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Subjects
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artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
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03/2012 | 1308 | 154
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Subjects
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subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Essex. A Charles II quarter repeating spring table table timepiece in an ebony and gilt metal mounted case by Thomas Tompion. London, c.1682. Height: 30 cm. (12 in)]
Attributed works:
[Antiquariat Bibermuhle, Ramsen. David and Goliath. Book of hours in Latin and French, illuminated manuscript on vellum with 14 large miniatures by the Master of the Burgundian Prelats. Burgundy (Dijon?). From the collection of William Waldorf Astor. c.1480. 23.4 by 16cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Wilhelm Leibl (Cologne 1844 - 1900 Wurzburg). The Son of Dr. Reindl, 1883. Signed and dated lower left: 'W. Leibl 83/ Aibling'. Black chalk on handmade paper, 52.5 x 34 cm]
Attributed works:
[Arturo Cuellar, Zurich. Knitting peasant girl, by Max Lieberman (1847-1935). Signed lower right (in pencil): 'M Liebermann'. Indian ink and gouache]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Charles-François Grenier de Lacroix called LACROIX DE MARSEILLE (circa 1720 - after 1782). View of Civitavecchia Seaport. Oil on canvas. 99.5 by 162.5 cm. (39 1/4 by 64 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Even (B., M., Holl. 1). engraving, 1504, a fine Meder II impression, 251 x 194 mm.]
Attributed works:
[Damiano Lapiccirella, Florence. A centaur abduction a girl, by Gian Domenico Tiepolo (1727-1804). c.1755. Pen and brown ink with brown wash, 19 by 27 cm.]
Attributed works:
[Daniel Katz Ltd, London. The Annunciation, by Tilman Riemenschneider (c.1460-1531). 1515-20. Alabaster relief. 32 by 21.5 by 4 cm]
Attributed works:
[David & Constance Yates. Box 580. Lenox Hill Station. New York 10021. Jean-Pierre Dantan (Paris 1800 - 1869 Baden). Niccolò Paganini (1782-1840). Cast, reworked and patinated plaster. Signed Dantan and dated 1832 on proper left edge of base. Height: 31 cm]
Attributed works:
[Daxer & Marschall Kunsthandel, Munich. Landscape in Finmark, by Peder Balke (1804-87). Oil on paper, 19.2 by 25.4 cm]
Attributed works:
[Day & Faber, London. Hercules and the Stymphalian bird [recto]- Hercules and the Oxen of Gryon [verso], by Baldassarre Peruzzi (1481-1536). Pen and brown ink within a drawn circle, 11.5 by 11.6 cm]
Attributed works:
[De Jonckheere, Geneva and Paris. The harvest, by Pieter Brueghel the Younger (1464-1638). Signed and dated 'P.BRUEGHEL, 1621'. Oil on panel, 71.5 by 102 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. A young boy in an artist's studio, by Etienne Jeurat (1699-1709). Inscribed: 'm. aved'. Black chalk heightened with white on blue paper, 35 x 32 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lorenzo Lippi (1606-1665), David and Goliath, oil on canvas, 127 x 98.5 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Mademoiselle O., by John Duncan Ferguson. Signed and titled on the back. Oil on board, 66 by 37 cm]
Attributed works:
[Eric Coatalem, Paris. Italian column, by Ben Nicholson (1894-1982)- 1965. Signed and dated on reverse. Ink and collage, 31.5 by 26 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Antonio Canova (Possagno, 1757 - Venice, 1822). Male figure draped, 1798. Written in pencil at the top left: di Febbraio 1798. Pencil on white paper, 239 x 170 mm.]
Attributed works:
[Galerie Canesso, Paris. Angelica and Medoro, by Simone Peterzano (c.1535-99). Oil on canvas, 154.8 by 194 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Moroni. Albino, 1525-1578. Portrait of Isotta Brembati (?). Oil on canvas, 49 x 42 cm (19 1/4 x 16 1/2 in)]
Attributed works:
[Galerie Kruger & Cie, Paris. Dancer standing with hands clasped behind her back, by Edgar Degas (1834-1917). 1874. Stamp of atelier, on left 'Degas' (L.658). Black and white chalk on prepared grey paper, 45 by 29.7 cm]
Attributed works:
[Galerie Krugier & Cie. 29-31 Grand-Rue. Geneve. Pablo PICASSO. Etude de mains d'Olga, 1920. Pastel on paper, 50 x 47.5 cm]
Attributed works:
[Gallerie Pandora, Milan. Study of a hand and arm, by Antonio d'Errico, called Tanzio da Varallo (1580-1635). Red chalk on pink-orange prepared paper, traces of white heightening, 23.8 by 14.1 cm]
Attributed works:
[Gallery Delaive, Amsterdam. Victoire de Samothrace (S9), by Yves Klein (1928-62). Dry blue pigment and synthetic resin laid on plaster and stone base, 49.5 by 24.7 by 29.2 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Standing Nude with Drapery. Gouache, watercolour, pencil, black crayon, 56.5 x 35 cm, signed & dated at the lower right "Schiele 1918"]
Attributed works:
[Jean-Luc Baroni, London. The mender (Preparatory study for a lost painting of The occupation according to age, by Antoine Watteau (1684-1721). Red chalk, 21,8 by 17.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Lelio Orsi. 1511 - Novellara - 1587. Aegina with Jupiter as an Eagle. Pen and brown ink and wash, 222 x 109 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattias Stomer. Amersfoort c. 1600 - c.1652 Sicily or Northern Italy. A Woman Counting Coins by the Light of an Oil Lamp. Oil on canvas, 67.5 x 83.5 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8 x 13.5 cm]
Attributed works:
[Kunsthandel Schlichte Bergen, Amsterdam. Rue à Samois, by Odilon Redon (1840-1916). Signed and annotated: 'haut Samois // Od.R. Pencil, 26.3 by 18.8 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Gerrit Dou. Allegory of Painting. Signed and dated 1649. Oil on panel, 68.2 x 53.5 cm]
Attributed works:
[Michal Tollemache Fine Art. 43 Duke Street, St. James’s. London. Backgammon Players by Dirk van Baburen, ca. 1622. Oil on canvas, ca. 96.5 x 124 cm (ca. 38 x 49 inches)]
Attributed works:
[Otto Neumann Ltd, New York. Portrait of Baron François de Chambrier (1739-781), Chamberlain to the King of Prussia, by Pompeo Batoni (1708-87). Signed and dated lower right: 'P. BATONI PINXIT ROMA ANN. 1771'. Oil on canvas, 60.5 by 73 cm]
Attributed works:
[Palais de la Borse, Paris. Affiche. Michal Batory]
Attributed works:
[Pandora Old Masters. Ubaldo Gandolfi (1728-1781), Adam and Eve Expelled from Paradiso. Pen and brown ink with brown wash, laid down. 290 x 210 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Above: Picasso. Linocut - Femme Accoudee, 1959. Right: Richard Ham. Picasso in Studio, Photograph, 1945.]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostles (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm. (30 x 25 3/4 in)]
Attributed works:
[Stephan Ongpin Fine Art. London. Portrait of James Lord, by Alberto Giacometti (1901-1966). Signed and dated: 'Alberto Giacometti 54' in pencil at the lower right. Pencil on paper, with framing lines in pencil, 45.1 by 32.3 cm]
Attributed works:
[Stephan Ongpin, London. The raising of the cross, by Giovanni Domenico Tiepolo (1727-1804). Signed: 'Dom.o Tiepolo f.' at the lower right. Pen and brown ink and brown wash ink, over an underdrawing in black chalk, 46.5 by 36.2 cm]
Attributed works:
[Stephen Ongpin Fine Art. River wide House. 6 Mason’s Yard, Duke Street St. James’s. London. Eva Gonzales (1847-1883). La Mariée. Pastel on canvas, 462 x 382 mm. (18 1/4 x 15 in.)]
Attributed works:
[Talabardon & Gautier. 154 Faubourg St-Honoré. Paris. Louis-Léopold Boilly (1761-1845). La Grande Seur, black chalk, heightened with white.]
Attributed works:
[Talabardon &Gautier, Paris. An Armchair, study for La Famille Bellelli, by Edgar Degas (1834-1917). Watercolour, 35.3 by 22.8cm]
Attributed works:
[The Canon Gallery, Huntingdon, Cambridge. The Lagoon, Venice, by Federico Nerly Junior (1824-1919). Signed. Oil on canvas, 29 by 51 cm]
Attributed works:
[The Gallery in Redchurch Street London. Body Languagge. Tony Heath]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. London. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen edition of 40. Sims Reed Gallery.]
Attributed works:
[Thomas French Fine Art. Lynn Chadwick, 1914-2003. Winged Figure, 1962. Ink on paper, 58 cm x 48 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Francesco Caporale, known as il Soncino (active 1606-c.1635). Bust of a young nobleman (Marcantonio II Colonna, Captain General of the Holy League at the Battle of Lepanto in 1571) in the guise of a Roman Emperor. White marble, with additions in various rare coloured marbles. 84 cm high x 65 cm wide (33 in high x 25 1/2 in wide)]
Attributed works:
[Trinity House, Broadway and London. Arbres, by Paul Cézanne 1839-1906. Signed. Gouache and watercolour on paper, laid down on canvas, 19.7 by 15.9 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Th. und J. I. de Bry, Vera description regni Africani, Frankfurt a. M. 1598]
Non-western art unattributed:
[Frank Partridge, London. An early eighteenth-century Chinese chest on chest. c.1720. Height: 94 cm. Width: 69 cm. Depth: 35 cm.]
Western art unattributed:
[Godson & Coles, London. A pair of Regency period carved oak open armchairs, English, c.1820. Height: 94 cm. (17 in.). Width: 60 cm (23 3/4 in). Depth: 64 cm (25 in.)]
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Advertisements March 2011 (front)
03/2011 | 1296 | 153
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Subjects
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subjects:
Illustrations
Attributed works:
[Agnew's, London. Sisteron, by J.M.W. Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Agnew's, London. The presentation of the Virgin, by Luca Giordano (1634-1705). Gouache on chamois skin, laid down on panel, 26 by 34.5 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Jean-Charles-Louis de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Louis-Marie de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Arnoldi-Livie, Munich. Ruins of the Palace of the Caesars on the Palatine in Rome, by Franz Kaisermann (1765-1833). c-1792. Signed lower left: Keisermann fecit. Watercolour, 50.6 by 65.6 cm]
Attributed works:
[Artur Ramon Art, Barcelona. Head of an old man in profile, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Red chalk on paper, 22.2 by 19.3 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Claude-Joseph Vernet (Avignon 1714-1789 Paris). An Inlet near Naples with a Castle and Fisherfolk. Oil on canvas, 24 7/8 x 38 7/8 in (63.3 x 98.8 cm)]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Elisabetta Sirani (Bologna 1638-1665). The Martyrdom of a Saint. Oil on canvas, 107 by 81.5 cm (42 by 32 cm)]
Attributed works:
[Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Ubaldo Gandolfi (1728-1782). Bust of a child with his head turned downwards, to the left (detail). Oil on paper glued to canvas, 230 x 300 cm]
Attributed works:
[Damiano Lapichirella, Florence. View of the Palazzo Ducale in Venice, by Giuseppe Bernardino Bison (1762-1844). c.1828. Gouache on paper, 33 by 44 cm]
Attributed works:
[David Tunick Inc, New York. Moonlight, by Edvard Munch (1863-1944). 1896, Colour woodcut, 40 by 47.1 cm]
Attributed works:
[Dickinson, London. Verve, by Henri Matisse (1869-1954). 1939. Signed lower right: Henri Matisse 31/8 39. Cut and pasted papers on a paper support. 36.5 by 55.5 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Anthony van Dyck (1599-1641), The Penitent Magdalena (detail), oil on canvas, 60 x 65 cm.]
Attributed works:
[Emanuel Von Baeyer, London. The Papal Crown, by Felix Buhot (1847-1898). 1888. Etching, drypoint and aquatint, 44 by 34.4 cm]
Attributed works:
[Galerie Antoine Laurentine, Paris. Man in blue, by Gaston Chaissac (1910-64). 1959. Oil on cardboard, 32.5 by 25 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pompeo Batoni. Lucca, 1718 - Rome, 1787. Vulcan in his forge. Oil on canvas, 94.2 x 73.7 cm (37 1/8 x 29 cm)]
Attributed works:
[Galerie Paul Prouté, Paris. Study for the Personification of 'The Iliad' in the Apotheosis of Homer, by Jean-Auguste-Dominique Ingres (1780-1867), graphite, 27.7 by 26.2 cm]
Attributed works:
[Galerie Tanakaya, Paris. Sagi (The heron maiden), by Kitano Tsunetomi (1880-1947). 1925. Signed: Tsunetomi hitsu. Shin-Hanga print, 54.3 by 36.4 cm]
Attributed works:
[Gros & Delettrez. 22, rue Drouot. Paris. Albert Cuyp: Woman Milking a Cow, oil on canvas, 94 x 120 cm, signed.]
Attributed works:
[Jean-Luc Baroni, London. Study of a Morrocan standing in profile, by Eugène Delacroix (1798-1863). Black chalk, with touches of red and blue chalk and watercolour, 33.2 by 21.5 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Baldassarre Franceschini, called Il Volterrano (Volterra 1611-1690 Florence). Portrait of Marchese Altoviti as Hylas. Oil on canvas: 96.3 by 76.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Fra Bartolomeo (1472 - Florence - 1517). Studied of the Heads of Two Dominican Friars. Red chalk: 132 by 169 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Ivan Konstantinovich Aivazovsky (detail)]
Attributed works:
[Kunstsalon Franke-schenk. Residenzstrasse 23. Munich. Arnold Bocklin (1827 Basle - 1901 San Domenico) Oil on canvas, 79,13 x 61,2 inch (201 x 155 cm), monogrammed and dated lower left: AB 1897.]
Attributed works:
[Lady Lever Art Gallery. (image detail) Style of Guido Reni, Head of a young man, drawn about 1600]
Attributed works:
[Le Claire Kunst, Hamburg. View of a valley with a bridge, in Franconia, by Adolph von Menzel (1815-1905). Monogrammed and dated: A.M. 93. Graphite, 31 by 22.7 cm]
Attributed works:
[Le Claire Kunst. Elbchausse 386. Hamburg. Adolph von Menzel. Franconian Landscape. Pencil. 310 x 227 mm]
Attributed works:
[Liliane Fredericks. Giulia Lama (Venice c.1681 - c.1753 Venice). Study of male nude, seated, left leg outstreched. 434 mm x 424 mm (17 1/8 x 12 1/2 in) Black and White chalk on grey paper]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. CLAUDINE BOUZONNET-STELLA (Lyon 1636-1697 Paris) 'Venus giving Arms to Aeneus'. Preparatory for an engraving after Poussin's painting which had been commissioned by Jacques Stella, uncle of Claudine, and which descended to Claudine upon his death. She is known for her engravings of his work and Poussin's]
Attributed works:
[Museo del Pardo, Madrid. Chardin. 1699-1779]
Attributed works:
[Noortman Master Painting, Amsterdam. Sleeping legionary, by Ubaldo Gandolfi (1728-81). Oil on paper laid onto canvas, 23.2 by 34.6 cm]
Attributed works:
[Pagliari Fine Arts at Galerie Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Giovanni Francesco Barbieri detto il Guercino (Cento, 1591 - Bologna, 1666). Vanitas. (Oil on paper laid down on canvas, 28 x 42 cm)]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Jean-Baptiste Marie PIERRE. Paris 1714-1789. Vulcan montrant à Venus les armes forgées pour Enér. Signed. Black chalk, pen and brown ink and wash, heightened with white, 216 x 252 mm]
Attributed works:
[Ralph R. Haugwitz. Kulmbacher Strasse 3. Berlin. Anton Graff, (1736-1813) Attr., Reflective Pause, Chalk, 349 x 224 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. A young woman asleep, by Richard Parkes Bonington (1802-28). Watercolour, over a pencil underdrawing, 13.3 by 11 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a bather, by Pierre-Auguste Renoir (1841-1919). Signed at lower left: Renoir. Watercolour over an underdrawing in pencil, 32.4 by 30.9 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Guido Reni (1575-1642). The Head of a Young Woman Looking Upwards. Black and red chalk, with touches of white chalk, on pale brown paper, 377 x 270 mm (14 7/8 x 10 5/8 in)]
Attributed works:
[The Burlington Magazine. London. 'Thomas'. No. 15 from Twenty- eight caricatures, by Thomas Patch. 1769-70. Soft-ground etching. 15.2 by 10.8 cm]
Attributed works:
[The Burlington Magazine. London. Landscape at Iden, by Paul Nash. 1929. Canvas, 69.9 by 90.8 cm (Tate Britain, London)]
Attributed works:
[The Burlington Magazine. London. Samuel Pepys, by Sir Godfrey Kneller. 1689. Canvas, 76.0 by 63.5 cm (National Maritime Museum, Greenwich)]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry, Map of Nowhere (detail), 2008 © The artist and Paragon Press, London.]
Attributed works:
[The Van Gogh Museum. Amsterdam. Vincent van Gogh1853-1890. Zonnerbloemen, Arles, Januari 1889. Van Gogh Museum Amsterdam.]
Attributed works:
[Trinity Fine Art, London and New York. Study of dolphin and a dolphin's skull, by Vincenzo Gemito (1852-1929). Signed and dated lower left in graphite: V. Gemito 1923. Pen, black/brown ink with some wash, 23 by 32 cm.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Luigi Valadier (Rome 1726-1785). A Trembleuse with a Beaker and CUp, and a detail of the stand with alternatives. Pen and dark brown ink and wash, 335 x 236 mm. Signed Luigi Valadierargentiere a S. Luigi de Francesi.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ludwig van Beethoven. Draft of the Goethe song "Neue Liebe, neues Leben" (WoO 127). Vienna, 1798/99]
Attributed works:
[W.M. Brady & Co., New York. Head of a young girl, Jean-Baptiste Greuze (1725-1805). Red chalk, 40.5 by 32.7 cm]
Attributed works:
[Wienerroither & Kohlbacher, Vienna. Reclining male with long hair, by Gustav Klimt (1862-1918). Blue crayon on paper, 36.8 by 55.8 cm]
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Subjects
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subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Architectural capriccio, by Giovanni Migliara (1785-1837). Signed 'Gio. Migliara' and with inscription 'ingresso d'un Palazzo Comunale, Novembre 1829 (par Migliara peinture Milanais)' on the mount. Pencil, watercolour.]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Dante Gabriel Rossetti (1828-1882) The Annunciation. Pencil, watercolour and gum arabic heightened with bodycolour and scratching out, 14 1/2 x 9 1/2 in]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Rural dance (recto), study of a man's legs (verso), by Claude Gallée, called Claude Lorrain (600-1682). Black chalk, red chalk, brown and grey wash, 16.4 by 22.2 cm]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Théo van Rysselberghe. 1862 Gent (Belgium) - Saint-Claire (France) 1926. Vue de La Roche sur Guyon 1898. Watercolour over pencil on wove paper; 175 x 250 mm. Annotated, dated, dedicated and signed with monogram in red pencil at lower left: en souvenir de La Roche-Guyon - juin 1898 | à mon amie M. Closset.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Attributed to Caius Gabriel Cibber (1630-1700): An important late 17th century English sculptured stone figural group of Dementia, modelled as a distraught mother and child, circa 1680, 104cm high (41in high).]
Attributed works:
[C.G. Boerner, at Trinity Fine Art. 26 Bruton Street, W.1. Two elegant ladies in the studio or The cigarette, by Jacques Villon (1875-1963). Signed and dated. Watercolour, 42 by 38 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. Jacques Gamelin (1738 - Carcassonne - 1803). Mort d'un heros antique (Death of an ancient hero). Oil on paper, laid on cardboard (tondo), 20.5 x 22.5 cm. Diameter of central tondo: 16cm. Inscription on verso: 'Gamelin, Jacques born 3rd october 1738, died 1803 / study for the death of Abradate / Musée Montpellier'.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A carved oval marble portrait profile relief of Louis XV. By Louis-Claude Vassé (1717-1772), circa 1761.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino (Bologna 1581 - 1461 Naples). The Pietà. Dated 'M.DCIII' (lower left), the reverse with inscription 'NANN[?]'. Oil on copper. 20 5/8 x 15 3/8 in. (52.4 x 39.1 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Jean-Honoré Fragonard (Grasse 1732-1806 Paris). L'Ile d'amour [La Fete à Rambuillet] Black chalk, pastel, watercolour and bodycolour. 10 1/2 x 14 in. (267 x 356 mm)]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Julius Schnorr von Carolsfeld. Leipzig 1794 - 1872 Dresden. Portrait of a Woman. Pen and brown ink, brown wash, 227 x 198 mm]
Attributed works:
[Conchita Romero. Salustiano Olozaga 5. Madrid. Luis de Paret y Alcazar (1746-1799). Smugglers on shore in an imaginary coastal view. Graphite, ink and coloured wash on paper, 302x400 mm. Signed, dated and inscribed: A Dn Jseph Pais por su amigo Paret - ano de 1785 and N P O, in the artist's original mount.]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Sur le coq, by Marc Chagall (1887-1985). Signed. Watercolour, ink and gouache on paper, 24.6 by 19 cm]
Attributed works:
[Day & Faber. 173 New Bond Street. London. Sweet chestnut (Castanea Sativa), by Jean-Victor Bertin (1767-1842). Executed c.1820. Signed and inscribed in brown in 'Etude de Chataigne / Bertin fecit'. Black chalk, 55.8 by 48.3 cm]
Attributed works:
[E & R Cyzer. London. Les acrobates, by Marc Chagall. Circa 1981. Signed lower right, 'Chagall'; signed on the reverse, 'Marc Chagall'. Oil on canvas, 116 by 81 cm]
Attributed works:
[Flavia Ormond Fine Arts. At Arndean Gallery. 23 Cork Street. London. Augustus John. Tenby 1878 - Fordingbridge, Hampshire 1961. Lady Ottoline Morrell. c. 1908-10. Pencil and watercolour. 20x14 inches.]
Attributed works:
[Flavia Ormond Fine Arts. At Arndean Gallery. 23 Cork Street. London. Set for the Ballet Giselle, by Alexandre Benois (1870-1960) Watercolour, ink and ink wash, 49 by 63 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Mattia Preti. Taverna, 1613 - La Valette, 1699. David and Goliath. Oil on canvas, 75 x 48.5 cm (29 1/2 x 19 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jules (1788-1874), Gustave (1790-1867) and Alphonse (1791-1870) du Buisseret, by Heinrich Christoph Kolbe (1771-1836). Oil on canvas, 108 by 130.5 cm. Signed and dated: 'Kolbe f./1820']
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Matthaus Merian d.J. (Basel 1621-1687 Frankfurt). Selfportrait of the artist. Oil on canvas, 111x94.7 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Ben Nicholson. 1894-1982. 1945 (still life). Oil and pencil on canvas. 14 x 23 1/2 inches; 35.6 x 61 cm. Signed and dated verso.]
Attributed works:
[Hotspur. London. A George I walnut chair back settee in the manner of Giles Grendey. c.1725]
Attributed works:
[Johnny van Haeften. London. A still life of a Wanli Kraak porcelain bowl of citrus fruit and pomegranates on a wooden table, surrounded by more of the same fruit, and a knife with a chequered handle next to it, by Jacob van Hulsdonck (1582-1647). Oil on panel, 41.5 by 56 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Four Commedia dell'Arte figures: three gentlemen and Pierrot, by Claude Gillot (1673-1772). Pen and black ink, grey and red wash, 11.7 by 19 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. The Nativity, by François Boucher (1703-1770). Red chalk, pen and brown ink, brown wash, 33.2 by 25 cm]
Attributed works:
[Keshishian, London and New York. America, a tapestry from the series The four continents, designed by Lodewijk van Schoor. Flemish, late 17th century. 235 by 424cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Miss Elliot as 'Circe', by Daniel Gardner (1750-1805). Pastel and bodycolour, 35 by 25.4 cm]
Attributed works:
[MacConnal-Mason. London. The football match, by L.S. Lowry (1887-1976). Signed and dated 1934. Oil on canvas, 40.6 by 66 cm]
Attributed works:
[Mallett, 141 New Bond St., London. Common red poppy from a collection of botanical watercolours by Emily Stackhouse (1811-1870). Watercolour on paper, 27 by 21 cm]
Attributed works:
[Mallett. London and New York. A gentleman in red riding a dappled grey horse, ond its companion piece, a lady in green habit riding side-saddle on a bay cob, by J.B. Colmart. The former signed: J B Colmart, and dated 1775]
Attributed works:
[Marks. London. A Fabergé silver-gilt mounted cut glass claret jug. Signed 'Carl Fabergé'. Moscow, c. 1895. 84 zolotniks. Height: 21.5cm]
Attributed works:
[Moretti, Florence, London, New York. Santo Vescovo, by Paolo Veneziano, Venezia (documented from 1333 to 1358). Tempera on panel, 18.4 by 13.4 cm]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. 43 New Bond Street. London. Giovanni di Paolo. Siena, c. 1400-1482. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints. Panel, 37.5 x 26.7 cm]
Attributed works:
[Osborne Samuel. London. Phemius and Telemachus, by Henry Moore (1898-1986). 1944. Pencil, wax crayon, watercolour and pen and ink, 20.3 by 15.3 cm]
Attributed works:
[Rob Smeets. Via Camperio 9. Milano. Domenico di Bartolomeo Ubaldini, called Puligo. 1492-Florence-1527. The Virgin and Child with the infant ST. John. Oil on panel - 73x51 cm]
Attributed works:
[Rossi & Rossi. London. Crowned Vairocana. Brass, with silver and copper inlay. North-western India, Swat Valley. 7th-8th century. Height: 19.2 cm]
Attributed works:
[Sam Fogg Ltd. London. Thierry of Alsace, Count of Flanders, receiving the Relic of the Holy Blood from the Patriarch of Jerusalem (detail). A standard or processional staff. Bruges, c.1480-1500. Polychromed wood, height: 62.5 cm]
Attributed works:
[Sam Fogg, Ltd. 15d Clifford Street, London. Hans Thoman (fl. 1510 - 1525). God the Father. South Germany. Memmingen. 1520-1525.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Amleto Cataldi (Italian, 1882-1930). Medusa. White marble, on octagonal varnished wood plinth with carved inset rosettes. Marble: 195 cm. 77 in. Base: 70 by 70 by 70 cm. 27 1/2 by 27 1/2 by 27 1/2 in.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-Etienne Liotard (Geneva 1702-1789). Portrait of the philosopher and naturalist Charles Bonnet. Black and red chalk over white chalk in the section of the wig. 246 by 195mm]
Attributed works:
[Stephen Ongpin Fine Art. At 22 Bury Street, St. James’s, S.W.1. Design for a monument or frontispiece, with a male and female figure flanking a cartouche, three putti holding a garland above, by Ubaldo Gandolfi (1728-1781). Pen and brown ink and brown wash, over and extensive underdrawing in red chalk, 23.6 by 20.5 cm]
Attributed works:
[Stoppenbach & Delestre. 25 Cork Street. London. Bords de Seine au Pont du Carrousel, by Henri-Joseph Harpignies (1819-1916). Signed and dated lower left 'H Harpignies 88'. Inscribed lower right 'Paris'. Watercolour, 54 by 37 cm]
Attributed works:
[Theobald Jennings. 37 Albermarle Street. W.1. Der Strand von Fehmam, by Ernst Ludwig Kirchner. 1912. Signed lower right in pencil. Pencil and watercolour.]
Attributed works:
[Thomas Katz Fine Art. London. Relief sculpture for Appicella, by Edoardo Paolozzi (1924-05). 1981. Wood and resin. 125-7 by 156.2 cm]
Attributed works:
[Thomas Williams Fine Art. 22 Old Bond Street, W.1. Head of a boy (recto), a male caricature in profile to the right, and part of a head (verso). Florentine school. c. 1520. Black and white chalk (recto), black and red chalk (verso), 11.5 by 8.6 cm.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartholomeus Spranger Antwerp 1546 - Prague 1611. Satyrs Family. Dimensions 87 x 69 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Rest on the flight to Egypt, by Michelle Corneille (1642-1708). Black chalk, pen and brown ink, blue-grey was heightened with white on brown paper, 37.8 by 27.5 cm]
Attributed works:
[W/S Fine Art / Andrew Wyld. 160 New Bond Street, London W1S 2UE. On the road to Tunbridge, by Paul Sandby R.A. (1730-1890). Inscribed by the artist 'on the Road to Tunbridge'. Watercolour over pencil with pen and ink, 21.7 by 27.4 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Daniel Nikolaus Chodowiecki. Angel with two putti. Red and colour chalk, laid paper, 1788. Signed, dated. about 38 x 25,5 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Edward Jakob von Steinle. Maria Magdalena anoiting the feet of Jesus. Pencil, white hightening, wove paper, 1832. Dated ,,Rom 8tbr. 1832''. 33 x 31,7 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Friedrich Nerly. Venice, Torre dell'Orologio. Watercolour, wove paper, 1838. Signed, dated. 69.3 x 47.5 cm]
Non-western art unattributed:
[Harris Lindsay. London. A Chinese tripod table in the English manner. Hua-li wood inlaid with engraved brass and mother-of-pearl. Canton, c.1745. Height: 71cm. Diameter: 58.5cm]
Non-western art unattributed:
[Robert Kleiner & Co Ltd. London. A group of glass snuff bottles made for the Chinese court. c. 1720-1800. Height: 3.5 - 5.8 cm]
Western art unattributed:
[Daniel Katz. London. Male nude (Adam). Florentine, circle of Michelangelo. Mid-16th century. Bronze statuette, on integral naturalistic base set on a Venetian bronze inkwell; secured by a later bronze fitment marked in red underneath inkwell with 20th-century inventory number: 217. 18.5 cm. Overall height: 25 cm]
Western art unattributed:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Northern Italy, probably Mantua, circa 1540-1560. Portrait of a man known as Marius. Bronze bust, after the Antique. Height: 47cm.]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Catalonian, Sedes Sapientiae, c.1200, polychromed wood, height: 87 cm (detail)]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Head of a man with laurel wreath. 15th century. Stone. Height: 20.3 cm]
Western art unattributed:
[Rupert Wace. London. Marble figure of Asclepius. Roman. Circa 2nd century AD. Height: 68.6cm]
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03/2003 | 1200 | 145
Pages: i-lv
Subjects
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Illustrations
Attributed works:
Frederico Barocci (1535 - Urbino - 1612) The Stigmatisation of St Francis, c. 1590. Brush. red and white bodycolor, 495 x 370 cm.
Attributed works:
[Adam Williams Fine Art Ltd., 50 East 78th Street, New York, New York] Master of the View of Sainte Gudule (active Brussels c. 1470- c. 1490) St Sebastian Oil on panel, 49¾ x 21 inches (126.4 x 53.3 cm).
Attributed works:
[Adrian Sassoon, 14 Rutland Gate, London, UK] A Very Rare Sèvres Porcelain Cuvette Mahon, 2nd size 1760, bleu céleste ground Flowers painted by J.-B. Noualhier l'aîné Width 9¼ in. (23.5 cm.)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Juan de Valdés Leal (Seville 1622 - 1690) The Annunciation Canvas, 32¼ x 25½ inches (82 x 65 cm)
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Macrino d'Alba (Gian Giacomo de Alladio) Alba c. 1470 - before 1528 Adoration of the Christ Child with two Franciscan Friars, c. 1505 Grey pen and brown wash with light beige wash over pencil: 27.7 x 24.8 cm Provenance: K. E. Hasse, Goettingen (Lugt 860). Conte Gelozzi, (Lugt 545)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Federico Zuccaro (Sant' Angelo in Vado 1540 - 1609 Ancona) Study for the West Octant of the Cupola of the Florentine Cathedral, ca. 1574-76 Pen and ink, brown, grey and pink wash heightened with white. 29.5 x 42.9 cm.
Attributed works:
[BAS Printers advertisement] David Hockney "Cherry Blossom", 2002 Watercolour & Crayon on Paper (4 sheets) 36 x 48 in © 2002 David Hockney courtesy of Annely Juda Fine Art, London
Attributed works:
[BAS Printers advertisement] Georges Lemmen Dans la Cour, 1903 from the catalogue 'Female Form', courtesy of James Roundell, London
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] René Dudot (active 1640-1659) Christ presented to the temple oil on canvas, 99 x 74 mm.
Attributed works:
[Christie's Education] Jeff Koons Pink Panther, 1988
Attributed works:
[Christie's Education] The Jenkins Venus circa late 1st/mid-2nd Century A.D.
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Pieter Brueghel II (Brussels c. 1564-1637 Antwerp) A winter landscape with peasants skating and playing kolf on a frozen river, a town beyond signed and dated 'P.BRUEGHEL.1621.' (lower right) oil on panel, unframed 16⅜ x 22¼ in. (41.5 x 56.5 cm.)
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Francois Rude (Dijon 1780 - 1855 Paris) Old Gaul Plaster. Height: 24 3/4 inches (63 cm). Signed Fcois RUDE under proper left shoulder
Attributed works:
[Derek Johns Limited, 12 Duke Street, London, UK] François Chauveau Paris 1616 - 1676 Paris THE FALL OF ROME Pen and brown ink with grey wash, 255 x 191mm
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Hans Bollongier (circa 1600-Haarlem-1681) "Flowers in a Glass Vase on a Stone Ledge". Oil on panel: 45 x 31.5 cm. Signed and dated 1627.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Jacob Gerritsz Cuyp (1594-Dordrecht-1651) "Portrait of Johanna van Diemen, aged 57". Oil on panel: 59 x 49 cm. Signed, dated 1645 and inscribed "Aetatis 57". Expertise: Dr Alan Chong inspected the painting and has identified the sitter.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Karel Dujardin (Amsterdam 1622-1678 Venice) "An Italianate River Landscape with Travellers and Bathers, a Castle beyond". Oil on canvas: 60 x 66.5 cm. Expertise: Dr M-F. Kilian. To be included in forthcoming catalogue raisonné.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Philips Wouwerman (1619-Haarlem-1668) "Peasants resting on their way in a Hilly Landscape". Oil on panel: 31.5 x 41.5 cm. Signed with monogram.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Michele Marieschi The Grand Canal and The Palazzo Corner della Regina, and The Piazza San Marco, A Pair, Both 1736, Oil on Canvas, 54.5 by 82.5 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Michele Marieschi The Grand Canal and The Palazzo Corner della Regina, and The Piazza San Marco, A Pair, Both 1736, Oil on Canvas, 54.5 by 82.5 cm
Attributed works:
[Exh. BADA Fair, London] A Midnight Feast by Frederick Daniel Hardy (1826-1911). Signed and dated 1866. Oil on panel, 22 x 35.5 cm (8 3/4$ x 14 in).
Attributed works:
[Exh. BADA Fair, London] Les Etangs a Chalou-Moulineux - Effet de Soleil couchant by Albert Lebourg (1849-1928). French. Signed. Circa 1910. Oil on panel, 41 x 27 cm (16 x 10 1/2 in).
Attributed works:
[Exh. BADA Fair, London] St Julian the Hospitalier by Lorenzo di Niccolo (fl. 1392-1412). Tempera on gold ground panel.
Attributed works:
[Exh. BADA Fair, London] Two Lovers in a Garden by Frans Francken the Younger (1581-1642). Flemish School. Oil on panel, 17.8 x 14 cm (7 x 5 1/2 in).
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France and Exh. TEFAF Maastricht] Adolph Von Menzel Breslau 1815-1905 Berlin Studies of a Man Holding a Rod (preparatory for the painting The Iron Roll Mill, 1875) Carpenter's pencil, 399 x 259 mm
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] A wild male teal, by Johann Jakob Walther (1600-1677). Black chalk and body colour, 25.7 x 40.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Fishing boats at sunset, by William Callow (1812-1908). Watercolour, 23.6 x 31.8 cm. Signed.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Madonna and child with Saint Gaetano of Thiene, by Ubaldo Gandolfi (1728-1781). Black chalk, pen and brown ink and brown wash, 27 x 20.8 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portrait of Lady Hamilton, by Jean-Baptiste-Joseph Wicar (1652-1734). Black chalk, 18.7 x 22.1 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portraits of sixteen members of La Société des Amis des Arts, by Louis Léopold Boilly (1761-1845). Black and white chalk on blue-yellow paper, 57.5 x 45.5 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Reclining nude, 1954-1955, by Nicolas de Stael (1914-1955).
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Scene from classical antiquity: A young man on his deathbed, supported by his father and surrounded by his wife and children, by François-Pascal-Simon Gérard, called Baron Gérard (1770-1837). Pen and brown ink and brown wash, heightened with white, 29.8 x 22.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Self-portrait, by Annibale Carracci (1560-1609). Pen and brown ink, 12 x 19 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The artist drawing inside the ruins of a watermill, by Caspar Wolf (1735-1783). Gouache, 43.7 x 55.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The music room in the Sanssouci Palace, Potsdam, 1852, by Eduard Gaertner (1802-1877). Watercolour, 18 x 26.8 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Turkish sentinel, 1854, by Théodore Valério (1819-1879). Watercolour, 30.2 x 22.3 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] View of a pavillion in Arcueil park with a fountain and basin, by Jean-Baptiste Oudry (1686-1755). Black and white chalk, 30 x 52.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Woman and bird in front of the sun, 1942, by Joan Miro (1893-1983). Watercolour, 62 x 47 cm.
Attributed works:
[Exh. TEFAF Maastricht] Figures in an elegant interior by Eglon Hendrik van der Neer (Amsterdam 1634-1703 Düsseldorf) On canvas, 85.5 x 70.1 cm
Attributed works:
[Exh. TEFAF Maastricht] 'The interior of a Picture Gallery' On panel 21⅜ x 29¾ ins. 54.2 x 75.5 cm. Frans Francken the Younger 1581 - Antwerp - 1642 and Hendrick van Steenwyck the Younger Frankfurt or Antwerp c. 1560 - 1642 London
Attributed works:
[Exh. TEFAF Maastricht] A Bandit seated at the entrance to a Cave by Eugene Delacroix (1798-1863) Signed upper right Eug. Delacroix Oil on canvas, 32.5 x 24.5 cm
Attributed works:
[Exh. TEFAF Maastricht] A Vase with a large colourful Bouquet of Flowers by Jean François Raffaëlli (1850-1924). Signed. On canvas, 92 x 80 cm.
Attributed works:
[Exh. TEFAF Maastricht] A View from the Terrace at Palazzo Doria Pamphili by Francois-Marius Granet (1775 - Aix en Provence - 1849) Oil on canvas, 37 x 28 cm
Attributed works:
[Exh. TEFAF Maastricht] Nature morte aux pommes by Gustave Caillebotte (Paris 1848 - 1894 Gennevilliers) Oil on panel, 26 x 36.6 cm
Attributed works:
[Exh. TEFAF Maastricht] New York, Times Square by Jean-Emile Laboureur (1877-1943) Ink on paper, 50 x 37 cm
Attributed works:
[Exh. TEFAF Maastricht] Paris, le pont Marie et le quai de l'Hôtel de ville, circa 1882 by Armand Guillaumin (1841-1927). Oil on canvas, 59.6 x 81 cm. Signed lower left 'Guillaumin'.
Attributed works:
[Exh. TEFAF Maastricht] Portrait of Duke Alessandro Farnese by Otto van Veen (1545-1592). Oil, heightened with gold on copper, 20.25 x 13 cm.
Attributed works:
[Exh. TEFAF Maastricht] William Blake (1757 - 1827) The Virgin Hushing the Young John the Baptist 1799 pen and ink tempera on paper on linen, laid down on canvas, 27 x 38 cm (10 5/8 x 15 inches) signed with monogram and dated at lower left WB inv 1799
Attributed works:
[Exh. TEFAF Maastrich] Femme se coiffant - La Lettre, by Edgar Degas (1834-1917). Pastel on paper, 49.5 x 58 cm.
Attributed works:
[Exh. TEFAF Maastrich] A Flotilla of Dutch Vessels, including a Zeeland States yacht and a masting hulk flying the Flag of Flushing, in Zeeland waters by Bonaventura Peeters (1614 - 1652, Flemish School) Signed and Dated 1637. Oil on Panel, 50 x 96 cm.
Attributed works:
[Exh. TEFAF Maastrich] A river landscape with the Blind leading the Blind, a carnival in a village beyond by Lucas van Valckenborch I (Louvain after 1535-1597 Frankfurt am Main) Panel, circular: 25.2 cm diameter.
Attributed works:
[Exh. TEFAF Maastrich] A still life with a lemon, grapes, cherries and apricots on a pewter plate by Cornelis de Heem (1631-1695). Canvas, 27.5 x 38 cm
Attributed works:
[Exh. TEFAF Maastrich] Les Demoiselles au bord de l'eau ou jeunes Femmes au bord de l'eau, 1908 by Pierre Bonnard (1867-1947). Signed lower left Bonnard. Oil on canvas, 108 x 124cm
Attributed works:
[Exh. TEFAF Maastrich] Portrait of Denis Diderot by Jean-Baptiste Greuze (Tournus 1725-1805 Paris). Oil on canvas, oval, 61 x 49 cm
Attributed works:
[Francois Delestre, 36 rue Laffitte, Paris, France] Scène de patinage, 1864 Oil on canvas, 42.8 x 57 cm (16⅞ x 22⅜ in).
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Antonio d'Enrico, called Tanzio da Varallo Riale d'Alagna, 1575 or 1580 (?) - Varallo Sesia, 1632/1633 The Virgin and Child with Saints Charles Borromeo and Francis Oil on canvas, 39 9/16 x 28 7/8 inches (100.5 x 73.4 cm.)
Attributed works:
[Galerie Eric Coatalem, 93, Faubourg Saint-Honore, Paris, France] Monnoyer Still-life with flowers, fruit, a parrot and a monkey Oil on canvas, 109.5 x 150 cm Signature, lower left: J Baptiste
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich, Switzerland] Giovanni Pedrini, known as Giampietrino (Italy about 1510 - after 1540). A half-length female figure with a red coat and a fine veil before a landscape. Oil on panel. 60.3 x 46 cm.
Attributed works:
[Galerie Neuse Kunsthandel, Contrescarpe 14, Bremen, Germany] Leonhard Kern (Forchtenberg 1588-1662 Schwäbisch Hall) "Gaea or the allegory of famine" Ivory, ca., 1630/35 Monogrammed: LK Height: 24 cm
Attributed works:
[Giovanni Pratesi Antiquario, Via Maggio 13, Firenze, Italy] Domenico Pieratti (Florence 1600 - Rome 1656) Ferdinando II of the Medici Porphyry yellow mischio marble. Height 82 cm
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Thomas Hudson (Devonshire 1701-1779 Twickenham) The Thistlethwayte Family Oil on canvas, 184.7 x 214.6 cm (72 3/4 x 84 1/2 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Alexandre Calame (1810-1864) Lac de Neuchâtel Oil on paper laid down on canvas, 40 x 52 cm (15¾ x 20½ in)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Pietro Serafi, called the Greek active Rome c. 1520. Brussels c. 1530, died Barcelona 1567 Two Soldiers, a fragment of a Tapestry Cartoon
Attributed works:
[Lawrence Steigrad Fine Arts, 42 East 76th street, New York, New York] Joachim Anthonisz Wtewael (Utrecht 1566 - 1638 Utrecht) The Evangelist Luke Oil on panel, 31¾ x 24½ inches (79.3 x 62.2 cm)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Guiseppe Passeri (Rome 1654 - 1714 Rome), Rest on the Flight to Egypt (recto) Hagar and Ishmael (verso) 195 x 150 mm Red and brown ink (recto and verso), over red chalk (verso only)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] John Sell Cotman 1782 - 1842 The Cow Tower, Norwich Watercolour Size: 13⅞ x 10⅝ inches (357 x 270 mm) Painted in 1807
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Niccolò Reneiri called Nicolas Regnier Maubeuge 1591 - 1667 Venice The Death of Sophonisba Oil on canvas, 126 x 161 cm.
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Giovanni Battista Tiepolo (Venice 1696-1770 Madrid) The Crucifixion black chalk underdrawing, brush & brown ink & wash. 439 x 312 mm
Attributed works:
[Nevill Keating Tollemache Ltd, 5 Pickering Place, London, UK] Camille Claudel (1864 - 1943) La Valse bronze, height 46.4 cm; Eugène Blot cast
Attributed works:
[Noortman Old Masters, Vrijthof 49, 6211 LE Maastricht, Holland] Claude Monet la chapelle de Notre-Dame de Grâce, Honfleur oil on canvas: 52 x 68 cm signed provenance & literature list available
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giovanni Battista Tiepolo Venice 1696 - Madrid 1770 Male Faun Holding a Palm Branch and Female Faun Holding a Crown Pen and brown ink and wash over traces of black chalk 182 x 260 mm
Attributed works:
[Richard Green, 39 Dover Street, London, UK] A portrait of a silversmith, identified as Christian van Vianen (circa 1600-1667) Signed with monogram and dated centre left: TDK 1630 Panel: 25¾ x 21⅛ in / 65.4 x 53.5 cm
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] François Diday (Geneva 1802 - 1877) A View of the Rosenlaui, the Wellhorn and the Wetterhorn near Lucerne Canvas, 121 x 162 cm In its original frame Signed and dated 1844
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Edouard Traviès (1809 - after 1866), Watercolour and gouache on vellum, 25.5 x 32.1 cm Butterflies, signed and dated 1831, Exhibition: Paris, Salon, 1831, no 1966
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] Venice, The Lion of Saint Mark, 1915 Etching · 5⅛ x 4¾ (13.2 x 12 cm) Provenance: The Leicester Galleries' Collection of Sickert Etchings
Attributed works:
[Thomas Boller Zurich, Mythenschloss, Mythenquai 28, Zurich, Switzerland] Lorenzo Tiepolo (Venice 1736-1776 Madrid) Portrait of a bearded man Pastel on paper, 59 x 46 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Godfried Maes Antwerp 1649-1700
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Girolamo Muziano (Brescia 1532 - Rome 1592) St Jerome Red chalk, 440 x 270 mm. Preparatory for a painting formerly in the Torlonia collection, now in Palazzo Barberini in Rome
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Giovanni Francesco Barbieri, called Il Guercino Cento 1591-1666 Bologna Saint Francis in a Landscape, Kneeling in Adoration before a Crucifix Brush and brown wash with pen and brown ink (recto); writing in pen and brown ink (verso); laid down. 9½ x 7¾ inches, 242 x 197 mm
Attributed works:
[Wallace Collection, London, UK] French Bronzes in the Wallace Collection by Robert Wenley This book is one of only a handful devoted to the subject and the first in English for many years. Featuring over fifty of the finest French bronzes in the Wallace Collection, all of them reproduced in colour, mostly for the first time.
Attributed works:
[Wallace Collection, London, UK] Richard Parkes Bonington by Stephen Duffy This publication discusses and illustrates the Wallace Collection's paintings and watercolours by Bonington, comprising of richly costumed historical scenes and views of France and Northern Italy. In colour for the first time.
Western art unattributed:
[Exh. BADA Fair, London] A George IV breakfront bookcase in finely figured mahogany. English, circa 1825.
Western art unattributed:
[Exh. BADA Fair, London] A massive brass-bound chest of Zambezi teak, from Groote Schuur, Cape Province, South Africa, circa 1909.
Western art unattributed:
[Exh. BADA Fair, London] Tin glazed Earthenware Dish. Circa 1720-40. Diameter: 30 cm (11 3/4 in).
Western art unattributed:
[Getty Publications advertisement] Elementary Instructions for Students of Sculpture A translation of Carradori's 1802 introduction to studio practices for sculpture students, considered vital to understanding the art and craft of sculpting as they were practiced before the 20th century.
Western art unattributed:
[Getty Publications advertisement] Nine Letters on Landscape Painting Written in the Years 1815-1824; with a Letter from Goethe by Way of Introduction An elegant appeal for the alliance of artistic skill, scientific observation, and emotional truth in the depiction of nature.
Western art unattributed:
[Prestel (printers) advertisement] Flora Symbolica Flowers in Pre-Raphaelite Art Debra N. Mancoff This beautifully illustrated book brings together forty outstanding examples of Pre-Raphaelite art, and looks at the meaning of flowers in all aspects of Victorian culture.
Western art unattributed:
[Prestel (printers) advertisement] Icons of Renaissance Architecture Alexander Markschies This latest volume in the popular Icons series spans the European continent to present a new look at one of the most exciting periods in architectural history.
Western art unattributed:
[Prestel (printers) advertisement] Robert Campin A Monograph and Survey of Work Felix Thürlemann This superbly illustrated volume sheds new light on the "Master of Flémalle", an artist whose importance ranks alongside that of van Eyck. Based on years of research, with many fresh attributions and a comprehensive catalogue raisonné.
Western art unattributed:
[Prestel (printers) advertisement] The Eclipse of Art Tackling the Crisis in Art Today Julian Spalding One of the art world's most outspoken critics explores the modern public's alienation from contemporary art and makes a powerful plea for the revival of communication, accessibility, and traditional skills in this field.
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Advertisements September 2001(front)
09/2001 | 1182 | 143
Pages: i-xii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Detail Showing the Central Octagon of the Vault of the Stanza della Segnatura, by Giovanni Antonio Bazzi, Called Il Sodoma. After Eleaning. Fresco. (Vatican Palace)
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Charles-Antoine Coypel. Zephire and Flore - Vertumne and Pomona. 2 Colour Engravings in Crayon Manner with Gold from F. Bartolozzi after Ch.-A. Coypel Edited by A. Torre & Brothers. London 1776. Measures (Illustration): Each about 33.4 × 22.6 cm.
Attributed works:
[Bloomsbury Book Auctions, 3 & 4 Hardwick Street, London, UK] Fuchs, De Historia. Stirpium, 1542
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Ubaldo Gandolfi (1728 - 1781). Head of a Young Girl in Profile. Oil on Paper Laid Onto Canvas: 29.9 × 24.7 cm.
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich, Switzerland] Nicolas Poussin (1594 - 1665). The Holy Family with St. John the Baptist. Oil on Canvas. 80 × 63 cm. 1627/28. Sir Denis Mahon Situates This Work within the Period 1627/28.
Attributed works:
[Galleria Moretti, Palazzo Niccolini, Piazza Ottaviani 17/r, Florence, Italy] Santi di Tito, Creazione di Eva, olio su tavola
Attributed works:
[Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] The Master of the Twelve Apostles. Ferrara, Active ca. 1530 - 1542. Jacob and Rachel at the Well. Oil on Canvas, 98.5 × 137.5 cm.
Attributed works:
[Studio Novo, London and Rome] Pietro Berrettini Called da Cortona (Cortona 1596-Rome 1669). Noli me tangere. Oil on Canvas, 63 × 49 cm.
Attributed works:
[Venator & Hansten, Cacilienstrasse, 48, Cologne, Germany] J. Bayer. Uranometria, 1661. Print.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Three Singing Angels (North Italian, c.1500). Marble. Height: 32 cm. Width: 28 cm. Depth: 21 cm.
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Advertisements October 1997 (front)
10/1997 | 1135 | 139
Pages: i-xxiv
Subjects
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St. James, London / C. G. Boerner, Kasernenstrasse 13, Dusseldorf ] Karl Friedrich Schinkel (Neurupin 1781 - 1841 Berlin). Lake Traun near Gmunden in Austria. Pen Lithograph Printed in Grey and Black. (Ca. 1811). Winkler 14. 532 × 643 mm. One of Probably Only Two Known Impressions. From C. G. Boerner's Neue Lagerliste 109.
Attributed works:
[ Bassenge, Erdener Strasse, 5 A, Berlin ] Johann König (ca 1586-1642, Nuremberg) Josua's Victory over the Amorites at Gibeon. Signed and Dated 1615. Bodycolour on Vellum. 14.5 × 18.5 cm.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Ubaldo Gandolfi (1728-1781). Education of the Virgin Pen and Brown Ink, Brown Wash, 158 × 113 mm. A Very Similar Painting in the Church of San Lorenzo in Budrio Is Dated Circa 1750-1755.
Attributed works:
[ Christie's, 502 Park Avenue, New York ] The Pavlovsk Palace Secretaire, a Highly Important Louis XVI Sevres Porcelain-Mounted Secretaire Cabinet from the Boudoir of Empress Maria Feodorovna at Pavlovsk Palace, circa 1780, by Adam Weisweiler. Estimate: $2,500,000-$4,000,000 (£1,500,000-£2,500,000)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Pietro Fabris. Active in Naples between 1754 and 1804 The Entrance to the Grotto of Posilippo from Naples Gouache: 388 × 551 mm Signed in Black Ink at the Lower Left: Fabris P.
Attributed works:
[ cover ] Trompe l'œil with a Bust of Venus, by Caesar van Everdingen. 1665. 74 by 60.8 cm. (Mauritshuis, The Hague; Gift of Mrs. J. H. M. Staring-de Mol van Otterloo, 1992)
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Cornelis Mahu, Antwerpen ca. 1613-1689. A Breakfast Still Life with Lemon, Pomegranate, Grapes, Oysters and a Glided Cup, Oil on Panel, 48×37,5 cm.
Attributed works:
[ Hill-Stone, New York ] Lorenzo Tiepolo. Venice 1737 - 1776 Madrid. The Triumph of Mars. Etching, after Giambattista Tiepolo; c.1759. Rizzi 229, the Second State of Three with the Number But before the Inscription. Watermark: Three Crescents with Letter W. A Brilliant Impression with Full Deckle Edges All around.
Attributed works:
[ Jack Kilgore & Co., Inc., 154 East 71st Street, New York ] Joachim Beuckelaer. (Circa 1530/33-Antwerp-1573/4). Golgotha. Signed with Monogram and Dated '1567 JB'. Oil on Panel, 22¼ by $22frac{1}{8}$ Inches (56.5 by 56 cm.)
Attributed works:
[ Macmillan publishers, London ] Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ Richard Green, 44 Dover Street, London ] Sawrey Gilpin, RA (1733-1807). A Grey Horse, a Pomeranian and a Hound in a Rocky Landscape. Signed and Dated 1791. Canvas: 53¼ × 68 in / 135.2 × 172.7 cm
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jacob Jordaens (1593-1678). "There Is No Point in Closing the Cage Once the Bird Has Flown" Bears Signature: Jordaens, Pen and Brown Ink and Watercolour, over Black Chalk. On Three Joined Sheets of Paper 232 by 293mm. Estimate: Dfl. 80,000-120,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Gable-Shaped Plaque of Two Martyred Saints, Limoges, Circa 1200-1210. 24.4 × 18.2 cm.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jan Gossaert, Called Mabuse ca. 1478-ca 1536. The Madonna and Child Enthroned, with Angels Making Music Panel: 14 × 11 inches (35.5 × 28 c.m.) Painted Circa 1510. Estimate: $1,500,000-2,000,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Joseph Mallord William Turner, R. A. (1775-1851) View of Stoke House near Bristol, the Seat of Lady Lippincote Signed l.r.: William Turner Delin, Pen and Grey Ink and Watercolour 29.5 by 41 cm.; 11½ by 16 in. Estimate: £40,000-60,000
Attributed works:
[ Spink-Leger, 13 Old Bond Street, London ] Sir Peter Lely 1618-1680. The Hon Leonard Grey. Oil Painting on Canvas. Signed with the Artist's Monogram Size: $29frac{3}{4}$ × 25 Inches Painted Circa 1646
Attributed works:
[ Tate Gallery, Millbank, London (Bp) ] Patrick Heron, Horizontal Stripe Painting: November 1957 - January 1958, 1957-8
Western art unattributed:
[ Bruun Rasmussen auctioneers, Bredgate 33, Copenhagen ] Russian Mahogany Writing-Commode. Early 19th Century
Western art unattributed:
[ Christie's, 502 Park Avenue, New York ] A Highly Important Royal Silver Cistern and Wine Fountain Commissioned by George, Elector of Hanover and King of England, Maker's Mark of Lewis Dedeke, Circa 1710. The Oval Cistern, 27 in. (68.7 cm.) Long, 12 in. (30.5 cm.) High; The Fountain, 15 in. (38 cm.) Diameter, 28 in. (71 cm.) High.
Western art unattributed:
[ Christie's, 502 Park Avenue, New York ] The Tucker-Dayrell Cup: An Important Elizabeth I Parcel-Gilt Silver Cup and Cover, London, 1598, Maker's Mark IE, above Three Pellets - $14frac{3}{4}$ in. (37.5cm.) High.
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Advertisements November 1996 (front)
11/1996 | 1124 | 138
Pages: i-xxiv
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red 21.2 × 33.8 cm
Attributed works:
[ Bassenge, Erdener Str. 5A, Berlin ] Albrecht Dürer (1471 - 1528, Nuremberg). Saint Eustace. Engraving. C. 1501, Bartsch 57, Meder 60 (b of k). Watermark High Crown (M. 20)
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Giuliano da Rimini (documented 1307-1323). An Altarpiece in three Sections with an extensive inscription on the reverse of the left panel: "Giott/...sono a lavorare/ed in quella chiesa di S./(che?) fu sopressa d..../1807/del/...Diotallevi". Tempera on gold ground panel, shaped tops. Picture surfaces: centre: 75 × $28frac{1}{8}$ in. (190.5 × 71.5 cm.). Left: $60frac{5}{8}times 26frac{3}{8}$ in. (154 × 67 cm.). Right: $61frac{1}{4}times 26frac{3}{8}$ (155.5 × 67 cm.)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Angelica Kauffman, R. A. Coire 1741 - Rome 1807, William Henry Lampton. Oil on Canvas: 86 × 55½ ins (218.5 × 141 cms). Signed and Dated at Lower Right: Angelica Kauffman/PinX: Romae, 1797
Attributed works:
[ Cover ] Portrait of the Actor Willem Bartolsz. Ruyters, by Rembrandt Hermansz. van Rijn. c. 1639. Pen and Brown Iron-Gall Ink, Heightened with White on Paper, Prepared with Yellowish-Brown Wash, 13.9 by 17.4 cm. (Rijksmuseum, Amsterdam)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Ubaldo Gandolfi (San Matteo 1728 - 1781 Ravenna). The Resurrection of Christ. Oil on Canvas, 77 × 52 cms. Modello for the Fresco of the Same Subject in the Church of San Luca, Bologna
Attributed works:
[ Galerie Eric Coatalem, 93 Faubourg, St. Honoré, Paris ] Gilles Lambert Godecharle (Bruxelles 1750 - 1835). Cupidon. Pierre de France. Height: 160 cm. Signed and Dated 1804
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Simon de Vlieger (1601 - 1653). A Dutch Flagship Exchaning Salutes and a Galjoot in a Heavy Sea, Signed on Floating Plank Lower, Oil on Panel 44,5 × 60 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] Lorenzo Lotto, Sacra Conversazione - Virgin and Child, SS. Jerome, Peter, Care (?) and Francis Panel 81.5 by 108 cm (32 by 42½ in.), Signed on the Scroll: L. Lotus Fecit
Attributed works:
[ Hill-Stone, New York ] Hendrick Goltzius. Haarlem 1558 - 1617. The Circumcision (The Life of the Virgin). Engraving, in the Style of Dürer; 1594. Strauss 322, Hollstein 12: iii/v. A Berlin Duplicate (Before 1920), Lugt 1606 and Lugt 234.
Attributed works:
[ Neumeister, Barer Str. 37, Munich ] Artus Quellinus the Younger (Saint Trond 1625 - 1700 Antwerpen) Virgin and Child. Late 17th Century. Wood. H. 112 cm.
Attributed works:
[ Noortman, 40-41 Old Bond Street, London ] Jan van Goyen. Leiden 1596 - 1656 The Hague. 'A View of the Haarlemmermeer'. Panel 30.5 × 38.5 cm. Signed with Monogram and Dated 1647
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger, (1564-1637/8) "Le Retour de la Kermesse", Signed, Oil on Panel, 58cm × 84.5cm. Estimate: £700,000-£1,000,000 ($1,092,000-$1,560,000)
Attributed works:
[ R. S. Johnson Fine Art, 645 North Michigan Ave., Chicago ] Circle of Andrea Mantegna (1431-1506): Bacchanal with a Wine Vat, Pen and black ink with brown wash, laid down on a contemporary sheet, 290 × 354 mm. An exceptional drawing which appears to be one of several preparatory studies for the engraving of the same title or related to such preparatory drawing. Originating from the Circle of Andrea Mantegna and apparently executed before the final form of the engraving, this drawing is particularly interesting as evidence of a hitherto unrecorded stage in the design process of the engraving Bacchanal with a Wine Vat.
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Thomas Wyck (Circa 1616-1677). A Maid Peeling Vegetables at a Kitchen Door. Signed. Panel: $14frac{3}{8}times 13$ in / 36.5 × 33 cm
Attributed works:
[ Richard L. Feigen, 49 East 68th Street, New York ] Frans Floris. Arithmetic, Oil on Canvas, 151.4 by 224.16 cm. Signed with Monogram and Dated, Lower Centre: "FF. IV. ET. FA / 1557.".
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] The Master of San Martino a Mensola Active Florence End 14th Century. Saint Catherine, Saint George and Saint Jerome. Triptich, Tempera on Goldground, Shaped Tops. Center Panel 130,6×73,3 cm. Left Wing 124,5×56,5 cm. Right Wing 124,7×56 cm
Attributed works:
[ Tate Gallery, Millbank, London ( sponsor BP) ] Edgar Degas, Little Dancer Aged Fourteen, 1880-81
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St. James, London ] Jusepe (Or Gioseppe) de Ribera, The Martyrdom of St. Laurence. Oil on Canvas, 204 × 154 cm ($80times 60frac{3}{4}$ Inches).
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] August Macke. Spaziergänger unter Bäumen (Strollers beneath Trees) 1913. Watercolour, Pastel on Paper. 35,5 × 45,5 cm ($14times 17 frac{7}{8}$ in.)
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] Otto Dix. Selbstbildnis, grinsend, mit aufgestütztem Kopf (Self-Portrait, Grinning, with Propped Head). 1917 Crayon on Paper. 40,1 × 38,9 cm ($15 frac{3}{4}times 15 frac{3}{8}$ in.)
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Six Post Canopy Bed, Huanghuali Wood, Chinese, Late 16th to Early 17th Century
Western art unattributed:
[ H. W. Keil Ltd, Tudor House, Broadway, Worcestershire ] An Excellent Mid 18th-Century Mahogany Gainsborough Armchair with Cabriole Legs and Paw Feet, and Having Good Carved Detail. Circa 1770. Height 3′2″ Width 2′4″ Depth 2′9″
Western art unattributed:
[ William H. Stokes, The Cloisters, 6/8 Dollar Street, Cirencester, Gloucestershire ] Late Elizabethan carved oak cupboard on separate stand with two drawers above the central cupboard and one drawer below. The supports consist of two pairs of carved melon bulbs and the potboard is supported by a lower frieze with bi-cuspidal decoration and original toes beneath. West Country, circa 1600.
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Advertisements December 1994 (front)
12/1994 | 1101 | 136
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Jacopo del Casentino: (active 1339-died between 1349/58). A Portable Tabernacle: The Madonna and Child enthroned with a Royal female Saint, a Bishop Saint, Saints John the Baptist, Peter and adoring Angels; The wings: the Nativity; and the Crucifixion, with the Annunciation above. Tempera on gold ground panel. Centre: 16 × 8 in. (40.6 × 21.6cm.) wings: 16 × 5 in. (40.6 × 14cm.) Estimate: $250,000-350,000. Property from the Collection of Carel Goldschmidt.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Pierre Henri de Valenciennes. Toulouse 1750 - Paris 1819. An Ideal Classic Landscape with Washerwomen around a Fountain. Oil on Canvas: 205.7 × 162.8 cms. Signed and Dated at lower Right: Valenciennes 1809
Attributed works:
[ cover ] Detail of a Crucifix, Attributed to Andrea del Verrocchio. Limewood and Cork with Stucco and Polychromy, 87 cm High (Whole). (Confraternity of S. Francesco Poverino, Florence).
Attributed works:
[ Flavia Ormond Fine Arts, 24 Brechin Place, London ] Ubaldo Gandolfi, 1728 - 1781. Christ and the Woman of Canaan. c. 1763 - 5. Pen and Brown Ink and Brown Wash over Black Chalk. 212 × 295 mm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Pieter van LAER. Born between 1582 and 1613 in Haarlem, Died There Approx. 1642 Copper, 9,6 × 11,8 cms.
Attributed works:
[ Hill-Stone, New York ] After Pieter Brueghel, the Elder c. 1525 - 1569 The Battle of the Money-Bags and the Strong-Boxes.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St. James, London ] Cardinal Cheverus by Pierre-Jean David d'Angers (Angers 1788 - Paris 1856) Terracotta. H. 49cm Signed: David
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Pietro Testa (1611-1650) The Lyceum of Painting. Etching, c. 1638 (Cropper 41, II/II)
Attributed works:
[ Otto Naumann, Ltd., 22 East 80th Street, New York ] Antiveduto Gramatica (1571 between Siena and Rome - 1626 Rome) Samson and Delilah (One of a Pair) in Its Original 17th Century frame
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Anthonie Palamedesz. (1601-1674). Cavaliers and Ladies Making Music. Signed and Dated 1634. Panel: 23½× 26¼in/52 × 66.5 cm
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York] Abraham Bloemaert, Miracle of the Loaves, 1593. Oil on Canvas Laid down on Panel 15 by 19¼ Inches (38 by 49 cm.) Indistinctly Signed and Dated, lower Right: "A Bloemaert/fecirir 1593"
Attributed works:
[ Sam Fogg, 35 St. George Street, London ] A Seraph, from the Ceiling of the Painted Chamber at Westminster. Painted in about 1265, Probably by Walter of Durham, 'The King's Painter'. Oil on Panel; 45 × 42 cm.
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Giuseppe Bernardino Bison (1762-1844). A Lady and Gentleman Looking out of an Ornate Window. Pen and Brown Ink and Wash and Watercolour. 305×197mm. Estimate:$12,000-$16,000
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Pierre-Paul Prud'hon (1758-1823). Study for the "Glorification of the House of Burgundy" (Glorification of the Prince de Condè) Oil on Canvas, 136.5cm × 84.5cm). Estimate:$100,00-$150,000.
Western art unattributed:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Mater Sapientiae. Franconian (? Ca. 1450). Watercolour, Coloured in Redbrown, Greybrown, Pale Yellow and Light Green. Schreiber II, 1046. Unique.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Marriage Goblet for Georg Wolf von Tettau and his wife Dorothea von Wallenfels, Hall in Tirol?, dated 1586. Colourless glass, blown and free-formed, diamond-engraved. Bowl diamond-engraved with the alliance coat-of-arms of Georg Wolf von Tettau and his wife Dorothea von Wallenfels. Above the arms the initials of the married couple GWVT (Georg Wolf von Tettau) and DVWF (Dorothea von Wallenfels) as well as the wedding date 1.5.8.6.; framing scriptband with continous inscription: ICH. STELL. MEIN. SACH. ALLEIN. ZV. GOTT. DER. WIRT. MIR. HELFEN. IN. ALLER. NOT. (I trust in God who will help me in distress.) Height 39.8 cm - 41.2 cm. Upper diam. 26.4 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] ATTAVANTE Miracle of San Michele on Monte Gargano. Florence, 1480 Circa. Tempera on Vellum, Cut to Shape, 265 × 280 mm. Musical Annotations on Four-Line Stave and Fragments of Text in round Gothic Script on Reverse (Super eum Spiritum Meum) Annotation in Ink, Bottom-Left: 1834 W. E. 324 Master Unknown.
Book Review
Ubaldo Gandolfi [and: I gandolfi. Affreschi, dipinti, bozzetti, disegni]
03/1994 | 1092 | 136
Pages: 181-182
related names
Reviewer:
Cazort, Mimi (Cazort, Mimi)
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Reviewed Items
subjects:
Ubaldo Gandolfi | author: Bagni, Prisco , author: Biagi Maino, Donatella
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