By using this website you agree to our Cookie policy

Search

5 articles
Letter
Stanley Spencer’s postcards of Vézelay
03/2024 | 1452 | 166
Pages: 224
related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
media:
subjects:
Illustrations
Attributed works:
Postcard of Jacob fighting with the angel, Vézelay Abbey, sent by Gwen and Jacques Raverat to Stanley Spencer. 1911. (Stanley Spencer Gallery, Cookham).
Article
Stanley Spencer, postcards, small books and old masters
09/2023 | 1446 | 165
Pages: 952–67
related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
Illustrations
Attributed works:
1. Sir Stanley Spencer; Sydney Spencer; Gilbert Spencer; William ‘Pa’ Spencer, by Philip Edward Morrell. 1914. Vintage snapshot print, 6.1 by 10.3 cm. (National Portrait Gallery, London).
Attributed works:
10. Postcard of a corbel in Exeter Cathedral sent by Desmond Chute to Stanley Spencer, 21st June 1916. (John Spencer collection; JS 32).
Attributed works:
11. Roger Fry’s glass slide of Masaccio’s St Peter healing with his shadow. (Archive Centre, King’s College, Cambridge; REF 2, box 32).
Attributed works:
12. St George, by Donatello. (Frontispiece of H. Rea: Donatello: Il maestro di chi sanno, London 1900).
Attributed works:
13. Postcard of Gentile Bellini’s Finding of the True Cross sent by Henry Lamb to Stanley Spencer. (John Spencer collection; JS 50).
Attributed works:
14. Postcard of Giotto’s Joachim and the shepherds sent by Jas Wood to Stanley Spencer, 17th October 1927. (UCL Art Museum, University College London; UCL 82).
Attributed works:
15. Reverse of Fig.14.
Attributed works:
16. Postcard of Pieter Bruegel’s Autumn sent by Gilbert Spencer to Stanley Spencer, 1934. (John Spencer collection; JS 82).
Attributed works:
2. Stanley Spencer’s postcard album open to showing a Virgin or saint holding a book, Tonnerre stone, c.1390–1400, Musée national du Moyen Age, Thermes de Cluny, Paris (inv. Cl.18931), and the Court of Pan, by Luca Signorelli, formerly in the collection of the Staatlichen Museen zu Berlin. (UCL Art Museum, University College London; UCL 4 and 5).
Attributed works:
3. Letter from Stanley Spencer to the Raverats illustrating the shape of the reliefs on the campanile of Florence Cathedral. 12th April 1913. (Tate Archive, TGA 8116/21).
Attributed works:
4. Roger Fry’s glass slide of Andrea Pisano’s Creation of Eve from the campanile of Florence Cathedral. (Archive Centre, King’s College, Cambridge; REF 2, box 13).
Attributed works:
5. Postcard of the Entombment of Christ, by Donatello, sent from Gwen Darwin to Stanley Spencer, 11th March 1914. (John Spencer collection; JS 6).
Attributed works:
6. Reverse of UCL 51.
Attributed works:
7. Three postcards superimposed to illustrate the west wall of the apse of S. Francesco, Arezzo, by Piero della Francesca, sent by Gwen Raverat to Stanley and Gilbert Spencer, 25th March 1914. (UCL Art Museum, University College London; UCL 53, 50 and 51).
Attributed works:
8. Roger Fry’s glass slides of Piero della Francesca’s Death of Adam. (Archive Centre, King’s College, Cambridge; REF 2, boxes 19 and 32).
Attributed works:
9. Reproduction of the Lion of St Mark, by Vittore Carpaccio, from The Masterpieces of Carpaccio and Giorgione published by Gowans & Gray, 1911.
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Publication Received
Gwen Raverat. Friends, Family and Affections
05/2003 | 1202 | 145
Pages: 378
Subjects
artists:
Reviewed Items
artists:
Gwen Raverat. Friends, Family and Affections | author: Spalding, Frances
Short Notice
'Working for an Imaginary Temple': Stanley Spencer, Eric Gill, Jacques and Gwen Raverat
05/2001 | 1178 | 143
Pages: 290-295
related names
Author:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
61. John Donne Arriving in Heaven, by Stanley Spencer. 1911. 37 by 40.5 cm. (Private Collection; On Loan to the Fitzwilliam Museum, Cambridge). © DACS.
Attributed works:
62. Jacques Raverat, by Gwen Raverat. c.1911. 37 by 29 cm. (William Pryor).
Attributed works:
63. Poster for the Second Post-Impressionist Exhibition. Collaborative Design by Vanessa Bell, Frederick Etchells, Roger Fry and Duncan Grant. 1912. 119.4 by 93.8 cm. (Victoria and Albert Museum, London).
Attributed works:
64. The Little Visitation, by Gwen Raverat. 1912. Wood Engraving, 7.3 by 5.3 cm. (Private Collection).
Attributed works:
65. The Visitation, by Gwen Raverat. 1912. Wood Engraving, 10.2 by 7.7 cm. (Private Collection).
Attributed works:
66. The Dead Christ, Designed by Jacques Raverat and Cut by Gwen Raverat. 1913. Wood Engraving, 10.2 by 4.1 cm. (Private Collection).
Attributed works:
67. Pietà, Designed by Jacques Raverat and Cut by Gwen Raverat. 1912. Wood Engraving, 10.2 by 15.2 cm. (Private Collection).
Attributed works:
68. The Visitation, by Gwen Raverat. 1914. Fresco, 101 by 75 cm. (Darwin College, Cambridge).
Attributed works:
69. Rupert Brooke, by Gwen Raverat. 1919. Wood Engraving. (Frontispiece for Brooke's Collected Poems, Medici Society, London, 1919).
Attributed works:
70. Mediterranean Landscape, by Jacques and Gwen Raverat. 1915. Fresco, 138 by 320 cm. (Conduit Head, Cambridge; By Kind Permission of Professor and Mrs Peter Lachmann).