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05/2018 | 1382 | 160
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Subjects
subjects:
Illustrations
Attributed works:
[Hazlitt Holland-Hibbert, London. Apricot and Pink (detail), by Bridget Riley. 2001. Oil on linen, 111.5 by 213.5 cm.]
Attributed works:
[British Museum, London. Auguste Rodin (1840–1917). The Kiss. S.174. Plaster, after 1898. Musée Rodin, Paris).]
Attributed works:
[Sphinx Fine Art, London. Portrait of a Man, Half-Length (detail), by Henri-Pierre Danloux.]
Western art unattributed:
[Yale Center for British Art, New Haven. The Paston Treasure, by unknown artist (Dutch School). c.1663. Canvas (Norwich Caste Museum and Art Gallery, Norwich).]
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04/2018 | 1381 | 160
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Subjects
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Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
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03/2018 | 1380 | 160
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Subjects
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Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
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01/2018 | 1378 | 160
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Subjects
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artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]