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19 articles
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01/2025 | 1462 | 167
Pages: i-xvi
Subjects
Illustrations
Attributed works:
2417.Hypholoma, by Julien Alphonse Lignier (1872–1932). c.1925. Watercolour and ink on paper, 29.8 by 25.1 cm. VICTORIA MUNROE FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
A panel design with Cupid and Psyche, by Jules-Frédéric Bouchet (1799–1860). 1850. Watercolour with pen and ink and gouache, 30 by 20 cm. [NONESUCH GALLERY, LONDON/ Master Drawings New York]
Attributed works:
A woman and her son as Venus and Cupid, by Jacob van Loo (1614–70). c.1670. Oil on canvas, 87.5 by 77.5 cm. [GALERIE LOWET DE WOTRENGE, ANTWERP/Brafa]
Attributed works:
ATTRIBUTED TO GIOVANNI DA UD INE Udine, 1487 - Rome, 1560 A STUDY FOR THE FRESCO ON THE PILASTER BETWEEN THE SEVENTH & EIGHTH BAYS OF RAPHAEL'S DECORATIONS IN THE PAPAL LOGGIE AT THE VATICAN Pen & ink on laid paper 406 x 207 mm | 16 x 8 in ] [Nonesuch Gallery]
Attributed works:
Bahram Gur facing the dragon, by School of Muhammad Zaman. Central Iran, probably Isfahan, c.1675. Brush drawing, opaque pigments and gold on card, 16.2 by 25.1 cm (painting). [SAM FOGG, LONDON/Master Drawings New York]
Attributed works:
Cluny’ and ‘Senlis’ vases, by René Lalique (1860–1945). c.1925. Moulded glass with bronze handles, height each 26 cm. [GALERIE BG ARTS, SAINT-OUEN SUR SEINE/Brafa]
Attributed works:
Composition, by Jacoba van Heemskerck (1876–1923). 1916. Woodblock print, 20 by 28 cm. [PERSPECTIVE FINE ART, AMSTERDAM/Master Drawings New York]
Attributed works:
Dancer in the café, by Jean Metzinger (1883– 1956). 1912. Ink and watercolour on paper, 45 by 37 cm. [GALERIE MARC JEAN-FRANÇOIS CAZEAU, PARIS/Brafa]
Attributed works:
Denial of St Peter, by Bartolomeo Manfredi (1582–1622). c.1618–20. Oil on canvas, 125 by 183 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/Brafa]
Attributed works:
Fox and hare on floral ground. Southern Netherlands, possibly Saint-Trond. 2nd quarter 16th century. Wool and silk, 103 by 236 cm. [DE WIT FINE TAPESTRIES, MECHELEN/BRAFA]
Attributed works:
Girl, by André Lhote (1885–1962). 1909–10. Oil on paper laid down on board, 48.8 by 31.8 cm. [DR NÖTH KUNSTHANDEL + GALERIE, ANSBACH/Brafa]
Attributed works:
GIUSEPPE MOLTENI (1800–1867) The Chimney Sweep, c. 1838 Recently acquired by the Galleria d’Arte Moderna, Milan [Robilant & Voena]
Attributed works:
Head of a bearded man, by Giuseppe Cesari, called Arpino (1568–1640). Pen and brown ink, 15.5 by 13 cm. [RATTON AND LADRIÈRE, PARIS/Master Drawings New York]
Attributed works:
José Álvarez Cubero (1768 – Priego de Cordoba – 1827) The composer Gioachino Rossini (1792–1868) Rome, c.1819–1827. 68 cm high [Desmet/Brafa]
Attributed works:
Monumental bed in Egyptomania style. by Louis Malard. 19th century. Walnut with polychromy, 271 by 232 by 260 cm. [GALERIE MARC MAISON, PARIS/Brafa]
Attributed works:
Nathaniel Dance-Holland (1735-1811) Pencil. c.1767. 12.5 inches (Diam).[Abbott and Holder]
Attributed works:
Pair of staggering and pacing horses, attributed to Francesco Fanelli (1577–1653). 1625– 50. Bronze, black lacquer patina, height 15 cm. and 16.5 cm. [GALERIE DESMET, BRUSSELS/Brafa]
Attributed works:
Portrait of a woman seated under a tree, by John Hoppner (1758–1810). c.1780. Red and black chalks, 31.8 by 26.7 cm. [ABBOTT AND HOLDER, LONDON/Master Drawings New York]
Attributed works:
St Cecilia, by Edward Reginald Frampton (1872–1923). 1917. Watercolour and tempera on board, 73.7 by 120 cm. [THE MAAS GALLERY, LONDON/Master Drawings New York]
Attributed works:
TADDEO ZUCCARO (1529-1566) Design for a Pendentive with Saint Luke Pen and brown ink and brown wash, with touches of white heightening, and squared in red chalk, on blue paper. 147 x 142 mm. (5³⁄₄ x 5⁵⁄₈ in.) at greatest dimensions. A study for Taddeo Zuccaro’s most important surviving work, the fresco decoration of the Mattei Chapel in the Roman church of Santa Maria della Consolazione, painted between 1553 and 1556. An early preparatory study,this drawing depicts one of the four Evangelists painted by Zuccaro on the pendentives of the vault. [Stephen Ongpin]
Attributed works:
The Triumph of Silenus, by Jean- Baptiste Greuze (1725–1805). c.1760– 70. Pen and brown and black ink and grey wash, over an underdrawing in black chalk, laid down on an 18th century French mount, 53.8 by 37.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Master Drawings New York]
Attributed works:
The Triumph of David, from a Book of Hours, by the Berlin Master of Mary of Burgundy. Southern Netherlands, possibly Ghent, c.1480. Miniature on parchment, 15.3 by 11 cm. [ENLUMINURES, CHICAGO, PARIS AND NEW YORK/Master Drawings New York]
Attributed works:
Travellers on donkeys approaching a ruined city gate, by Bartolomé Esteban Murillo (1617–82). Pen and brown ink with brown wash, 21.4 by 13.5 cm. [CHRISTIE’S, NEW YORK/Master Drawings New York]
Attributed works:
Two Capucin monkeys, by Christophe Huet (1700–59). 1737. Oil on canvas, 45.4 by 56.4 cm. [COSTERMANS, BRUSSELS/BRAFA]
Western art unattributed:
Salver. Portugal, late 16th century. Silver, diameter 33 cm. [J. BAPTISTA, LISBON/Brafa]
Western art unattributed:
THE NERO AND AUGUSTUS ALDOBRANDINI TAZZA Probably Netherlandish, 1587–99 15¾ in (40 cm) high; 14¾ in (37.3 cm) diameter Estimate: US$2,000,000–3,000,000 [Christie's New York]
Book Review
Henri Vever: Champion de l’Art nouveau. By Willa Z. Silverman
05/2020 | 1406 | 162
Pages: 461-462
related names
Reviewer:
Warren, Richard (Warren, Richard )
Subjects
collectors and dealers:
styles:
Reviewed Items
subjects:
Henri Vever: Champion de l’Art nouveau By Willa Z. Silverman. 392 pp. incl. numerous col. + b. & w. ills. (Armand Colin, Paris, 2018),  37.50. ISBN 978–2–200–61941–1. | :
Illustrations
Attributed works:
4. Sorcerer’s necklace (‘Les Sorcières’), designed by Eugène-Samuel Grasset and produced by Maison Vever. 1900. Gold, enamel, carnelian and chrysoprase, 14.6 by 4.76 cm. (Virginia Museum of Fine Arts, Richmond).
Publication Received
René Lalique: Enchanted by Glass. By Kelley Jo Elliott, with a foreword by Karol Wright and contributions by Elizabeth Everton and Tina Oldknow.
01/2015 | 1342 | 157
Pages: 40
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
artists:
dates:
subjects:
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Advertisements June 2002 (front)
06/2002 | 1191 | 144
Pages: i-xxxii
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
Brooch-Pendant by Augusto Castellani, with a Sapphire Engraved by Giorgio Antonio Girardet. 1887-88. Enamelled Gold, Set with an Engraved Sapphire, Rubies, Pearls and a Diamond, 9.4 by 5.2 cm. (Victoria and Albert Museum, London)
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Jean Louis Andre Theodore Géricault (1791 - 1824) Recto: Studies of Two Heads and Four Legs of a Dog Pen and Brown Ink over Traces of Black Chalk, within Brown Ink Framing Lines, 208 × 131mm Estimate: £6,000 - 8,000
Attributed works:
[C.John, 70 South Audley Street, London, UK] A Mortlake Tapestry Woven in Red, Blue and Brown Wools and Silks, Depicting a Scene from the Life of Diogenes with a Philosopher Departing from Diogenes, Who Is Seated Outside His Barrel with a Fort beyond. The Cartouche Inscribed, Qui Domu Amrit Hanc Me Sepeliat and Set within a Foliage Border and a Bead and Reed Frame with Strapwork Scrolls, Flowers and Foliage with the Mortlake Shield. Late 17th Century. Dimensions, 107 × 71½ in (272 × 182 cm).
Attributed works:
[Christie's, 8 King Street, London, UK] Giambattista Tiepolo (Venice 1696-1770 Madrid) The Lamentation. Oil on Canvas 23¼ × 16 in. (59 × 40.5 cm.); Excluding Additions of Approx 1¼ in. to Both Sides Estimate: £1,000,000-1,500,000
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Detail of Leda and the Swan, Massimiliano Soldani Benzi (Florence 1656-1740)
Attributed works:
[David Jones, 65, rue du Faubourg Saint-Honore, Paris, France] François le Moyne 1688-1737, a Head of Christ Black, Red and White Chalk. 325 × 229 mm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Collier-de-Chien, by René Lalique, Paris, c.1900. Gold, Diamond and Plique-à-Jour Enamel, Width 5cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Tankard, with an Unrecorded Mark (The Arms of Saxony), probably Dresden, c.1530-50. Silver-Gilt and Enamel, ht 26.6 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Unicorn Cup Carved from a Narwhal Tusk, Circle of Leonard Kern (1588-1662). Ivory, ht 15.2 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] One of a Pair of Silver Three-Light Candelabra, London, 1808, Made by Paul Storr for Rundell, Bridge & Rundell, London, Ht 70.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Two Opposing Forms (Grey and Green), by Barbara Hepworth. Marble, ht.27.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Young Woman Holding a Piece of Sewing, by Gwen John. Oil on Canvas, 46 × 38 cm.
Attributed works:
[Exh. Master Drawings Week, London] A Study of Heads, James Gillray, (1756-1815). Pen and Black Ink and Watercolour, 169 × 114mm.
Attributed works:
[Exh. Master Drawings Week, London] American Drinks, by George Lepape, (1887-1971). Pen and Ink and Watercolour, 253 × 243mm.
Attributed works:
[Exh. Master Drawings Week, London] Diana in a Medallion, by Jacob Matham, (1571-1631). Pen and Brown Ink and Wash, 137 × 114mm.
Attributed works:
[Exh. Master Drawings Week, London] Jacopo Ligozzi Verona c.1547-1627 Florence. An Allegory of the Fall and Redemption of Man Pen and Ink, Brown Wash, Heightened with White, 415 × 275mm
Attributed works:
[Exh. Master Drawings Week, London] Mercury and Argos, by Pierre Henri de Valencienne, (1750-1819). Black Chalk, 514 × 400mm.
Attributed works:
[Exh. Master Drawings Week, London] Portrait of Peter Francis Nassau, by Richard Cosway, (c1742-1821). Graphite and Watercolour, 228 × 147mm.
Attributed works:
[Exh. Master Drawings Week, London] Preparatory Study for the Planes of Heaven, by John Martin, (1789-1854). Watercolour, Signed and Dated 1851.
Attributed works:
[Exh. Master Drawings Week, London] Studies of a Lion and a Wolf (Detail), by Bartolomeo Passarotti, (1529-1592). Red Chalk, 268 × 189mm.
Attributed works:
[Exh. Master Drawings Week, London] Study for a Seated Prophet, Luca Signorelli, (1441-1523). Black Chalk Heightened with White, 11 5/8 by 8¼ in.
Attributed works:
[Exh. Master Drawings Week, London] View of the Villa Aldobrandini at Frascati, Seen from the Garden, Hubert Robert, (1733-1808). Red Chalk, 309 × 448mm.
Attributed works:
[Exh. Master Drawings Week, London]The Head of a Young Boy Crowned with Laurel, by Lorenzo Credi, (c.1457-1537). Black Chalk and Partly Pricked for Transfer, 230 × 212mm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A 16th-Century Netherlandish Alabaster Carving of the Pietà. Height: 33 cm (13 in). Width: 24 cm (9½ in). Depth: 13 cm (5 in).
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Console Table in the Manner of Matthias Lock, English, c.1745. Gilt-Wood with Marble Top, 87 × 137 × 69 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Louis XVI urns. French c.1790. Ormolu-Mounted Marble, bt.32.5 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Renaissance Revival Pendant, by A. Phillips. English, c.1860.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Three Dimensional Needlework Embroidery (Stumpwork) Depicting the Biblical Scene of Esther Presenting Herself to King Ahasuerus. English, c.1650. 44 × 54 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Lady with a Fan by Albert Ludovici Junior (1852-1932). British. Oil on Panel, 18.5 × 11 cm (7½ × 4½ in).
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] One of a Pair of Console Tables, by Gabriele Capello after Drawings by Pelagio Palagi. Italian c.1835. Yew wood, 110 × 117 × 59.5 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Pompeo Batoni (Lucca 1708 - 1787 Rome) Portrait of Robert Clements, Later 1st Earl of Leitrim (1732-1804). Oil on Canvas, 101 × 73 cm (39 /34 x 28 3/4 ins)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Paul Colin (1889-1985) La folie de la danse Pen and Ink and Gouache, 21.8 × 16 cm Marcel Sauvage, Les Mémoires de Joséphine Baker, Paris, Undated (1927), p. 21
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Philips Wouwerman (1619 - Haarlem - 1668) Soldiers Carousing with a Serving Woman Outside a Tent. Oil on panel. 16 × 13 3/4 in. (40.7 × 35 cm)
Attributed works:
[Keshishian, 73 Pimlico Road, London, UK] The Defeat of Porus A Fine Brussels Tapestry from the Series The Story of Alexander after Charles Le Brun, Woven in the Workshop of Geraert Peemans, Circa 1690. 16 ft 5 in × 10 ft 8 in (487 × 311 cm). Similar Example: Wurzburg Palace, Residenz, Germany.
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] John Robert Cozens 1752 - 1797. The Valley of the Eisak near Brixen in the Tyrol Watercolour Size: 9 7/8 x 14 7/8 Inches Painted Circa 1783-4
Attributed works:
[Marks Fine Antique Silver, 49 Curazon Street, London, UK] The Strafford Wine Coolers. A Remarkable Pair of Queen Anne Silver Wine Coolers David Willaume, London, Circa 1711
Attributed works:
[National Gallery of Ireland, Merrion Square West, Dublin, Ireland] Julius Gari Melchers, The Communicant, c.1900, Oil on Canvas, Courtesy of Detroit Institute of Arts
Attributed works:
[National Portrait Gallery, London, UK] Georgiana, Lady Greville by George Romney, c.1771 © Courtauld Gallery, Courtauld Institute, London
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] The Harvey Suite: A Set of George III Drawing Room Furniture Comprising Four Mahogany Armchairs and a Pair of Window Seats of Outstanding Quality.
Attributed works:
[Rupert Wace Ancient Art Limited, 14 Old Bond Street, London, UK] Roman Bronze of Aphrodite 2nd century AD Height 24 cms
Attributed works:
[Simon Finch Rare Books, 53 Maddox Street, London, UK] Robert Hooke, Micrographica, London 1665
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Attributed to Alessandro Bonvicino Called Moretto da Brescia (1498-1554) Young Man Holding a Staff Red Chalk, 225 × 160mm. Estimate: £30,000-50,000 €48,000-80,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jean-Etienne Liotard (1702-89) Portrait of Anton Corfiz, Count Ulfield, Austrian Ambassador to the Ottoman Court 1740-41 Gouache and Watercolour over Black Chalk on Vellum, 316 × 230 mm Estimate: £300,000-500,000 €480,500-900,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Victorian Cut Crystal Glass, Silvered-Metal and Button-Upholstered Armchair Circa 1882 by F & C Osler Estimate: £15,000 - 20,000 Part of a Group of Cut Crystal Glass Furniture Stamped by and Attributed to the Birmingham Firm of F & C Osler
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Aimé-Jules Dalou (Paris 1838-1902). Allegorical Figure of a Nude Seated Woman, Probably Minerva. Dark Brown-Black Wax Maquette; on Original Rectangular Wood Base; Signed on the Right of the Wax Base: Dalou. Height of the Wax Figure: 36 cm.
Attributed works:
[Victor Franses Gallery, 57 Jermyn Street, London, UK] A Fine and Rare 19th Century French Bronze Model of an Owl and Tortoise by Jean-Baptiste Clésinger (1814-1883).
Attributed works:
[Wolseley Fine Arts, 12 Needham Road, Westbourne Grove, London, UK] Aristide Maillol, Femme debout en mouvement, c. 1920. Sanguine, 34 × 23 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Blue-and-White Octagonal Baluster Vases and Covers. Japanese, Arita, 17th c. ht. 85 cm.
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An Art Deco Three-Drawer Chest with Shagreen Panels. English, c.1930. 76 × 91 × 53 cm.
Western art unattributed:
[Galerie Bresset, 5, quai Voltaire, Paris, France] Sculpted Heads
Western art unattributed:
[Galerie Chevalier, 17 quai Voltaire, Paris, France] Antique Tapestries - Oriental Rugs European Rugs - Antique Textiles
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Florentine, Mid 16th Century. A Pair of Large and Impressive Mannerist Bronze Groups of Allegorical Male Figures Astride Fantastic Beasts Overall Heights: 91 and 93cm Estimate: £1,000,000-1,500,000
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Advertisements June 2000 (front)
06/2000 | 1167 | 142
Pages: i-xxxii
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
Vase Enamelled with an Allegory of the Arts, Attributed to William Collins, London, c.1820. Ht. 31 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London] Giovanni Agostino da Lodi (c.1495-1520). The Adoration of the Magi. Panel, 27 × 36 in (68.5 × 91.5 cm)
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] Pair of Coral Mounted Vases. Trapani. Mid-Seventeenth Century. Of Gilt Bronze, Coral and Enamel. Measurements: Height: 8 3/4 (22cm); Width: 7″ (17.7cm); Depth: 4 3/4 (12cm).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Bust of Napoleon in Classical Armour by Angelo Pizzi (Milan 1775-1819). White Marble. Height 64.5 cm. Length 55 cm. Depth 22 cm.
Attributed works:
[Christie's, 8 King Street, London, UK] Tiziano Vecellio, Called Titian (Pieve Di Cadore 1477-1576 Venice) Portrait of Giacomo Doria, Half-Length, in Black Robes, His Cap in His Right Hand, before a Marble Column. Signed 'Ticianvs/F' Flower Right, on Pedestal), and with Nearly Contemporary Inscription 'Giacomo. Doria / .Q. Avgvstini' (Centre Right at the top of the Pedestal) and with the Sitter's Coat-of-Arms (Upper Left) Oil on Canvas, $45frac{3}{4}$ × $38frac{3}{4}$ in. (116.2 × 98.4 cm.) Estimate: £800,000-1,200,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giovanni Domenico Tiepolo (1727-1804) Christ and the Centurion. Pen and Brown Ink and Brown Wash, 491 × 383 mm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Seated Youth Reading, by Guercino, c.1626. Red Chalk, 30.5 × 21.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Bonheur du jour, by Pierre Pioniez, 1765. Oak Veneered with Sycamore, Satin- and Rosewood, 88 × 65 × 38 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Console Table, Inspired by François de Cuvilliés, German, c.1745. 78 × 137.2 × 58.4 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Mother and Children before a Fire, by Jean-Honoré Fragonard. 29.9 × 38.1 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Organ Clock, Case Italian 1791, the Movement by Robert et fils et Cie, Neuchâtel. Wood, Simulating Porphyry and Granite, 94 × 61.5 × 34.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Thistle-Shaped Neo-Classical Vase, by Philip Rundell of Rundell, Bridge and Rundell, 1823. Wt. 52 oz., ht. 24 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Vase with Cover, Doccia Porcelain Manufactory, Florence, c.1748-50. Modelled by Gaspero Bruschi after a Wax by Massimiliano Soldani. White Doccia Porcelain, 60 by 34.3 by 21 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Walking Jaguar, by Rembrandt Bugatti, c.1911. Bronze, 17.8 × 38.7 cm.
Attributed works:
[Getty Publications] Photo Credit: Rembrandt Harmensz van Rijn, The Syndics of the Drapers' Guild, 1662, Oil on Canvas, 191.5 × 279 cm, Rijksmuseum, Amsterdam, inv. SK-C-6.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giovanini Francesco Barbieri, Called Il Guercino (1591-Cento-1666) Christ in the Garden of Gethsemane. Oil on Canvas, $84frac{3}{4}$ × 55½ Inches (215.3 × 141 cm) Painted in 1632 for the Benedictine Church of Saint Margaret in Bologna
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Théodore Géricault (1791-1824). La Porteuse d'eau. Pen and Brown Ink over Black Chalk and Watercolour, 27.8×19.9 cm
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] The Triumph of Neptune and Amphitrite, by Frans Francken the Younger. Copper. 53 × 76 cm.
Attributed works:
[Lestranger, 3 Place Jean-de-Renaud, St-Remy-de-Provance, France] Jean-François Thomas dit Thomas de Thomon (Paris 1759 - St. Petersbourg 1813). «Ugolin» Pen, Ink Wash and Watercolour Heightened with White Bodycolour. 51 × 73 cm. Signed and Dated Lower Left: Thomas f. à Rome 1786.
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Jacopo Guarana (1720 Verona - 1808 Venice). Oil on Canvas. Each 54 × 37 cm.
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] A Fine Regency Painted, Grained and Gilded Chiffonier, Circa 1815. The Original Decoration Is in the Manner of Dawes and Newton of Soho, London (See Furniture History, 1995, p.169, fig.60 etc.) Width 34½ ins (87.5 cms). Depth 13 3/4 ins (34.5 cms). Height 61½ ins (156 cms).
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] François Boucher, Venus Disarming Cupid. Signed, Oil on Canvas, 96.5 × 82.5 cm (One of a Pair), Estimate upon Request
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] John William Waterhouse, Ophelia. Oil on Canvas, Signed J. W. Waterhouse, 124 × 74 cm, Estimate: £1,500,000-2,000,000
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Sir Peter Paul Rubens, Virgin and Child. Red Chalk Heightened with White. 243 × 133 mm. Estimate: £100,000-150,000
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Gaspar van Wittel, Called Vanvitelli (1652/3-1736). Italian School. An Architectural Capriccio from Inside the Colosseum. Oil on Panel. 6½ × 10 3/4 Inches (16.5 × 27.5 cms). Signed with Initials and Dated 1721
Attributed works:
[Sam Fogg, 35 St. George Street, London, UK] A Page from the Turin-Milan Hours Illuminated in the Workshop of Jan Van Eyck. Painted in Bruges around 1440, This Previously Unknown Sheet Was Removed from the Manuscript before 1713
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Aimé-Jules Dalou French, 1838-1902. A Bust of Albert Ludovici. Signed and Dated: J. Dalou 1873. Terracotta. 57cm., 22½in. Estimate: £30,000-£50,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Doménikos Theotokópoulos, El Greco. Crete 1541-1614 Toledo. Christ on the Cross (Detail). Signed in Greek at the Foot of the, Cross: doménikos theotokópolos/époiei. Oil on Canvas 82.6 by 51.6cm. Estimate: £600,000-800,000
Attributed works:
[Sothebys.com] John Varley. On the Mahmoudieh Canal, Alexandria. Circa 1880. Oil on Canvas. 17 7/8 in. by 24 in. (45.5 cm. by 61 cm.). Opening Bid: $2,000
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Archibald Skirving (1749-1819), Mrs Johnston of Hutton Hall, Circa 1796-1800, Pastel, National Gallery of Scotland
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Landscape with Herdsmen, Cows and Washerwomen, with the Temple of the Sibyl at Tivoli behind, by Herman van Swanevelt, Rome, 1649. 60.9 × 122 cm.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Letter from Elizabeth I to Peregrine Bertie, Lord Willoughby de Eresby, 30th March 1588
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Magnificent letter signed by Elizabeth I ('Elizabeth R', the signature measuring 63 mm deep and 133 mm wide), dating from just over two months before the Spanish Armada set sail, and one of very few letters by the Queen written in Armada year to have come on the market.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Set of Six George III Silver-Gilt Wine Coasters, by Paul Storr, London, 1814
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Young Nymph, by René Lalique, c.1897-99. Gold and 'Window Enamel', Set with Diamonds.
Attributed works:
[The Weiss Gallery, 1B Albemarle Street, London, UK] Jan van Scorel 1495-1652. Edmund, 1st Lord Sheffield (1521-1549). Painted Circa 1547 Oil on Panel: 17 3/4 × 14 ¼ ins. (45.5 × 36.3 cm.)
Non-western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Manuscript of the Garshaspnama with 22 Paintings. Persia Isfahan.
Non-western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Chinese Porcelain Blue-and-White Ewer, Jiajing 1522-66. Ht. 24.2 cm.
Non-western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Underglaze Blue Charger with V. O. C. Monogram Surrounded by Ho-Ho Birds. Japanese, Arita, 17th Century.
Western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Suite of George III Drawing Room Furniture, c.1780. Mahogany.
Western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Manuscript of St Thomas Aquinas's Quaestiones de Veritate, c.1450, in a Contemporary Pigskin Binding.
Western art unattributed:
[Motionworks, 1/5 Clerkenwell Road, London, UK] English Ormolu Automata Clock Recently Restored by Motionwork
Western art unattributed:
[Simon Finch Rare Books, 53 Maddox Street, London, UK] Galerie Theatrale. Three Volumes Containing 144 Fine Engraved Plates Printed in Colours and Finished by Hand. Printed in Paris by Bance ainé, 1812-1834. The First Edition of a masterpiece of Early Colour Printing. £14,000
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Black-Figure Attic Krater, Manner of Lysippides, Late 6th Century BC. Ht 33 cm.
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Female Saint, Attributed to the Heggebacher Meister, Ulm, c.1460. Limewood, ht.98 cm.
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Pastille Burner, Derby, c.1810. Porcelain, 22.5 × 12 × 12 cm.
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Tortoiseshell and Gold piqué boite à Ballon Snuff Box, with Gold Inlay and Hinge, Naples c.1720-40. Diameter 7 cm.
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Advertisements June 1992 (front)
06/1992 | 1071 | 134
Pages: i - xxxvi
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Ader Tajan auctioneers, 12 rue Favart, Paris ] A Sèvres Porcelain Mounted Tulipwood Small Commode by Carlin. A Jewel Casket of the Queen Marie-Antoinette by Carlin. Gauguin. «Te Fare» (La Maison), 1892. Van Dongen. «La Baigneuse», Deauville, 1920.
Attributed works:
[ Brand Inglis, 9 Halkin Arcade, Motcomb Street, London ] A George III Cup and Cover. Samuel Hennell. London 1800. Height: 12½″.
Attributed works:
[ Brimo de Laroussilhe, 11 rue de Lille, Paris ] Jean de Liège (Attributed to) Figure of a Reclining Angel, Probably from the Tomb of Philippa of Hainault (†1369), Made by Jean de Liège in 1367 (Westminster Abbey) Alabaster, 8½in. Long (21.6cm)
Attributed works:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Martin-Claude Monot (Paris 1733-1803) Marble Bust of a Man Signed and Dated: Monot. 1769. Height: 43 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York ] Interior of the Red Salon of Isabella Stewart Gardner's House at 152 Beacon Street, in the 1890's, Showing the Rembrandt Self Portrait and the Tragedy of Lucretia by Botticelli, Both Acquired Through Colnaghi. Photograph Courtesy of the Isabella Stewart Gardner Museum, Boston.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Peter Brueghel the Elder (?1530-1569) The Summer Engraving, Signed. 225 × 286 mm.
Attributed works:
[ Katrin Bellinger, exhib. at Harari & Johns, 12 Duke Street, London] Jacopo Robusti, il Tintoretto (1518-1594) Study after Michelangelo's Samson Verso: Study after the Same Group Black Chalk, Heightened with White, on Blue Paper; Inscribed lower Centre: Tintoretto 386 × 164 mm
Attributed works:
[ Marlborough, 6 Albemarle Street, London ]The Brothers, 1991 Oil on Canvas 64¼ × 64¼ in./163.2 × 163.2 cm. Signed, Dated and Entitled on Reverse
Attributed works:
[ Pyms Gallery, 13 Motcomb Street Belgravia, London ] Bridgit - A Picture of Miss Elvery by Sir William Orpen RA, RHA, NEAC (1878-1931). Inscribed by the Artist 'Orpen 1909' lower Left. Oil on Canvas, 112 × 86 cm (44 × 34 in).
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London / Sporting d' Hiver, Place du Casino, Monte Carlo ] A 19th Century Patinated and Gilt Bronze Console Table Made for the Hotel of the Paiva in 1864-65 by Aimé-Jules Dalou. Ht. 109cm., W.158cm., D.58cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Rembrandt Harmensz. van Rijn, Portrait of Johannes Uyttenbogaert, Bears the Signature and Date: Rembrandt ft./1633 and Bears the Inscription: AET: 76, 132 by 102 cm. From the Sale of Old Master Paintings, 8 July. Estimate on Request.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Fine Gold Enamel Opal and Pearl Brooch Pendant, by Lalique.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A George III Mahogany Kneehole Desk, Attributed to the Workshops of William Hallett/Vile. Circa 1760. Height 76.2 cm (30 in). Width 115.6 cm (45½ in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Benjamin West P. R. A. The Ascension Canvas. 49½ × 34 ins (126 × 87 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Daniel Clowes (1774-1829). A Horse and Groom in the Grounds of Hooton Hall, Cheshire. Oil on Canvas, 32 × 44 in (81 × 112 cm). Signed and Dated 1816.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fisherfolk on the Beach at Scheveningen by Jan van Goyen (Leiden 1596-1656 The Hague). Signed with Monogram and Dated 1644. Oil on Panel, 51.4 × 68.6 cm (20¼ × 27 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] François Lespingola (1644-1705) A Bronze Group of the Rape of Europa Height 26.8 cm (Excluding Base).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] John Singleton Copley Portrait of Colonel Baker 1781. Oil on Canvas 30 × 25 in (76.2 × 63.5 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Marmaduke Craddock (1660-1717) English School. A Peacock with a Cockerel, Turkey, White Hen, Young Chicks and a Dove in a River Landscape. Oil on Canvas, 12 × $13frac{7}{8}$ in (30.5 × 35.2 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] The Madonna and Child with St. Francis and the Infant St. John the Baptist by a Ruin by Battista Luteri, Called Battista Dossi (Active 1517-Ferrara-1548). Oil on Panel, 58 × 37 cm ($22frac{7}{8}$ × $14frac{5}{8}$ in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[ Voena, Via dei Mille 36, Turin ] Jusepe de Ribera Called lo Spagnoletto (Jativa di Valencia 1591 - Naples 1652) St. Jerome Canvas, 76 × 65 cm. Signed and Dated at Left: 'Jusepe de Ribera español valenciano 1648'.
Attributed works:
[Asprey, 725 Fifth Avenue, New York] A Rare George II Punch Bowl and Cover by William Cripps, 1752. 4309.2 grms (152 oz). A Set of Four George II Salts by Paul de Lamerie, 1745. 1105.7 grms (39 oz).
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London] Ubaldo Gandolfi (1728-1781) the Sacrifice of Isaac Red Chalk, Pen and Brown Ink, Brown Wash; 312 × 218 mm.
Attributed works:
[Phillips, 101 New Bond Street London] Erasmus Quellinus II, (1607-1678), "Salome being Handed the Head of St. John the Baptist", Oil on Panel, 124cm × 200cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Domenico Maria Fratta (1696-1763), "The Triumph of David", Pen and Brown Ink, within a Deliniated Border, 38.7cm × 47cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Charles VI and Odette de Champdivers by Eugène Delacroix (1798-1863). Circa 1825. Signed upper Left 'E. Delacroix'. Oil on Canvas, 35.5 × 27.5 cm (14 × $10frac{13}{16}$ in).
Non-western art unattributed:
[ Flying Cranes Antiques, 1050 Second Ave. at 56th Street, New York ] Myochin Sea Monster. Length, 24″; Height, 12″.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Canton Enamel Armorial Tea Caddy; The Interior Fitted with Two Canisters and a Blending Casket. Chinese, 18th Century. Height 13.4 cm. Width 28.4 cm. Depth 13.5 cm.
Western art unattributed:
[ Axel Vervoordt, Castle of 's- Gravenwezel Castle ] Original White Painted Limewood Groups Representing the Allegory of Heaven and Earth, Mid 18th Century 63 × 85 × 52 cm - 60 × 73 × 61 cm.
Western art unattributed:
[ Bernard Blondeel, Schuttershofstraat 5, Antwerp ] Giant Leaf Verdure Oudenaarde 1550-1600 H. 272 cm. × W. 376 cm.
Western art unattributed:
[ C. John, 70 South Audley Street, Mayfair, London ] An Exceptional Tapestry-Woven Carpet. Bessarabian, Late 19th Century. Wool. Dimensions 297 × 287 cm (117 × 113 in).
Western art unattributed:
[ cover ] Detail of a Table Carpet. French, c.1600. Canvas Work Embroidery, Wool and Silk on Linen, Tent and Cross Stitch, 273 by 218 cm. (Whole). (The Bowes Museum, Barnard Castle).
Western art unattributed:
[ E & H Manners, 66 A Kensington Church Street, London ] A Paris Biscuit Group Impressed 'Mre de Mr le duc à Paris d'angoulème'. 1781-1789. Height: 17″, 44 cm.
Western art unattributed:
[ Frides Lameris, Nieuwe Spiegelstraat 55, Amsterdam ] A Goblet Wheel Engraved with Fishing Boats Anchored at Sea with Their Nets Cast and the Inscription 'Twelvaren Van De Groote Visscherye' (To the Prosperity of the Herring-Fishery). Multi-Knopped Stem, Folded Foot. Dutch Engraved Lead-Glass, c.1750 Height: 23,5 cm (9¼ in).
Western art unattributed:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais - Royal ] Standing Prophet Initial from a Choirbook, Tuscany, Siena (?), c. 1400 ca. 120 × 300 mm.
Western art unattributed:
[ Patrick Sandberg Antiques, 140 - 142 Kensington Church Street, London ] This Fine Adam Period Figured Mahogany and Tulipwood Crossbanded Serpentine Serving Table, Circa 1780, Is a Typical Example of Stock Always Available at Our Large Kensington Showrooms.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Rare English Wine Glass, the Gilt Rimmed Bowl Engraved with Fruiting Vine and Set on a Coloured Composite Stem Comprising of Red and Blue Twists around a Central Air Twist Spiral Gauze, on a Conical Foot. Circa 1760. Height 14 cm.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Rectangular Mother-of-Pearl Box in Four Colour Gold Inlaid with Sepia Mother-of-Pearl and Decorated with Mythological Beasts and Birds. The Borders Are Embellished with Chased Quatre-couleur Floral Decorations. Paris, c.1825. 3¼ × 2¼ × 1½ ins.
Western art unattributed:
[Claude Kuhn, Blumenrain 12, Basel ] Northern Italy, End of the 15th Century 'Two Yokes, One Hanging on a Wall' Pen and Brown Ink, 20.8 × 14.7 cms
Western art unattributed:
[Neumeister, Barer Str. 37, Munich] Italy, ca. 1520. Saint Peter in Prison. Alabaster, 28 × 18,5 × 17, 5 cm.
Western art unattributed:
[Trinity Fine Art Ltd, 29 Bruton Street, London] A Limoges Champlevé Enamel Chasse, Depicting the Martyrdom of St. Thomas Becket, Circa 1200-1210, Height: 16.5 cms, Width: 12.5 cms.
Supplement
Recent Acquisitions at the Department of Sculpture and Decorative Arts, Rijksmuseum, Amsterdam: Supplement
06/1990 | 1047 | 132
Pages: 443-448
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
II. The Virgin Mary, by Arnt van Tricht (fl.c.1530-70). Oak, having lost its original polychromy, 100 cm. high. Calcar, c.1540. Purchased 1987. Inv. RBK 1987-21. The figure originally formed part of a Crucifixion group; the St John the Evangelist from the same group was acquired by the Rijksmuseum in 1898. Inv. NM 11155. The figure of the crucified Christ is presumed to be lost.
Attributed works:
IX. Vase (Vase Etrusque de Naples). Biscuit porcelain, painted in colours and gold, with gilt bronze handles, 59.5 cm. high; 29 cm. diam. Sèvres, 1858, the frieze painted by Paul-Maric Roussel. Purchased 1987 with the aid of a grant from the Belport Familienstiftung. Inv. RBK 1987-14. The shape of this vase was designed in 1849 by Jules-Pierre-Michel Diéterle (1811-89), chef des travaux d'art at Sèvres. A smaller pair was shown at the 1851 Great Exhibition in London, and another example was exhibited at the 1855 Paris Exposition Universelle.
Attributed works:
X. Comb, by René Lalique (1860-1945). Horn, gold and diamonds, 15.5 by 7.6 cm. Paris, c.1902. Purchased 1987. Inv. RBK 1987-2. The asymmetrical, Japanese-inspired design of this comb is extremely close to that of an example sold by Lalique in 1904 to his foremost patron, Calouste Sarkis Gulbenkian, now in the Gulbenkian Museum in Lisbon. On that piece, however, the flowers of the Guelder rose are executed in plique-à-jour enamel centred by tiny diamonds.
Attributed works:
XI. Sideboard, by E. J. Wisselingh & Co., designed by Carel Adolph Lion Cachet (1864-1945). Coromandel wood inlaid with walnut, ivory and copper, 142 by 182.5 cm. Amsterdam, c.1900. Purchased 1988. Inv. RBK 1988-41. Lion Cachet was much influenced by P. J. H. Cuypers (1827-1921), the architect of the Rijksmuseum's building who favoured the neo-gothic style. Neogothic linenfold panelling features prominently on this early example of Dutch eclectic art nouveau.
Attributed works:
XII. Vase, by Wolfers Frères after a design by Philippe Wolfers (1858-1929). Silver, 24.2 cm. high; 12 cm. diam. Brussels, c.1895. Purchased 1988 with the aid of a grant from the Foundation Dr Hendrik Muller's Vaderlandsch Fonds. Inv. RBK 1988-5. An example of the emerging art nouveau style in the work of Wolfers, this vase was retailed by the firm of Bonebakker in Amsterdam. Wolfers Frères also produced vases of the same form with a more traditional, naturalistic decoration.
Attributed works:
XIII. Vase, by Ernest Chaplet (1835-1909), the decoration probably by A. Kalt. Earthenware (grès brun), partly glazed, decorated in colours and black and white enamel, heightened in gold, 37.2 high; 27.3 cm. diam. Paris, c.1885-86. Purchased 1989. Inv. RBK 1989-5. Chaplet produced his revolutionary grès brun wares, on which the clay body was partly left unadorned, between 1882 and 1887. The vase is marked in gold 'HB&Co, for Hippolyte Boulenger & Cie, which started selling Chaplet's wares in 1886. The decoration bears the incised monogram 'AK', probably for A. Kalt.
Attributed works:
XIV. Vase. Porcelain, decorated in pâte-sur-pâte and painted in colours, 18.2 cm. high; 9.4 cm. diam. Meissen, c.1902, the decoration attributed to Rudolf Hentschel. Purchased 1986. Inv. RBK 1986-1. Like his father Julius (1843-1928), Rudolf Hentschel (1869-1951) was well-known at Meissen for his pâtesur-pâte decorations. He also designed some of the most distinctive shapes and painted decorations of Jugendstil Meissen porcelain. The pale blue, green and pink colours of the vase are characteristic of his work.
Attributed works:
XIX. Footed bowl, by François-Désiré Froment-Meurice (1802-55) executed by Jules Wièse (1818-90). Silver, partly gilt, with pearls, 35.3 by 26.2 cm. Paris, c.1851. Purchased 1989 with the aid of a grant from Christie's Amsterdam on the occasion of the retirement of S. H. Levie as Director-General of the Rijksmuseum. Inv. RBK 1989-13. An inscription records that this was a gift from Baron James de Rothschild (1792-1868) to a Mr. Mel Poisat on the occasion of the latter's twenty-fifth wedding anniversary in 1851. A similar piece was included in Froment-Meurice's triumphantly successful display at the 1851 Great Exhibition in London.
Attributed works:
XVI. Tazza, by Adam van Vianen (c.1568/9-1627). Silver, 3.3 cm. high; 18.2 cm. diam. Utrecht, 1610. Purchased 1985, with the aid of grants from the Rijksmuseum Foundation and private donors. Inv. RBK 1985-24. The scene represents Odysseus and his men visiting Circe. The dish is the earliest known piece of silver by Adam van Vianen, showing the so-called auricular style for which he and his brother Paulus are famous. Elements of this style occur in the border and, more strikingly, on the boldly shaped winecooler represented in the scene itself.
Attributed works:
XVIII. Plate. Tin-glazed earthenware, painted in blue and manganese, 48.5 cm. diam. Delft, c.1675-85, 'De Grieksche A' factory under Samuel van Eenhoorn. Purchased 1986. Inv. RBK 1986-16. The 'Grieksche A' factory, under the direction first of Samuel van Eenhoorn (died 1686) and then of Adriaen Kocks (died 1701), was the favourite supplier of blue and white Delft to Queen Mary and to courts all over Europe. It is very rare to find a 'Grieksche A' piece decorated in manganese as well as blue.
Attributed works:
XX. Panel. Glass, wheel-engraved, 23 by 18.3 cm. Prague, dated 1620, the engraving attributed to Caspar Lehmann (c.1563/5-1622). Purchased 1986. Inv. RBK 1986-29. The recumbent lion personifies the Count Palatine Frederick V (1596-1632), who was King of Bohemia during the Winter of 1620. The panel forms part of a series, the precise function of which remains unknown.
Attributed works:
XXI. One of a pair of chestnut-vases, by Diederik Lodewijk Bennewitz (1764-1824). Silver, 29.8 cm. high; 13.7 cm. diam. Amsterdam, 1822. Purchased 1985. Inv. RBK 1985-28. Silver chestnut-vases were made in Holland in considerable quantities from the late eighteenth century. They were probably used for marrons glacés. Their bold, geometric form is typical of Amsterdam silver in the Empire style, and the cast ornament clearly copies French models.
Attributed works:
XXII. Plate, by the 'Zuid-Holland', factory designed by C. J. van der Hoef (1875-1933). Earthenware painted in underglaze blue and brown, 8.8 cm. high; 41.5 cm. diam. Gouda, c.1905. Purchased 1986. Inv. RBK 1986-13. Between 1900 and 1910 C. J. van der Hoef was one of the foremost Dutch designers of ceramics, working for many of the small factories active at the time. The dish shows his restrained geometric style, typical of a mainstream development in Dutch art nouveau.
Attributed works:
XXIV. Vase, by Emile Gallé (1846-1904). Glass, acid-etched, and enamelled in colours and gold, 42.6 by 21.3 cm. Nancy, c.1884. Purchased 1989. Inv. RBK 1989-2. The decoration, composed of a mixture of Arabic, Japanese, classical and gothic motifs, is typical of Gallé's work of the mid-1880s. The shape may have been inspired by Japanese ceramics.
Western art unattributed:
I. Madonna and child. Oak, having lost its original polychromy, 67 cm. high. Utrecht, or the province of Holland?, c.1470. Purchased 1987. Inv. RBK 1987-22. Utrecht was the main centre for sculpture in the Northern Netherlands, but this Madonna, which comes from a church near Hoorn, may well have been made in another northern town such as Haarlem.
Western art unattributed:
III. Funerary monument. Limestone, painted in colours and gilded, 51.7 by 37 cm. Southern Netherlandish, c.1520. Purchased in 1985 (on loan from the Rijksmuseum Foundation). Inv. RBK 1985-41. The Virgin and child are shown with Sts Benedict and Bernard, with Sts Peter, John the Baptist and Paul in the predella. The monument is unusual in that it follows the composition of many full-sized wooden altar-pieces, though in stone and on a small scale.
Western art unattributed:
IV. Tureen. Porcelain, painted in colours, 20.5 by 20.9 cm. Weesp c.1770; decorated in Loosdrecht, 1774. Purchased 1988 with the aid of a grant from the Rijksmuseum Foundation. Inv. RBK 1988-3. This tureen represents an experimental phase in the founding of the Loosdrecht factory (fl.1774-84). The porcelain was made at the Weesp factory (fl.1759-70/1) and bears its mark, the crossed swords with three dots in underglaze blue. The decoration was added in Loosdrecht, witness the overglaze brown mark Mol. and the date $17 frac{2}{19} 74$, i.e. one day before the official founding date of the Loosdrecht factory. The tureen was discovered during the preparation of an exhibition of Loosdrecht porcelain held at the Rijksmuseum in 1988.
Western art unattributed:
V. Wall-hangings, made into a screen. Gilt leather, each leaf measuring 238 by 61 cm. Dutch (probably Amsterdam), third quarter of the seventeenth century. Purchased 1985. Inv. RBK 1985-54. From the early seventeenth century both Amsterdam and The Hague were important centres for the production of gilt leather. This example, with scenes of Meleager and Atalanta, is typical of the third quarter of the century in its high relief and strong polychromy.
Western art unattributed:
VI. Cabinet on stand. Softwood, japanned and inlaid with mother-of-pearl, 186 by 159 cm. (?)Dutch, c.1700. Purchased 1985 (on loan from the Rijksmuseum Foundation). Inv. RBK 1985-25. The chinoiserie scenes are after illustrations in Joan Nieuhof's account of the first Dutch embassy to the Emperor of China, published in Amsterdam in 1665. The mother-of-pearl inlays simulate the gilt metal mounts usually found on Japanese lacquer cabinets.
Western art unattributed:
VII. Cupboard. Oak and (burr-) walnut, 245 by 197 cm. Dutch, mid-eighteenth century. Purchased in 1989 with the aid of a grant from the Rijksmuseum Foundation. Inv. RBK 1989-16. This is one of the most markedly rococo pieces of Dutch furniture known. Richly decorated with virtuoso carving, it unusually lacks any metal mounts. A closely related corner display cupboard was in the Rosebery collection at Mentmore Towers.
Western art unattributed:
VIII. Salt. Silver, partly gilt, 30.2 by 15.5 cm. Amsterdam, 1618. Purchased 1988, with the aid of grants from the Rembrandt Society, the Rijksmuseum Foundation and the Ministry of Culture. Inv. RBK 1988-15. This is the only Dutch seventeenth-century silver salt to survive together with its detachable cover. It forms part of a small group of similar triangular salts (shown together at an exhibition at the Rijksmuseum in 1989). A design by the Utrecht artist Joachim Wtewael (1566-1638) for a similar piece, dated 1603 or 1608, is in the British Museum.
Western art unattributed:
XV. Layette cupboard on stand. Oak and walnut, 178 by 119 cm. (?)Amsterdam, third quarter of the seventeenth century. Purchased 1985. Inv. RBK 1985-10. Though the stand is one of the most vigorous examples of the auricular style, the cupboard itself, decorated with niches, shells and festoons, is in a more classical manner. Small cupboards such as this were used to store linen and other belongings of new-born babies.
Western art unattributed:
XVII. Tobacco-box. Silver, partly coloured, 2.5 by 12.4 cm. Dutch, second quarter of the eighteenth century. Presented by Mrs E. G. M. van den Honert-Wijers, Rijswijk, 1986. Inv. RBK 1986-27. The silver plaque set into the lid of this unmarked box is engraved with a bathing nymph. Parts of the scene have been coloured to resemble red and yellow copper and pewter. This unusual method of decoration creates the illusion of a mosaic composed of various metals. The inside of the lid shows the same scene in reverse.
Western art unattributed:
XXIII. Tea-caddy. Silver-gilt, 8.8 by 7.5 cm. Amsterdam, 1677. Presented by Mrs J. E. van Schendel-Reesink, Amsterdam, 1989. Inv. RBK 1989-28. This is the first known Amsterdam silver tea-caddy, and is a remarkably early example of Dutch cut cardwork. Similar naturalistic flowers in this technique occur on some pieces of Amsterdam silver dating from the 1690s. The high-relief floral decoration within shaped panels reflects Chinese influence.
Advertisements
Advertisements August 1987 (front)
08/1987 | 1013 | 129
Pages: i-xxiv
Subjects
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 26 East 80th Street, New York ] Michelangelo Cerquozzi, 1602 - ROME - 1660. A Still Life with a Satyr in a Landscape Oil on Canvas: 187 × 187 cms
Attributed works:
[ Cover ] Detail from La jardinière endormie, by François Boucher. 1762. (National Gallery of Scotland).
Attributed works:
[ Daniel Katz Ltd, 27 Lansdowne Walk, London ] An Important Bronze Figure of a Horse. Works. of Pietro Tacca (1577-1640). Florence, First Quarter 17th Century. Same Model as the Horse of the Monument to Philip III by Tacca in Madrid 23cm by 23cm (9″ by 9″)
Attributed works:
[ Marlborough, 6 Albemarle Street, London ] Barbara Hepworth (1903-1975). Two Forms with White (Greek) (1963) 1969. Bronze Edition of 7. Height $36frac{3}{4}$ in./93.3 cm. Base $20frac{3}{4}$ × 48 in./52.7 × 121.9 cm.
Attributed works:
[ Richard L. Feigen & Company, 113 East 79th Street, New York ] Theodore Rousseau, "Paysage aux Moutons," Oil on Canvas, 42 by 64 cm.
Attributed works:
[ The Burlington House Fair, London ] A Cut Glass and Silver Mounted Bowl in the Neo-Classical Taste by Carl Fabergé. Moscow c. 1900. 25 cms High.
Attributed works:
[ The Burlington House Fair, London ] A Still Life with a Bowl of Strawberries, a Bottle, and a Rose on a Ledge, by Jan Mortel 1650-1719. Oil on Panel, 44.2 × 36 cms. Signed and Dated 1690.
Attributed works:
[ The Burlington House Fair, London ] A Street Scene in Paris, by Gustave Mascart. Oil on Canvas. Signed Lower Right. 33.5 × 51.5 cms.
Attributed works:
[ The Burlington House Fair, London ] A Winter's Day, by David Teniers the Younger, Signed. Panel, 25.5 × 19 cm.
Attributed works:
[ The Burlington House Fair, London ] Chinese Export, Signed Amoy Chinqua, 1717.
Attributed works:
[ The Burlington House Fair, London ] Edwardian Open Pierced Swag Brooch, Set with Diamonds.
Attributed works:
[ The Burlington House Fair, London ] Elephant Hunt, Wool and Silk. Marche Workshops (Aubusson or Felletin). c.1580.
Attributed works:
[ The Burlington House Fair, London ] Fruit and Flowers on a Marble Ledge, by Paul Theodorus van Brussel 1754-95. Signed and Dated 1786. Panel 69.8 × 55.8 cms.
Attributed works:
[ The Burlington House Fair, London ] George III Burr Walnut Bureau Cabinet, with Original Bevelled Mirror Plates and Gilt Brass Handles. 274 × 117 × 58 cms. A Pair of Oval Chestnut Vases and a Central Tisane Urn on a Galleried Stand. C.1795. Probably Low Countries. An Aquamarine, Pearl and Diamond Tiara Which Is Convertible to Five Brooches, by Georges Fouquet. Paris 1900. The Central Jewel Is 6 cms High. Still Life, Signed Abraham van Beyeren, 103 × 100 cm.
Attributed works:
[ The Burlington House Fair, London ] Gold Brooch with Figures Enamelled in Colour. Signed Lalique. Art Nouveau.
Attributed works:
[ The Burlington House Fair, London ] L'Amour Désarmé, by Bouguereau 1825-1905. Oil on Canvas. Signed. 130 × 97 cms.
Attributed works:
[ The Burlington House Fair, London ] Louis XIV Wall Clock on Bracket in Contre Boulle and Ormolu, Mille Couleurs. C.1710. Signed on Dial and Back Plate: Mynuel a Paris.
Attributed works:
[ The Burlington House Fair, London ] Magnum Champagne Decanter. Silver Mounted and Fitted with an Ice Compartment in the Base. By Heath and Middleton, Birmingham 1896. 40 cms High.
Attributed works:
[ The Burlington House Fair, London ] Maire Antoinette Led to Execution, by William Hamilton R. A. 1751-1801. Canvas 152 × 197 cms.
Attributed works:
[ The Burlington House Fair, London ] Maison aux Roses, by Henri le Sidaner. Signed, Oil on Canvas, 73.6 × 91.5 cms.
Attributed works:
[ The Burlington House Fair, London ] Rectangular Tea Caddy and Domed Cover, Meissen. The Side Panels Depicting Callot Dwarfs Playing Musical Instruments. Height 13 cms. c.1745.
Attributed works:
[ The Burlington House Fair, London ] Scene d'Algerie, by Pierre-Antoine Labouchère 1807-73. One of a Set of 4. Watercolour. 17.8 × 25.4 cms. Signed, Inscribed and Dated 1846.
Attributed works:
[ The Burlington House Fair, London ] Six-Light Library Candelabra. Sheffield Plate. C.1780-85. Boulton and Fothergill Design.
Attributed works:
[ The Burlington House Fair, London ] Still Life with Flowers, by Monnoyer 1636-99. Oil on Canvas, 59 × 49 cms.
Attributed works:
[ The Burlington House Fair, London ] The Grand Tour: Purchasing Antiquities, by Henry Tresham, 1751-1814. Pen and Wash. 34.9 × 50.4 cms.
Attributed works:
[ The Burlington House Fair, London ] The Quack's Booth, by Karel Dujardin (C.1622-78). Signed and Dated 1666. On Copper, 34.4 by 43.8 cm.
Attributed works:
[ The Burlington House Fair, London ] The Snake Dancer, by Professor Poertzel. C.1925. Bronze and Ivory Figure. 52 cms.
Attributed works:
[ The Burlington House Fair, London ] The Virgin and Child in an Interior with Angels Presenting the Cross, by Martin de Vos. 1532-1603. Panel, 112 × 88.5 cms.
Attributed works:
[ The Burlington House Fair, London ] Walnut Armchair. Dutch, c.1700. 101/43.2 × 58.4 × 55.9 cms. Portrait of the Hon. John Smyth, M. P. for Pontefract, by P G Batoni. Canvas 96 × 71 cms. Signed Lower Right and Dated 'P. Batoni pinxit Roma/Anno 1773'. San Carlo Borromeo in Ecstasy, by Giulio Cesare Procaccini, 1574-1625. Oil on Canvas. 95 × 65 cms. Bronze Oil Lamp in the Form of an Acrobat. Attributed to Severno de Ravenna. North Italy, Late 16th Century. 9 × 14.5 cms.
Attributed works:
[ The Burlington House Fair, London ] Wild Geranium and Great Master Wort, by Robert Bateman. Oil on Board, Signed with Monogram and Dated 1883. Signed with Initials and Inscribed with Title. 32 × 26 cms.
Attributed works:
[ W.W Norton & Company Ltd, 37 Great Russell Street, London ] The Detroit Institute of Arts' Exhibition of Diego Rivera's Work Will be Mounted at the Hayward Gallery from 29 October, 1987 to 10 January, 1988. This beautifully illustrated catalogue was published to coincide with the exhibition.
Non-western art unattributed:
[ International Ceramics Fair and Seminar, London ] Canton Enamel Ewer & Basin after European Example. Mid 19th Century.
Non-western art unattributed:
[ Michael Goedhuis, Colnaghi Oriental, 14 Old Bond Street, London ] Large Bronze Tripod Censer with Heaven Soaring Handles. China, Qianlong Period. ht: 18 ins.
Non-western art unattributed:
[ The Burlington House Fair, London ] Large Bronze Incense-Burner and Cover. China, Kangxi Period 1662-1722. 36 × 36 cms.
Non-western art unattributed:
[ The Burlington House Fair, London ] Zoomorphic Effigy Metate in Volcanic Stone. Guanacaste-Nicoya Zone, Costa Rica. A. D. 300-700.
Western art unattributed:
[ International Ceramics Fair and Seminar, London ] A Fine Royal Presentation Vase (Münchener Vase) 1832. Height 63 cm.
Western art unattributed:
[ International Ceramics Fair and Seminar, London ] A Very Pretty Pair of Early 19th Century Glass and Ormolu Candelabra Mounted on 'Temple' Bases. English. Height 19 ins. C.1810.
Western art unattributed:
[ International Ceramics Fair and Seminar, London ] A Very Rare Worcester Cauliflower Tureen, Cover and Leaf-Shaped Stand. C.1760. Stand $8frac{3}{4}$ ins (22.2cm).
Western art unattributed:
[ International Ceramics Fair and Seminar, London ] An Extremely Rare delftware 'Bulb Pot' Decorated in the 'Ming Style'. C.1690. Diameter 11 ½ ins (29.2 cm).
Western art unattributed:
[ International Ceramics Fair and Seminar, London ] Franken Thal, Tea Caddy and Cover. C.1773. Height 13.7 cm.
Western art unattributed:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Fine George III Mahogany Octagonal Rent Desk, Sold Recently at Phillips for £36,000.
Western art unattributed:
[ The Burlington House Fair, London ] A Pair of Black Transfer-Printed Oval Plaques. Gilt-Metal Frames, 12 cms, c.1750. Probably Battersea. Madame Hessel assise, by E. Vuillard. Pen and Ink. 14.2 × 8 cms.
Western art unattributed:
[ The Burlington House Fair, London ] A Very Fine Louis XV Ormolu-Mounted Stainwood and Amaranth Marquetry Table, by B. V. R. B. (Master in 1730).
Western art unattributed:
[ The Burlington House Fair, London ] Art Deco Brooch, Platinum. c.1920. 6.5 × 2.5 cms.
Western art unattributed:
[ The Burlington House Fair, London ] Detail of Marquetry Writing Table, Lombard. 147 × 79cms.
Western art unattributed:
[ The Burlington House Fair, London ] Early English Oak Jointed Stool, Indicative of the Reign of James I.
Western art unattributed:
[ The Burlington House Fair, London ] One of a Pair. Carved Green and Gilt Doors. Venice 18th Century. 252 × 146 cms.
Western art unattributed:
[ The Burlington House Fair, London ] Teabowl and Saucer. Early Worcester, c.1758.
Western art unattributed:
[ The Burlington House Fair, London ] Worcester Fluted Sucrier, Cover and Stand. Decorated in Bright Colours with the 'Brocade' Pattern, c.1770.
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Advertisements September 1978 (Front)
09/1978 | 906 | 120
Pages: i-xlii
Subjects
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subjects:
Illustrations
Attributed works:
[ Black Nadeau Gallery, Avenue des Beaux-Arts, Monte Carlo ] After Giambologna. Florentine, early 17th Century. Sleeping Nymph. Bronze, with Black Lacquer over Dark Brown Patina. Height: 17 cm, on a jaune-de-Sienne marble base. A superior example, probably from the Susini workshop. A Similar Cast is Illustrated in Weihrauch, Catalogue of the Bronzes, Bayerisches National-museum, no. 112.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Henri Matisse. Self Portrait (1900). Drypoint. Signed, Numbered and Dedicated to Francisco Iturrino, the Spanish Painter and Friend of Matisse.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] William Marlow. 1740 - Southwark - Twickenham - 1813. A View of St. Peter's, Rome, from the South-West. Canvas, 35½ by 50 Inches (90 by 127 cm.)
Attributed works:
[ Galerie G. Paffrath, Konigsallee 46, Düsseldorf ] Mihály von Munkácsy (1844 Munkács/Hungary - Endenich near Bonn 1900) "Hungarian Prince on Horseback", 25.5 × 33 cm/Carpenter's Pencil on Paper. Unsigned; Compare Reproduction in F. W. Ilges: M. von Munkácsy, Velhagen & Klasing, Bielefeld 1899
Attributed works:
[ Galerie J. Kraus, 79 rue du Faubourg St. Honoré, Paris ] Giovanni Antonio Canal, Dit Canaletto (Venise 1697-1768). Dolo sur le canal de Brenta. Exécuté vers 1643/4. Toile: 32 by 45 cm. Dolo on the Brenta. Painted c. 1643/4. Canvas: $12frac{5}{8}$ by $17frac{5}{8}$ in
Attributed works:
[ Henk J. Stokking C. V. Nieuwe Spiegelstraat 40, Amsterdam ] Jan Hulswit 1766-1822. Two Figures in an Open Landscape. Black Chalk and Pen and Brown Ink, 10.2 × 15.4 cm. Monogram: I. H. Provenance: Dr. J. A. van Dongen, Amsterdam. Exhibited: Singer Museum, Laren (the Netherlands) 1971.
Attributed works:
[ Neumeister, Barer Strasse 37, Munich ] A Parcel-Gilt Soup-Tureen and Cover, Marks Lübeck, Circa 1680, Master Nikolaus (Claus) Schmidt, Citizen 1667, Dies before 1694 (R. 3149, 3209). O̵ 22,6 cm. 1675 g.
Attributed works:
[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Jan Tengnagel, "Jacob and Rachel". Canvas, 84 × 125 cm. Signed and Dated 1615. Provenance: Captain Eric Palmer, Beaconsfield. Reproduced: "The Pre-Rembrandtists", Crocker Art Gallery, Sacramento, California, 1974, pl. 17
Attributed works:
[ Schmit, 396 Rue St. Honoré, Paris ] Odilon Redon. "Vase de fleurs". Canvas-61 cm × 46 cm. Signed at the Bottom Right, Painted Circa 1904-1907.
Attributed works:
[ Sotheby Parke Bernet Los Angeles ] An Empire Ormolu-Mounted Mahogany Secretaire, First Quarter of the 19th Century, 2.08 Metres High, 1.47 Metres Wide A Pair of Bronze Axle Caps, Shang Dynasty, 17.8 cm. High A Gashgai Lion Rug, 1.23 by 2.10 Metres Eugene Joseph Verboeckhoven, Sheep and Chickens in a Barn, Signed and Dated 1874, 55.9 by 47 cm.
Attributed works:
[ Sotheby Parke Bernet Monaco S. A. ] A parure de corsage by Georges Fouquet, c.1900 An Art Nouveau Brooch by René Lalique, c.1900, 7.8 cm. Wide Madagascar Sc. no. 13 Ivory Coast Sc. no. Q18a, Q19 France Sc. no. 33 Variety, Lebaudy Imperf
Attributed works:
[ Sotheby Parke Bernet New York ] A Haida Argillite Totem Pole, Possibly by Charles Edenshaw, 47.3 cm. High Monday 6th November at 8 pm. Raoul Dufy, Leda and the Swan, Gouache, 51 by 66 cm.
Attributed works:
[ Sotheby Parke Bernet New York ] Jean Louis Ernest Meissonier, The Smoker, Signed and Dated 1879, on Panel, 18.5 by 14 cm. Josef Israels, Mother and Children in an Interior, Signed, 93 by 80 cm. Henri Joseph Harpignies, Souvenir de Cap Martin, Signed and Dated 1907, 65 by 81 cm. John William Waterhouse, R. A., The Toilet, Signed, Painted in 1890, 85 by 49 cm. A Fancy-Colour Diamond Pendant Necklace, Weighing Approximately 21 Carats. Property of the Estate of Olyve Graef Moore, Hot Springs, Va. A Diamond Necklace, Weighing Approximately 77 Carats, by Black, Starr and Frost. Property of the Estate of Olyve Graef Moore, Hot Springs, Va. A Diamond and Emerald Double Clip/Brooch. Property of the Estate of Montgomery Scott Harkins, Newburyport, Mass. A Pear-Shaped Diamond Ring. Property of the Estate of Eleanor R. Landes, York, Penn. A Ruby and Diamond Ring. Property of the Estate of Eleanor R. Landes, York, Penn. A Fancy Sherry-Colour Emerald-Cut Diamond, Weighing 43.12 Carats. Property of a Private Collector
Attributed works:
[ Sotheby Parke Bernet ] Thursday 21st September at 11 am. A Covered Jug by Edward Farrell, London, 1825, 24.2 cm. Wednesday 27th September at 10.30 am and 2 pm. A Victorian Queen's Messenger Badge
Attributed works:
[ Sotheby's Belgravia ] After James Ward, R. A., The Citizens Retreat; and Selling Rabbits, a Pair, Coloured Mezzotints Partly Printed in Colours, Averaging 45 by 60 cm. After F. C. Turner, Coming in for the Derby, Coloured Aquatint, 56.5 by 73.5 cm. After James Northcote, R. A., Portraits of Survivors of the Wreck of the Centaure, Stipple Engraving Printed in Colours. 51.5 by 64 cm.
Attributed works:
[ Sotheby's Belgravia ] Wednesday 13th September at 11 am. A Pair of Bronze and Gilt Bronze Barbedienne Candelabra by Emile Guillemin, 1870's, 176 cm. High James Pollard, The Manchester Coach, Coloured Aquatint, 39 by 47 cm. John West Giles, The Coxeter Coat, Coloured Lithograph, 54 by 74.3 cm. After D. Serres and R. Short, The Capture of Belleisle, the Set of Seven Plates, Engravings, Averaging 36.5 by 52 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Persian Lacquer Pen-Box with Scenes of Heaven and Hell and Napoleon in Battle, Left Unfinished by the Painter Laureate, c.1847, and Finished by the Artist Jala'ir in 1853, Qajar, 27.4 cm. Long A Portrait of Shahzada 'Abbas Mirza, Signed by Abdullah Khan, Qajar, Dated A. H. 1222/A. D. 1807, 197 by 78 cm. The property of the Comtesse d'Escayrac
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Augustan Brunias, Native Women Bathing in a Rocky Stream, Oil, 31 by 25 cm. Thomas Baines, Indian Elephants Carrying Guns in Abyssinia, Oil, Signed and Dated 1868, 29 by 45 cm. Sir William Russell Flint, R. A., P. R. W. S., Reclining Nude, Coloured Chalk on Grey Paper, Signed, 31 by 50 cm. J. H. Eversen, Ham and Eggs, Signed and Dated 1966, 49.5 by 60 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Cornelis Kreighoff, An Indian Trapper Crossing the Snow, Oil, Signed, 28 by 21.5 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] E. H. Shepard, Girl Reclining near a Bank of Bluebells, Watercolour and Bodycolour, Signed and Dated '08, 33 by 49.5 cm. E. Springfield Smith, The Annual Cricket Match between the Heythrop and Bicester Hunts at Bruern Abbey, Chipping Norton, 1932, Signed and Dated, Unframed, 53 by 76 cm. Laurence Biddle, Geraniums, Primulas and Other Flowers, Signed and Dated '49, 35 by 52 cm. Louis Wain, The Cat Show, Watercolour, Signed, 25.5 by 42.5 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] George Washington Lambert, T. H. Preston, Esq., Out Shooting on Mearbeck Moor, Oil, Signed and Dated 1909, 49.5 by 58.5 cm. Frederick Simpson Coburn, Horses Drawing Logs in the Laurentian Hills, Quebec, Signed and Dated '24, 37 by 44.5 cm. Charles Marion Russell, After His First Hunt, Pencil and Watercolour, Heightened with Bodycolour, Signed, 46.5 by 56.5 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] John Gaut, Reupahana Te Awa Tawha, Ngapuhi Chief, Oil, Signed and Dated 1886, 55 by 39.5 cm. South American School, c.1840, Rio de Janeiro with the Prais de Botafogo, Oil, One of a Pair, 41 by 64 cm. Paul Peel, R. C. A., Mischief Brewing, Oil, Signed and Dated 1890, 56 by 56 cm. Edward Borein, The Pony Express Carrying United States Mail Across the Plains, Pen and Black Ink and Washes, Signed, 53 by 68 cm.
Attributed works:
[ The Leger Galleries Ltd, 13 Old Bond Street, London ] Giovanni Antonio Canal, il Canaletto 1679-1768. The Church of the Redentore, Venice. Oil Painting on Canvas. Size: 23½ by 37 Inches.
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Kirman Polychrome Bottle, First Half 17th Century, 38.8 cm. A Mesopotamian Lustre Bowl, 10th Century, 22 cm. Diameter An Iranian Lustre Bowl, Kashan, 1200-1220, 20.4 cm. Diameter An Iranian Lustre Dish, Kashan, 1200-1220, 32.5 cm. Diameter An Iranian Lustre Dish, Kashan, 1200-1220, 33 cm. Diameter
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Reversible Heriz Silk Rug, c.1840, 157 by 155 cm.
Western art unattributed:
[ Nella Longari, 15 Via Bigli, Milan ] Emperor Antonino Pio First-half of the Second Century A. D. on Later Bust. Height: about 65 cm.
Western art unattributed:
[ PBEighty-Four New York ] A Selection of Works of Art Included in This Sale
Western art unattributed:
[ Sotheby Parke Bernet Stamp Auction Co., Inc. ] The Largest Multiple Use of 10 Cent 1847 on Cover Hawaii Sc. no. 3 and Sc. no. 6 on Cover
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