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47 articles
Article
Algernon Moses Marsden, ‘the most enterprising of picture dealers’
09/2022 | 1434 | 164
Pages: 874-887
related names
Author:
Matyjaszkiewicz, Krystyna (Matyjaszkiewicz, Krystyna)
Subjects
collectors and dealers:
collectors and dealers:
patrons:
Illustrations
Attributed works:
1. Effie Deans, from ‘The Heart of Midlothian’ by Sir Walter Scott, by John Everett Millais. 1877. Oil on canvas, 104.1 by 76.8 cm. (Private collection; photograph © Christie’s Images; Bridgeman Images).
Attributed works:
10. Il dolce far niente, by William Holman Hunt. 1866. Oil on canvas, 101 by 81.2 cm. (Private collection; photograph © Christie’s Images; Bridgeman Images).
Attributed works:
11. The Race for Wealth, no.3: Victims, after William Powell Frith. 1880. Engraving, 69 by 76.6 cm. (Photograph © Museum of London).
Attributed works:
2. Algernon Moses Marsden, by James Tissot. 1877. Oil on canvas, 49.5 by 73.7 cm. (Private collection).
Attributed works:
3. Edward Fox White, by James Tissot. c.1877. Oil on canvas, 73.7 by 54 cm. (Private collection; photograph © Christie’s Images).
Attributed works:
4. Le Buet seen from the Glacier d’Argentiere, Chamonix, by Gabriel Loppé. 1876. Oil on canvas, 60 by 45 cm. (Private collection; photograph © John Mitchell Fine Paintings / Bridgeman Images).
Attributed works:
5. Display advertisement in the Daily News for the Conduit Street Gallery, mirroring one for E. Moses & Son. 6th April 1875. (Courtesy of the British Newspaper Archive; © The British Library Board).
Attributed works:
6. Westminster, by Giuseppe de Nittis. 1878. Oil on canvas, 110 by 195 cm. (© A. Dagli Orti; NPL – DeA Picture Library; Bridgeman Images)
Attributed works:
7. Piccadilly: wintry walk in London, by Giuseppe de Nittis. 1875. Oil on canvas, 68.5 by 104 cm. (Private collection).
Attributed works:
8. Afternoon tea, also known as In the conservatory, by James Tissot. 1874. Oil on canvas, 38.4 by 51.1 cm. (Private collection).
Attributed works:
9. The convalescent, by James Tissot. 1876. Oil on canvas, 75.4 by 98.4 cm. (Museums Sheffield).
Letter
Tissot and the Siege of Paris
09/2020 | 1410 | 162
Pages: 729
related names
Contributor:
Matjaszkiewicz, Krystyna (Matjaszkiewicz, Krystyna)
Subjects
artists:
subjects:
Article
Tissot’s wartime sketchbook, 1870–71
07/2020 | 1408 | 162
Pages: 560-569
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Detail of a map of the battlefields surrounding Paris, published by J. Rigal. c.1870–71. 78 by 60 cm. Fort du Mont-Valérien, one of the fifteen forts involved in the defence, is marked with a star. The Battle of Malmaison occurred just southwest of it, near Rueil and La Jonchère. (Historical Library of the City of Paris).
Attributed works:
10. Study for ‘Military infirmary’, by James Tissot. 1870–71. Graphite on paper 11.5 by 18 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
11. Military infirmary, by James Tissot. 1870–71. Grey wash and gouache on buff paper, 31.4 by 39.5 cm. (Private collection).
Attributed works:
12. Dead man lying on his side, by James Tissot. Graphite on paper, 11.3 by 14.6 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
13. The first man killed I saw (Souvenir of the Siege of Paris), by James Tissot. 1870–74. Drypoint and etching (first state), 45.4 by 29.5 cm (Bibliothèque nationale de France).
Attributed works:
14. Tirailleurs de la Seine at the battle of Rueil-Malmaison, 21st October 1870, by Etienne-Prosper Berne-Bellecour. 1875. Oil on canvas, 103 by 203 cm. (Château de Versailles, France; Bridgeman Images).
Attributed works:
15. Transporting the wounded, by James Tissot. Graphite on paper, 11.2 by 18.1 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
2. James Tissot, by Robert Jefferson Bingham. c.1861–70. Albumen silver print, 10.2 by 6.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. The green room of the Comédie-Française during the Siege of Paris, by James Tissot. 1877. Etching, 38.1 by 27.6 cm. (Bibliothèque Nationale de France, Paris).
Attributed works:
4. Wounded man lying reading the newspaper, by James Tissot. Graphite on paper, 10.2 by 18 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
5. Hospital of the Comédie-Francaise, Paris, by Pierre André Brouillet. 1870. (Photograph by Luigi Fiorillo; Wellcome Collection, London).
Attributed works:
6. The American Ambulance at no.36, avenue de l’Impératrice, Paris. c.1870. (University of Pennsylvania Archives, Philadelphia).
Attributed works:
7. Compositional sketch for ‘Military infirmary’, by James Tissot. (1870–71). Graphite on paper. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
8. Study for ‘Military infirmary’, by James Tissot. 1870–71. Graphite on paper, 17.9 by 23.3 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
9. Study for Captain Ducos in ‘Military infirmary’, by James Tissot. 1870– 71. Graphite on paper 17.9 by 23.3 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Exhibition Review
James Tissot: Ambiguously Modern
07/2020 | 1408 | 162
Pages: 603-606
related names
Reviewer:
Corbeau-Parsons, Caroline (Corbeau-Parsons, Caroline)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
James Tissot: Ambiguously Modern Musée d’Orsay, Paris 23rd June–13th September | :
Illustrations
Attributed works:
1. October, by James Tissot. 1877. Oil on canvas, 216 by 108.7 cm. (Montreal Museum of Fine Arts; exh. Musée d’Orsay, Paris).
Attributed works:
2. Annunciation, by James Tissot. c.1886– 94. Opaque watercolour over graphite on grey wove paper, 17 by 21.7 cm. (Brooklyn Museum; exh. Legion of Honor, San Francisco; Bridgeman Images).
Attributed works:
3. Self-portrait, by James Tissot. c.1865. Oil on panel, 49.8 by 30.2 cm. (Fine Arts Museums of San Francisco; exh. Musée d’Orsay, Paris).
Attributed works:
4. The ladies of the cars, by James Tissot. c.1883–85. Oil on canvas, 146.1 by 100.7 cm. (Museum of Art, Rhode Island School of Design, Providence; exh. Musée d’Orsay, Paris).
Exhibition Review
Sir Richard Wallace: The Collector. The Wallace Collection, London
10/2018 | 1387 | 160
Pages: 858-860
related names
Reviewer:
Hall, Michael (Hall, Michael)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
13. Objects of ancient art in the collection of Sir Richard Wallace, by Blaise Alexandre Desgoffe. Canvas, 99.5 by 150 cm. (Staatliche Kunsthalle, Karlsruhe; exh. the Wallace Collection, London).
Attributed works:
14. An ostrich, by Elias Zorer. Augsburg, c.1600. Silver, with gilding, height 42 cm. (The Wallace Collection, London).
Non-western art unattributed:
15. Trophy head. Asante Kingdom, eighteenth or nineteenth century. Gold, height 20 cm. (The Wallace Collection, London).
Advertisements
Advertisements (front)
06/2018 | 1383 | 160
Pages: n.p.
Subjects
advertisements:
Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
Exhibition Review
The art of pastel. Paris
03/2018 | 1380 | 160
Pages: 246-249
related names
Reviewer:
Brettell, Richard R. (Brettell, Richard R.; Brettell, Richard)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
20. Le grand lac du Bois de Boulogne, by Pierre Lagarde. 1892–96. Pastel on canvas, 72.9 by 54 cm. (Petit Palais, Paris).
Attributed works:
21. Le Journal, by James Tissot. c.1882-83. Pastel on papier, 63 by 51 cm. (Petit Palais, Paris)
Attributed works:
22. Sur champ d’or, by Charles Léandre. 1897. Pastel on canvas, 162.5 by 114.5 cm. (Petit Palais, Paris).
Exhibition Review
Impressionists in London. London and Paris
01/2018 | 1378 | 160
Pages: 46-48
related names
Reviewer:
Stocker, Mark (Stocker, Mark)
Subjects
dates:
media:
places:
styles:
Reviewed Items
subjects:
Impressionists in London: French Artists in Exile 1870-1904 at Tate Britain, London, and Petit Palais, Paris | :
Illustrations
Attributed works:
14. The execution of Communards by French government forces at the fortifications in the Bois de Boulogne, by James Tissot. 1871. (Private collection; exh. Tate Britain, London).
Attributed works:
15. By the riverside, morning effect, by Alphonse Legros. 1877–84. (British Museum, London; exh. Tate Britain, London).
Attributed works:
16. Piccadilly: wintry walk in London, by Giuseppe de Nittis. 1875. (Private collection; exh. Tate Britain, London).
Advertisements
Advertisements March 2004 (Front)
03/2004 | 1212 | 146
Pages: i-xx
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1 Rest on the flight into Egypt, by François Boucher (1703-1770). Pen and brown ink with pink and brown washes, 209x249 mm.]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Paul Bril (1554-1626). January-Woods-cutters in a winter landscape. Pen and brown ink with wash heightened with white over black chalk, 198x332 mm. Inscribed 'Paul Bril' on the old mount.]
Attributed works:
[Annely Juda Fine Art. London. Nature Morte 1922 by Fernand Léger. Oil on canvas, 54.3x65.4 cm. Signed and dated lower right FLéger 1922. Signed and titled top left on verso.]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. 136 Faubourg Saint-Honoré, Paris. François Boucher (1703-1770). Shepherds and Shepherdesses Gatheres Around a Funtain. Camaieu in brown, oil on paper laid down on canvas, 427x340 mm]
Attributed works:
[Artemis Fine Arts. New York, Paris, London. An architectural capriccio, by Giovanni Battista Piranesi (1720-1778). Pen and brown ink with brown wash over red chalk, 150x217mm. Signed at lower left: Piranesi.]
Attributed works:
[Artemis Fine Arts. New York, Paris, London. The Young Draughtswoman (Femme dessinant au milieu d'une galerie en ruines), by Hubert Robert (Paris 1733-1808 Paris). Oil on canvas, 666x546 mm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Italian coastal landscape in morning light, by Claude Gelee, called Le Lorrain. Black chalk, pen and brown ink, brown wash, with indications of the perspective in black chalk, 132x208 mm]
Attributed works:
[Beddington & Blackman Ltd. 16 Saville Row, London, W1S 3PL. Benvenuto Tisi, Il Garofalo (Ferrara 1481-1559). The Apotheosis of Hercules. Oil on canvas. 33 5/8 x 45 1/2 in. (85.5 x 115.7 cm)]
Attributed works:
[Beddington & Blackman Ltd. 16 Saville Row, London, W1S 3PL. Flowers in a glass vase on a pedestal, by Juan de Arellano (1614-1676). Oil on canvas, 625x460 mm. (one of a pair)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Charles Joseph Natoire (Nimes 1700 - Castelgandolfo 1777). A reclining female nude, left hand resting on an urn. Charcoal and chalk on paper, 335 x 399 mm]
Attributed works:
[David Tunick, Inc., New York. La grande loge by Henry de Toulouse-Lautrec (Albi 1864-1901 Malromé). Crayon, brush and spatter lithograph, 51.1x39.9 cm]
Attributed works:
[Dickinson. London. La musique, by André Derain. Watercolour and pencil on paper, 500x645 mm. SIgned lower right by Alice Derain the wife of the artist: Pour André Derain, Alice Derain.]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. A Frascatan lady giving alms by François-Joseph Navez (1787 Charleroi-Brussels 1869). Oil on canvas, 116x137 cm. Signed and dated lower left: F.J. NAVEZ. / ROMA.1821.]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. Studies of figures, by Hubert Robert (1733-1808). Red chalk, 450x330 mm. Stamped lower left: lugt 1768.]
Attributed works:
[Dover Street Gallery. London. Portrait of Vicomtesse de Senonnes , nee Marie Marcoz, after Ingres, three-quarter length, seated on a sofa, by James Jacques Tissot (1836-1902). Oil on canvas, en grisaille, 101.6x81.3 cm]
Attributed works:
[Eguiguren Arte de Hispanoamérica. Ayacucho. A pair of silver spurs. Unmarked. Argentina, 2nd half of the 19th century. Length 17.5 cm. Width 10.1 cm. Private collection.]
Attributed works:
[Emmanuel Moatti. Paris. London, view of Greenwich near the Trafalgar Hotel, by Eugène Lami (1800-1890). Watercolour and gouache, 270x340 mm. Signed, bottom left.]
Attributed works:
[Flavia Ormond Fine Arts. Abraham Bloemaert. Gorinchem 1564-1651. Utrecht. Mythological Lovers. Pen and brown ink, brown wash, heightened with white. 166x218 mm. (6 1/2 x 8 3/5 inches)]
Attributed works:
[Flavia Ormond Fine Arts. Family Life, by François-André Vincent. Pen and black ink and grey wash, heightened with white, 402x220 mm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Walking peasants seen from behind, by Isaac van Ostade (1621-1649). Brown ink with grey wash, 67x67mm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Ludolf Backhuysen (Emden 1631 - 1708 Amsterdam). The Port in Emden. Pen and brown ink with brown wash: 16x27 cm. Signed lower left: "L. Backhuysen".]
Attributed works:
[Galerie Berés. Paris. Table dressée (Laid Table) by Edouard Vuillard (Cruiseaux, France, 1868 - La Braule, 1940). Oil on canvas, 17.1x24.1 cm. Signed: E. Vuillard lower right.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Edme Bouchardon (Chaumont en Bassigny 1698 - Paris 1762). Young Boy. Red chalk on paper, 418 x 280 mm]
Attributed works:
[Galerie Meyer – Oceanic Art. Paris. Rapa (Ceremonial dance paddle). An extremely rare ceremonial dance paddle, or rapa representing a highly stylized male figure in the form of a double blade "kayak" paddle.]
Attributed works:
[Graff. London. Fine Multi-cut diamond necklace with 70.39 flawless pink pearshape diamond drop - Total Weight 137.67 cts]
Attributed works:
[Haboldt & Co. New York. A seated man with long hair, his hands folded by Rembrandt Harmensz van Rijn (Leiden 1606-1669 Amsterdam). Black chalk, 135x96 mm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Henry Moore. Drawing for sculpture. 1937. )Detail) HMF 1325]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Giuseppe Passeri. Rome 1654-1714 Rome. Study for the Tomb of Pope Clement X Altieri. Drawing in red chalk. 756 x 486 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jan Lievens (1607-1674). Head of a Young Man with a Cap. Oil on panel: 63.5x49.5 cm. Monogrammed at lower left: L]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. The head of a Tahitian woman, by Paul Gauguin (1848-1903). Pastel and black chalk, heightened with touches of gold, 310 x 212 mm]
Attributed works:
[Katrin Bellinger. Munich. An Angel playing the violin, by Andrea Lilio. Black chalk on the blue paper, some red chalk squared in black chalk, 156x114 mm]
Attributed works:
[Lopez Aragon. Jorge Juan, 9. Madrid. Gerolamo Campagna (1549-1621) St. Hieronymus. Terracotta. 111,5 cm. heigth]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. George Romney. 1734-1804. An Heroic Head: A study from life. Oil on canvas 16 x 17 1/2 inches; 40.5 x 44.5 cm. Painted 1788-89]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Monumental vase with musical ornament, by Stefano della Bella. Pen and brown ink, 195x130 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Théodore Gericault. Sheet of Studies. Pen and brown ink on beige paper, 290x197 mm.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A wooded river landscape with deer, goats and lizards by a waterfall and cattle, swans and storks by the banks of a river, a castle beyond by Roelandt Savery (1576-1639, Dutch School). Oil on panel, 22x34 inches (55.8 x 86.2 cms). Signed.]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Gérard van Spaendonck. Tilburg 1746 - 1822 Paris. Narcissus, Hyacinth, Garden Nasturtium and other Flowers in a Brown Porphyry Vase. Oil on canvas, oval: 18x11 inches, 46x28 cm, One of a pair. Signed lower center: G. Van Spaendonck.]
Attributed works:
[Salis & Vertes. Salizurg. Dans la Rue by George Seurat (1859-Paris-1891). Oil on panel, 16.5x24.7 cm. Circa 1882-1883]
Attributed works:
[Sotheby’s. De Boelelaan 30 1083 HJ. Amsterdam. Herman Henstenburgh (1667-1726). A vanitas still life (detail). Signed H: Henstenburgh FEC= Pen, watercolour and gouache. 340 by 282 mm.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Josef Anton Koch. Obergiblen 1768-1839 Rome. Landscape with Abraham and the Three Angels. Pen and brown ink, brown wash, heightened with white on brown paper. Signed and dated in the lower right: Comp. par Coch 1797. 540x750 mm]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Vanitas (still-life with skull, fruits, flowers and insects), by Joris (Georg) Hoefnagel (1542-1601). Gouache and watercolour on parchment, 169x115 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. La pianista, by Giovanni Boldini. Watercolour on paper laid down on cardboard, 390x300 mm. Signed and dated '1877']
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Bernard Buffet. Paris. La Tour Eiffel. Colour lithograph. 1962]
Western art unattributed:
[Heribert Tenschert Antiquariat Bibermuhle AG. Rotthalmunster. First illustration of an illuminated manuscript on vellum, with 21 large miniatures by the Master of the Saint Bartholomew altar piece. Johannes von Paltz, Hymelische Fundgrube. Germany (probably Cologne), dated 1508]
Exhibition Review
James Tissot. New Haven, Québec and Buffalo
02/2000 | 1163 | 142
Pages: 130-131
related names
Reviewer:
Stirton, Paul (Stirton, Paul)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
112. Les Deux Sœurs; Portrait, by James Tissot. 1864. 209.7 by 135.9 cm. (Musée d'Orsay, Paris; Exh. Musée du Québec).
Attributed works:
113. The Gallery of H. M. S. Calcutta, by James Tissot. c.1876. 65.7 by 92.1 cm. (Tate Gallery, London; Exh. Musée du Québee).
Attributed works:
114. La Demoiselle de Magasin, by James Tissot. 1883-85. 147.3 by 100.6 cm. (Art Gallery of Ontario, Toronto; Exh. Musée du Québec).
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