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Supplement
Recent Acquisitions at the Department of Sculpture and Decorative Arts, Rijksmuseum, Amsterdam: Supplement
06/1990 | 1047 | 132
Pages: 443-448
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
II. The Virgin Mary, by Arnt van Tricht (fl.c.1530-70). Oak, having lost its original polychromy, 100 cm. high. Calcar, c.1540. Purchased 1987. Inv. RBK 1987-21. The figure originally formed part of a Crucifixion group; the St John the Evangelist from the same group was acquired by the Rijksmuseum in 1898. Inv. NM 11155. The figure of the crucified Christ is presumed to be lost.
Attributed works:
IX. Vase (Vase Etrusque de Naples). Biscuit porcelain, painted in colours and gold, with gilt bronze handles, 59.5 cm. high; 29 cm. diam. Sèvres, 1858, the frieze painted by Paul-Maric Roussel. Purchased 1987 with the aid of a grant from the Belport Familienstiftung. Inv. RBK 1987-14. The shape of this vase was designed in 1849 by Jules-Pierre-Michel Diéterle (1811-89), chef des travaux d'art at Sèvres. A smaller pair was shown at the 1851 Great Exhibition in London, and another example was exhibited at the 1855 Paris Exposition Universelle.
Attributed works:
X. Comb, by René Lalique (1860-1945). Horn, gold and diamonds, 15.5 by 7.6 cm. Paris, c.1902. Purchased 1987. Inv. RBK 1987-2. The asymmetrical, Japanese-inspired design of this comb is extremely close to that of an example sold by Lalique in 1904 to his foremost patron, Calouste Sarkis Gulbenkian, now in the Gulbenkian Museum in Lisbon. On that piece, however, the flowers of the Guelder rose are executed in plique-à-jour enamel centred by tiny diamonds.
Attributed works:
XI. Sideboard, by E. J. Wisselingh & Co., designed by Carel Adolph Lion Cachet (1864-1945). Coromandel wood inlaid with walnut, ivory and copper, 142 by 182.5 cm. Amsterdam, c.1900. Purchased 1988. Inv. RBK 1988-41. Lion Cachet was much influenced by P. J. H. Cuypers (1827-1921), the architect of the Rijksmuseum's building who favoured the neo-gothic style. Neogothic linenfold panelling features prominently on this early example of Dutch eclectic art nouveau.
Attributed works:
XII. Vase, by Wolfers Frères after a design by Philippe Wolfers (1858-1929). Silver, 24.2 cm. high; 12 cm. diam. Brussels, c.1895. Purchased 1988 with the aid of a grant from the Foundation Dr Hendrik Muller's Vaderlandsch Fonds. Inv. RBK 1988-5. An example of the emerging art nouveau style in the work of Wolfers, this vase was retailed by the firm of Bonebakker in Amsterdam. Wolfers Frères also produced vases of the same form with a more traditional, naturalistic decoration.
Attributed works:
XIII. Vase, by Ernest Chaplet (1835-1909), the decoration probably by A. Kalt. Earthenware (grès brun), partly glazed, decorated in colours and black and white enamel, heightened in gold, 37.2 high; 27.3 cm. diam. Paris, c.1885-86. Purchased 1989. Inv. RBK 1989-5. Chaplet produced his revolutionary grès brun wares, on which the clay body was partly left unadorned, between 1882 and 1887. The vase is marked in gold 'HB&Co, for Hippolyte Boulenger & Cie, which started selling Chaplet's wares in 1886. The decoration bears the incised monogram 'AK', probably for A. Kalt.
Attributed works:
XIV. Vase. Porcelain, decorated in pâte-sur-pâte and painted in colours, 18.2 cm. high; 9.4 cm. diam. Meissen, c.1902, the decoration attributed to Rudolf Hentschel. Purchased 1986. Inv. RBK 1986-1. Like his father Julius (1843-1928), Rudolf Hentschel (1869-1951) was well-known at Meissen for his pâtesur-pâte decorations. He also designed some of the most distinctive shapes and painted decorations of Jugendstil Meissen porcelain. The pale blue, green and pink colours of the vase are characteristic of his work.
Attributed works:
XIX. Footed bowl, by François-Désiré Froment-Meurice (1802-55) executed by Jules Wièse (1818-90). Silver, partly gilt, with pearls, 35.3 by 26.2 cm. Paris, c.1851. Purchased 1989 with the aid of a grant from Christie's Amsterdam on the occasion of the retirement of S. H. Levie as Director-General of the Rijksmuseum. Inv. RBK 1989-13. An inscription records that this was a gift from Baron James de Rothschild (1792-1868) to a Mr. Mel Poisat on the occasion of the latter's twenty-fifth wedding anniversary in 1851. A similar piece was included in Froment-Meurice's triumphantly successful display at the 1851 Great Exhibition in London.
Attributed works:
XVI. Tazza, by Adam van Vianen (c.1568/9-1627). Silver, 3.3 cm. high; 18.2 cm. diam. Utrecht, 1610. Purchased 1985, with the aid of grants from the Rijksmuseum Foundation and private donors. Inv. RBK 1985-24. The scene represents Odysseus and his men visiting Circe. The dish is the earliest known piece of silver by Adam van Vianen, showing the so-called auricular style for which he and his brother Paulus are famous. Elements of this style occur in the border and, more strikingly, on the boldly shaped winecooler represented in the scene itself.
Attributed works:
XVIII. Plate. Tin-glazed earthenware, painted in blue and manganese, 48.5 cm. diam. Delft, c.1675-85, 'De Grieksche A' factory under Samuel van Eenhoorn. Purchased 1986. Inv. RBK 1986-16. The 'Grieksche A' factory, under the direction first of Samuel van Eenhoorn (died 1686) and then of Adriaen Kocks (died 1701), was the favourite supplier of blue and white Delft to Queen Mary and to courts all over Europe. It is very rare to find a 'Grieksche A' piece decorated in manganese as well as blue.
Attributed works:
XX. Panel. Glass, wheel-engraved, 23 by 18.3 cm. Prague, dated 1620, the engraving attributed to Caspar Lehmann (c.1563/5-1622). Purchased 1986. Inv. RBK 1986-29. The recumbent lion personifies the Count Palatine Frederick V (1596-1632), who was King of Bohemia during the Winter of 1620. The panel forms part of a series, the precise function of which remains unknown.
Attributed works:
XXI. One of a pair of chestnut-vases, by Diederik Lodewijk Bennewitz (1764-1824). Silver, 29.8 cm. high; 13.7 cm. diam. Amsterdam, 1822. Purchased 1985. Inv. RBK 1985-28. Silver chestnut-vases were made in Holland in considerable quantities from the late eighteenth century. They were probably used for marrons glacés. Their bold, geometric form is typical of Amsterdam silver in the Empire style, and the cast ornament clearly copies French models.
Attributed works:
XXII. Plate, by the 'Zuid-Holland', factory designed by C. J. van der Hoef (1875-1933). Earthenware painted in underglaze blue and brown, 8.8 cm. high; 41.5 cm. diam. Gouda, c.1905. Purchased 1986. Inv. RBK 1986-13. Between 1900 and 1910 C. J. van der Hoef was one of the foremost Dutch designers of ceramics, working for many of the small factories active at the time. The dish shows his restrained geometric style, typical of a mainstream development in Dutch art nouveau.
Attributed works:
XXIV. Vase, by Emile Gallé (1846-1904). Glass, acid-etched, and enamelled in colours and gold, 42.6 by 21.3 cm. Nancy, c.1884. Purchased 1989. Inv. RBK 1989-2. The decoration, composed of a mixture of Arabic, Japanese, classical and gothic motifs, is typical of Gallé's work of the mid-1880s. The shape may have been inspired by Japanese ceramics.
Western art unattributed:
I. Madonna and child. Oak, having lost its original polychromy, 67 cm. high. Utrecht, or the province of Holland?, c.1470. Purchased 1987. Inv. RBK 1987-22. Utrecht was the main centre for sculpture in the Northern Netherlands, but this Madonna, which comes from a church near Hoorn, may well have been made in another northern town such as Haarlem.
Western art unattributed:
III. Funerary monument. Limestone, painted in colours and gilded, 51.7 by 37 cm. Southern Netherlandish, c.1520. Purchased in 1985 (on loan from the Rijksmuseum Foundation). Inv. RBK 1985-41. The Virgin and child are shown with Sts Benedict and Bernard, with Sts Peter, John the Baptist and Paul in the predella. The monument is unusual in that it follows the composition of many full-sized wooden altar-pieces, though in stone and on a small scale.
Western art unattributed:
IV. Tureen. Porcelain, painted in colours, 20.5 by 20.9 cm. Weesp c.1770; decorated in Loosdrecht, 1774. Purchased 1988 with the aid of a grant from the Rijksmuseum Foundation. Inv. RBK 1988-3. This tureen represents an experimental phase in the founding of the Loosdrecht factory (fl.1774-84). The porcelain was made at the Weesp factory (fl.1759-70/1) and bears its mark, the crossed swords with three dots in underglaze blue. The decoration was added in Loosdrecht, witness the overglaze brown mark Mol. and the date $17 frac{2}{19} 74$, i.e. one day before the official founding date of the Loosdrecht factory. The tureen was discovered during the preparation of an exhibition of Loosdrecht porcelain held at the Rijksmuseum in 1988.
Western art unattributed:
V. Wall-hangings, made into a screen. Gilt leather, each leaf measuring 238 by 61 cm. Dutch (probably Amsterdam), third quarter of the seventeenth century. Purchased 1985. Inv. RBK 1985-54. From the early seventeenth century both Amsterdam and The Hague were important centres for the production of gilt leather. This example, with scenes of Meleager and Atalanta, is typical of the third quarter of the century in its high relief and strong polychromy.
Western art unattributed:
VI. Cabinet on stand. Softwood, japanned and inlaid with mother-of-pearl, 186 by 159 cm. (?)Dutch, c.1700. Purchased 1985 (on loan from the Rijksmuseum Foundation). Inv. RBK 1985-25. The chinoiserie scenes are after illustrations in Joan Nieuhof's account of the first Dutch embassy to the Emperor of China, published in Amsterdam in 1665. The mother-of-pearl inlays simulate the gilt metal mounts usually found on Japanese lacquer cabinets.
Western art unattributed:
VII. Cupboard. Oak and (burr-) walnut, 245 by 197 cm. Dutch, mid-eighteenth century. Purchased in 1989 with the aid of a grant from the Rijksmuseum Foundation. Inv. RBK 1989-16. This is one of the most markedly rococo pieces of Dutch furniture known. Richly decorated with virtuoso carving, it unusually lacks any metal mounts. A closely related corner display cupboard was in the Rosebery collection at Mentmore Towers.
Western art unattributed:
VIII. Salt. Silver, partly gilt, 30.2 by 15.5 cm. Amsterdam, 1618. Purchased 1988, with the aid of grants from the Rembrandt Society, the Rijksmuseum Foundation and the Ministry of Culture. Inv. RBK 1988-15. This is the only Dutch seventeenth-century silver salt to survive together with its detachable cover. It forms part of a small group of similar triangular salts (shown together at an exhibition at the Rijksmuseum in 1989). A design by the Utrecht artist Joachim Wtewael (1566-1638) for a similar piece, dated 1603 or 1608, is in the British Museum.
Western art unattributed:
XV. Layette cupboard on stand. Oak and walnut, 178 by 119 cm. (?)Amsterdam, third quarter of the seventeenth century. Purchased 1985. Inv. RBK 1985-10. Though the stand is one of the most vigorous examples of the auricular style, the cupboard itself, decorated with niches, shells and festoons, is in a more classical manner. Small cupboards such as this were used to store linen and other belongings of new-born babies.
Western art unattributed:
XVII. Tobacco-box. Silver, partly coloured, 2.5 by 12.4 cm. Dutch, second quarter of the eighteenth century. Presented by Mrs E. G. M. van den Honert-Wijers, Rijswijk, 1986. Inv. RBK 1986-27. The silver plaque set into the lid of this unmarked box is engraved with a bathing nymph. Parts of the scene have been coloured to resemble red and yellow copper and pewter. This unusual method of decoration creates the illusion of a mosaic composed of various metals. The inside of the lid shows the same scene in reverse.
Western art unattributed:
XXIII. Tea-caddy. Silver-gilt, 8.8 by 7.5 cm. Amsterdam, 1677. Presented by Mrs J. E. van Schendel-Reesink, Amsterdam, 1989. Inv. RBK 1989-28. This is the first known Amsterdam silver tea-caddy, and is a remarkably early example of Dutch cut cardwork. Similar naturalistic flowers in this technique occur on some pieces of Amsterdam silver dating from the 1690s. The high-relief floral decoration within shaped panels reflects Chinese influence.
Advertisements
Advertisements January 1986 (Front)
01/1986 | 994 | 128
Pages: i-xxvi
Subjects
advertisements:
advertisements:
advertisements:
artists:
artists:
Illustrations
Attributed works:
Mrs James Wyatt Junior and Her Daughter Sarah, by Sir John Millais. (Tate Gallery, London).
Attributed works:
[Agnew, 43 Old Bond Street, London] J. M. W. Turner, R. A. Fishermen on the Beach at Hastings 10 ¾ times 15 ⅜ ins
Attributed works:
[Andrew Wyld, 17 Clifford Street, London] William Callow 1812-1908. The Rialto, 1841
Attributed works:
[Axel Vervoordt, Castle of 's Gravenwezel - St. Jobsteenweg, Antwerp] One Pair from a Set of Twelve Two-Handled Cups and Covers, Made for King George I in 1719 by Nicolas Clausen, Huguenot of Scandinavian Origin. They Are Engraved with the Arms of the Royal Family "Honni soit qui mal y pense" - "Dieu et mon Droit". Another Pair of This Set is in The British Museum Collection. London, Brittania Standard. Lit.: Michael Clayton, The Silver and Gold of Great Britain and North America, 2nd Edition, (1985), p. 138.
Attributed works:
[Berko Art Gallery, Berko-Kustlaan, 163 B 8300 Knokke-Zoute, Belgium] Jean-Baptiste Tency, Ships under Repair. Panel: 49 × 72 cm. Signed Lower Left Corner.
Attributed works:
[Brand Inglis Ltd, 9 Halkin Arcade, Motcomb Street, London] A William III Silver Scottish Sugar Castor by Walter Scott. Edinburgh 1700. Height: 9¼ Inches.
Attributed works:
[Caroline Stroude, 5 Masbro Road, London] Erich Wolfsfeld (1885-1956)
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Thomas Rowlandson 1756-1827. A Doorway Flirtation. Pencil, Pen and Ink and Watercolour, Signed 6 × 4 ins.
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[I.J. Mazure & Co Ltd, 53 Chancery Lane, London] A Fabergé Silver and Enamel Cigarette Case with Sapphire Cabochon Thumb Piece, Presented by King George of Greece When Prince to a Captain Lamprière for a Partnership in a Lawn Tennis Championship in 1900. Workmaster August Holming - St Petersburg 1899-1908.
Attributed works:
[Jean-Paul Meulemeester, 50-52 rue de Rollebeek, Brussels] Gabriel de Saint-Aubin. Etude pour une main et personnages. Verso: étude d'une omoplate. Sanguine 178 mm. × 250 mm. Avant 1760. Prov.-Coll. Anatole France-Delteil-de Neuville
Attributed works:
[Jocelyn Fielding Fine Art Ltd at the Alan Jacobs Gallery, 8 Duke Street, London] Johann Christoffer Bayer, 1738-1812. Flowers in an Urn. Signed. Gouache on Paper. 24 ¾ × 21 ins.
Attributed works:
[JS Maas & Co Ltd, 15a Clifford Street, New Bond Street, London] Dante Gabriel Rossetti (1828-1882), Elizabeth Siddal Seated at a Table Reading; Pen, Ink and Wash; 5 × 2 ¾ in
Attributed works:
[Mackinnon and Strachey, 17 Saville Row, London] Antoine-Louis Barye 1795-1875. Tigre dans son antre. Watercolour 5 ⅝ x 6 ⅞ Inches
Attributed works:
[Marlborough Fine Art, 6 Albemarle Street, London] Wilhelm Lehmbruck: Weiblicher Torso 1910-14. Bronze ht. 45½ in. Edition of 3.
Attributed works:
[Maurice Asprey Ltd, 41 Duke Street, London] A Pair of Fine, Late Victorian, Heavy, Silver Medals, One Side Showing a Grecian Vessel with the Prince of Wales' Feathers on the Sail, the Other Side "The Queen's Cup - Upper Thames Sailing Club". In Art Nouveau Style. Signed A. S. Cope. Circa 1890
Attributed works:
[Newhouse Galleries Inc, 19 East 66th Street, New York] Aelbert Cuyp, 1620-1691. On Panel, 30½ × 42¼ Inches. A Fully Signed and Recorded Work
Attributed works:
[Oscar & Peter Johnson Ltd, Lowndes Lodge Gallery, 27 Lowndes Street, London] Frederick George Cotman. Leidschiedam. Signed and Dated 1893 9 × 15 ins.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Alexandre-Denis Abel de Pujol, "Portrait of Nicolas Legrand and His Grandson," 1815. Oil on Canvas, 114 by 96.5 cm. Signed, Lower Right: "Abel de Pujol 1815"
Attributed works:
[Somerville & Simpson Ltd, 11 Saville Row, London] Edward Lear 1812-1888. Monte Generoso. Pencil, Pen and Black Ink and Watercolour. 15 ⅜ × 22 ins.
Attributed works:
[Spencer A. Samuel, 11 East 57th Street, New York] Filippo Bellini, The Immaculate Conception. Pen and Sepia Wash, 12 ⅝ x 9 ⅜.
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork Street, London] Alfred de Dreux (1810-1860), Cavalier au Galop. Watercolour on Paper, 8¼ × 11 ins (21 × 28 cm). Signed Lower Right
Attributed works:
[Van Kranendonk Duffels] A Carnet de Bal, in Different Coloured Golds and Silver with Diamonds. French c.1850. Probably Froment Meurice.
Attributed works:
[Verlag Schnell & Steiner, Postfach 112, Munich] Thomas Zacharias Blick der Moderne Einführung in ihre Kunst. Oskar Kokoschka (1886-1980) Bilnis Karl Kraus 1910.
Attributed works:
[Wartski, 14 Grafton Square, London] A Samovar by Carl Faberge
Attributed works:
[Wildenstein Gallery, 147 New Bond Street, London] Portrait of Jeanne Hébuterne. Amedeo Modigliani 1918
Attributed works:
[Wildenstein Gallery, 147 New Bond Street, London] Young Woman in Blue Going to the Conservatory. Pierre-Auguste Renoir 1877
Attributed works:
[William Drummond, The Bury Street Gallery, London] Garden William Fraser 1856-1921, "A Mill on the Ouse." Watercolours. Signed and Dated "W. F. Garden 89"
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] Henri Matisse 1869-1954: Nu Accroupie et Buste de Jeune Fille. Pencil. Signed. c.1901. 13 ⅝ x 8 ⅛
Western art unattributed:
[Asprey, 165-169 New Bond Street, London] A Fine Paul Storr Stag's Head Stirrup Cup, London, 1835. 13ozs 6¼″ Long
Western art unattributed:
[Breede, Dänische Straße, Kiel] Enamelled Gold Bracelet with Green Garnets and Diamonds, ca. 1900. Signed Frederic Boucheron.
Western art unattributed:
[Chamarande, 24 Galerie de la Reine, Brussels] Ensemble de bronches en or. Seconde moitié du XIXe siècle.
Western art unattributed:
[Donohoe, 1-7 Davies Mews, London] The Horses of Aurora. Cameo Brooch in Gold Cannetille Mount. Circa 1860
Western art unattributed:
[Hancocks, 1 Burlington Gardens, London] A Fine Edwardian Oriental Pearl and Diamond Openwork Choker. (Actual Size)
Western art unattributed:
[Steppes Hill Farm Antiques, The Hill Farm, Stockbury] A Selection of Georgian Wine Labels.
Advertisements
Advertisements December 1985 (Front)
12/1985 | 993 | 127
Pages: i-xxx
Subjects
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
Dada-Cino, by Raoul Hausmann. 1921. Gouache on Collage. (Private Collection; Exh. Royal Academy, London).
Attributed works:
[C.D.R. Fine Art Ltd, 97 Cambridge Street, London] Georg Schrimpf (1889-1938), Ausschauende-Mädchen am Fenster, 1937 (Girl by a window). Oil on Canvas, 75 × 52cm. Signed and Dated Lower Right
Attributed works:
[C.G. Boerner, Kasernenstraße 13, Dusseldorf] Giovanni Pietro da Birago after Leonardo (ca. 1497). The Last Supper. Engraving. B. XIII,83,28. Hind V,88,9. From the Collection Earl Spencer, Althorp.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Emilius-Ditler Baerentzen (Copenhagen 1799-1868), Self Portrait. Oil on Canvas. 58 × 50.5 cms.
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Electa, via Trentacoste 7, Milan] Canaletto. The Complete Work by André Corboz
Attributed works:
[Electa, via Trentacoste 7, Milan] Duccio di Buoninsegna. The Complete Work by Florens Deutcher
Attributed works:
[Electa, via Trentacoste 7, Milan] Giambattista Pittoni. The Complete Work by Franca Zava Boccazzi
Attributed works:
[Electa, via Trentacoste 7, Milan] I Guardi. The Complete Work by Antonio Morassi
Attributed works:
[Electa, via Trentacoste 7, Milan] Palma il Giovane. The Complete Work by Stefania Mason Rinaldi
Attributed works:
[Electa, via Trentacoste 7, Milan] Paolo Veronese. The Complete Work by Terisio Pignatti
Attributed works:
[Electa, via Trentacoste 7, Milan] Perugino. The Complete Work by Pietro Scarpellini
Attributed works:
[Electa, via Trentacoste 7, Milan] Tintoretto. The Complete Work by Rodolfo Pallucchini and Paola Rossi
Attributed works:
[Galerie Michael Haas, Niebuhrstraße 5, Berlin] Ernst Ludwig Kirchner "Bartanz", 1914, Radierung, Eigendruck Sign. Dube 174.
Attributed works:
[Galerie Westphal, Fasanenstr. 68, Berlin] Walter Libuda 'Ohne Titel (Acht Figuren)'. Oil/Canvas, Signed and Dated (19)84, 145,5 × 121 cm
Attributed works:
[I & G Fine Arts International Ltd, 37 Curzon Street, London] Giovanni Lanfranco, 1582-1647, Susannah and the Elders. Oil on Copper, 36.8 × 50cm
Attributed works:
[Jean Willems, rue Ernest Allard 5, Brussels] Leonard Bramer, Delft 1596-1674, "The Doctors of the Law". Grey and Black Ink and Wash, Heightened with White Gouache on Grey Paper 372 × 292 mm. Provenance: Bremen Kunsthalle (L.293). Bremen Kunstverein (L.295)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Henry Moore: Working Model for Mother with Child on Lap, 1985. Bronze ht. 34 in./86.4 cm. Cast 1/9
Attributed works:
[Marlborough, 39 Old Bond Street, London] Ernst Ludwig Kirchner Zwei Badende am Ofen. Lithograph, 1914. 42 × 31cm
Attributed works:
[Mes Audap-Godeau-Solanet, 32 rue Drouot, Paris] Michel Garnier "Le Hamac" Painting Shown at the "Cinq siècles d'art français" Exhibition - Stockholm National Museum 1958 - no 109 - 0.46 × 0.55 cm
Attributed works:
[Mes Audap-Godeau-Solanet, 32 rue Drouot, Paris] Vigee le Brun Louise Elisabeth "La vertu irrésolue". Oil on Canvas. 49 × 39 cm. (Engraved by Dennel).
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Jurgen Ovens (1623 - 1678), "Charity," Signed and Dated 1646, on Panel, 82 cm. × 66 cm. Estimate: £10,000 - £15,000 ($14,000 - $21,000).
Attributed works:
[Prestel-Verlag, Manlstraße 26, Munich] Naum Gabo
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Alexandre-Denis Abel de Pujol, "Portrait of Nicolas Legrand and his Grandson," 1815. Oil on Canvas, 114 by 96.5 cm. Signed, Lower Right: "Abel de Pujol 1815"
Attributed works:
[Sotheby's, 1334 York Avenue, New York] Master of the Holy Kinship, Adoration of the Magi, Oil on Panel, 146 by 164 cm.
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Asprey. A Rare Silver Mounted Green Glass Whiskey Decanter by Omar Ramsden, London, 1938, 11½ ins High. Stand no. D7
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Brand Inglis Ltd. A Rare Pair of Charles II Large Scent Flagons. Maker's Mark Only: PR London c.1675. Height: 7 ins. Stand no. B4
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] E. & C. T. Koopman & Son Limited. A Magnificent Silver-Gilt Toilet Service, London 1734, by David Willaume. Arms Are of Cecil with Chambers in Pretence for Brownlow, 8th Earl of Exeter. Stand no. H2
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Galerie Rotmann. 1 Pair of Russian Table Candle-Sticks St. Petersburg 1833. Assaymaster: Michael Karpinski. Workmaster: Christian Andreas Jantzen. Weight: ca. 12kg. Height: 22½ ins. Jantzen Was Purveyor to the Russian court. Stand no. F1
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Hancocks. A Good Wine Goblet by Omar Ramsden, London 1936. Stand no. F7
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] I. J. Mazure & Co Limited. A German Silver Gilt Mounted Ivory Beaker and Cover with a Scene of Cherubs Holding Hands Dancing round in a Circle, and Carved in the Style of Leonard Kern, 1588-1663. c.1645. Stand no. E1
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] J. H. Bourdon-Smith Ltd. A Pair of Shell Cornered Swirling Fluted. Candlesticks, Made in London in 1829 by Robert Garrard. Engraved with a Contemporary Crest and Coronet. 10 ins. Tall. 52.5 Ounces. Stand no. E8
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Maurice Asprey. A William III Silver Nutmeg Grater and Box by RB. London 1696. The Box Is Fully Marked and the Grater Bears the Maker's Mark on the Cover. Stand no. D6
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Steppes Hill Farm Antiques. A Fine George III Oval Tray with Reeded Rim and Double Handles Engraved with Contemporary Armorials. Makers: Hannam and Crouch, 1802. Weight: 106 ozs. Width: 31 ins. Stand no. K1
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Van Kranendonk Duffels. A Carnet de Bal in Different Coloured Golds and Silver with Diamonds. French c.1850. Probably Froment Meurice. Stand no. J1
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Wartski. A Fabergé Looking Glass in Coloured Gold with a Bowenite Base, by M. Perchin - St. Petersburg. c.1900. Stand no. D8
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Andrew Wyld. William Callow 1812-1908 Sunset on the Normandy Coast, 1832. Watercolour. Stand no. G3
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Caroline Stroude. Erich Wolfsfeld, 1885-1956, Mother and Child Graphite. Stand no. H10
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Colnaghi. Edward Dayes, 1763-1804 A View of Leek, Staffordshire Pencil and Watercolour. Signed and Dated 1793. 6½ × 9 ins. Stand no. H6
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Fry Gallery. Nicholas Pocock, 1740-1821. Giant's Causeway Co. Antrim. Watercolour, Signed and Dated 1793. Stand no. P4
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] J. S. Maas & Co Ltd. Finished Pencil Sketch for A Wife, an Illustration to an Anonymous Poem in Once a Week, 7th of January 1860, 4 × 5½ ins., by Sir John Everett Millais, P. R. A. (1829-1896). Stand no. M5
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Jocelyn Feilding Fine Art Ltd. Johann Christoffer Bayer, 1738-1812. Flowers in an Urn. Signed. Gouache on Paper. 24 ¾ × 21 ins. Stand no. B3
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Stoppenbach & Delestre Ltd. François Bonvin, 1817-1887, Woman Spinning 1861. Charcoal, 16 × 11¼ ins. Signed and Dated Lower Left. Stand no. H5
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] The Leger Galleries Ltd. Daniel Gardner, 1750-1805. Portrait Group of Mrs. Anthony James Keck and Her Son and Daughter. Gouache and Pastel. 38 × 24 ¾ ins. Stand no. D8
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Thos. Agnew & Sons Ltd. Michael Ayrton, The Chainmakers. Gouache. 18 × 22 ins. Stand no. F1
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] William Drummond. William Turner of Oxford O. W. S. Born 1789 Died 1862 A Distant View of Loch Maree, Rosshire, North Britain. - Sunset (Inscribed Verso by the Artist). Watercolour and Body Colour on Paper, 29 × 40 Inches. Signed and Dated "W. Turner 1846". Stand no. M4
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] William Weston Gallery. Pierre Bonnard 1867-1947. Drawing in Black Chalk. c.1930. Signed with the Monogram Stamp. A Study for the Oil 'Nu à la Baignoire' c.1930 (Private Coll. U. S. A. - Exhibited Royal Academy 1966 - No 208.). 5 × $6frac{1}{8}$ ins. Stand no. M2
Western art unattributed:
[Deutscher Verlag für Kunstwissenschaft GmbH, Lindenstr. 76, Berlin] Hans R. Hahnloser und Susanne Brugger-Koch
Western art unattributed:
[Lawrence Fine art, South Street, Crewkerne] A Pair of Old Sheffield Plated Wine Coolers. c. 1815
Western art unattributed:
[Nella Longari, Via Bigli, Milan] Miniated Page Representing "The Adoration of the Magi". France, 15th Century. Size: 20.5 × 14.5 cm
Western art unattributed:
[Schwabe & Co. Ltd, Basel] Paul Klee Beiträge zur bildnerischen Formlehre
Western art unattributed:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Axel Vervoordt. An Embossed Two-Handled Commonwealth Presentation Cup, the Interior Gilt, Given to Queen Anne in 1681 at Her Confirmation and Engraved on the Occasion. London 1657. Height: 3 ins. Stand no. J7
Western art unattributed:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Donohoe. Eighteenth Century Gold Portrait Ring of Frederick the Great. Stand no. G2
Western art unattributed:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Ulf Breede. Enamelled Gold Pendant Formed as a Warrior with a Trophy of Arms. English or Dutch c.1620. 2½ × 2 ins. Stand no. D4
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Advertisements January 1976 (Front)
01/1976 | 874 | 118
Pages: i-xxxviii
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Albrecht Neuhaus, 9 Heinestrasse, Wurzburg, Germany] A Fine XVI Century German Pineapple Cup and Cover by Martin Dumling. Nuremberg c.1580. Height: 12 Inches, Weight: 17.35 Ounces
Attributed works:
[Andrew Crispo Gallery, 41 East 57th Street, New York, New York] Photograph Copyright © Mary Ann Reinmiller.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Albrecht Altdorfer. The Holy Family at the Fountain. Woodcut. (About 1512/15). On Paper with Cardinal's Hat Watermark (Winzinger no. 14). B. 59, Dodgs. 47. Winzinger 83 a (of c).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] W. Patch. A View of Florence from the Arno
Attributed works:
[Exh. Royal Academy of Arts, London] Detail from Saint James of Alcalá Feeding the Poor. Real Academia de San Fernando, Madrid.
Attributed works:
[F. Payer, Weite Gasse 4, AM Hechtplatz, Zurich, Switzerland] Goblet. Nuremberg c.1580 Master M. Rehlein (R 3962). Height, 23.5 cm., 445 g.
Attributed works:
[Galerie G. Paffrath, D 4000 Dusseldorf 1 Koenigsallee 60, Germany] Georges Jeannin (1841 Paris-1925 Paris), Roses, 1907, 32.5 by 40.5 cm. Oil on Canvas, Signed and Dated Bottom Left. 'G. Jeannin 1907'
Attributed works:
[Heim-Gairac, 13 rue de Seine, Paris, France] Georges Michel (Paris 1763 - Paris 1843). "Paysage" Canvas. H. 0,63 L. 0,80.
Attributed works:
[How of Edinburgh, 2-3 Pickering Place, London, UK] Fluted Dish. By David King Weight 15 ozs 3 dwts. The Arms Are Those of the Cornewall Family. Dublin 1711 Diameter 9¼ ins
Attributed works:
[I.G.A. Old Masters LTD, Magdala Mount, Lower Kings Cliffe, St helier, Jersey, Channel Islands] Jean Francois Millet (1814-1875). Black Chalk, 16½ by 10½ Inches
Attributed works:
[Paul-Mehringer, 8 Munchen 80, Merzstrasse 12, Germany] Virgin and Child, Trier about 1370, Stone, Traces of Original Polychrome, h. 87 cm.
Attributed works:
[Rene Simmermacher, Talstrasse 5, Freiberg, Breisgau, Germany] Cylindrical Mug, with Monogram GA Gustav-Adolf) Hudiksvall/Sweden, Gottlob Friedrich Baumann, 1800. Height, 21 cm
Attributed works:
[Richard L. Feign & Company, 900 Park Avenue, New York, New York] Aelbert Cuyp. panel, 61 × 88 cm. Signed
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] Jongkind. "La Rue Saint-Séverin." Canvas. 41 × 27.5. cm 1878.
Attributed works:
[Signature Galleries, 320 South Michigan Avenue, Chicago, USA] The Paintings of Theodore Earl Butler. American 1860-1936. "Mme. Butler". 1895. o/c: 32 × 25.1/2 in.
Attributed works:
[Silvano Lodi Fine Pictures, 6911 Campione D'Italia Viale Marco d. C. 32, Switzerland] Jan Picart, 1600-1682. Canvas, 60 by 74 cm.
Attributed works:
[Sotheby's Belgravia, 19 Motcomb, London, UK] Thursday, 5th February, at 10.30 am. One of a Set of Three 'Sèvres' Jewelled Plates Painted with a Portrait of the Comtesse de Grignan, Painted Interlaced L's in Blue, Mid-Nineteenth Century, 24.1 cm. (9½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Strogonoff School Icon of the Resurrection and Scenes from the Passion, Silver Oklad, Seventeenth Century, 53 by 43 cm. (21 by 17 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Abraham Hulk, Merchant and Fishing Vessels, Signed, 59.5 by 90 cm. (23½ by 35½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Aleksander Swieszewski, Water Meadows in Poland, Signed and Inscribed 'Monchiun', 51 by 87 cm. (20 by 34 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Alonzo Perez, Two to One, Signed, on Panel, 45.5 by 54.5 cm. (18 by 21½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Barent Cornelis Koekkoek, Figures Skating before a Hilltop Town, Signed and Dated 1853, on Panel, Unframed, 23 by 34 cm. (9 by $13 3/8 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Carl Kronberger, The Happy News, Signed, on Panel, 18 by 13 cm. (7 by 5 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Carlo Brancaccio, A Venetian Canal, Signed on Board, Unframed, 45.5 by 55 cm. (18 by 31½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Charles Louis Mozin, At the Mouth of a Canal, Signed, on Panel, 36 by 46.5 cm. (14¼ by 18¼ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Emilio Sanchez Perrier, Harbour Scene in Seville, Signed, Inscribed 'Seville' and Dated '82, on Panel, 27.5 by 43.5 cm. (10 3/4 by 17¼ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Filippo Palizzi, Hungry Goats, Signed, Unframed, 48 by 71 cm. (19 by 28 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] François Frederick Charles Soulacroix, The Concert, Signed and Inscribed 'Florence', 105.5 by 178.5 cm. (41½ by 70½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Franz Ittenbach, St Dorothy of Cappadocia, Signed and Dated 1853, Unframed, 35.5 by 29.3 cm. (15½ by 11½ Inches
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Heinrich Dankerts, A Sculptured Park Landscape, Signed and Dated 1671, on Panel, 108 by 165.1 cm. (42½ by 65 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Hermanus Kockkock, Snr, A Dutch Barge at Harbour Entrance, Signed and Dated 1834, on Panel, Unframed, 25 by 33 cm. (9 3/4 by 13 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Hugo Kauffmann, A Peasant Woman, Signed and Dated 1902, on Panel, 16.5 by 13.5 cm. (6½ by 5¼ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Hugo Kotschenreiter, The Broken Bottle, Signed and Dated '74, 21 by 53.5 cm. (17 by 43 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Issac van Oosten, A Stag Hunt, Signed, on Panel, 28 by 37.5 cm. (11 by 14¾ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jan Van Huchtenburgh, A Horse Fair, Signed with Monogram, on Panel, 33 by 47 cm. (13 by 18½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Maurice Levis, La Cathédrale et la Vieux Pont de Nantes, Signed and Inscribed on the Reverse, 38 by 61 cm. (15 by 24 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Monday, 26th January, at 11 am. A Silhouette of Young Officer by John Buncombe, c.1805, Rectangular 9.5 cm. ($3frac{3}{4}$ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Pieter Gerardus Sjamaar, The Oyster Feast, Signed, on Panel, 44 by 60.5 cm. (17¼ by 23 3/4 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Robert Griffier, An Extensive River Landscape, Signed, on Panel, 28 by 37.5 cm. (11 by 14 3/4 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] The 'Jansen' Violoncello by Antonio, Stradivari, Cremona 1721, £50,000, 27.XI.75
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Thursday, 22nd January, at 11 am. A Pair of Froment Meurice Silver-Gilt Stands, Paris, c.1860, 21.5 cm. Wide (8½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Thursday, 8th January, at 11 am. A Pair of Sauce Tureens and Covers by John Robins, London 1791, 23.5 cm. Wide over Handles (9¼ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Tuesday, 13th January, at 11 am. Fox-Hunting Scene after John Frederick Herring, 1874, The Death, by J. Harris, Coloured Aquatint, 44 by 77.5 cm. (17½ by 30½ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Tuesday, 3rd February, at 11 am. A Commemorative Bragget Pot, Inscribed Lydia Mountford Her Pot 1700, 18.5 cm. (7¼ Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Voyage Aux Regions Equinoctiales du Nouveau Continent by F. H. A. von Humbolt and Others, £9,500, 17.XI.75
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Wednesday, 4th February, at 10.30 am. Hokusai, The Magpies Bridge, from the Series. The Hundred Poems Narrated by Nurse, 34 cm. by 23 cm. (13½ by 9 Inches)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Wilhelm Kuhnert, The Rogue Elephant, Signed and Dated '07, 80 by 131 cm. (31½ by 51½ Inches)
Attributed works:
[Spink and Son, 5-7 King Street, London, UK] Charles I Silver Wine Cup by John Buckle, London 1634. Height 5.3″ (13.6 cm) Weight 4.5 oz. 25 Park Lane Loan Exhibition 1929, Exhibit no. 452.
Attributed works:
[Xaver Scheidwimmer, 3 Ottostrasse, Munich, Germany] Pieter Balten (Antwerpen 1525-1598). Kermesse de la Saint-Georges. Canvas, 37½ by 59½ Inches
Non-western art unattributed:
[Neumeister KG, 8000 Munich 2, Briennerstr. 14, Germany] Kuan Yin. Blanc de Chine, Stamped Mark p'u-chi yü-jen. China, Téhua. 18th Century, Height 33 cm. In the Background a Lady's Gown. To be Sold at Our Auction on Thursday, 26th February
Non-western art unattributed:
[Sotheby's Parke Bernet, New York, USA] Friday, 16th January, at 10.15 am and 2 pm. Left: A Lavender Jade Figure of a Bird, 17.2 cm. High (6 3/4 Inches). Centre: A Lavender and fei-ts'ui Jade Covered Vase with Loose-Ring Handles, 20.3 cm. High (8 Inches). Right: A Lavender and fei-ts'ui Jade Covered Tripod Incense Burner with Loose-Ring Handles, 18.4 cm. (7¼ Inches).
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Jade Figure of a Water-Buffalo, Late Ming Dynasty, 15.2 cm. (6 Inches)
Western art unattributed:
[Sotheby's Belgravia, 19 Motcomb, London, UK] Wednesday, 28th January, at 11 am. A Fan Shaped Gilt-Bronze Fire Guard, Mid-Nineteenth Century, 66 cm. High (2 Feet 2 Inches)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Central Russian Icon of St Nicholas and His Life, c. 1700, 94 by 77 cm. (36 3/4 by 30¼ Inches)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A French Prisoner-o'-War Bone Model of a Man-o'-War, Nineteenth Century, 61 cm. Long, £4,200, 14.XI.75
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Moscow School Icon of Three Metropolitans of Moscow, Seventeenth Century, 31 by 27 cm. (12¼ by 10 3/4 Inches)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] An Italo Creton Icon of the Virgin and Child, Sixteenth Century, 24 by 18 cm. (9½ by 7¼ Inches)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Thursday, 22nd January, at 10.30 pm. An Important Opal and Diamond Brooch
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Wednesday, 28th January, at 10.30 am and 2 pm. U. S. A. Silver Dollar, 'Flowing Hair' Type, 1795
Western art unattributed:
[Whitworth Art Gallery, University of Manchester, Manchester, UK] English Psalter c. 1250-60. Borough of Blackburn