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Book Review
Bernardino Poccetti and the Art of Religious Painting at the End of the Florentine Renaissance
06/2024 | 1455 | 166
Pages: 663
related names
Reviewer:
Hornik, Heidi J. (Hornik, Heidi J.)
Subjects
Reviewed Items
subjects:
Bernardino Poccetti and the Art of Religious Painting at the End of the Florentine Renaissance By Douglas N. Dow. 320 pp. incl. 16 col. + 57 b. & w. ills. (Amsterdam University Press, 2023), £137. ISBN 978–94–6372–952–9. | :
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Advertisements (front)
03/2018 | 1380 | 160
Pages: n.p.
Subjects
advertisements:
Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
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Advertisements January 2009 (front)
01/2009 | 1270 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare vase mantel clock with revolving dial by Francois Vigier (c. 1708-1789). Movement signed and dated: VIGIER A PARIS 1767. Sèvres porcelain plaques marked to the reverse with a crossed double L and date-letter D for 1756.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Anonymous Roman. c. 1610-1620. A Deacon Saint (Saint Stephen?). Oil on canvas, 108 x 78,5 cm (42 1/2 x 30 7/8 in)]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Pietro Perugino.]
Attributed works:
[Jean-Luc Baroni Exhibiting at: Adam Williams Fine Art. 24 East 80th Street. Allegory of prudence, by Giandomenico Tiepolo (1727-1804). Signed 'Dom. Tiepolo' in brown ink at lower right. Pen and brown ink with brown wash, over an underdrawing in black chalk, 39.4 by 26.4 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Girolamo Francesco Maria Mazzola, called Parmigianino. Parma 1503 - 1540 Casalmaggiore. A Group of Figures standing by a Column, Two Women, one with a Baby, the other with a Child, and a Man in the Background. Pen and brown ink and wash, heightened with white. The sheet made up at all four edges, 151 by 103 mm. (6 x 4 1/2 in)]
Attributed works:
[Lowell Libson Ltd, Exhibiting at: Mitchell-Innes & Nash, 1018 Madison Avenue. The Isle of Elba from the sea, by Alexander Cozens (c. 1717-1786). Pen and ink and grey wash heightened with black chalk, 28 by 44.5 cm]
Attributed works:
[L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street, New York. Ottavio Leoni, called Ottaviano, Il Padovano or Il Paduano (Rome 1578-1630 Rome). Portrait of the Countess Cantalmaggio. Black, red and white chalk on blue gray laid paper. Size: 8 1/2 x 5 3/4 (21.7 x 14.6 cm)]
Attributed works:
[L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street, New York. Two camels, by Giovanni Benedetto Castiglione (1611-1670). Oil and wash on paper, 35.5 by 27 cm]
Attributed works:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Three putti in the clouds, by Pietro Testa (1607-50). Inscribed: 'Pietro Testa' lower left. Red chalk, 17.5 by 15.9 cm]
Attributed works:
[Margot Gordon. Shepherd & Derom Galleries. 58 East 79 Street. New York. Allegory of charity, by Bernardo Strozzi (1581-1644). Oil on paper, 31.5 by 27 cm]
Attributed works:
[Margot Gordon. Shepherd & Derom Galleries. 58 East 79 Street. New York. Niccolò Circignani, called Il Pomarancio. Pomarance 1517/24 - after 179 Citta della Pieve. Duel between Heraclius and Khosrau. Pen, black and brown wash, black chalk, 14 3/16 x 10 1/8 inches (360 x 257 mm).]
Attributed works:
[Mary-Anne Martin. 23 East 73rd Street. New York. Study for the figure of 'Song', Creation mural, Bolivar Auditorium, National Preparatory School, Mexico City, by Diego Rivera (1886-1957). Pastel and charcoal on blue paper, 61.7 by 46.5 cm]
Attributed works:
[Mia N. Weiner. Exhibiting at: L’Antiquaire & The Connoisseur. 36 East 73rd Street. New York. Study of a neo-attic relief fragment of a dancing maiden before a candelabrum, by Pietro Testa (1612-1650). Black chalk underdrawing, pen and brown ink and wash, 26.8 by 21 cm]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. Pieter Jansz. Saenredam. The West Front of the Sint-Mariakerk in Utrecht, 1662. Museo Thyssen-Bornemisza, Madrid.]
Attributed works:
[Nissman, Abromson Ltd, Exhibiting at: Praxis International Art, 25 East 73rd Street. New York. Seated angel, by Bernardino Poccetti (1548-1612). Black chalk with white heightening on blue paper, 30.1 by 21 cm]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Mark Murray, 39 East 72nd Street, Suite 4C. Portrait of Philip Rot, by R. B. Kitaj (1932-2007). 1985. Charcoal on handmade paper, 77.5 by 57 cm]
Attributed works:
[Stiebel Ltd. 252 East 68th Street. New York. Caricature of a man holding a three-cornered hat pointing with his left hand, by Giovanni Battista Tiepolo (1696-1770). Pen and grey wash on white paper, 25 by 14 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartholomeus Spranger (1546-1611). Penitant Magdalene. Signed. Currently on loan at Prague Castle Picture Gallery for exhibition "Rudolfine Beauty"]
Attributed works:
[Trinity Fine Art Inc. 23 East 73rd Street. Project for a door of St. Peter's, Rome, by Paolo Posi (1708-1776). Signed and dated on paper 47 by 30 cm]
Attributed works:
[Trinity Fine Art Inc. 23 East 73rd Street. Sicilian, Trapani, mid-eighteenth century. Attributed to the Workshop of Andrea Tipa (1725-1783). The Holy Family with Angels. Alabaster 40 cm (15 3/4 ins) high overall]
Attributed works:
[W/S Fine Art / Andrew Wyld, Exhibiting at: Dickinson, 19 East 66th Street. New York. Storm at sea, by Joseph Mallord William Turner R.A. (1775-1851). Watercolour, 18.3 by 29.1 cm]
Western art unattributed:
[Mia N. Weiner. PO Box 100, Norfolk, CT. Head Study for figure in Murder of Spurius Melius, Palazzo Publico, Siena, ca. 1529.]
Advertisements
Advertisements July 1990 (front)
07/1990 | 1048 | 132
Pages: i-xx
Subjects
advertisements:
artists:
Illustrations
Attributed works:
Creation of the World, by Giovanni di Paolo. Tempera and Gold Leaf on Panel, 46.5 by 52 cm. (The Robert Lehman Collection, The Metropolitan Museum of Art, New York).
Attributed works:
[Adriano Ribolzi Antiquaire in collaboration with Roberto Visconti, 6 Avenue des Beaux Arts, Monte Carlo] Erigone by Guido Reni 65 cm x 69 cm
Attributed works:
[Agnew's, 43 Old Bond Street, London] John Sell Cotman (1782-1842) Wherries on Breydon Water 21 × 29 Inches. Francis Danby ARA (1793-1861) Norwegian Fjord - Early Morning. 18½ × 24 Inches
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Lambert Lombard (1506-Liège - 1566) Adam and Eve. Oil on panel: 23.9 × 18.5 cms
Attributed works:
[Douwes Fine Art, 38 Duke Street, London, 46 Rokin, 1012 KV, Amsterdam] Albert Pinot (1875-1962) La Japonnaise. Water-Colour on paper: 56 × 38 cm. Signed and dated to 1913. From the artist's estate
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Jean Baptiste Huet (1745-1811). Study of an acanthus plant. red chalk, red chalk wash with white heightening on blue grey paper 465 × 335 cm. Verso: study of the tip of a plant with its leaves in red chalk
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Carlo Dolci (1616-1686) The Adoration of the Magi. canvas, 117 × 93.5 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Pieter Pourbus and Anton Claeissens The Lamentation. Oil on Panel 215 by 166 cms
Attributed works:
[Julius Böhler, Pacellistrasse 8, Munich] The Christchild with a Bunch of Grapes, by the Master of the Dangolsheim Madonna, Upper Rhine, ca.1460-1470. Lindenwood with original polychrome, Height 41 cm.
Attributed works:
[Marlborough Fine Art, 6 Albermarle Street, London] Oskar Kokoschka (1886-1980) London, Chelsea Reach. 1957. Oil on Canvas, 29½ x 39¾/75 × 101 cm.
Attributed works:
[Michael Werner, 21 East 67 Street, New York] A.R. Penck Standart-Models
Attributed works:
[Patrick Perrin, 98 Faubourg Saint-Honore, Paris] François Boucher (1703-1770). French School. Study of a man. red Chalk. H. 22,3 cm; L. 17,6 cm. study after Jean Jouvenet's painting 'Christ and the Centurion'
Attributed works:
[Richard L. Feigen & Co, 6 Ryder Street, London] Guercino, St. Luke, 1631. Oil on Canvas. 62.7 by 51.2 cm
Attributed works:
[Sabrina Förster, Poststrasse 3 D-4000, Düsseldorf] Bernardino Poccetti (1548-1612), Study of a Kneeling Monk. Red Chalk. 299 × 206 mm. This Study is Preparatory for the Fresco The Death of the Saint Bruno in the Certosa di Galuzzo near Florence, Painted 1591/92
Attributed works:
[Spink & Son Ltd, 5,6 & 7 King Street, London] A set of four Silver Salts by Paul De Lamerie, London 1748, on spreading circular Bases, scribed with bands of reeding. The shallow circular bowls applied with vertical palmettes below an applied dentilated rim, engraved with a crest. The interiors of the bowls gilt. Diameter: 3¼ ins (8.2 cms)
Attributed works:
[Stanza del Borgo, 20121, Milan] Giovanni Domenico Tiepolo (1727-1804), Nessus, Rearing, Seen from behind Abducting Dejanira. Pen and Brown Ink, Brown Wash over Black Chalk. Signed Bottom Right: Dom.o Tiepolo f. 190 × 268 mm.
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Domenico Fetti Rome (1588/89 - Venice 1623). The Annunciation. Poplar Panel: 59.5 × 29.8 cms
Western art unattributed:
[Accademia Italiana, 24 Rutland Street, London] Painting
Western art unattributed:
[Accademia Italiana, 24 Rutland Street, London] Sculpture
Western art unattributed:
[Auktionshaus Galerie Hassfurther, Hohenstaufeng, Vienna] Print Imperator Caesar Diuus Maximilianus Pius Felix Augustus
Western art unattributed:
[Benzaquen 295 Main Street Gibraltar] Celto - Iberian Stone Head, Reddish Sandstone. 5th - 3rd Century B. C. Central Pyrenees.
Western art unattributed:
[Otto Naumann, 4 East Street, New York] Anon. Dutch 17th Century. Panel 4½ × 3½ ins
Letter
More Confortini
06/1970 | 807 | 112
Pages: 398-400
related names
Author:
Maison, K. E. (Maison, K. E.)
Subjects
museums and institutions:
Illustrations
Attributed works:
73. Study for 'Musicians Playing to a Dining Couple', by Jacopo Confortini. Black Chalk, 25.1 by 34.2 cm. (Collection P. de Boer, Amsterdam.)
Attributed works:
74. Musicians Playing to a Dining Couple, by Jacopo Confortini. Red Chalk, 21 by 28 cm. (Weimar Print Room.)
Letter
Confortini at Edinburgh
05/1970 | 806 | 112
Pages: 311+313
related names
Author:
Vitzthum, Walter (W. V.) (Vitzthum, Walter (W. V.); Vitzthum, Dr.)
Subjects
dates:
Illustrations
Attributed works:
50. Musicians Playing to a Dining Couple, Here Attributed to Jacopo Confortini. Red Chalk, 20.8 by 28.5 cm. (Formerly Geiger Collection, Venice.).