm. (National Gallery of Australia, Canberra; courtesy Francis Bacon Estate;   Caroline de Mestre Walker).
Attributed works:
9. A room scheme with a rug designed by Francis Bacon and made c.1930–33 by the Wilton Royal Carpet Factory Company Ltd. The materials and dimensions of the rug are unknown. (  British Library Board; HIU.LD48).
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