By using this website you agree to our Cookie policy

Search

2 articles
Supplement
Recent Acquisitions at the Department of Sculpture and Decorative Arts, Rijksmuseum, Amsterdam: Supplement
06/1990 | 1047 | 132
Pages: 443-448
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
II. The Virgin Mary, by Arnt van Tricht (fl.c.1530-70). Oak, having lost its original polychromy, 100 cm. high. Calcar, c.1540. Purchased 1987. Inv. RBK 1987-21. The figure originally formed part of a Crucifixion group; the St John the Evangelist from the same group was acquired by the Rijksmuseum in 1898. Inv. NM 11155. The figure of the crucified Christ is presumed to be lost.
Attributed works:
IX. Vase (Vase Etrusque de Naples). Biscuit porcelain, painted in colours and gold, with gilt bronze handles, 59.5 cm. high; 29 cm. diam. Sèvres, 1858, the frieze painted by Paul-Maric Roussel. Purchased 1987 with the aid of a grant from the Belport Familienstiftung. Inv. RBK 1987-14. The shape of this vase was designed in 1849 by Jules-Pierre-Michel Diéterle (1811-89), chef des travaux d'art at Sèvres. A smaller pair was shown at the 1851 Great Exhibition in London, and another example was exhibited at the 1855 Paris Exposition Universelle.
Attributed works:
X. Comb, by René Lalique (1860-1945). Horn, gold and diamonds, 15.5 by 7.6 cm. Paris, c.1902. Purchased 1987. Inv. RBK 1987-2. The asymmetrical, Japanese-inspired design of this comb is extremely close to that of an example sold by Lalique in 1904 to his foremost patron, Calouste Sarkis Gulbenkian, now in the Gulbenkian Museum in Lisbon. On that piece, however, the flowers of the Guelder rose are executed in plique-à-jour enamel centred by tiny diamonds.
Attributed works:
XI. Sideboard, by E. J. Wisselingh & Co., designed by Carel Adolph Lion Cachet (1864-1945). Coromandel wood inlaid with walnut, ivory and copper, 142 by 182.5 cm. Amsterdam, c.1900. Purchased 1988. Inv. RBK 1988-41. Lion Cachet was much influenced by P. J. H. Cuypers (1827-1921), the architect of the Rijksmuseum's building who favoured the neo-gothic style. Neogothic linenfold panelling features prominently on this early example of Dutch eclectic art nouveau.
Attributed works:
XII. Vase, by Wolfers Frères after a design by Philippe Wolfers (1858-1929). Silver, 24.2 cm. high; 12 cm. diam. Brussels, c.1895. Purchased 1988 with the aid of a grant from the Foundation Dr Hendrik Muller's Vaderlandsch Fonds. Inv. RBK 1988-5. An example of the emerging art nouveau style in the work of Wolfers, this vase was retailed by the firm of Bonebakker in Amsterdam. Wolfers Frères also produced vases of the same form with a more traditional, naturalistic decoration.
Attributed works:
XIII. Vase, by Ernest Chaplet (1835-1909), the decoration probably by A. Kalt. Earthenware (grès brun), partly glazed, decorated in colours and black and white enamel, heightened in gold, 37.2 high; 27.3 cm. diam. Paris, c.1885-86. Purchased 1989. Inv. RBK 1989-5. Chaplet produced his revolutionary grès brun wares, on which the clay body was partly left unadorned, between 1882 and 1887. The vase is marked in gold 'HB&Co, for Hippolyte Boulenger & Cie, which started selling Chaplet's wares in 1886. The decoration bears the incised monogram 'AK', probably for A. Kalt.
Attributed works:
XIV. Vase. Porcelain, decorated in pâte-sur-pâte and painted in colours, 18.2 cm. high; 9.4 cm. diam. Meissen, c.1902, the decoration attributed to Rudolf Hentschel. Purchased 1986. Inv. RBK 1986-1. Like his father Julius (1843-1928), Rudolf Hentschel (1869-1951) was well-known at Meissen for his pâtesur-pâte decorations. He also designed some of the most distinctive shapes and painted decorations of Jugendstil Meissen porcelain. The pale blue, green and pink colours of the vase are characteristic of his work.
Attributed works:
XIX. Footed bowl, by François-Désiré Froment-Meurice (1802-55) executed by Jules Wièse (1818-90). Silver, partly gilt, with pearls, 35.3 by 26.2 cm. Paris, c.1851. Purchased 1989 with the aid of a grant from Christie's Amsterdam on the occasion of the retirement of S. H. Levie as Director-General of the Rijksmuseum. Inv. RBK 1989-13. An inscription records that this was a gift from Baron James de Rothschild (1792-1868) to a Mr. Mel Poisat on the occasion of the latter's twenty-fifth wedding anniversary in 1851. A similar piece was included in Froment-Meurice's triumphantly successful display at the 1851 Great Exhibition in London.
Attributed works:
XVI. Tazza, by Adam van Vianen (c.1568/9-1627). Silver, 3.3 cm. high; 18.2 cm. diam. Utrecht, 1610. Purchased 1985, with the aid of grants from the Rijksmuseum Foundation and private donors. Inv. RBK 1985-24. The scene represents Odysseus and his men visiting Circe. The dish is the earliest known piece of silver by Adam van Vianen, showing the so-called auricular style for which he and his brother Paulus are famous. Elements of this style occur in the border and, more strikingly, on the boldly shaped winecooler represented in the scene itself.
Attributed works:
XVIII. Plate. Tin-glazed earthenware, painted in blue and manganese, 48.5 cm. diam. Delft, c.1675-85, 'De Grieksche A' factory under Samuel van Eenhoorn. Purchased 1986. Inv. RBK 1986-16. The 'Grieksche A' factory, under the direction first of Samuel van Eenhoorn (died 1686) and then of Adriaen Kocks (died 1701), was the favourite supplier of blue and white Delft to Queen Mary and to courts all over Europe. It is very rare to find a 'Grieksche A' piece decorated in manganese as well as blue.
Attributed works:
XX. Panel. Glass, wheel-engraved, 23 by 18.3 cm. Prague, dated 1620, the engraving attributed to Caspar Lehmann (c.1563/5-1622). Purchased 1986. Inv. RBK 1986-29. The recumbent lion personifies the Count Palatine Frederick V (1596-1632), who was King of Bohemia during the Winter of 1620. The panel forms part of a series, the precise function of which remains unknown.
Attributed works:
XXI. One of a pair of chestnut-vases, by Diederik Lodewijk Bennewitz (1764-1824). Silver, 29.8 cm. high; 13.7 cm. diam. Amsterdam, 1822. Purchased 1985. Inv. RBK 1985-28. Silver chestnut-vases were made in Holland in considerable quantities from the late eighteenth century. They were probably used for marrons glacés. Their bold, geometric form is typical of Amsterdam silver in the Empire style, and the cast ornament clearly copies French models.
Attributed works:
XXII. Plate, by the 'Zuid-Holland', factory designed by C. J. van der Hoef (1875-1933). Earthenware painted in underglaze blue and brown, 8.8 cm. high; 41.5 cm. diam. Gouda, c.1905. Purchased 1986. Inv. RBK 1986-13. Between 1900 and 1910 C. J. van der Hoef was one of the foremost Dutch designers of ceramics, working for many of the small factories active at the time. The dish shows his restrained geometric style, typical of a mainstream development in Dutch art nouveau.
Attributed works:
XXIV. Vase, by Emile Gallé (1846-1904). Glass, acid-etched, and enamelled in colours and gold, 42.6 by 21.3 cm. Nancy, c.1884. Purchased 1989. Inv. RBK 1989-2. The decoration, composed of a mixture of Arabic, Japanese, classical and gothic motifs, is typical of Gallé's work of the mid-1880s. The shape may have been inspired by Japanese ceramics.
Western art unattributed:
I. Madonna and child. Oak, having lost its original polychromy, 67 cm. high. Utrecht, or the province of Holland?, c.1470. Purchased 1987. Inv. RBK 1987-22. Utrecht was the main centre for sculpture in the Northern Netherlands, but this Madonna, which comes from a church near Hoorn, may well have been made in another northern town such as Haarlem.
Western art unattributed:
III. Funerary monument. Limestone, painted in colours and gilded, 51.7 by 37 cm. Southern Netherlandish, c.1520. Purchased in 1985 (on loan from the Rijksmuseum Foundation). Inv. RBK 1985-41. The Virgin and child are shown with Sts Benedict and Bernard, with Sts Peter, John the Baptist and Paul in the predella. The monument is unusual in that it follows the composition of many full-sized wooden altar-pieces, though in stone and on a small scale.
Western art unattributed:
IV. Tureen. Porcelain, painted in colours, 20.5 by 20.9 cm. Weesp c.1770; decorated in Loosdrecht, 1774. Purchased 1988 with the aid of a grant from the Rijksmuseum Foundation. Inv. RBK 1988-3. This tureen represents an experimental phase in the founding of the Loosdrecht factory (fl.1774-84). The porcelain was made at the Weesp factory (fl.1759-70/1) and bears its mark, the crossed swords with three dots in underglaze blue. The decoration was added in Loosdrecht, witness the overglaze brown mark Mol. and the date $17 frac{2}{19} 74$, i.e. one day before the official founding date of the Loosdrecht factory. The tureen was discovered during the preparation of an exhibition of Loosdrecht porcelain held at the Rijksmuseum in 1988.
Western art unattributed:
V. Wall-hangings, made into a screen. Gilt leather, each leaf measuring 238 by 61 cm. Dutch (probably Amsterdam), third quarter of the seventeenth century. Purchased 1985. Inv. RBK 1985-54. From the early seventeenth century both Amsterdam and The Hague were important centres for the production of gilt leather. This example, with scenes of Meleager and Atalanta, is typical of the third quarter of the century in its high relief and strong polychromy.
Western art unattributed:
VI. Cabinet on stand. Softwood, japanned and inlaid with mother-of-pearl, 186 by 159 cm. (?)Dutch, c.1700. Purchased 1985 (on loan from the Rijksmuseum Foundation). Inv. RBK 1985-25. The chinoiserie scenes are after illustrations in Joan Nieuhof's account of the first Dutch embassy to the Emperor of China, published in Amsterdam in 1665. The mother-of-pearl inlays simulate the gilt metal mounts usually found on Japanese lacquer cabinets.
Western art unattributed:
VII. Cupboard. Oak and (burr-) walnut, 245 by 197 cm. Dutch, mid-eighteenth century. Purchased in 1989 with the aid of a grant from the Rijksmuseum Foundation. Inv. RBK 1989-16. This is one of the most markedly rococo pieces of Dutch furniture known. Richly decorated with virtuoso carving, it unusually lacks any metal mounts. A closely related corner display cupboard was in the Rosebery collection at Mentmore Towers.
Western art unattributed:
VIII. Salt. Silver, partly gilt, 30.2 by 15.5 cm. Amsterdam, 1618. Purchased 1988, with the aid of grants from the Rembrandt Society, the Rijksmuseum Foundation and the Ministry of Culture. Inv. RBK 1988-15. This is the only Dutch seventeenth-century silver salt to survive together with its detachable cover. It forms part of a small group of similar triangular salts (shown together at an exhibition at the Rijksmuseum in 1989). A design by the Utrecht artist Joachim Wtewael (1566-1638) for a similar piece, dated 1603 or 1608, is in the British Museum.
Western art unattributed:
XV. Layette cupboard on stand. Oak and walnut, 178 by 119 cm. (?)Amsterdam, third quarter of the seventeenth century. Purchased 1985. Inv. RBK 1985-10. Though the stand is one of the most vigorous examples of the auricular style, the cupboard itself, decorated with niches, shells and festoons, is in a more classical manner. Small cupboards such as this were used to store linen and other belongings of new-born babies.
Western art unattributed:
XVII. Tobacco-box. Silver, partly coloured, 2.5 by 12.4 cm. Dutch, second quarter of the eighteenth century. Presented by Mrs E. G. M. van den Honert-Wijers, Rijswijk, 1986. Inv. RBK 1986-27. The silver plaque set into the lid of this unmarked box is engraved with a bathing nymph. Parts of the scene have been coloured to resemble red and yellow copper and pewter. This unusual method of decoration creates the illusion of a mosaic composed of various metals. The inside of the lid shows the same scene in reverse.
Western art unattributed:
XXIII. Tea-caddy. Silver-gilt, 8.8 by 7.5 cm. Amsterdam, 1677. Presented by Mrs J. E. van Schendel-Reesink, Amsterdam, 1989. Inv. RBK 1989-28. This is the first known Amsterdam silver tea-caddy, and is a remarkably early example of Dutch cut cardwork. Similar naturalistic flowers in this technique occur on some pieces of Amsterdam silver dating from the 1690s. The high-relief floral decoration within shaped panels reflects Chinese influence.
Advertisements
Advertisements May 1976 (Front)
05/1976 | 878 | 118
Pages: i-lxxvi
Subjects
advertisements:
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London] Sano di Pietro. A Miracle of St. Bernardino, Panel: 7 5/8 × 13¼ ins.
Attributed works:
[Alain Moatti Fine Works of Art, 77 rue des St Peres, Paris, France] Adriaen de Vries: Tarquinius and Lucretia. Bronze ca. 1600. H. 40 cm. Cf. Bode. Die italianischen Bronzestatuetten der Renaissance, 1907, vol. III, Pl. CXCII.
Attributed works:
[Black Nadeau Gallery, Avenue des Beaux-Arts, Monte Carlo, Monaco] School of Lorraine, Circle of Ligier Richier, Circa 1500-1567: "Angel with a Harp" Stone Carving, ht. 22 cm. On a Marble Base, ht. 7 cm.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Jan van Goyen. Chalk and Grey Wash. Signed and Dated: VG. 1653. 163:268 mm. Beck 393a III.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Pellegrino Tibaldi. The Annunciation. Panel: 42¼ × 30 3/4 ins (107.3 cm × 78.2 cm)
Attributed works:
[Deitsch/O'Reilly Galleries, 51 East 73 Street, New York, New York] Auguste Rodin. Little Man With Broken Nose, 1882. Bronze, 5 in. High. Alexis Rudier, Paris. Photo by Terry McGinniss
Attributed works:
[Duveen and Walker, 85 Gracechurch Street, London, UK] "Vietri" by Jacob Philip Hackert. 1737-1807. Watercolour By Courtesy of Thos. Agnew and Sons.
Attributed works:
[F. Payer, Weite Gasse 4, AM Hechtplatz, Zurich, Switzerland] Tankard with Coins and Lid. Dresden, Second Half of 17th Century. Maker T. Lange. Silver-Gilt. H-15.5 cm, 700 g.
Attributed works:
[Galerie G. Paffrath, D 4000 Dusseldorf 1 Koenigsallee 60, Germany] Jean Richard Goubie (1842-Paris-1899) "Just by Chance", 35.5 by 43 cm. Oil on Canvas, Signed and Dated, Lower Left. Richard Goubie 1897.
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich, Switzerland] Auguste Renoir. "La Poudreric de la Rochelle". Oil on Canvas, Signed. 32 × 39 cm.
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich, Switzerland] Georges Rouault. "Les troisjuges", 1925. Oil on Canvas, 64 × 98 cm.
Attributed works:
[Gallery KB, Kaare Berntsen, Universitelsgt, 12 Oslo 1, Norway] "Liberation" Schiefler 68a, 1896. Lithograph Printed in Black by Clot. Rare. (410 × 625).
Attributed works:
[Heim-Gairac, 13 rue de Seine, Paris, France] Hendrick III van Cleve Antwerp 1525-1589. "La Tour de Babel" Wood. H. 0,49 L. 0,64
Attributed works:
[Herbert E. Feist, 1125 Madison Avenue 84th Street, New York, New York] Benedict F. Dolbin (1883-1967) Sanguine
Attributed works:
[Heuser & Co., Kunsthandel, D 3144 Marxen am Berge bei Luneburg, Germany] Ernest Chaplet (Paris 8.7.1835-20.6.1909 Choisy-le-Roi) and Edouard Alexandre Dammouse (Paris 1850-1903 Sèvres) Vase, Faience, H. 58,2 cm. Signed by the painter and the ceramiste, Bourg-la-Reine, summer or harvest 1875. Shown at the exhibition 'Ernest Chaplet-ceramiste' Musée des Arts Décoratifs, Pavillon de Marsan, Paris, as from May 25th until August 2nd, 1976.
Attributed works:
[How of Edinburgh, 2-3 Pickering Place, London, UK] Salver by J. Tuite, London, 1737 Wt: 26½ ozs.
Attributed works:
[Kunsthaus Lempertz, Neumarket 3, D-50667, Cologne, Germany] Barent Cornelis Koekkoek, Signed and Dated 1851. Oil on Mahogany Panel, 18.5 × 23 Inches. Cat. ras. Fr. Gorissen 51/47
Attributed works:
[Kunsthaus Lempertz, Neumarket 3, D-50667, Cologne, Germany] Jan van OS, signed J. van Os. Oil on Panel 17.5 × 13.5 Inches
Attributed works:
[Kunsthaus Lempertz, Neumarket 3, D-50667, Cologne, Germany] Sundials and Scientific Instruments 1, Ivory, Hans Tröschell, c. 1625 2, Ivory, Charles Bloud, Dieppe c. 1670 3, Ivory, French 17th century 4, Silver, Age of the Bourbons, c. 1753 5, Gilt Bronze, Ulricus Schneip 1586 6, Ivory, Leonhart Miller 1649 7, Astronomical Instruments, Bronze, Lambertus Vrythoff, The Hague 8, Astrolabe, Gilt Bronze, Italian, 17th century 9, Nocturmalium, Gilt Bronze, French 1589 10, Sunring, Gilt Copper 17th century 11, Astronomical compass, Gilt Bronze, Marcus Purmann 1591 12, Unicersal Astralobe, Arabian, c. 1700
Attributed works:
[Laurin Gauilloux Buffetaud Tailleur Associated Auctioneers, 1 rue de Lille, Paris, France] F. de Nome (Ex Monsir Desiderio). "Interior of a Church". Canvas Dated 1630 H. 1,48 × L. 1,15 m.
Attributed works:
[Laurin Gauilloux Buffetaud Tailleur Associated Auctioneers, 1 rue de Lille, Paris, France] Picasso Pablo. "La femme au corbeau" Gouache and Pastel 60 × 45. Signed and Dated 1904
Attributed works:
[Laurin Gauilloux Buffetaud Tailleur Associated Auctioneers, Drouot Rive Gauche, gare D'Orsay, 7 Quai Anatole, Paris, France] Original Drawing by d'Antoine de Saint-Exupéry.
Attributed works:
[Leger Galleries Ltd, 13 Old Bond Street, London, UK] Jan van Bijlert (1603-1671). Oil on Panel Size: 104 × 78 cm
Attributed works:
[Maitre Blache, Hotel Rameau, 5 rue Rameau, Versailles, France] André Marchand. "L'Univers du Delta". Canvas. 249 × 445.5 cm.
Attributed works:
[Me. Pierre Coronette de Saint-Cyr, 24 avenue George V, Paris, France] "La mise au tombeau" - Oil/Wood. 48 ins. by 55 ins. 1540.
Attributed works:
[Mes Ader Picard Tajan Auctioneers in Paris, 12 Rue Favart, Paris, France] "Le Roi Artus" Sixteenth Century Limoges Enamel Plate: Couly - Nouilher. Diameter: 22 cm.
Attributed works:
[Mes Ader Picard Tajan Auctioneers in Paris, 12 Rue Favart, Paris, France] A Low-Relief in Bronze by Auguste Renoir.
Attributed works:
[Mes Ader Picard Tajan Auctioneers in Paris, 12 Rue Favart, Paris, France] An Important Louis XVI Commode by Weisweller (One of a Pair). Height: 94 cm. Width: 135 cm. Depth: 53 cm.
Attributed works:
[Mes Ader Picard Tajan Auctioneers in Paris, 12 Rue Favart, Paris, France] The Story of Don Quinchotte Depicted in Fifteen Gobelins Tapestries (About 1717) (Patino Collection)
Attributed works:
[Mes Ader Picard Tajan Auctioneers in Paris, 12 Rue Favart, Paris, France] Toulouse-Lautrec (Henri de): Two Oil Paintings Dated 1892 (48 cm. by 43 cm.), Each Portraying a Decorative Figure of the, "Salon in the rue d'Ambois." (Paris).
Attributed works:
[Mes Ader Picard Tajan Auctioneers in Paris, 12 Rue Favart, Paris, France] Utrillo (Maurice): Signed Canvas, "L'Eglise Saint Pierre et le Sacré Cocur de Montmartre". 65 cm. by 81 cm.
Attributed works:
[Neumeister KG, 8000 Munich 2, Briennerstr. 14, Germany] Paul Theodor van Brussel (1754 Zuid Polsbroek near Schoonhoven - 1795 Amsterdam). A Still Life of Flowers. Signed and Dated 1787 Lower Right, Oil on Panel, 57 × 43.5 cm.
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York, New York] Jan Victors, "Ruth and Boaz", 181.6 × 225.7 cm. Signed and Dated, Lower Right, "Jan Victors 1653"
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] "Madame Derain au Chale Blanc". Canvas - 195 × 98 cm. Painted Circa 1919-20. Reproduced in "Derain" by Denis Sutton, London 1959.
Attributed works:
[Silvano Lodi Fine Pictures, 6911 Campione D'Italia Viale Marco d. C. 32, Switzerland] Juan Van Der Hamen y Leon (Madrid 1596-1631). Canvas, 49 by 110 cm.
Attributed works:
[Somerville & Simpson Ltd., 11 Saville Row, London, UK] Robert Hills (1769 1844) Watercolour over Black Lead, 12 5/8 by 16 7/8 Inches
Attributed works:
[Sotheby's Belgravia, 19 Motcomb, London, UK] Thursday, 20th May, at 11 am. A Robert Woodhouse Tazza, London, 1894, 50.8 cm. Overall (20 Inches)
Attributed works:
[Sotheby's Belgravia, 19 Motcomb, London, UK] Thursday, 27th May, at 10.30 am and 2.30 pm. A Clymer and Dixon Tandem Tricycle
Attributed works:
[Sotheby's Belgravia, 19 Motcomb, London, UK] Tuesday, 25th May, at 11 am. James Joseph Tissot, Ces Dames des Chars à l'Hippodrome. (B. XII No. 69), Etching with Dry Point, Proof before Etching in Background, Good Impression, with Margins, 39.8 by 25.7 cm. (11 by 10⅛ Inches)
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] A Gold and Enamel Presentation Box by Otto Samuel Kleibel, Inset with a Miniature of Tsar Alexander I, Maker's Mark, St Petersburg, c.1801, 9.8 cm. Long 7 7/8 Inches)
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] A Gold Box by Jean Ducrollay Mounted with Miniatures Attributed to Jacques Charlier, Paris 1750/1, 8.2 cm. Wide (3¼ Inches)
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] A Group of Objects by Fabergé Hardstone Enamels
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] A Rare and Important Microscope, Made by Alexis Magny to the Order of Louis XV for the Marquise de Pompadour, the Mounts Probably by Caffieri, c.1750, 49 cm. High (19¼ Inches)
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] Frederick V, Elector Palatine and King of Bohemia by Peter Oliver, Signed, Oval, 5 cm. (2 Inches) An Artist by Charles Etienne Leguay, Signed, 8.5 cm. Diameter (3¼ Inches) Queen Elizabeth of Bohemia by Peter Oliver, Signed, Oval 5 cm. (2 Inches) An English Courtier by Nicholas Hilliard. Dated 1614, oval, 5.5 cm. 2 1/8 Inches). A Young Artist by Jacques Antoine Marie Lemoine, 7.5 cm. Diameter (3 Inches). A Nobleman by Jean Baptiste Augustin, Signed and Dated 1790, 6.5 cm. Diameter (2½ Inches). Vigee Lebrun by Joseph Deranton after Sicardi, 7 cm. Diameter 2 3/4 Inches).
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] Leon Bakst, La Danseuse juive from Cléopâtre, Watercolour, 1910
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] Mikhail Larionov, Costume Designs for Chout, Pen and Ink and Watercolour, c.1915-1920
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] Violation of the Treasury, One of a Series of Brussels Tapestries (The Triumph of Caesar) by Jerome Le Clerc, Louis XIV, 368 by 400 cm. (145 by 157½ Inches)
Attributed works:
[Sotheby's Parke Bernet, New York, USA] Henry Matisse, Tête ocre, Signed and Dated '37, Oil on Canvas, 72.7 by 54 cm. (28 5/8 by 21¼ Inches). Property of the Estate of the Late Lily Pons, Dallas, Texas. Sale No. 3880
Attributed works:
[Sotheby's Parke Bernet, New York, USA] Henry Moore, Internal and External Forms, Executed in 1952-53, Cast in 1958, an Edition of 3, Bronze, Green Patina, 200.6 cm. High (79 Inches) Sale No. 3880
Attributed works:
[Sotheby's Parke Bernet, New York, USA] Thursday, 10th June, at 8 pm. Maurice Utrillo, Rue à Sannois, Oil on Canvas, 47 by 55.8 cm. (18½ by 22 Inches)
Attributed works:
[Sotheby's Parke Bernet, New York, USA] Wednesday, 9th June, at 10 am. A Tiffany Blue/Grey Favrile Glass and Bronze Wisteria Lamp, 66 cm. High by 46 cm. Diameter (26 by 18 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] 'The Archers', a Worcester Mug Printed in Black by Robert Hancock, 1760-65, 11.5 cm. (4½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Bilston Enamel Mustard pot, c.1770, 11.5 cm. High (4½ Inches). A London Enamel Tobacco Box, c.1760, 15 cm. High (5 7/8 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Fine Plumbago Miniature of Charles II by Robert White, 1678, £980, 29.III.76
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Group of Bilston and Birmingham Enamel bonbonnières, c.1765-1775
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Louis XV Marquetry Travelling Coffer on Stand by BVRB, 106 cm. High (14 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Rare Wine Funnel of Exaggerated Trumpet Shape, Early Worcester, 1752-53, 13.3 cm. (5¼ Inches), £4,400, 30.III.76
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Worcester Claret Bordered Teabowl and Saucer from the So-Called 'Hope-Edwards' Service, 1770-75
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Worcester Plate after a Japanese Imari Original, 1760-65, 23 cm. (9 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Albrecht Dürer, Adam and Eve, Engraving, a Good Meder II Impression (With Bull's Head Watermark), 24.9 by 19.2 cm. 9 3/4 by 7½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] An 'Eloping Bride' Worcester Sugar Bowl and Cover, 1758-60, 14 cm. (5½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] An Augsburg Silver-Gilt and Meissen Travelling Service, 1749/51
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] An Early Worcester Cream Jug Painted in Puce Camaien, c.1755, 10 cm. (4 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Arnold Böcklin, Summer, 102 by 76 cm. (40 by 30 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Barend Cornelis Koekkoek, A Wooded Landscape, Signed and Dated 1856, on Panel, Unframed, 33.5 by 46 cm. (13¼ by 18 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Cornelis Springer, A Scene in Gouda, Signed, on Panel, 40 by 50 cm. (15 3/4 by 19 3/4 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Eduard Leon Garrido, An Afternoon in the Park, Signed, on Panel, 36.5 by 44.5 cm. (14¼ by 17½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Eighty-Fifth Birthday Medal of Englebert of Maestricht, Late Sixteenth Century. Emperor Charles V, Portrait Medal of 1537, by Hans Reinhart. Departure of Robert, Earl of Leicester, after His Campaign in the Low Countries, 1587. Henry IV and Maria of France, on the Birth of the Dauphin, 1603, by G. Dupré
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Francisco José de Goya Y Lucientes, La Tauromaquia, Etchings, Very Fine Impressions, on Paper Watermarked Serra, the Set of 33 Plates, Each Approximately 24.8 by 35.5 cm. (9 3/4 by 14 3/8 Inches). Sold by Order of the President and Council of the Royal Academy, Formerly in the Collection of Brinsley Ford, Esq.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Giovanni Costa, A Vineyard Outside Florence, Signed with Initials, on Panel, 29 by 54.5 cm. (11½ by 21¼ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Giovanni Fattori, Cavalry in a Landscape, Signed, on Panel, 22 by 40 cm. (8 3/4 by 15 3/4 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Giovanni Segantini, The Gypsy Girl's Dog Cart, 51 by 96.5 cm. (20 by 38 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Isaac Ouwater, A View of the Grote Kerk, Haarlem, Signed, 61 by 73 cm. (24 by 28 3/4 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] James A. McNeill Whistler, Eagle Wharf, (K.41) Etching, Only State, Good, Strong Impression, 13.8 by 21.3 cm. (5½ by 8 3/8 Inches) (from "The McNeill Set" of the 'Sixteen Etchings of Scenes on the Thames and Other Subjects')
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Louis Gabriel Eugene Isabey, A Village Market by a Church, Signed and Dated 1852, 107.5 by 79.5 cm. (42¼ by 31¼ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Monday, 10th May, at 10.30 am. A Silver-Mounted Quarter-Repeating Bracket Clock, George Graham, No.630, 35.6 cm. High (14 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Monday, 10th May, at 11 am. An Enamel Miniature of Mrs Ann Greenwood by Horace Hone, Signed and Dated 1807, 10.2 cm. (4 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Thursday, 13th May, at 11 am. A Silver-Gilt Cup and Cover by Ayme Videau, London, 1742 28 cm. High (11 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Tuesday, 25th May, at 11 am. A Worcester Sugar Bowl and Cover, Probably Decorated in London, 1765-75
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Wednesday, 12th May, at 11 am. A Japanese Woodblock Print by Utamaro (1753-1806)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] William Blake, Illustrations to Dante's Divine Comedy, the Seven Plates, Engravings, the Second Issue, Good Impressions on Laid India, with Margins, 27.2 by 35 cm. (10 3/4 by 13 3/4 Inches)
Attributed works:
[Spink and Son, 5-7 King Street, London, UK] Julian's Baths, Hotel de Cluny, Paris, by Thomas Girtin, 1775-1802. Watercolour. 12 3/8 x 9 1/8 (31.5 × 23.2 cms).
Attributed works:
[Spink and Son, 5-7 King Street, London, UK] Study of a Man's Head by John Hamilton Mortimer, 1741-1779. Pen and Sepia Ink. 8″ × 6 3/8" (20.3 × 16.2 cms).
Attributed works:
[The Cider House Galleries Ltd., Norfolk House, 80 High Street, Bletchingley, UK] Oil on Canvas. Signed H. Gillard Glindoni. Dated 1894. Size: 32½ × 44 in
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] Bartolomeo Manfredi ca. 1587-1620/1. A Drinking and Musical Party. Canvas. H. 51 in. (130 cm.) W. 75 in. (190 cm.)
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] Francisco de Zurbaran 1598-1664. The Holy Face (or Veil of St. Veronica). Canvas. H. 40½ in. (102.8cm.) W. 33 in. (83.8cm.)
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] Hendrick Terbrugghen. 1588-1629. St. Jerome in Contemplation. Signed and Dated 1621. Canvas. H. 49¼ in. (125 cms.) W. 40 in. (101.6 cms.) Literature: Terbrugghen Since 1960 by Benedict Nicolson.
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] Jusepe de Ribera 1591-1652 The Martyrdom of St. Lawrence. Canvas. H. 80½ in. (204 cm.) W. 60 3/4 in. (154 cm.)
Attributed works:
[Xaver Scheidwimmer, 3 Ottostrasse, Munich, Germany] Herri Met de Bles (Active 1510-1550) Signed with "Civetta". On Panel, 11 3/4 by 15¼ Inches.
Non-western art unattributed:
[Howard Ricketts Limited, 180 New Bond Street, London, UK] Dagger, the Hilt of Stylised Arabic Characters, 19th Century.
Non-western art unattributed:
[Sotheby's Belgravia, 19 Motcomb, London, UK] Wednesday, 2nd June, at 11 am. Two Magnificent Indian Silver Thrones, Mid-Nineteenth Century
Non-western art unattributed:
[Sotheby's Parke Bernet, New York, USA] A Chinesco Seated Female Figure, 37.5 cm. High (14 3/4 Inches)
Non-western art unattributed:
[Sotheby's Parke Bernet, New York, USA] A Maori Wood Feather Box, 43.2 cm. Long (17 Inches)
Non-western art unattributed:
[Sotheby's Parke Bernet, New York, USA] A Navajo Classic Serape Blanket, c.1860, White, Indigo on Wine Red Ground, 177.8 by 122 cm. (70 by 48 Inches)
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Fine and Rare Kakiemon Bottle Decorated in Enamels with Peonies and Rocks, Third Quarter of the Seventeenth Century, 28.7 cm. (11¼ Inches)
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Pair of champlevé Enamel Figures of Maidens, Seventeenth/Eighteenth Century, 44.5 cm. (17½ Inches)
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] One of a Pair of European Subject Plates after A. Bloemart, Ch'ien Lung, 22.8 cm. (9 Inches)
Western art unattributed:
[Albrecht Neuhaus, 9 Heinestrasse, Wurzburg, Germany] Carved and Engraved Glass: Sturzbecher "Shape of a Nun". Potsdam CA. 1720. Height 14 cm.
Western art unattributed:
[J. & H. Harden Antiquares, 62 Tremelobaan, Belgium] St. Joseph Leading the Child Jesus by the Hand. Oak with Original Polychrome. Flemish, Circa 1510
Western art unattributed:
[Me Savot, Galerie des Vents, 2 Impasse Notre-Dame de Chemin, Orleans, France] Martini: "Airs du Droit du Seigneur". Engraved Score of Music (1783) Including the Song "Plaisir D'Amour". Morocco Leather with the Coat of Arms of Marie-Antoinette, Queen of France.
Western art unattributed:
[Mes Ader Picard Tajan Auctioneers in Paris, 12 Rue Favart, Paris, France] Four Exceptional Louis XVI Chairs from Royal Provenance. Richly Carved and Gilded in Gold.
Western art unattributed:
[Rene Simmermacher, Talstrasse 5, Freiberg, Breisgau, Germany] Spruchtafel, Pewter, Augsburg 1697. 40 × 18.5 cm.
Western art unattributed:
[Sotheby's Parke Bernet, A.G. Zurich, Switzerland] Lot 184. A Sapphire, 57.60 Carats, and Diamond Clip Mounted in Platinum. Lot 183. A Platinum Diamond Necklace
Western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A French Bronze Figure of Venus, c.1600, 17 cm. High 6 3/4 Inches)
Western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A South German Sandstone Group of the Virgin and Child, Traces of Original Polychrome, c.1350, 160 cm. High (63 Inches)
Western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] View of Schloss Fürstenried, 17 by 12.5 cm. 6 5/8 by 4 7/8 Inches)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Liverpool Coffee Pot and Cover, Christian's Factory, c.1770, 24.3 cm. (9 3/4 Inches)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Charles I, Halfcrown, Struck at Truro, 1643-1644
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Charles I, Halfcrown, Struck at York, 1642-1644
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Charles I, Shilling, Struck at Bristol, 1644
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Charles I, Shilling, Struck at Exeter, 1645
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Charles I, Silver Pound, Struck at Oxford, 1643
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Drachm of Teos, c. 520 B. C.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Stater of Clazomenac, c.500 B. C.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Stater of Erythrac, c.480 B. C.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Tetradrachm of Carthage, c.300 B. C.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Tetradrachm of Carthage, c.410 B. C.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Wednesday, 5th May, at 11 am and 2.30 pm. One of a Group of Falcons from the Stonham Collection