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3 articles
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Advertisements January 1992 (front)
01/1992 | 1066 | 134
Pages: i - xx
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Pablo Picasso. Pan. Brush Lithograph. (10 March 1948). Mourlot III.
Attributed works:
[C. John, 70 South Audley Street, Mayfair London] Late 18th Century French Aubusson Tapestry, with a Woodland Scene in Shades of Green, Brown and Ivory, Woven by F. Grellet. Signed. M. R. D. Aubusson, F. Grellet. Circa 1780. Dimension: 9′2″ × 7′4″ (274 × 223 cm)
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Master of 1419. Active in Florence in the First Half of the 15th Century. The Virgin and Child. Tempera and Gold on Panel: 100 × 65cms
Attributed works:
[Cover] Au salon: ledivan, by Henride Toulouse-Lautrec. c.1893-94.
Attributed works:
[Didier Aaron Inc., 21 Ryder Street, London] Nicolas Lancret. 1690 Paris 1743. L'oiseau prisonnier, ca. 1738. Oil on Canvas: $11frac{5}{8}times 15frac{5}{8}$ Inches
Attributed works:
[Galerie de La Scala, 68 rue de La Boetie, Paris] François Boucher (1703-1770). A Shepherd and a Shepherdess with a Bird Trap. Preliminary Sketch, Red Chalk. 17.2 by 23.4 cm
Attributed works:
[Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Ivory. Workshop of Leonhard Kern XVII Century H. 19.5 cm.
Attributed works:
[Jean - Francois et Philippe Heim, 7 rue Louvois, Paris] Jean-Louis Forain. Reims 1852 - Paris 1931. Bookmaker. Aquarelle et encre. H. 0,275 × L. 0,226 m.
Attributed works:
[John Mitchell and Son, 160 New Bond Street, London] The Conversion of St Paul. Nicolas-Bernard Lepicié 1735-1784. Oil on Canvas, 1.00m × 0.78m: 39½ × 31 Inches
Attributed works:
[Marlborough, 6 Albemarle Street London] Christopher Bramham (b. 1952). Gardens in Richmond - Summer, 1988-91. Oil on Canvas. $67frac{1}{8}times 64frac{9}{16}$ in./170.5 × 164 cm. Signed, Dated and Entitled on Reverse
Attributed works:
[Missing] Attributed to Sir Peter Paul Rubens, Hygieia Feeding the Serpent, Black, Red and White Chalk with Traces of Later Green Wash, 409 × 271 mm.
Attributed works:
[Paul Proute S. A., 74 rue de Seine, Paris] François Boucher (Paris 1703 + 1770). Laban Seeking the Idols Pen and Brown Ink and Brown Wash over Traces of Black Chalk, 331 by 208 mm. Inscribed at Lower Right 'F. Boucher'. On the Reverse is a Black Chalk Drawing of an Italianate Garden.
Attributed works:
[Richard L. Feigen, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Philip James de Loutherbourg, R. A., The Hermit. Signed and Dated, Lower Left: "P. J de Loutherbourg, R. A. 1798" [Artist's Label Attached to the Stretcher]. Oil on Canvas, 27¼ × 40 Inches (69 × 102 cm.)
Attributed works:
[Schlichte Bergen, P.C. Hooftstraat 53, Amsterdam] Jan Van Bylert (Utrecht 1597/98-1671). Madonna and Child Panel 105 × 78cm.
Attributed works:
[Spencer A. Samuels Gallery, 52 East 78th Street, New York] Nicolas de Largilliere. Paris 1656-1746 Paris. A Self-Portrait. Oil on Canvas 23¼ × 19½ Inches (59 × 50 cm)
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] Pier Francesco Mola, An Allegory of America, Pen and Brown Ink with Brown Wash. 285 × 213 mm.
Attributed works:
[W. M. Brady & Co., 3 East 76th Street, New York] Charles-Joseph Natoire (1700-1777). St. Vincent Ferrer Resuscitating a Youth Drowned in a Well Inscribed, Lower Left, Natoire. Pen and Brown Ink over Black Chalk, with Brown Washes, Heightened With White. $12frac{3}{8}times 6frac{7}{16}$ Inches (315 × 214 mm)
Attributed works:
[Wartski, 14 Grafton Street, London] Top Left: Embossed Gold Snuff Box, the Cover with a Scene Depicting Mars before Venus. By Francis Harrache. London, 1751-56. Length 3 Inches. Top Centre: Chased Gold Musical Box Designed as an Envelope and Enamelled Royal Blue. Geneva c.1815. Maker: Georges Rémond. Length $2frac{9}{16}$ Inches. Top Right: A Gold Replica of the Celebrated Fake Known as the Tiara of Saitaphernes by Israel Rouchomovsky. Height 1½ Inches. Centre: Engraved and Articulated Gold Vinaigrette Designed as a Fish. Probably German, c.1760. Length 4½ Inches. Front Left: Gold Snuff Box Enamelled en basse taille and Painted with Floral and Architectural Motifs. By Jean Moynat. Paris 1758. Length 2¼ Inches. Front Right: Chased and Granulated Gold Box, the Cover Set with a Signed Agate Cameo of The Triumph of Love by Nicolo Morelli (1739-1835). Paris c.1810. Length 2 Inches.
Western art unattributed:
[Jacqueline Boccador, 1 Quai Voltaire, Paris/ 6 rue du Commandant Guichard, Saint - Tropez] Adoration of the Magi. End 15th Century, Alabaster. Nottingham, England. Height: 35 cms Width: 25 cms
Western art unattributed:
[Maggs Bros. Ltd., 50 Berkeley Square, London] Miniature Showing the Destruction of Sodom and Gomorrah and the Building of the Tower of Babel. France, c.1400.
Western art unattributed:
[Wartski, 14 Grafton Street, London] An Enamelled Gold Brooch in the Form of a White Anemone, the Flower Head Tremblant and the Stamens Set with Rose Diamonds. One Broken Petal is Faithfully Rendered in the Dutch 17th Century Manner. Paris c.1880
Advertisements
Advertisements June 1990 (Front)
06/1990 | 1047 | 132
Pages: i-lxxii
Subjects
advertisements:
advertisements:
Illustrations
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Iphigenia Jacques Louis David. Black Chalk. 130 × 195 mm. Signed and Dated 'L. David. Brux. 1819'.
Attributed works:
[Adriano Ribolzi Antiquaire, 6 Avenue des Beaux Arts, Monte Carlo] "Erigone" by Guldo Reni 65 cm × 69 cm
Attributed works:
[Agnew's, 43 Old Bond Street, London] Edward Lear (1812-1888). Corfu from Gastouri. Canvas, 18⅛ × 29¼ in. (46 × 74.3 cm)
Attributed works:
[Arnoldi - Livie, Galeriestraß 2B, Munich] Jacques de Gheyn II. Antwerpen 1565-1629 Den Haag - A Kneeling Shepherd Holding a Lamb. Black Chalk Reinforced with the Pen and Heightened with White on Light-Brown Paper. 19.5×10.3 cm.
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] H. Fragonard - "L'éducation de la Vierge", Circa 1764. Oil on Canvas. 0,90 × 0,72. Mg. Publicite
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] Mary Cassatt - "La petite fille au chapeau". Watercolor and Gouache, Signed at Lower Left. 0,56 × 0,375.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Sir D. Wilkie. Queen Adelaide 1836. Watercolour
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/61 East 77th Street, New York] Jean de Gourmont. Active 1506-1551. Engraving. Bartsch 14. From the Collection of König Friedrich August II. von Sachsen.
Attributed works:
[Christie's, 8 King Street, London] Frederic, Lord Leighton, P. R. A. (1830-1896): The Dance of the Cymbalists, One of a Group of Three, all 86¾ × 46½ in. (220.8 × 118.1 cm.). Estimate: £60,000-90,000 the Set.
Attributed works:
[Christie's, 8 King Street, London] Johann Zoffany, R. A. (1733-1810): A Group Portrait of the Colmore Family, 39½ × 50 in. (100.3 × 127 cm.)
Attributed works:
[Christie's, 8 King Street, London] Joseph Wright of Derby, A. R. A. (1734-1797): Vesuvius from Posillipo, Signed 'IW.pt'. Dated 178(9?), and with Inscription J. Wright fec.t'/Derby 1780,' 40½ × 50½ in. (102.8 × 128.2 cm.)
Attributed works:
[Christie's, 8 King Street, London] Prince William of Gloucester by William Grimaldi (1751-1830), Signed on the Reverse, 4⅛ in. (105 mm.) High. Estimate: £5,000-6,000, Portrait of an Unknown Lady by William Grimaldi (1751-1830), 4 in. (102 mm.) High. (Reduced). Estimate: £3,000-5,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Anton Raphael Mengs, Aussig 1728 - Rome 1779. A Portrait of Franz Xavier Orsini-Rosenberg, Oil on Canvas: 61 × 47.5cms.
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] Still Life with Fruit (Pears and Apples) c.1930. Oil on Canvas, 18 × 21 ins, Signed MS bottom Right
Attributed works:
[Entwistle, 37 Old Bond Street, London] Abraham Bloemaert. The Raising of Lazarus. Lent by Manchester City Art Gallery
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Raoul Dufy, Les deux modèles, Oil on Canvas, Signed and Dated 1930 on the Lower Centre, 81 × 100 cm (31⅞ × 39⅜ in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Baptiste Huet (1745-1811). Study of an Acanthus Plant. Red Chalk, Red Chalk Wash with White Heightening on Blue Grey Paper 465 × 335 cm. Verso: Study of the Tip of a Plant with Its Leaves in Red Chalk.
Attributed works:
[Galerie André Candillier, 26 rue de Seine, Paris] Helleu. L'Allaitement. Dry Point, Colour. (Montesquiou '84). 53 by 33 cms.
Attributed works:
[Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] "La Conversation". Gouache, 56 × 66 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] Simon-Louis Boquet (1751-1817), Le Génie des Arts, Signed and Dated "Boquet 1782", Marble, 33 × 60 × 15 cm, Exhibited at the Salon of 1791
Attributed works:
[Galerie Melki, 55-57 rue de Seine, Paris] Hans Hartung. 1953. Oil on Canvas. 97 by 130 cms.
Attributed works:
[Galerie Odermatt & Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Henri Laurens. Femme à l'oiseau. White Stone. Signed with the Monogram H. L. on the Base and Dated 1921.
Attributed works:
[Gallery 27, 27 rue de Seine, Paris] Picasso. Femme Debout. Tinplate. Height: 42.5 cm.
Attributed works:
[Groupe Gersaint, 20 rue D.- Casanova, Paris J. Booets, École Flamande du XVIIe, «Allégorie de la vue et de l'odorat», toile signée et datée «J. Booets, 1660, fecit», 135 × 200 cm
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). The Phrygian Sibyl with a Putto, 1647. Canvas, 114.6 × 96 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Jean François de Troy (Paris 1679-1752 Rome). Allegory of Painting. Oil on Canvas Oval 34¾ by 43 ins 88 by 109 cms
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Blaeu & Visscher etc. "Geographia", 118 Superb 18th Century Double Folio Maps, Fully Coloured and Heightened with Gold Silver. Two Volumes in Folio, in Period Gilt Decorated Binding. Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Stéphane Mallarme. Poésies. Definitive Autographed Manuscript for the Photolithograph Edition of 1887, from the Library of Jules Le Petit (no2059) Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Teynard. Egypte et Nubie Sites et Monuments, 1853-1858 160 Large Photographs (83 of Egypt, 77 of Nubia), Period Binding Mg. Publicite
Attributed works:
[Marlborough Fine Art (London), 6 Albemarle Street, London] The Sailor's Bride 1967-70. Oil on Canvas, 99.7×81.2cm.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] George Henry Harlow (British 1787-1819). "Portrait of a Lady". Oil on Panel: 42cm × 33.5cm
Attributed works:
[Miles d'Agar / N.Gifford-Mead, 533 Kings Road, London] An Important Pair of Lead Lions Attributed to John Van Nost (fl.1679-1710) English, Circa 1700. Ex Bretby. Derbyshire. Ex Elvaston Castle, Derbyshire.
Attributed works:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. - Panel 4½ × 3½ ins.
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] Oil on Canvas Signed I. van Kessel, 1666 - 96 × 122cm. Collection of Japanese Porcelain
Attributed works:
[Paul Prouté, 74 rue de Seine, Paris] Eugène Isabey. Faust et Mephistophèles. Gouache. 124 by 175 mm. Signed Lower Left and Dated '82.
Attributed works:
[Phillips, 101 New Bond Street, London] Hendrik Frans van Lint, Called Studio (1684-1763), "An Arcadian Landscape with Classical Figures Dancing", 63cm × 77cm. Estimate: £30,000-£50,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Jansson. Novus Atlas with 56 Hand-Coloured Engraved Maps, Amsterdam 1657. Estimate: £5,000-£6,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Louis Jean Deprez (1743-1804), "A View of the Temple of Segeste," Watercolour with Pen and Ink, 208mm × 345mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Newhouse. The Roadster's Album, Hand-Coloured Title and 16 Hand-Coloured Aquatint Plates, 1845. Estimate: £2,500-£3,000.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Giovanni Benedetto Castiglione (Genova 1609-Mantova 1664). 'The Sacrifice of Noah'. Brush and Red and Brown Oilpaint; 39,3 × 54,2 cm.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Orazio Gentileschi, Vision of St. Francis Circa 1603-04. Oil on Canvas, 64 by 45¾ Inches (162.5 by 116 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jacques Louis David (1748-1825), A Portrait of Baron Jeanin, Signed and Dated 1810, Oil on Canvas, 73 by 59 cm (28¾ by 23¼ in). Estimate: £1,500,000-2,000,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jusepe de Ribera, A Nobleman, His Page Carrying a Halberd behind Him, Drawn with the Brush in Red Ink, 230 by 133 mm. Estimate: £25,000-35,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Henri Joseph Harpignies (1819-1916). Watercolour and Pencil on Paper. Signed "H. Harpignies" Lower Left. La Seine au Pont du Carrousel, 6⅜ × 10⅞ ins. (16.3 × 25 cm) Inscribed "Paris" Lower Right
Attributed works:
[The Adam Salerooms, 26 St. Stephens Green, Dublin] James Barry (1771-1806) King Lear Weeping over the Body of Cordelia (c.1774) Oil on Canvas 40 × 50½″ Signed. Estimate ir£150,000/200,000.
Attributed works:
[The Grosvenor House Antiques Fair, Grosvenor House, Park Lane, London] Detail From The Arsenal: The Water Entrance by Giovanni Antonio Canale, Called Canaletto (1697-1768). Reproduced by Kind Permission of the Marquess of Tavistock and the Trustees of the Bedford Estates.
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] La Distraction Dangereuse by Augustin Pajou (1730-1809). Signed and Dated 'Pajou 1775'. Terre de Lorraine biscuitée, Height 30 cm (11¾ in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Marcantonio Doria, Prince of Angri, by Sir Anthony van Dyck (1599-1641). Oil on Canvas, 125 × 94 cm (49 × 37 in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf, The Old Knoll, Eliot Hill, London] David Teniers the Elder (1582-1649) Conversion of St Paul. Oil on Panel. 51 × 64 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] (Left) A Mahogany Wheel Barometer with Thermometer. Signed 'G. Adams, Inst. Maker to His Majesty, London'. Circa 1765. Height 107 cm (42 in). (Right) A Rare Ebonised Wheel Barometer by William Bastard, the Dial Painted with the Coat of Arms of Sir James Howe of Cold Barwick. Circa 1725. Height 127 cm (50 in).
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] A Rare Early Walnut Longcase Clock, by Joseph Knibb. c. 1672. Height 6 ft 6 ins.
Attributed works:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs), 70 South Audley Street, London] Late 18th-Century French Aubusson Tapestry Depicting a Woodland Scene. Signed by the Weaver F. Grellet. Manufacture Royale d'Aubusson. 274 × 223 cm.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques) Limited, 16B Grafton Street, London] An Important Rare Enamel Portrait Miniature of Jean-Baptiste Massé by Jean-Etienne Liotard. Circa 1725.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques), 16B Grafton Street, London] George Engleheart. A Miniature Portrait of Lucy Engleheart, c. 1785.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Jacob Toorenvliet (1635-1719). Peasants Merry-Making in a Tavern, Signed. Oil on Canvas. 69.8 × 73 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Still Life with Flowers, Fruits, Insects and a Bird's Nest on a Marble Ledge by Paulus-Theodor van Brussel (1754-Amsterdam-1795). Signed and Dated 1794. Oil on Panel, 80 × 62 cm (31½ × 24½ in).
Attributed works:
[The Grosvenor House Antiques Fair/H Blairman & Sons Limted, 119 Mount Street, London] Oak Cabinet, Designed by Charles Locke Eastlake. English, Circa 1867. Height 210.8 cm (83 in). Width 149.8 cm (59 in). Depth 63.5 cm (25 in).
Attributed works:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] Bilston Enamel bonbonnières, Circa 1770. Each One Has a Scene Painted on the Lid Relevant to the Particular Animal.
Attributed works:
[The Grosvenor House Antiques Fair/Johnny van Haeften, 13 Duke Street, London] Salomon van Ruysdael (1601-1670). A River Landscape with the Church of Nordosten beyond. Signed in Monogram and Dated 1641. On Panel. 54.3 × 76.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey Limited, 41 Duke Street, London] A Set of Four Very Fine Silver Salvers by Charles Frederick Kandler, 1755. The Crest Is That of Wentworth. Weight 57 oz 1 dwt.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey, 41 Duke Street, London] A Fine Silver Pedlar's Box Made by John Linnet London, 1823
Attributed works:
[The Grosvenor House Antiques Fair/P & D Colnaghi, 14 Old Bond Street, London] Sebastiano Ricci (1659-1734). Allegory of the Virgin Annunciate with the Archangel Gabriel and Sts Eusebius, Roch and Sebastian. Oil on Canvas. 113.5 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] An Important George III Ormolu-Mounted Collector's Cabinet, the Exquisitely Engraved Brass Inlay, Related to Designs Published by Thomas Chippendale the Younger in 1779. Height 53.5 cm (21 in). Width 101.5 cm (40 in).
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 & 39 Dover Street, London] Jacques-Laurent Agasse (1767-1849). The Important Secret: Georgina and George Booth. Signed with Initials. Painted in 1833. 76.2 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 Dover Street, London] The Grand Canal, Venice, with the Rialto Bridge from the North, the Fondaco dei Tedeschi and the Palazzo dei Camerlenghi and The Molo Looking West with the Ducal Palace and the Prison and Santa Maria Della Salute in the Distance, Venice, by Michele Marieschi (1710-43). A Pair. Oil on Canvas, 59 × 87 cm (23¼ × 34¼ in).
Attributed works:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine ArtS) Limited, 1-9 Bruton Place, London] A Roman mosaic panel mounted in a 19th-century gilt metal frame. Inscribed: 'Discovered in the ruins of the Palace of Pope Leo the 12th at the Villa Chichignola, presented by Pope Gregory the 16th to Sir Edward Thomason in the year 1832. This mosaic containing 20,000 silicious pebbles is the work of Sosus Pergami who flourished 320 years before Christ and is mentioned in the writings of Pliny the Elder'. Height 66.7 cm (26¼ in) and Width 56.6 cm (22¼ in) including frame.
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] A Lady of Fashion by Louis-Roland Trinquesse (1746-1800). Study in Red Chalk, 57.2 × 43.2 cm (22½ × 17 in).
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons, 43 Old Bond Street, London] Louis Ducros. San Lorenzo in Miranda, Rome. Water-Colour. 44.8 × 65.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Wartski, 14 Grafton Street, London] A Group of Hardstone Animal Carvings by Carl Fabergé Cockerel 6.3 cm.
Attributed works:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] An Alpine Landscape, by Jean DuBois (Geneva, 1789-1849). Signed 'J. DuBois'. Gouache on Paper. 38 × 63 cm (15 × 24¾ in).
Attributed works:
[The Schuster Gallery, 14 Maddox Street, London] No. 41. Alten Stettin. A Fascinating Presentation of 16th-Century Urban Life. All Plates Are Copper Engravings, with Original Hand Colouring.
Attributed works:
[The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London] Detail of a Rare Bronze Model of War by A. L. Barye (1796-1875), 50cms High, Sculpted in 1855 for the Façade of the New Louvre Palace. Paris, to be Included with Its Companion Model Peace, in an Exhibition of 64 Barye Bronzes together with Other Rare Figurative Works for Which a Fully Illustrated Catalogue Is Available.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Annibale Carracci (Bologna 1560-1609 Rome). Saint Mary Magdalene in the Wilderness. Inscribed, Lower Left Anble Caracci. Pen and Brown Ink, 4 × 7¼ Inches (102 × 185 mm)
Attributed works:
[Waddington Galleries, 5, 12 & 34 Cork Street, London] Mirth of Snakes 13.8.89 Acrylic on Cotton Duck 60 × 50ins/152.4 × 127cms.
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Jacopo Amigoni Venice 1680's - Madrid 1752. Venus and Adonis, Oil on Canvas: 103 × 129cms
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Grey Earthenware Figure of Guanyin Seated on a Rock, Decorated with Red and White Pigments Late Tang-Five Dynasties Period. 9th-10th Century Height: 46.5cm
Non-western art unattributed:
[Michael B. Weisbrod Inc., at the Carlyle, 987 Madison Avenue, New York] Clair de lune - Glazed Hundred Ribbed Jar. Qing Dynasty. 18th Century. Height: 6¾ Inches (34.6 cm). Diameter: 7½ Inches (19.2 cm)
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Exceptional Zapotec Clay Head with Eagle Headdress. Grey Earthenware with Traces of Red Paint. Mexico, 600-900 AD. Height 42 cm (16½ in). Width 45 cm (17¾ in).
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Mayan Low-Relief Carved Vase Ulua Valley, Western Honduras 600-900 A. D. White Marble. Height 27 cm. Width 30 cm.
Non-western art unattributed:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] Modun Mistry c. 1850. Horse, Groom and Dog in a Landscape. Calcutta School. Oil on Panel. 34 × 45 cm.
Western art unattributed:
[Bernard Quaritch Ltd, 5-8 Lower John Street, London] The Barningham Psalter. Illuminated Manuscript on Vellum. England, c. 1460-80
Western art unattributed:
[Galerie Camoin, 9 Quai Voltaire, Paris] "Deux bustes en terre cuite, Hauteur 74 cm. Italie XVIIIe siècle. Ancienne Collection Hannibal Visconti. Château de Carrare." Photo Serge Carrié
Western art unattributed:
[Glennie's Wensum Hall, Wensum Street, Norwich] A Louis XVI Fauteuil en Cabriolet and Four Chaises a la Reine. Late 18th Century
Western art unattributed:
[Judith Falk-Mazák, Friedrich Falk, Kirchgasse 38, Zurich] Scheuchzer, J. J. Kupfer=Bibel/In welcher Die Physica Sacra, Oder/Geheiligte/Natur=Wissenschafft/... Deutlich erklärt und bewährt/... 4 vols. in 3. Augsburg and Ulm, Christian Ulrich Wagner, 1733-1735. Folio. First Edition.
Western art unattributed:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Dialogue des Créatures. 15th Century Bruges Manuscript (1482), with 2 Larges and 119 Small Miniatures Execuded for Louis de Bruges, Seigneur de la Gruthuyse, Comte de Steenhuyse, Chambellain of Charles le Téméraire, Created Duke of Winchester by the Grace of King Edouard IV of England. Mg. Publicite
Western art unattributed:
[Philippe Farley, 157 East 64th Street, New York/7 rue d'Aguesseau, Paris] Highly Important George II Giltwood Console with Marble top. England. Circa 1740 36″ High × 70″ Wide × 28 1 2″ Deep
Western art unattributed:
[Sam Fogg, 14 Old Bond Street, London] Christ's Entry into Jerusalem North-East Italy. Second Half of the 13th Century.
Western art unattributed:
[The Grosvenor House Antiques Fair/Asprey, 165-169 New Bond Street, London] A George III Commode in the French Taste. English. c.1785 Length 110.5 cm. Depth 59 cm. Height 31.5 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs) Limited, 70 South Audley Street, London] Rare Italian Silk Needlework Table Carpet. Circa 1730. Dimensions 287 × 165 cm (113 × 65 in).
Western art unattributed:
[The Grosvenor House Antiques Fair/H Blairman & Sons, 119 Mount Street, London] Copy of The Warwick Vase. English. c.1820 Bronze: Gilt-Lacquered Height 11 ins.: Width 14½ ins.
Western art unattributed:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] A Fine Miniature Queen Anne Walnut Bureau Cabinet with Bevelled Mirror and Inlaid Marquetry Borders, c.1710. Height 54.4 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Jacob Stodel, 116 Kensington Church Street, London] An Important Rococo Burr-Walnut Veneered Dutch Cabinet, Mid-18th Century. Height: 245 cm. Width: 197 cm. Purchased by the Rijksmuseum
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros, 50 Berkeley Square, London] Large Illuminated Leaf on Vellum, from a Noted Antiphonal. Bologna. c. 1350. Size of Leaf: 51 × 39 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros. Limited, 50 Berkeley Square, London] Four Gouache Paintings on Vellum, from an Album of 26 National Costumes, Principally of Greeks and Turks. German, 18th Century. Each Measuring 15.5 × 11 cm (6 × 4⅓ in).
Western art unattributed:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] A Very Rare Scale Model of a Coach and Horses. Naples c. 1740. Height 55 cm. Width 33 cm. Length 145 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine Arts), 1-9 Bruton Place, London] Walnut and Cane Armchair with the Royal Arms; Carved with the Date February 20 1687/88 and the Initials 'GL' (For George Lewis, Elector of Hanover, Who in 1714 Became George I).
Western art unattributed:
[The Grosvenor House Antiques Fair/Wartski Limited, 14 Grafton Street, London] A Profane Reliquary. An oval gold boîte à portrait with a pendant pearl and suspension loop, set with rectangular faceted and rose-cut diamonds, enamelled opaque white overall and decorated with painted enamel lilies and fritillaries and scrolling foliage, the hinged cover applied with a diamond-set sword surmounted by an electoral crown enamelled translucent scarlet. The interior of the pendant (centre) is painted with the miniature likeness of Friedrich Wilhelm, Elector of Brandenburg (1640-1688) in armour and wearing a lace collar and an embroidered sash; the interior of the cover is enamelled with a ducal coronet and the initials F W C for Friedrich Wilhelm Churfürst. The portrait is based upon an engraving by Jeremy Farlett which is dated 1647. Friedrich Wilhelm is traditionally credited with having laid the foundation for the subsequent strength of Prussia. This boîte à portrait exactly follows the tradition of such Royal pendant jewels notably exemplified by those in the Kunsthistorishes Museum in Vienna of circa 1572 attributed to Dujardin with miniature portraits by François Clouet of Catherine de Medici and Charles IX of France and that in the Victoria and Albert Museum in London of circa 1600 by Daniel Mignot containing the painting of Queen Elizabeth by Nicholas Hilliard. The boîte à portrait in general, has been aptly specified by Torben H. Colding as a profane reliquary. North German, circa 1647. Overall height 6 cm ($2frac{3}{8}$ in).
Western art unattributed:
[Zeus Trust c/o Daniel Katz, 27 Lansdowne Walk, London] (Self-) Portrait of a Painter Oil on (Herring-Bone-) Canvas 85 cm by 72 cm 33½″ by 28½″
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Advertisements June 1988 (Front)
06/1988 | 1023 | 130
Pages: ii-lii
Subjects
advertisements:
artists:
artists:
Illustrations
Attributed works:
Bust of Isaac Ware, by Louis-François Roubiliac. c.1741. Marble, Height 51.5 cm. (Detroit Institute of Arts)
Attributed works:
[Ader-Picard-Tajan, 12 rue Favart, Paris] Valentin de Boulogne St. John the Evangelist Canvas 97 × 134 cm From a Series of Paintings of the Four Evangelists
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Ubaldo Gandolfi 1728-1781 Deposition (Of Christ) Pen and Beige and Brown Ink and Wash on Light Beige Paper, 290 × 206 mm
Attributed works:
[Anthony Roth Fine Arts Ltd, 49 Maddox Street, London] Lorenzo Bartolini (1777-1850). Bust of Giambattista Nicolini (1792-1861). Marble, 30.5 cm. High (Excluding verde antico socle)
Attributed works:
[Arnoldi-Livie, Galeriestr. 2b, Munich] Giambattista Piazzetta Venice 1682-1754 Head of a Shepherd. Black Chalk, Traces of White Heightening on Faded Blue Paper. 36,5 × 28 cm.
Attributed works:
[Asprey, 165-169 New Bond Street, London] Emerald and Diamond Set Edwardian Tiara Convertible to a Necklet
Attributed works:
[Bernheimer, 32 St. George Street, London] A French Transitional Commode Louis XV/XVI Stamped RVLC JME (Roger Vandercruse, called Lacroix, Maître in 1755) Very fine flower marquetry: rosewood, palisander and maplewood veneered on oak. On four s-shaped legs, the straight rectangular body has three shallow drawers in the frieze and two deep drawers, sans traverse, below. Very rich ormolu mounts. Marble top, breche de Mont Cenis. Height: 88 cm Width: 128 cm Depth 57.5 cm
Attributed works:
[Browse & Darby, 19 Cork Street, London] Sickert, Canal Scene, Venice. Oil on Canvas, 18 × 15 Inches
Attributed works:
[Buch und Grafik Antiquariat Falk & Falk, Kirchgasse 38, Zurich] Robert de Vaugondy, G. Nouvel atlas portrait
Attributed works:
[C. John, 70 South Audley Street, London] An Excellent Royal Aubusson Tapestry Signed: Manufacture Royal D'Aubusson and by the Weaver F. Grellet. In pristine Condition. Circa 1750. Size: 9′2″ High × 7′4″ Wide (279cm × 223cm)
Attributed works:
[C.G. Boerner, Kasernenstraße, Dusseldorf] Adolph Menzel. Pencil. 210 × 133 mm. Monogrammed Lower Left: A. M. Study for Heinrich v. Kleist. Der Zerbrochene Krug. 1876/77.
Attributed works:
[Carré Rive Gauche - J&M Duptel, 20 rue de Beaune, Paris] A. Matignon - Sainte Cécile - 146 × 175 - H. S. T. - S. B. G.
Attributed works:
[Carré Rive Gauche - Guy Monégier du Sorbier, 18 rue de Beaune, Paris] "Jeune Fille Endormie" - marbre de A. Bartholome 1848-1928.
Attributed works:
[Carré Rive Gauche - Lyons-Coulemonde-Samson, 9 rue de Beaune, Paris] Jean Antoine Laurent 1763-1832 Jeune fille au dévidoir. Signé b. d. daté. Bois 35,3 × 27
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Matignon, Paris] Portrait of the Knight Riccardo Rota Marble, Venice 16th Century Workshop of the Lombardi Later Inscription
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London] Anton Raphael Mengs Aussig 1728-Rome 1779 The Penitent Magdalen Canvas, 108.7 × 86.8 cm.
Attributed works:
[Christie's, Park Palace, Monte Carlo, Monaco] Jean Auguste Dominique Ingres: Portrait of Madame Victor Baltard with Her Daughter Paule, Signed, Inscribed and Dated 'Rome 1836', Pencil, 306 × 228mm.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Christoffel van Sichem (1546-1624) after Hendrick Goltzius (1558-1617) Portrait of a man with a Plumed Hat Woodcut, Hollstein 135
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Johann Rottenhammer. Munich 1564 - Augsburg 1625. Allegory of the Arts and Sciences. Pen and Wash. 398 × 321mm.
Attributed works:
[David Koester Gallery, Talstrasse 37, Zurich] Hendrik van Vliet (1611-Delft-1675) Panel, 34,5 × 30 cm, Signed
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Paul Baudry: Sketch for Salome in the Great Foyer of the Paris Opéra. Oil on Canvas, 132 × 47 cm.
Attributed works:
[Fischer Fine Art, 30 King Street, London] Giacomo Manzu 'Donna Appoggiata'
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Marc Charles Gabriel Gleyre (1806-1874) Head of Omphale Mine de Plomb on White Laid Paper 9 5/16 × 6⅞ inches (23.5 × 17.3cm), with a Rounded Top.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Alessandro Algardi (1598-1654) Bust of Pope Innocent X Terracotta, Painted White, Height 85 cm.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Pietro da Cortona (1596-1669) 'Gli angeli segnano la fronte a coloro che devono essere illesi dai flagelli' Canvas, 95 × 198 cm. The Original Oil Sketch for One of the Mosaics in St Peter's
Attributed works:
[Galerie H. Odermatt-Ph. Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Odilon Redon (1840-1916): "Le Fumeur d'Opium." Huile sur toile. Signé en bas à droite "Odilon Redon." 27,5 × 22,5 cm - 10¾ × 8¾ in.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] François Cressent (1663-?) Père de Charles Cressent, ébéniste du Régent Louis, Duc d'Orléans, Gouverneur du Dauphiné, fils du Régent. Terre cuite originale, vers 1720 Hauteur: 61 cm (avec socle)
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] William Burges Architect 1827-1881 A Design for Knightshayes, North Devon, 1869.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Jean-Léon Gérôme 1824-1904. Paul Baudry au travail. Black Chalk, 35.5 × 23cm. Signed and Inscribed à son ami Paul Baudry. Datable Circa 1875
Attributed works:
[Jean-Max Cassel, 15 Quai Voltaire, Paris] Andrea Camassei Bevagna 1602 - Rome 1648 The Death of Orpheus Oil on Canvas, 103 by 80 cm
Attributed works:
[John Davies Framing Ltd, 8 Bury Street, London] The View of Delft by J Vermeer Reproduced by Kind Permission of the Maurithuis, Den Haag. Frame - A Copy of a Combination Forward Moulding Ripple Frame Selected by the Maurithuis and Built to Their Specifications.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London] Sir Thomas Lawrence Oil Painting on Canvas. Portrait of an Officer. 36 × 28 Inches With Fine Antique Frame
Attributed works:
[Julius Böhler, Pacellistrasse 8, Munich] Madonna with Child and the Infant St. John. Relief in Terracotta, with Original Polychrome. From the Workshop of Benedetto da Maiano (1442-1497). 52 by 43 cm. In the Original Frame, 88,5 by 79,8 cm.
Attributed works:
[Kimbell Art Museum, Fort Worth, Texas] Nicolas Poussin, French, 1594-1665, Diana and Endymion (Detail), 1628, The Detroit Institute of Arts, Founders Society Purchase, Membership and Donations Fund
Attributed works:
[Lefevre, 30 Bruton Street, London] Picasso Etude Pour Saltimbanque, 1905, Carnet 24, p.35 - 5¾in × 3½in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Frank Auerbach J. Y. M. Seated VI 1983, oil on Canvas 26¼ × 28⅜ in./66.7 × 72.1 cm.
Attributed works:
[Oscar & Peter Johnson Ltd, 27 Lowndes Street, London] Girl with a Doll. A Portrait of Lilly, Daughter of J. Noble, Esq. by Sir John Everett Millais, PRA (1829-1896). Oil Painting; Signed with Monogram and Dated 1864 Inscribed on Labels on Reverse: (1) 'Lilly, Daughter of J. Noble, Esqre. 7 Cromwell Place, South Kensington' (2) 'Royal Academy Winter Exhibition 1898 Sir J. E. Millais, PRA Lilly, Daughter of J. Noble, Esq.' Canvas 35⅞ × 28¼ inches; Framed Exhibited: Royal Academy, 1864, No. 570
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Ommeganck
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Robie
Attributed works:
[Phillips, 7 Blenheim Street, London] Joseph van Aken, "Elegant Figures at a Vegetable Sellers Stall," Oil on Copper, Size 39.5 cm × 52 cm - Estimate: £4,000-£6,000.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pablo Picasso, "Nature Morte à la pipe et au Tabac," oil on Canvas, 22 cm × 27 cm. Estimate: £230,000-£280,000.
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Sir William Orpen RA RHA NEAC (1878-1931). An Aran Islander - Oil on Canvas The Model Was Margaret Crilley, a Pupil of Orpen and Later the Wife of Harry Clarke the Stained Glass Artist.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jean-Baptiste Joseph Pater, 'Young Lady Resting'. Red Chalk on Paper, 6¾ by 10 Inches (17.1 by 25.4 cm)
Attributed works:
[Ronald A. Lee Plc, 1-9 Bruton Place, London] The cabinet was supplied to William Duckwoth in 1859, who was charged 250 guineas by the excellent Venetian view painter - E.W. Cooke (signed and dated 1859 and monogrammed into the frame). To add further interest we have also managed to purcahse the original pencils sketch for the frame and painting, from the artist's family.
Attributed works:
[Sam Fogg, 66 Highbury, London] A Franciscan Preaching. Master of the Budapest Antiphonary. Lombardy Mid 15th Century
Attributed works:
[Schuster Gallery, 14 Maddox Street, London] Sweert "Tulips" Florilegium, 1612. The Flowering Garden Florilegia 1600-1700
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Eugène Delacroix, An Arab Horseman at the Gallop, Signed, Oil on Canvas, 54 by 45 cm. Estimate: £400,000-600,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine bronze group of Roger and Angelica by Ferdinando Tacca, Circa 1680-85, 42.5 cm (16¾ in.) High. Estimate: £30,000-40,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Nicolò dell'Abate, Apollo, Black Chalk and Pen and Brown Ink and Wash, Heightened with White, 26.5 by 17.6 cm. Estimate: £10,000-15,000
Attributed works:
[Spink & Son Ltd, King Street, London] Henry Lamb. Lord David Cecil.
Attributed works:
[Spink & Son Ltd, King Street, London] John Methuen (1650-1706) was the man responsible for the famous Methuen trade treaty signed between England and Portugal in 1703. Lord Chancellor and Speaker of the Irish House of Lords in 1697, he became Ambassador Extraordinary to Portugal in the year the treaty was signed. This set of eight silver salvers, engraved with his coat of arms, was almost certainly part of John Methuen's ambassadorial service; no comparable set of eight salvers is known. They were made in 1703 by Andrew Moore, the London silversmith who also made the spectacular silver table, hanging mirror and andirons which the City of London presented to William III. They are now at Buckingham Palace. Each salver measures 10⅛ inches (25.7 cms) in diameter, stands 2⅜ inches (6.1 cms) high and the total weight is 249 ounces 10 dwt. Your attention is drawn to the finely engraved coat of arms and the cut-card decoration round the detachable octagonal foot with screw fitting, a very rare feature.
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] François Boucher. Head of Young Woman. Black Chalk, Heightened with White, on Cream Paper, 6 by 5⅛ Inches (152 by 130 mm.)
Attributed works:
[Thomas Le Clarie, Elbachaussee 156, Hamburg] François Boucher (1703 Paris 1770) 'Studies of a Male Nude' Red and White Chalk on Brown Paper. 35 × 30cm.
Attributed works:
[Wartski, 14 Grafton Street, London] Louis XV Gold Snuff-Box in a Chased Scrolling Cage Work Mount Set with Six Engraved Mother-of-Pearl Panels Encrusted with chinoiserie Scenes in burgau, Coral, Ivory, a Turquoise and Gold. The Cover Shows a Servant Offering tea to a Mandarin Seated upon His Throne. The Front Panel with a Kneeling Servant Working the Bellows on a Fire under a Steaming Tea-Kettle. The Other Panels, Engraved with Colonnading and Trees, Are Decorated with Palm, Pine and Banana Trees and Exotic Birds. By Barnabé Sageret, a Favourite Goldsmith of the King. Paris: 1749 3⅛ × 2¼ in × 1½ in. Sageret (1688-1758) began his career as an orfèvre privilégié, appointed by the King, of the Duc d'Orléans who had in turn been authorized to attach the goldsmith to his household. A gold snuff-box in the Louvre is set with similar panels on mother-of-pearl of the same date, also concerned with the ceremonial preparation and serving of tea. This box however was made much later by Vachette between 1809 and 1819.
Attributed works:
[Wildenstein, 147 New Bond Street, London] Sculpture by Medina-Campeny
Non-western art unattributed:
[Kyburg Limited, 39 Duke Street, London] A Unique Collection of Indian Drawings Illustrating the Production of Kashmir Shawls, Commissioned for the 1867 Paris Exposition
Non-western art unattributed:
[Michael B. Weisbrod, 987 Madison Avenue, New York] GILT BRONZE FIGURE OF A STRIDING DRAGON. Six Dynasties Period 3rd-6th century Height: 2⅛ in (5.2 cm). Length: 3½ in (8.8 cm)
Non-western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Canton H. 1.30 m
Western art unattributed:
[Antiquaires a Paris] Armchair Bernard Steinitz, Bureau Plat Aveline, Commode Jacques Perrin, Pedestals Aveline, Candelabras Didier Aaron, Painting Maurice Segoura, Clock Bernard Steinitz, Porcelain Vases Jacques Perrin, Gueridon Table Didier Aaron, Conversation Chair Michel Meyer.
Western art unattributed:
[Antiquaires a Paris] Armchair Jacques Perrin, Drum Table Maurice Segoura, Conversation Chair Michel Meyer, Boulle Cabinet Michel Meyer, Porcelain Vases Jacques Perrin, Clock Bernard Steinitz, Candelabras Didier Aaron, Carpet Aveline.
Western art unattributed:
[de Havilland, 48 Sloane Street, London] Cabinet of Break-Front Form, Satinwood Inlaid with Ebony, with Gilded Bronze Rosettes. Early Nineteenth Century. 4ft 2½in by 2ft 5in. Very Similar to the Cabinet in the V & A Collection, Given by Mr F Howard Reed, but with the Original Panelled Door.
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Directoire
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] French XVIIIth Century Gold H. 10 cm
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Galle
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Imp. Collection Weapons and Helmets (200 Pieces)
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Louis XIV Period
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Nap. III Period H. 1.35 m
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] XVIIIth Century
Western art unattributed:
[Pelham Galleries, 163 & 165 Fulham Road, London] An Outstanding Mid 17th Century Franco-Flemish Ebony Cabinet on Stand, the Interior Fitted with Drawers and a Central Tabernacle; Immaculate, Original Condition. Height: 74″ Width: 64″ Depth: 22″
Western art unattributed:
[Stephen Somerville Ltd at Bernheimer's, 32 St. George Street, London] Italian School 18th Century. Study of a Standing Male Figure Seen from Behind. Black Chalk Heightened with White on a Brown-Toned Paper. 431 × 284 mm.