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Advertisements June 1990 (Front)
06/1990 | 1047 | 132
Pages: i-lxxii
Subjects
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Illustrations
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Iphigenia Jacques Louis David. Black Chalk. 130 × 195 mm. Signed and Dated 'L. David. Brux. 1819'.
Attributed works:
[Adriano Ribolzi Antiquaire, 6 Avenue des Beaux Arts, Monte Carlo] "Erigone" by Guldo Reni 65 cm × 69 cm
Attributed works:
[Agnew's, 43 Old Bond Street, London] Edward Lear (1812-1888). Corfu from Gastouri. Canvas, 18⅛ × 29¼ in. (46 × 74.3 cm)
Attributed works:
[Arnoldi - Livie, Galeriestraß 2B, Munich] Jacques de Gheyn II. Antwerpen 1565-1629 Den Haag - A Kneeling Shepherd Holding a Lamb. Black Chalk Reinforced with the Pen and Heightened with White on Light-Brown Paper. 19.5×10.3 cm.
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] H. Fragonard - "L'éducation de la Vierge", Circa 1764. Oil on Canvas. 0,90 × 0,72. Mg. Publicite
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] Mary Cassatt - "La petite fille au chapeau". Watercolor and Gouache, Signed at Lower Left. 0,56 × 0,375.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Sir D. Wilkie. Queen Adelaide 1836. Watercolour
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/61 East 77th Street, New York] Jean de Gourmont. Active 1506-1551. Engraving. Bartsch 14. From the Collection of König Friedrich August II. von Sachsen.
Attributed works:
[Christie's, 8 King Street, London] Frederic, Lord Leighton, P. R. A. (1830-1896): The Dance of the Cymbalists, One of a Group of Three, all 86¾ × 46½ in. (220.8 × 118.1 cm.). Estimate: £60,000-90,000 the Set.
Attributed works:
[Christie's, 8 King Street, London] Johann Zoffany, R. A. (1733-1810): A Group Portrait of the Colmore Family, 39½ × 50 in. (100.3 × 127 cm.)
Attributed works:
[Christie's, 8 King Street, London] Joseph Wright of Derby, A. R. A. (1734-1797): Vesuvius from Posillipo, Signed 'IW.pt'. Dated 178(9?), and with Inscription J. Wright fec.t'/Derby 1780,' 40½ × 50½ in. (102.8 × 128.2 cm.)
Attributed works:
[Christie's, 8 King Street, London] Prince William of Gloucester by William Grimaldi (1751-1830), Signed on the Reverse, 4⅛ in. (105 mm.) High. Estimate: £5,000-6,000, Portrait of an Unknown Lady by William Grimaldi (1751-1830), 4 in. (102 mm.) High. (Reduced). Estimate: £3,000-5,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Anton Raphael Mengs, Aussig 1728 - Rome 1779. A Portrait of Franz Xavier Orsini-Rosenberg, Oil on Canvas: 61 × 47.5cms.
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] Still Life with Fruit (Pears and Apples) c.1930. Oil on Canvas, 18 × 21 ins, Signed MS bottom Right
Attributed works:
[Entwistle, 37 Old Bond Street, London] Abraham Bloemaert. The Raising of Lazarus. Lent by Manchester City Art Gallery
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Raoul Dufy, Les deux modèles, Oil on Canvas, Signed and Dated 1930 on the Lower Centre, 81 × 100 cm (31⅞ × 39⅜ in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Baptiste Huet (1745-1811). Study of an Acanthus Plant. Red Chalk, Red Chalk Wash with White Heightening on Blue Grey Paper 465 × 335 cm. Verso: Study of the Tip of a Plant with Its Leaves in Red Chalk.
Attributed works:
[Galerie André Candillier, 26 rue de Seine, Paris] Helleu. L'Allaitement. Dry Point, Colour. (Montesquiou '84). 53 by 33 cms.
Attributed works:
[Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] "La Conversation". Gouache, 56 × 66 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] Simon-Louis Boquet (1751-1817), Le Génie des Arts, Signed and Dated "Boquet 1782", Marble, 33 × 60 × 15 cm, Exhibited at the Salon of 1791
Attributed works:
[Galerie Melki, 55-57 rue de Seine, Paris] Hans Hartung. 1953. Oil on Canvas. 97 by 130 cms.
Attributed works:
[Galerie Odermatt & Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Henri Laurens. Femme à l'oiseau. White Stone. Signed with the Monogram H. L. on the Base and Dated 1921.
Attributed works:
[Gallery 27, 27 rue de Seine, Paris] Picasso. Femme Debout. Tinplate. Height: 42.5 cm.
Attributed works:
[Groupe Gersaint, 20 rue D.- Casanova, Paris J. Booets, École Flamande du XVIIe, «Allégorie de la vue et de l'odorat», toile signée et datée «J. Booets, 1660, fecit», 135 × 200 cm
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). The Phrygian Sibyl with a Putto, 1647. Canvas, 114.6 × 96 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Jean François de Troy (Paris 1679-1752 Rome). Allegory of Painting. Oil on Canvas Oval 34¾ by 43 ins 88 by 109 cms
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Blaeu & Visscher etc. "Geographia", 118 Superb 18th Century Double Folio Maps, Fully Coloured and Heightened with Gold Silver. Two Volumes in Folio, in Period Gilt Decorated Binding. Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Stéphane Mallarme. Poésies. Definitive Autographed Manuscript for the Photolithograph Edition of 1887, from the Library of Jules Le Petit (no2059) Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Teynard. Egypte et Nubie Sites et Monuments, 1853-1858 160 Large Photographs (83 of Egypt, 77 of Nubia), Period Binding Mg. Publicite
Attributed works:
[Marlborough Fine Art (London), 6 Albemarle Street, London] The Sailor's Bride 1967-70. Oil on Canvas, 99.7×81.2cm.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] George Henry Harlow (British 1787-1819). "Portrait of a Lady". Oil on Panel: 42cm × 33.5cm
Attributed works:
[Miles d'Agar / N.Gifford-Mead, 533 Kings Road, London] An Important Pair of Lead Lions Attributed to John Van Nost (fl.1679-1710) English, Circa 1700. Ex Bretby. Derbyshire. Ex Elvaston Castle, Derbyshire.
Attributed works:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. - Panel 4½ × 3½ ins.
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] Oil on Canvas Signed I. van Kessel, 1666 - 96 × 122cm. Collection of Japanese Porcelain
Attributed works:
[Paul Prouté, 74 rue de Seine, Paris] Eugène Isabey. Faust et Mephistophèles. Gouache. 124 by 175 mm. Signed Lower Left and Dated '82.
Attributed works:
[Phillips, 101 New Bond Street, London] Hendrik Frans van Lint, Called Studio (1684-1763), "An Arcadian Landscape with Classical Figures Dancing", 63cm × 77cm. Estimate: £30,000-£50,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Jansson. Novus Atlas with 56 Hand-Coloured Engraved Maps, Amsterdam 1657. Estimate: £5,000-£6,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Louis Jean Deprez (1743-1804), "A View of the Temple of Segeste," Watercolour with Pen and Ink, 208mm × 345mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Newhouse. The Roadster's Album, Hand-Coloured Title and 16 Hand-Coloured Aquatint Plates, 1845. Estimate: £2,500-£3,000.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Giovanni Benedetto Castiglione (Genova 1609-Mantova 1664). 'The Sacrifice of Noah'. Brush and Red and Brown Oilpaint; 39,3 × 54,2 cm.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Orazio Gentileschi, Vision of St. Francis Circa 1603-04. Oil on Canvas, 64 by 45¾ Inches (162.5 by 116 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jacques Louis David (1748-1825), A Portrait of Baron Jeanin, Signed and Dated 1810, Oil on Canvas, 73 by 59 cm (28¾ by 23¼ in). Estimate: £1,500,000-2,000,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jusepe de Ribera, A Nobleman, His Page Carrying a Halberd behind Him, Drawn with the Brush in Red Ink, 230 by 133 mm. Estimate: £25,000-35,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Henri Joseph Harpignies (1819-1916). Watercolour and Pencil on Paper. Signed "H. Harpignies" Lower Left. La Seine au Pont du Carrousel, 6⅜ × 10⅞ ins. (16.3 × 25 cm) Inscribed "Paris" Lower Right
Attributed works:
[The Adam Salerooms, 26 St. Stephens Green, Dublin] James Barry (1771-1806) King Lear Weeping over the Body of Cordelia (c.1774) Oil on Canvas 40 × 50½″ Signed. Estimate ir£150,000/200,000.
Attributed works:
[The Grosvenor House Antiques Fair, Grosvenor House, Park Lane, London] Detail From The Arsenal: The Water Entrance by Giovanni Antonio Canale, Called Canaletto (1697-1768). Reproduced by Kind Permission of the Marquess of Tavistock and the Trustees of the Bedford Estates.
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] La Distraction Dangereuse by Augustin Pajou (1730-1809). Signed and Dated 'Pajou 1775'. Terre de Lorraine biscuitée, Height 30 cm (11¾ in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Marcantonio Doria, Prince of Angri, by Sir Anthony van Dyck (1599-1641). Oil on Canvas, 125 × 94 cm (49 × 37 in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf, The Old Knoll, Eliot Hill, London] David Teniers the Elder (1582-1649) Conversion of St Paul. Oil on Panel. 51 × 64 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] (Left) A Mahogany Wheel Barometer with Thermometer. Signed 'G. Adams, Inst. Maker to His Majesty, London'. Circa 1765. Height 107 cm (42 in). (Right) A Rare Ebonised Wheel Barometer by William Bastard, the Dial Painted with the Coat of Arms of Sir James Howe of Cold Barwick. Circa 1725. Height 127 cm (50 in).
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] A Rare Early Walnut Longcase Clock, by Joseph Knibb. c. 1672. Height 6 ft 6 ins.
Attributed works:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs), 70 South Audley Street, London] Late 18th-Century French Aubusson Tapestry Depicting a Woodland Scene. Signed by the Weaver F. Grellet. Manufacture Royale d'Aubusson. 274 × 223 cm.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques) Limited, 16B Grafton Street, London] An Important Rare Enamel Portrait Miniature of Jean-Baptiste Massé by Jean-Etienne Liotard. Circa 1725.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques), 16B Grafton Street, London] George Engleheart. A Miniature Portrait of Lucy Engleheart, c. 1785.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Jacob Toorenvliet (1635-1719). Peasants Merry-Making in a Tavern, Signed. Oil on Canvas. 69.8 × 73 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Still Life with Flowers, Fruits, Insects and a Bird's Nest on a Marble Ledge by Paulus-Theodor van Brussel (1754-Amsterdam-1795). Signed and Dated 1794. Oil on Panel, 80 × 62 cm (31½ × 24½ in).
Attributed works:
[The Grosvenor House Antiques Fair/H Blairman & Sons Limted, 119 Mount Street, London] Oak Cabinet, Designed by Charles Locke Eastlake. English, Circa 1867. Height 210.8 cm (83 in). Width 149.8 cm (59 in). Depth 63.5 cm (25 in).
Attributed works:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] Bilston Enamel bonbonnières, Circa 1770. Each One Has a Scene Painted on the Lid Relevant to the Particular Animal.
Attributed works:
[The Grosvenor House Antiques Fair/Johnny van Haeften, 13 Duke Street, London] Salomon van Ruysdael (1601-1670). A River Landscape with the Church of Nordosten beyond. Signed in Monogram and Dated 1641. On Panel. 54.3 × 76.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey Limited, 41 Duke Street, London] A Set of Four Very Fine Silver Salvers by Charles Frederick Kandler, 1755. The Crest Is That of Wentworth. Weight 57 oz 1 dwt.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey, 41 Duke Street, London] A Fine Silver Pedlar's Box Made by John Linnet London, 1823
Attributed works:
[The Grosvenor House Antiques Fair/P & D Colnaghi, 14 Old Bond Street, London] Sebastiano Ricci (1659-1734). Allegory of the Virgin Annunciate with the Archangel Gabriel and Sts Eusebius, Roch and Sebastian. Oil on Canvas. 113.5 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] An Important George III Ormolu-Mounted Collector's Cabinet, the Exquisitely Engraved Brass Inlay, Related to Designs Published by Thomas Chippendale the Younger in 1779. Height 53.5 cm (21 in). Width 101.5 cm (40 in).
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 & 39 Dover Street, London] Jacques-Laurent Agasse (1767-1849). The Important Secret: Georgina and George Booth. Signed with Initials. Painted in 1833. 76.2 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 Dover Street, London] The Grand Canal, Venice, with the Rialto Bridge from the North, the Fondaco dei Tedeschi and the Palazzo dei Camerlenghi and The Molo Looking West with the Ducal Palace and the Prison and Santa Maria Della Salute in the Distance, Venice, by Michele Marieschi (1710-43). A Pair. Oil on Canvas, 59 × 87 cm (23¼ × 34¼ in).
Attributed works:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine ArtS) Limited, 1-9 Bruton Place, London] A Roman mosaic panel mounted in a 19th-century gilt metal frame. Inscribed: 'Discovered in the ruins of the Palace of Pope Leo the 12th at the Villa Chichignola, presented by Pope Gregory the 16th to Sir Edward Thomason in the year 1832. This mosaic containing 20,000 silicious pebbles is the work of Sosus Pergami who flourished 320 years before Christ and is mentioned in the writings of Pliny the Elder'. Height 66.7 cm (26¼ in) and Width 56.6 cm (22¼ in) including frame.
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] A Lady of Fashion by Louis-Roland Trinquesse (1746-1800). Study in Red Chalk, 57.2 × 43.2 cm (22½ × 17 in).
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons, 43 Old Bond Street, London] Louis Ducros. San Lorenzo in Miranda, Rome. Water-Colour. 44.8 × 65.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Wartski, 14 Grafton Street, London] A Group of Hardstone Animal Carvings by Carl Fabergé Cockerel 6.3 cm.
Attributed works:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] An Alpine Landscape, by Jean DuBois (Geneva, 1789-1849). Signed 'J. DuBois'. Gouache on Paper. 38 × 63 cm (15 × 24¾ in).
Attributed works:
[The Schuster Gallery, 14 Maddox Street, London] No. 41. Alten Stettin. A Fascinating Presentation of 16th-Century Urban Life. All Plates Are Copper Engravings, with Original Hand Colouring.
Attributed works:
[The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London] Detail of a Rare Bronze Model of War by A. L. Barye (1796-1875), 50cms High, Sculpted in 1855 for the Façade of the New Louvre Palace. Paris, to be Included with Its Companion Model Peace, in an Exhibition of 64 Barye Bronzes together with Other Rare Figurative Works for Which a Fully Illustrated Catalogue Is Available.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Annibale Carracci (Bologna 1560-1609 Rome). Saint Mary Magdalene in the Wilderness. Inscribed, Lower Left Anble Caracci. Pen and Brown Ink, 4 × 7¼ Inches (102 × 185 mm)
Attributed works:
[Waddington Galleries, 5, 12 & 34 Cork Street, London] Mirth of Snakes 13.8.89 Acrylic on Cotton Duck 60 × 50ins/152.4 × 127cms.
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Jacopo Amigoni Venice 1680's - Madrid 1752. Venus and Adonis, Oil on Canvas: 103 × 129cms
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Grey Earthenware Figure of Guanyin Seated on a Rock, Decorated with Red and White Pigments Late Tang-Five Dynasties Period. 9th-10th Century Height: 46.5cm
Non-western art unattributed:
[Michael B. Weisbrod Inc., at the Carlyle, 987 Madison Avenue, New York] Clair de lune - Glazed Hundred Ribbed Jar. Qing Dynasty. 18th Century. Height: 6¾ Inches (34.6 cm). Diameter: 7½ Inches (19.2 cm)
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Exceptional Zapotec Clay Head with Eagle Headdress. Grey Earthenware with Traces of Red Paint. Mexico, 600-900 AD. Height 42 cm (16½ in). Width 45 cm (17¾ in).
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Mayan Low-Relief Carved Vase Ulua Valley, Western Honduras 600-900 A. D. White Marble. Height 27 cm. Width 30 cm.
Non-western art unattributed:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] Modun Mistry c. 1850. Horse, Groom and Dog in a Landscape. Calcutta School. Oil on Panel. 34 × 45 cm.
Western art unattributed:
[Bernard Quaritch Ltd, 5-8 Lower John Street, London] The Barningham Psalter. Illuminated Manuscript on Vellum. England, c. 1460-80
Western art unattributed:
[Galerie Camoin, 9 Quai Voltaire, Paris] "Deux bustes en terre cuite, Hauteur 74 cm. Italie XVIIIe siècle. Ancienne Collection Hannibal Visconti. Château de Carrare." Photo Serge Carrié
Western art unattributed:
[Glennie's Wensum Hall, Wensum Street, Norwich] A Louis XVI Fauteuil en Cabriolet and Four Chaises a la Reine. Late 18th Century
Western art unattributed:
[Judith Falk-Mazák, Friedrich Falk, Kirchgasse 38, Zurich] Scheuchzer, J. J. Kupfer=Bibel/In welcher Die Physica Sacra, Oder/Geheiligte/Natur=Wissenschafft/... Deutlich erklärt und bewährt/... 4 vols. in 3. Augsburg and Ulm, Christian Ulrich Wagner, 1733-1735. Folio. First Edition.
Western art unattributed:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Dialogue des Créatures. 15th Century Bruges Manuscript (1482), with 2 Larges and 119 Small Miniatures Execuded for Louis de Bruges, Seigneur de la Gruthuyse, Comte de Steenhuyse, Chambellain of Charles le Téméraire, Created Duke of Winchester by the Grace of King Edouard IV of England. Mg. Publicite
Western art unattributed:
[Philippe Farley, 157 East 64th Street, New York/7 rue d'Aguesseau, Paris] Highly Important George II Giltwood Console with Marble top. England. Circa 1740 36″ High × 70″ Wide × 28 1 2″ Deep
Western art unattributed:
[Sam Fogg, 14 Old Bond Street, London] Christ's Entry into Jerusalem North-East Italy. Second Half of the 13th Century.
Western art unattributed:
[The Grosvenor House Antiques Fair/Asprey, 165-169 New Bond Street, London] A George III Commode in the French Taste. English. c.1785 Length 110.5 cm. Depth 59 cm. Height 31.5 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs) Limited, 70 South Audley Street, London] Rare Italian Silk Needlework Table Carpet. Circa 1730. Dimensions 287 × 165 cm (113 × 65 in).
Western art unattributed:
[The Grosvenor House Antiques Fair/H Blairman & Sons, 119 Mount Street, London] Copy of The Warwick Vase. English. c.1820 Bronze: Gilt-Lacquered Height 11 ins.: Width 14½ ins.
Western art unattributed:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] A Fine Miniature Queen Anne Walnut Bureau Cabinet with Bevelled Mirror and Inlaid Marquetry Borders, c.1710. Height 54.4 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Jacob Stodel, 116 Kensington Church Street, London] An Important Rococo Burr-Walnut Veneered Dutch Cabinet, Mid-18th Century. Height: 245 cm. Width: 197 cm. Purchased by the Rijksmuseum
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros, 50 Berkeley Square, London] Large Illuminated Leaf on Vellum, from a Noted Antiphonal. Bologna. c. 1350. Size of Leaf: 51 × 39 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros. Limited, 50 Berkeley Square, London] Four Gouache Paintings on Vellum, from an Album of 26 National Costumes, Principally of Greeks and Turks. German, 18th Century. Each Measuring 15.5 × 11 cm (6 × 4⅓ in).
Western art unattributed:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] A Very Rare Scale Model of a Coach and Horses. Naples c. 1740. Height 55 cm. Width 33 cm. Length 145 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine Arts), 1-9 Bruton Place, London] Walnut and Cane Armchair with the Royal Arms; Carved with the Date February 20 1687/88 and the Initials 'GL' (For George Lewis, Elector of Hanover, Who in 1714 Became George I).
Western art unattributed:
[The Grosvenor House Antiques Fair/Wartski Limited, 14 Grafton Street, London] A Profane Reliquary. An oval gold boîte à portrait with a pendant pearl and suspension loop, set with rectangular faceted and rose-cut diamonds, enamelled opaque white overall and decorated with painted enamel lilies and fritillaries and scrolling foliage, the hinged cover applied with a diamond-set sword surmounted by an electoral crown enamelled translucent scarlet. The interior of the pendant (centre) is painted with the miniature likeness of Friedrich Wilhelm, Elector of Brandenburg (1640-1688) in armour and wearing a lace collar and an embroidered sash; the interior of the cover is enamelled with a ducal coronet and the initials F W C for Friedrich Wilhelm Churfürst. The portrait is based upon an engraving by Jeremy Farlett which is dated 1647. Friedrich Wilhelm is traditionally credited with having laid the foundation for the subsequent strength of Prussia. This boîte à portrait exactly follows the tradition of such Royal pendant jewels notably exemplified by those in the Kunsthistorishes Museum in Vienna of circa 1572 attributed to Dujardin with miniature portraits by François Clouet of Catherine de Medici and Charles IX of France and that in the Victoria and Albert Museum in London of circa 1600 by Daniel Mignot containing the painting of Queen Elizabeth by Nicholas Hilliard. The boîte à portrait in general, has been aptly specified by Torben H. Colding as a profane reliquary. North German, circa 1647. Overall height 6 cm ($2frac{3}{8}$ in).
Western art unattributed:
[Zeus Trust c/o Daniel Katz, 27 Lansdowne Walk, London] (Self-) Portrait of a Painter Oil on (Herring-Bone-) Canvas 85 cm by 72 cm 33½″ by 28½″
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Advertisements March 1990 (front)
03/1990 | 1044 | 132
Pages: i-xlviii
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). Interior Scene in a Kitchen. Pen and Brown Ink, 208 × 149 mm
Attributed works:
[Anna Maria Edelstein, Robyn Symes 25 Jermyn Street St James, London] Cherubino Alberti (Borgo San Sepolcro 1553-Rome 1615). Recto: The Farnese Hercules Seen from behind Admired by Two Ladies. Red Chalk. Verso: A Draped Seated Female Figure, Possibly Diana, with a Dog by Her Side, Both Holding a Stone. Pen and Brown Ink with Brown and Red Washes. 158 by 112 mm.
Attributed works:
[Arnoldi - Livie, Galeriestra. 2B, Munich] Maarten van Heemskerk (Heemskerk 1498-1574 Haarlem). Three Acts of Mercy. Pen and Brown Ink. 19.5 × 24.9cm. Signed and Dated Heemskerk Inventor 1566.
Attributed works:
[Art London Olympia (Art France, 36 avenue Matignon, Paris)] Cathelin, Champ de blés au pied du Vercors.
Attributed works:
[Arturo Cuellar - Nathan, Ramistr. 29, Zurich] Baldasare Franceschini il Volterrano (1611-1689). Young Man in Armour (Study for the Frescoes at the Villa della Petraia). 26.6 × 18.7 cm. Charcoal Heightened with White Chalk.
Attributed works:
[C.&J. Goodfriend, 61 East 77th Street, New York] Francois Boucher (1703-1770): Tête de Bourgeois portant Lunettes, Etching, Baudicour 21, Jean-Richard N. D., 110 × 69 mm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13 Dusseldorf / 61 East 77th Street, New York] Adolph von Menzel. Hans Karl von Winterfeldt. (c.1850). Black Chalk, Brush and White Bodycolour. 292 × 218 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honore, Paris] Edmé Bouchardon: Study for Autumn. Red Chalk. H. 432 mm; L. 300 mm. Study for One of the Reliefs of the Fontaine de Grenelle in Paris (1739-1745).
Attributed works:
[Chamberlin Gallery Molly Klobe, 121 East 79th Street New York]Théophile-Alexandre Steinlen (1859-1923). Portrait of an African Sailor 1921. Black, White, Blue & Red Chalk on Paper. $24frac{5}{8}times 18frac{3}{4}$ Inches (62.6 × 47.5 CM)
Attributed works:
[Claude Kuhn, Schneidergasse 2, Basel] Jean-Baptiste Greuze 1725-1805. Le désespoir amoureux. Pen and Brown Ink, Grey Wash, 32.8 × 23 cm
Attributed works:
[David Jones, 8 rue Rossini, Paris] Nicolas de Plattemontagne Paris 1631-1706. Sheet of Studies. Red and Black Chalk Heightened with White. 284 × 424mm.
Attributed works:
[Dorotheum, Dorotheergasse11, Vienna] Bartolome Esteban Murillo (Sevilla 1618-1682). "Las dos Trinidades", Oil on Canvas, 52 × 36,5 cm, Framed; Prof. Dr. E. Perez Sanchez, Director General of the Prado Museum in Madrid, Will Publish This Painting in "Archivo Espanol de Arte". Preparatory Study Murillo's for His Important Late Work "Las dos Trinidades" (Oil on Canvas, 293 × 207 cm) in the London National Gallery.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Leo Laporte - Blairsy la Voie Lactée. Silvered Bronze Lamp with Daum Glass Shade
Attributed works:
[European Fine Arts, 6 Lower Merrion Street, Dublin] Johann Schweyer. 1596 Graz 1676. Upper Rhine Landscape with Small Harbour. Signed. Sanguine Drawing 18.5 × 26.4 cm.
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Georges Rouault, 'Cirque - Clown et enfant au chien', Circa 1925-1930, Gouache, 51.5×38 cm (20¼×15 in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Restout (1692-1768). A Nude Man Seated, Leaning and Turning to the Right. Black and White Chalks on Cream Paper. $16frac{5}{8}times 20frac{3}{8}$ Inches; 424 × 520 mm. Signed by the Artist at the Lower Right: Restout Fecit/1734: And in Brown Ink: 109: Lower Left in Brown Ink: A. R. No. IX.
Attributed works:
[Front Cover] Portrait of a Man, Workshop of Hans Holbein the Younger. Panel, 30.5 cm Diameter. (Metropolitan Museum of Art, New York).
Attributed works:
[Galerie 27, 27 rue de Seine, Paris] Picasso. Femme debout. Sculpture en tôle découpée. Hauteur: 42.5 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] François-Joseph Navez (1787-1869), Anacreon and Orpheus, Signed and Dated "F. J. Navez 1822". Canvas, 66,5 × 82 cm.
Attributed works:
[Galerie de Bayser S.A., 69 rue Sainte-Anne, Paris] Jacob Jordaens (1593-1678). Le Christ et les pélerins d'Emmaüs Pierre noire, plume et encre brune, rehauts de gouache bleu, vert et blanc, sur papier beige en plusieurs feuilles assemblées. 24,2 × 30,5 cm.
Attributed works:
[Galerie de la Scala, 68 rue La Boetie, Paris] François Bonvin (1817-1887). "Femme assise". 25 × 16 cm. Signed and Dedicated "A Son vieil ami Ducasse"
Attributed works:
[Galerie Sabrina Forster, Poststrasse 3, Dusseldorf] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). Castle with Boccia Players. Pen and Brown Ink. 27.2 × 42.9 mm.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, D8059 Moosinning, Munich] Belisario Corenzio (Achaia 1560-1643 Naples). Harbour Scene with Slave Market. Pen and Brown Ink over Red Chalk. 195 × 263 mm. Provenance: Prof. J. Isaacs and Kurt Meissner.
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich] Edouard Vuillard 'La Chemise Blanche'
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich] Henri Fantin-Latour 'Nature Morte au pot blanc'
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich]Claude Monet 'The Seine at Vétheuil'
Attributed works:
[Guy Loudmer, 18 rue de Provence, Paris] Maurice de Vlaminck - "Les pêcheurs à Nanterre" (1906). Oil on canvas, signed at lower left titled and countersigned on reverse. 81 × 100 cm. Exhibitions:- "Plaisirs de France" Galerie Charpentier, Paris, 1951, n° 191 (titled "Pêcheurs à la ligne") - "Plaisirs de la Campagne" Galerie Charpentier, Paris, 1954, n° 178 - "L'Œuvre de Vlaminck du fauvisme à nos jours", Galerie Charpentier,, Paris 1956. - "Les Fauves", Galerie Charpentier, Paris, 1962, n° 148.....
Attributed works:
[Jean Lupu, 43 rue de Faubourg Saint Honore, Paris] Jan Sanders van Hemessen (Hemiksen Circa 1500-1565 Haarlem). "The Virgin with the Child", Circa 1534, Panel 113 × 83 cm
Attributed works:
[Jean Willems, Rue Ernest Allard 5, Brussels] Sebastien Leclerc Metz 1637-1714 Paris. The Siege of a Town in the Lower Netherlands. Pen and Grey Ink and Wash 228 × 261 mm
Attributed works:
[Kate de Rothschildt] Baron Dominique Vivant-Denon (1747-1825). Study of a Young Girl Playing with a Giant Poodle 'tondu en lion'
Attributed works:
[Katrin Bellinger, Rauchstrasse 2 Munich/ 12 Duke Street, London] Giulio Campi Cremona 1502-1572 Cremona 'Diana with Putti, Carrying a Vase'. Pen and Brown Ink, Brown Wash, Heightened with White; Squared. 160 × 290 mm.
Attributed works:
[Marcello Aldega Margot Gordon] Battista Franco Udine 1510? - Venezia 1580. Red Chalk, Beige Paper
Attributed works:
[Marlborough, 6 Albemarle Street, London] Reflection on the Drawings, 1989. Oil on Canvas, $57frac{1}{2}times 44frac{3}{4}text{in}$./146×114cm.
Attributed works:
[Moatti, 77 rue des Saints - Peres, Paris] Giovanni-Domenico Tiepolo (1727-1804). Christ Received into Heaven. Signed. Black Chalk, Pen and Grey Ink, Brown Wash on Paper. 265 mm × 175 mm
Attributed works:
[Pace, 32 East 57 Street, New York] Giovanni Battista Tiepolo 1696-1770. A Caricature of a Portly Man Wearing a Frock Coat. Pen and Black Ink with Grey Wash. 211 × 145mm. From the Album Tomo Terzo di Caricature
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Sir Edward Coley Burne-Jones Bt Ara 1833-1898. William Morris Climbing a Mountain in Iceland. Pencil on Paper 6½ × 4 Inches, 16.5 × 10 Centimetres.
Attributed works:
[Phillips, 101 New Bond Street, London] Edgar Degas, La Sortie du Bain; Charcoal and Pastel, Circa 1895-98, 90cm × 80cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Ivan Vasilievich Kliun (1873-1942), Composition; Oil on Canvas, 47cm x 35cm. Executed in 1920.
Attributed works:
[Phillips, 101 New Bond Street, London] Paul-Theodor van Brussel (Zind-Polsbroek 1754-1795 Amsterdam). A Still-Life of Assorted Flowers and Fruit Including Poppies, Tulips, Grapes and Peaches upon a Stone Ledge before a Landscape. Signed and Dated 1794, Oil on Panel, 79cm × 62.5cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 113 East 79th Street New York] Adam Pijnacker, Landscape with Cattle. Oil on Canvas, 39¼ by 52 Inches (99.7 by 132.1 cm). Signed, Bottom, Left of Centre [On the Rock]: "A Pynacker"
Attributed works:
[Sotheby's 34-35 New Bond Street, London] Joachim Wtewael (Utrecht 1566-1638), The Wedding of Peleus and Thetis, Dated l.r. 1612, Oil on Copper, 36.5 by 42 cm (14¼ by 16½ in). Estimate: £600,000-800,000
Attributed works:
[Spencer A. Samuels, 39 East 72nd Street, New York] William Hogarth (1697-1764). Hudibras Visiting Sidrophel. Pen and Brown Ink over Pencil $4frac{3}{8}times 3frac{3}{8}$ Inches (123 × 75 mm). Before 1725.
Attributed works:
[The 70th Chelsea Antiques Fair, London] A Late 18th-Century English Bracket Clock. The Case of Fine Mahogany. The Dial Finely Engraved and Silvered. Signed: Wright, Chelmsford. Circa 1790.
Attributed works:
[The 70th Chelsea Antiques Fair, London] George III Silver Gilt Cup and Cover. London 1781. By John Denziloe. The Arms Are of Archibald Acheson, at That Time Baron Gosford of Market Hill, Co. Armagh, Ireland. Height: $10frac{3}{8}$ Inches.
Attributed works:
[The European Fine Art Fair] A Very Fine Cased Set of Presentation Pistols Made by Gastinne Renette, c. 1854. Paris Exhibition 1854
Attributed works:
[The European Fine Art Fair] Albrecht Dürer 1471-1528. The Small Horse. Engraving, 1505, 164 by 109 mm.
Attributed works:
[The European Fine Art Fair] Emanuel de Witte. The Interior of the Oude Kerk, Amsterdam - Signed and Dated 1679. Oil on Canvas, 20.5 by 70 cms.
Attributed works:
[The European Fine Art Fair] Jan van Goyen, 1596 Leiden-The Hague 1656. A Beach Scene. Panel: $15frac{3}{8} text{by} 22frac{5}{8}$ Inches (39 by 57.5 cm.). Signed with Monogram and Dated 1652
Attributed works:
[The European Fine Art Fair] Jean-Baptiste François Pater (Valenciennes 1695-1736 Paris). Le Sultan au Jardin. Oil on Canvas, 60 × 73 cm. Signed: Pater
Attributed works:
[The European Fine Art Fair] Paulus Bor, Still Life with Chest, Saddlebag, Open Book and Other Objects on a Table Before a Window, 1630. Oil on Panel, 22 by 30 Inches (56 by 76 cm.). Signed (On Open Book): "P Bor 1630"
Attributed works:
[The European Fine Art Fair] Quiringh Gerritsz. Van Brekelenkam Zwammerdam, c. 1620-1668 Leiden. An Interior with a Family. Panel: $23frac{3}{8} text{by} 32frac{3}{4}$ Inches (59.5 by 83.2 cm.)
Attributed works:
[The Fine Art Society, 148 New bond Street, London] Frances McNair 1874-1921. L'Esprit de la Rose, 1903. Pencil & Watercolour, 12½″ × 12½″ (32 × 32 cm.)
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] Hans Sebald Beham (1500 Nürnberg-Frankfurt 1550). A Standing Female Nude Seen from behind. Pen and Black Ink; Monogrammed and Dated. "HSB 1537". 145 × 94 mm.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Karl-Ernest-Rodolphe-Heinrich-Salem, Called Henri Lehmann (Kiel 1814-1882 Paris). Portrait of Edmond de Pertuis de Laillevault (1822-1904). Signed with the Initials and Dated, Lower Right, 23 Mars/1842/HL. Black Chalk on Cream Paper, 8½ × 6¼ Inches (215 × 160 mm)
Non-western art unattributed:
[Michael B. Weisbrod INC, 987 Madison Avenue, New York] Cloisonne Box and Cover. Qing Dynasty, Qianlong Period. Height: 12¼ in. (31.1 cm.). Width: $9frac{1}{8}text{in}$. (23.1 cm.). Depth: $7frac{5}{8}text{in}$. (19.3 cm.)
Non-western art unattributed:
[The European Fine Art Fair] Chinese Bracket Clock with Rosewood Cabinet, with Brass Mounts and Carrying Handle, Enamel Dial Decorated with Scrolling Flowers. Chinese, 19th Century
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marigan and 11 quai Voltaire, Paris] Keystone with Hercules and Amiral Bonnivet's Coat of Arms. Stone. Diam.: 20 cm. France, First Quarter of the XVIth Century. From the Castle of Bonnivet (Vienne), Built around 1520, Destroyed in 1788. Other Fragments of This Castle Can Be Seen in the Louvre and the Museum of Sainte-Croix in Poitiers.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Cipollino marble seated Togatus figure, adapted as St. Peter in the second half of the 16th century, with gilt bronze head, hands and feet, formerly in the Ludovisi Collection, 38.7cm (15¼in) high. Estimate: £250,000-350,000. The statue is documented in three inventories of the Villa Ludovisi in Rome, dated 1623, 1633 and 1665. In the early 1620s Cardinal Ludovico Ludovisi was forming one of the greatest collections of statuary and paintings of the period, including many antiquities.
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Advertisements March 1989 (front)
03/1989 | 1032 | 131
Pages: i-xl
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
Mao, by Andy Warhol. 1972. Synthetic Polymer Paint Silkscreened on Canvas, 208.3 by 155 cm. (Courtesy: Thomas Ammann, Zürich: Exh. Museum of Modern Art, New York).
Attributed works:
[Agnew's, 43 Old Bond Street, London] Hans Sebald Beham (1500-1550) An Old Man and a Maid Chiaroscuro Woodcut. Pauli, Hollstein 1236; Strauss 'Chiaroscuro' no.48; Geisberg 901. Watermark: Gothic P Surmounted by Orb and Initials (cf Meder (Dürer) 325 and 327); Therefore Probably Printed at the End of the 16th or Beginning of the 17th Century. A Very Good Impression of the Third State of Four, before the Addition of Dürer's Monogram. 248 × 244 mm
Attributed works:
[Austin/Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London, UK] Graham Bell. Trinity College, Dublin
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Alberto Giacometti. Etching. 1950. Lust 85. From the Collection of Douglas Cooper.
Attributed works:
[Christie's, 8 King Street, London, UK] Hendrik Goltzius: Hercules and Cacus (Bartsch 231), Chiaroscuro Woodcut Printed in Colours, 1588, Third State (Of Four), a Brilliant Impression.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. TEFAF Maastrich] Philips Wouwermans, 1619-Haarlem-1668. 'Country Folk on the Outskirts of a Wood'. Panel: 41 by 35.5 cm. Monogrammed in Full at Lower Right. Panel Bears Label on Reverse: Wouwermans.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bartholomeus Breenbergh, Deventer c. 1590 -Amsterdam c.1657. A Hermit Saint at Prayer in an Extensive Landscape with Ruins. Oil on Panel: 41 × 65 cm. Signed on Rock at Lower Right: B. Breenbergh F.1635
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Salomon van Ruysdael (1600-Haarlem-1670). The River Maas near Castle Loevestein Panel, 50 × 68 cm Signed and Dated 1643.
Attributed works:
[Douwes Fine Art Ltd., London. Exh. TEFAF Maastrich] Abraham van Beyeren, 1620-1690. 'Fruit Still-Life' On Panel: 72 by 58 cm. Signed with a Monogram.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London, UK] J. J. Tissot. Le Veuf, Drypoint.
Attributed works:
[Elizabeth Royer, 6 rue de Commaille, Paris, France] Barye (Louis Antoine) "Portrait de la fille de l'artiste". Oil on Canvas 55 × 46 cm
Attributed works:
[Francis Briest, 24, avenue Matignon, Paris, France] Paul Cezanne - Portrait of Paul Cezanne's Son, Circa 1879 - 1882. Oil on Canvas 10,8 × 13 Inches - 28,5 × 33 cm
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] William Morris (1827-1905). An Angel Holding the Sun. Pencil, Pen, and Ink and Watercolour on Paper. 13 3/4 × 8 Inches (35 × 20.3 cm.)
Attributed works:
[Galerie Brame et Lorenceau, 68 boulevard Malesherbes, 75008, Paris, France] Yerres - Camille Daurelle au Pied d'un Chene Oil on Cardboard. 17" × 12" 5/8
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Painting by Voiriot and Dalou
Attributed works:
[Galerie Louise Leiris, 47 rue de Monceau, 75008, Paris, France] Joueur de flûte et femme nue. 1970. 114 × 146 cm
Attributed works:
[H.C.A.C.S.A.R.L., 7 rue Louvois, Paris, France] J. L. David. "Le Serment du Jeu de Paume". Drawing (Detail). Versailles, Musée National du château.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Gouache on Paper, Signed and Dated 1788. 1745 - Jean Baptiste Huet - 1811. 7 × 10 3/4 ins. 17.8 × 27.3 cms. With Fine Carved and Gilded Frames
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK. Exh. TEFAF Maastrich] Thomas Wijck, Beverwijk 1616-1677 Haarlem. 'The Alchemist' Signed. On Panel 16½ by 14 3/4 (41.5 by 37 cm).
Attributed works:
[Leslie Smith, Hertelaan 15, 2243 EK Wassenaar, The Netherlands. Exh. TEFAF Maastrich] Frederik Marinus Kruseman, 1816-1882. 'Winter Landscape with Skaters' Canvas: 50 by 70 cm. Signed and Dated 1868.
Attributed works:
[Leslie Smith, Hertelaan 15, 2243 EK Wassenaar, The Netherlands] Canvas: 60×96 cm. Charles Leickert (1816-1907). Signed and Dated 1870
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] The Artist's Studio, 1988. John Davies. Photo by: James Austin
Attributed works:
[Newhouse Galleries, 19 East 66th Street, New York, New York. Exh. TEFAF Maastrich] Bartolommeo Passarotti, 1529-1592. 'Portrait of a Gentleman Wearing a Dark Costume with a Sword, Gloves and a Plumed Hat' Oil on Canvas, 41 by 35 5/8 (104.2 by 90.5 cm).
Attributed works:
[Noortman, London. Exh. TEFAF Maastrich] Henri Lebasque, Champigne 1865-1937 Cannet. 'Still-Life with Apples', Circa 1926. Canvas: 54 by 65 cm. Signed.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Emile Bernard (Lille 1868 - Paris 1941) Crucifixion, Woodcut 41 × 29 cm., Rare Trial Proof on Japan Paper, before the Distortion and Cracking of the Wood. To the Left, a Trial Inscription in Gothic Lettering in Black Pencil. (See Catalogue: Paul Prouté Pout-Aven, les Nabis et les Symbolistes, March 1989)
Attributed works:
[Perrin Antiquites, 3 Quai Voltaire and 98 Rue Faubourg Saint-Honore, Paris, France] Claude-Louis Chatelet (1753-1794). French School Partial View of the Falls of the 'Fiume Grande' of Lava from Etna, near Aderno Vue Partielle des Cascades de Fiume Grande au milieu des Laves de L'Etna, Prés d'Aderno Gouache on Beige Tinted Paper. H. 22,8 cm; L. 32,7 cm
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Auguste Rodin, "L'Eternal Printemps," Signed, Inscribed with Foundry Mark "Thiebaut Freres, Fondeurs," Bronze, Brown Patina with Green Highlights, 64cm High.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Anthony van Dyck. 'Rest on the Flight into Egypt', c. 1630 Oil on Panel, 15 1/8 by 12 5/8 (38.5 by 32 cm) 18094-D.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Mattia Preti, David Playing the Harp Before Saul, 1668 Oil on Canvas, 82 by 119 Inches (208.5 × 301.8 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Nikolai Astrup (Norwegian 1880-1928), Apple Trees in Bloom, Signed, Oil on Canvas, 56 by 90cm. Estimate: £250,000-400,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] Jules Dalou (1838-1902). Supplication 1884. Bronze. Signed 'Dalou', Inscribed Cire Perdue A. A. Hébrard and Numbered 1 Height: 32 cm
Attributed works:
[Thomas Ammann Fine Art Zurich, Restelbergstrasse 97, Zurich, Switzerland] Fernand Léger, ca. 1918. «Still Life». Ink on Paper, 47 × 31,7 cm
Attributed works:
[Voena, Via Dei Mille 36, 10123, Turin, Italy] Bernardino Mei, 1612 Siena - 1676 Rome. Faith. Oil on Canvas: 120 × 155 cm. Signed and Dated: B. Mei 1652
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] J. J. Tissot: How Happy I Could Be with Either. Etching. 1877. 9 7/8 × 14″.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Head of Holofernes, Marble Italian (?) XVI Century. Height 22 cm
Western art unattributed:
[De Havilland Ltd., 48 Sloane Street, London, UK. Exh. TEFAF Maastrich] A Rare Mid-18th-Century Ebony and Silver Mounted Miniature Bracket Clock Signed Charles Clay, London. 7½″ High. Circa: 1740.
Western art unattributed:
[Jan Roelofs, Spiegelgracht 5, 1017 JP Amsterdam, Netherlands] Oil Lamp in Bronze. Italy, 16th Century, Andrea Riccio Workshop. 5 × 4.5 Inches
Western art unattributed:
[Jean Pierre Osenat, Exh. Fontainbleau, Hotel Des Ventes, 5 rue Royal, Place du Chateau] Exceptionnelle suite de 4 grands fauteuils à dossier plat, début d'époque Louis XV, en bois naturel, à décor de rinceaux, grenades et feuilles d'acanthe, tapisserie d'Aubusson à décor floral
Western art unattributed:
[Jean Pierre Osenat, Exh. Fontainebleau, Hotel Des Ventes, 5 rue Royal, Place du Chateau] A Fine Set of Six George II Mahogany Carved Single Chairs on Cabriole Legs with Claw and Ball Feet, and Shaped Seat Rails. Circa 1740
Western art unattributed:
[M. Ekstein & I. J. Mazure, 90 Jermyn Street, Piccadilly, London, UK] Porcelain Painted Plate Bearing the Soviet Propaganda Slogan: "If Your Heart Yearns for Work Everything Will Be Reborn". Centre Painted with a Constructivist Design. 9.8 ins Diameter. Underglaze Green Cipher of Nicholas II 1898. Overglaze Soviet State Factory Mark 1921. After a Design by Rudolf Vil'de.
Western art unattributed:
[Maria Andipa Icon Gallery, 162 Walton Street, London, UK] The Absolute Mother of God with Beautiful Silver-Gilt Repoussé and Chased Riza and Kakoshnik Studded with Three Stars, Raised Halo with Leaf-Motif; Embellished with Semi-Precious Stones. Panel: c.1700 Caucasus Riza Essay K D P and Initials AS 1886 35 × 23.5 cm
Western art unattributed:
[Mark Gallery, 9 Porchester Place, London, UK] St. Theodore Stratilates, the Warrior Saint, Russian Icon, Late 17th Century (29½ × 23cm)
Western art unattributed:
[Nella Longari, Via Bigli, Milan, Italy] "Italian Master" (Valle Padana XIII Cent) Initial "S" San Silvestro Tempera Illuminated on Vellum 90 × 75 mm.
Western art unattributed:
[Pieter Hoogendijk, Holland. Exh. TEFAF Maastrich] Cabinet, French (Paris?); ca. 1660; Ebony, Resting on a Stand. The Stand Consists of Three Couples of Astragalon Columns and Two Figures in Armour, Athena on the Left, Mars on the Right. Height: 2.17 Metres Width: 1.96 Metres Depth: 0.625 Metres.
Western art unattributed:
[The Chelsea Antiques Fair, Chelsea Old Town Hall, King's Road, London, UK] This Fine Satinwood Commode, Sheraton, Circa 1790. Although unmarked, this decanter is typically Irish in its light moulded base, fluting and three feather-edged neck rings. The engraved ship is contemporary, as is the mushroom moulded stopper - c.1815. This very fine walnut 'lowboy' is from the Queen Anne period, about 1710. It is a good example of the most sought-after type of low-boy, having good golden colour, well proportioned cabriole legs, and a pretty 'apron'. A silver seal box engraved with the Royal Coat of Arms of George III Made in London, in 1790 by William Pitts.
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Advertisements February 1988 (Front)
02/1988 | 1019 | 130
Pages: i-xxxii
Subjects
Illustrations
Attributed works:
[Ader Picard Tajan, 12 rue Favart, Paris] Boucher (François). «Le moulin à eau». Canvas Signed and Dated 1750. 60 × 74 cm.
Attributed works:
[Ader Picard Tajan, 12 rue Favart, Paris] Boze (Joseph). «Portrait of Louis-Antoine de Bourbon, Duc d'Angoulême». Pastel Signed and Dated 1785. 56 × 47 cm.
Attributed works:
[Bernard Blondeel, Schuttershofstraat 5, Antwerp] Very fine Brussels tapestry (about 1720) bearing the town mark of Brussels and the weaver's mark of Gaspard Van der Borght. It depicts Apollon and the Muses. The History comes from the Greek Mythology: Apollon who's sitting on a cloud and who's crowned with the sunlight by a genius, is surrounded by the nine Muses, all goddesses of Arts and Sciences. Pan, concealed by trees, is watching the happening. H 305 cm W 515cm
Attributed works:
[C.G. Boerner Inc. New York, 61 East 77th Street, New York] Adolf Menzel. The Monastery of Einsiedeln. Pencil. Signed upper Right: A. M. (1881). 418:290 mm. From the Collection of Heinrich Stinnes.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Jan or Lucas van Duetecum, after Cornelis Floris II (1514-1575) Grotesque Ornament, from a Series Published in 1556-7
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Abraham van den Tempel. Leeuwarden 1622 - Amsterdam 1672. Granida and Daifilo Canvas: 132.1 × 165.1 cms. Signed and Dated A Vde Tempel 1666
Attributed works:
[Falk & Falk, Kirchgasse 38, Zurich] Ridinger, Johann Elias (Ulm 1698 - 1767 Augsburg) Vollkommene und gründliche Vorstellungen dervortrefflichen Fürsten=Lust Oder der Edlen Jagtbarkeit,... Augsburg, J. E. Ridinger, 1729. Oblong folio. With engraved title and 36 engraved plates. Complete and in excellent condition! - Thienemann 13 - 48.
Attributed works:
[Francois Briest, 24 avenue Matignon, Paris] Honoré Daumier - L'Ancienne Comedie Française (Types de la vieille [de l'ancienne] comédie - Types de Molière - La comédie de Molière) Oil on Canvas Signed Right upper Corner: H. Daumier 1862-1865 40×69 cm
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Anne Louis Girodet de Roucy-Trioson (1767 - 1824) Portrait of a Young Man Black Chalk and Grey Wash on Lightweight Off-White Wove Paper 16⅛ × 12⅝ Inches; 41 × 32.1 cm. Signed and Dated at lower Right: Girodet-Trioson/1823
Attributed works:
[Galerie d'Arenberg, 14 rue aux Laines, Brussels] Nicolas-Didier Boguet (Chantilly 1755-Rome 1835) Le passage du Pô par l'armée française le 7 mai 1796, Signed and Dated 'D. Boguet, Rome 1803', Oil on Canvas, 148 × 241 cm.
Attributed works:
[Galerie Neuse, Contrescarpe 14, Bremen] A Highly Important Bronze Bust of Julius Caesar by Joerg Muskat, Commissioned by Emperor Maximilian I in 1508 Case in Augsburg by Hanns and Laux Zotmann 1509/10
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] William Burges 1827-1852 Proposed New Law Courts-Strand View Etching Inscribed: Mr William Burges, Architect 14 × 9½ Inches (36 × 24 cms)
Attributed works:
[Jean Willems, rue Ernest Allard 5, Brussels] Stefano della Bella, Florence 1610-1664. 'Bacchus as a Child Carried by a Man' Pen and Brown Ink 157 × 101 mm. Prov.: Unidentified Mark on the Recto.
Attributed works:
[K. Henninger-Tavcar, Hachelallee 7, Pforzheim] Smart. John Sen. Gentleman in rose-coloured jacket with blue gold-embroidered vest. with monogram and dated: J. S. 1767. Miniature on ivory. original gold frame. Smart. John sen. Portrait of a lady in a green dress. with monogram and dated: J. S. 1776. Miniature on ivory. original gold frame worked as a brooch. Smart. John sen. Norfolk 1741 - 1811 London Lady in light-blue dress with pearls in her hair. signed and dated: J. S. 1774. Original diamond-studded gold frame. Miniature on ivory. Lit.: Daphne Foskett. page 10. fig. No. 33. Daniel. Abraham born in Bath March 11. 1806 Plymouth Portrait of a young lady in a white dress. miniature on ivory in the original diamond-studded gold frame. about 1790. Shelley, Samuel abaut 1750 - November 22. 1808 London Portrait of the Aston sisters. later Lady Legard and Mrs. Hedges. as 'Ceres and Flora'. daughters of Henry Aston of Cheshire. Signed and described on the back. Miniature on ivory. original diamond-studded silver and gold frame. inscribed on the back. Ex. Coll. C. H. T. Hawkins.
Attributed works:
[Marlborough Fine Art (London) Ltd, 6 Albemarle Street, London] Henry Moore (1898-1986) Mother and Child 1938 (Cast 1986) Bronze, Edition of 9. Ht. with Base 20 in./50.8 cm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Gustave Doré "An East End Poorhouse", Signed, Oil on Canvas, 98 cm × 179 cm.
Attributed works:
[Richard L. Feigen Company, 113 East 79th Street, New York] Sir Thomas Lawrence, 'Portrait of George Nugent Grenville, Lord Nugent,' 1813-1820 Oil on Canvas, 94 by 58 Inches (238.7 by 147.3 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] John Martin (1789-1854), The Assuaging of the Waters, Signed l. r.: J. Martin./1840, Oil on Canvas, in Its Original Carved Wood Frame Decorated with Runs of Water and Shells, 143.5 × 218 cm.; (56½ × 86¼ in.)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Rembrandt Harmensz. Van Rijn, Jan Lutma, Goldsmith (B. 276; H. 290), Etching and Drypoint, First State, 1656, 196 × 149 mm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Rembrandt Harmensz. Van Rijn, Jan Lutma, Goldsmith (B. 276; H. 290), Etching, Drypoint, and Burin, Second State, 1656, 196 × 149 mm.
Attributed works:
[Stair Sainty Matthiesen, 42 East 74th Street, New York] Francois Le Moyne (1688-1738) Christ Healing the Blind Man Oil on Canvas, 25⅜ by 32 Inches (64.5 by 87.5 cm)
Western art unattributed:
[Bernard Quaritch Ltd, 5-8 Lower John Street, Golden Square, London] Bede, De Tabernaculo. Norman, Late 11th Century
Western art unattributed:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan, Paris] Alabaster - Florence 15th Century Height: 33 cm
Western art unattributed:
[Cibot, 7 rue Voltaire, Nantes] 'Venise ou Padoue, vers 1500' (Ht 11½cm)
Western art unattributed:
[Edward R. Lubin, 3 East 75 Street, New York] Ivory Panel, French, 14th Century, Height: 4⅜ in. (11.3 cm.). Ex. Col.: Passavant-Gontard; Robert von Hirsch.
Western art unattributed:
[Heribert Tenschert, Kirchplatz 14-15, Rotthalmiinster] Miniature of Job from a Very Grand Book of Hours, ca.1460-1485, Loire Valley, with Paintings by Jean Colombe and Others, to be Exhibited at the Stuttgart Antiquarian Book Fair, febr.'88.
Western art unattributed:
[Nella Longari, via Bigli 15, Milan] "Madonna in Trono", Wooden Sculpture South of France, XIII cent. Dimensions: 64,5 c. m. s.
Western art unattributed:
[Sam Fogg, 66 Highbury Hill, London] Canon Miniature South German 15th Century in a 14th Century Italian Missal
Western art unattributed:
[[K. Henninger-Tavcar, Hachelallee 7, Pforzheim] Important Blood-Jasper Snuff Box in the Shape of a Helmet Cut in Blood-Jasper. On the Lid is the Figure of Jupiter with Eagle, Feathers, Rocailles and Laurel, Reaching Down to the bottom. The Gold Mounting Is Decorated with Laurel Leaves. Hight 7.6 cm. Width 8.3 cm. Dresden Mid-18th Century. Ex. Coll. Madame de X, Paris.