1. Landscape with figures (‘La toilette’), by Camille Corot. 1859. Canvas, 150 by 89.5 cm. (Private collection, Paris).
Attributed works:
10. A eunuch’s dream, by Jean Lecomte du Nouÿ. 1874. Panel, 39.3 by 65.4 cm. (Cleveland Museum of Art).
Attributed works:
11. The Death of Sardanapalus, by Eugène Delacroix. 1827. Canvas, 392 by 496 cm. (Musée du Louvre).
Attributed works:
12. The triumph of Ariadne, by Hans Makart. 1874. Canvas, 784 by 476 cm. (Upper Belvedere, Vienna).
Attributed works:
13. The Bay of Naples (morning), by Auguste Renoir. 1881. Canvas, 59.7 by 81.3 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
15. Diana surprised, by Jules Joseph Lefèbvre. 1879. Canvas, 279 by 371.5 cm. (Museo Nacional de Bellas Artes, Argentina).
Attributed works:
4. Morning, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.29).
Attributed works:
5. Evening, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.30).
Attributed works:
6. Interior of a Dominican convent in Madrid, by Eugène Delacroix. 1831. Canvas, 130.2 by 161.9 cm. (Philadelphia Museum of Art).
Attributed works:
7. The sheepshearers, by Jean François Millet. c.1857–61. Canvas, 41.2 by 28.5 cm. (The Art Institute of Chicago).
Attributed works:
8. Crossing the ford, evening by Camille Corot. c. 1868.Canvas. 99 by 135 cm. (Musée des Beaux-Arts de Rennes).
Attributed works:
9. The wood-gatherers, by Pierre Billet. 1874. Canvas, 113 x 148 cm. (Private collection).
Attributed works:
Fig.14. Night, by William-Adolphe Bouguereau. 1883. Canvas, 208.3 by 107.3 cm. (Hillwood Estate, Museum & Gardens, Washington).
Western art unattributed:
2. The Duncan family, showing James Duncan far right. c.1870–75. Photograph, 14.5 by 17.2 cm. (Private collection).
Western art unattributed:
3. Benmore House. Argyllshire. Duncan’s picture gallery is on the right. c.1889–90. Photograph, 13.3 by 20.6 cm (Private collection).
62. Bazille and Camille, by Claude Monet. 1865. Canvas, 93 by 68.9 cm. (National Gallery of Art, Washington; exh. Museum of Fine Arts, Houston).
Attributed works:
63. The rock oak (Forest of Fontainebleau), by Théodore Rousseau. 1860. Canvas, 88.9 by 116.8 cm. (Private collection, New York; exh. Museum of Fine Arts, Houston).
Publication Received
Natur als Garten. Barbizons Folgen. Frankreichs Maler des Waldes von Fontainebleau und die Münchner Landschaftsmalerei
Natur als Garten. Barbizons Folgen. Frankreichs Maler des Waldes von Fontainebleau und die Münchner Landschaftsmalerei |
author: Bertuleit, Sigrid
, author: Valter, Claudia
Book Review
The Barbizon School and the Origins of Impressionism
74. Un berger et son troupeau sur une lande désolée sous la tempête, by Alexandre-Gabriel Decamps. 1843. 79 by 115 cm. (Amsterdam Historisch Museum; Exh. Haags Gemeentemuseum, The Hague).
Attributed works:
75. Boeufs à l'abreuvoir, by Charles Jacque. 1848/49. 100 by 115 cm. (Musée d'Angers; Exh. Haags Gemeentemuseum, The Hague).
Attributed works:
76. Fontainebleau, by Auguste Lapito. 32.5 by 45 cm. (Musée de Picardie, Amiens; Exh. Haags Gemeentemuseum, The Hague).
Attributed works:
77. Ruines d'un vieux moulin dans la plaine de Chailly, by Jean-François Millet. 90 by 117 cm. (Rijksmuseum H. W. Mesdag, The Hague; Exh. Haags Gemeentemuseum, The Hague).
Attributed works:
78. Paysage (esquisse inachevée), by Théodore Rousseau. Pen and Oil on Paper on Canvas. 30 by 40 cm. (Museum Voor Schone Kunsten, Ghent; Exh. The Hague).