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8 articles
Book Review
Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture. Edited by Daniel Harkett and Katie Hornstein; Horace Vernet. Dessinateur lithographe 1816–1838: Catalogue raisonné de l’oeuvre lithographié. Edited by Pierre Sanchez
07/2018 | 1384 | 160
Pages: 608-610
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related names
Reviewer:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
art literature:
Kugler, Franz / Baudelaire, Charles
artists:
Vernet, Horace / Vernet, Carle / Vernet, Claude-Joseph / Delaroche, Paul / Géricault, Théodore / Charlet, Nicolas-Toussaint / Ingres, Jean-Auguste-Dominique / Courbet, Gustave
dates:
1800-1899
media:
Paintings / Prints / Lithographs / Photographs / Drawings
museums and institutions:
Wallace Collection, London, Great Britain / Académie de France, Rome, Italy
places:
France
subjects:
French painting / Academic art / Battles / History paintings / Christian iconography / Romanticism / Printmaking / Nationalism / Colonialism / Orientalism / Travel / Second Empire (France: 1852-1870) / Salons (art exhibitions) / Caricatures / Critical Reception / Influence / Restoration (France: 1814-1830) / Popular culture / Panoramas / Essays / Catalogues raisonnés
Illustrations
Attributed works:
5. The studio, by Horace Vernet, 1820–21. Canvas, 55 by 66 cm. (Collection Carnot, Fondation Carnot, Neuilly sur Seine).
Book Review
Chains. David, Canova, and the Fall of the Public Hero in Postrevolutionary France
05/2009 | 1274 | 151
Pages: 323-324
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related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
artists:
David, Jacques-Louis / Canova, Antonio
places:
France
print:
David, Jacques-Louis
print:
Canova, Antonio
subjects:
Restoration (France: 1814-1830) / Revolution (France: 1789-1799)
Reviewed Items
subjects:
Chains. David, Canova, and the Fall of the Public Hero in Postrevolutionary France | author: Padiyar, Satish
Book Review
Art in an Age of Counterrevolution. 1815–1848
05/2006 | 1238 | 148
Pages: 347-348
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Reviewer:
Allard, Sébastien (Allard, Sébastien)
Subjects
dates:
1810-1819 / 1820-1839 / 1840-1849
places:
Europe
print:
Nineteenth-century art
subjects:
Cultural history / Social history / Historical context / Art / Art history / Politics / French architecture / French painting / French sculpture / Restoration (France: 1814-1830) / Monarchy
Reviewed Items
subjects:
Art in an Age of Counterrevolution. 1815–1848 | author: Boime, Albert
Short Notice
Jean-Baptiste Regnault and the Suppression of Napoleonic Imagery
04/1980 | 925 | 122
Pages: 252-254
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Author:
Fiertag, Neal (Fiertag, Neal)
Subjects
artists:
Regnault, Jean Baptiste
dates:
1800-1899
places:
Paris / France
subjects:
Napoleon I, Emperor of the French
subjects:
French painting / Restoration (France: 1814-1830)
Illustrations
Attributed works:
33. La Marche Triomphale de Napoléon vers le Temple de l'Immortalité. Engraving from Charles Landon: Annales.... Vol. 10. Paris [1805].
Attributed works:
34. Study for La Marche triomphale de Napoléon vers le temple de l'Immortalité, by Jean-Baptiste Regnault. Oil on Paper Mounted on Canvas. 40.6 by 76.2 cm. (Bayly Art Museum, University of Virginia, Charlottesville).
Attributed works:
35."La France dans un char triomphal , s'avancant vers le temple de la Paix" by Jean- Baptiste Regnault. Oil on canvas. Versailles.
Article
François Gérard's 'Entry of Henry IV into Paris': The Iconography of Constitutional Monarchy
12/1975 | 873 | 117
Pages: 790+792-802
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Author:
Kaufmann, Ruth (Kaufmann, Ruth)
Subjects
artists:
Gérard, François
dates:
1800-1849
patrons:
House of Bourbon
places:
France / Paris
subjects:
Royal Entry / Monarchy / Iconography
subjects:
History paintings
subjects:
Henry IV, King of France, 1553-1610
subjects:
Restoration (France: 1814-1830)
subjects:
French painting
subjects:
Politics / Propaganda
subjects:
Louis XVIII, King of France, 1755-1824
Illustrations
Attributed works:
28. Entry of Henry IV into Paris, by François Gérard. Canvas, 173 by 327 cm. (Musée Municipal, Chartres).
Attributed works:
29. Capture of the City of Paris. Engraving by Jean Leclerc after Nicolas Bollery. (Cabinet des Estampes, Bibliothèque Nationale, Paris).
Attributed works:
30. Entry of Henry IV into Paris, by Peter Paul Rubens. Canvas, 24 by 45 cm. (Gemäldegalerie, West Berlin).
Attributed works:
31. Entry of Henry IV into Paris, by François Gérard. Canvas, 510 by 958 cm. (Musée de Versailles).
Attributed works:
32. Entry of the Emperor and the King into Berlin, by Charles Meynier. Canvas, 363 by 493 cm. (Musée de Versailles).
Attributed works:
33. Henry IV Enters Paris under the Protection of Religion and St Louis. Engraving after Moreau le jeune.
Attributed works:
34. Engraving Included in the Notice historique sur le tableau représentant l'Entrée de Henri IV dans Paris par M. Gérard.
Attributed works:
35. Entry of Henry IV into Paris. Engraving by Alexandre Giboy after Bollery. (Cabinet des Estampes, Bibliothèque Nationale, Paris).
Attributed works:
36. Gustave Vasa. Engraving after Louis Hersent. (Cabinet des Estampes, Bibliothèque Nationale, Paris).
Attributed works:
37. The Louvre Galleries Built by Henry IV, by E. B. Garnier. Canvas, 145 by 117 cm. (Musée de Versailles).
Attributed works:
38. Communion of the Queen, by Alexandre Menjaud. Canvas, 57 by 69 cm. (Collection Robert Rosenblum, New York).
Article
Reflections on Classicism and Romanticism-III
09/1940 | 450 | 77
Pages: 72-75+78-80
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related names
Author:
Antal, Frederick (Antal, Frederick; Antal, F.; Antal, Friedrich)
Subjects
artists:
Géricault, Théodore
dates:
1750-1849
places:
France
subjects:
French painting / Classicism / Romanticism
subjects:
Art theory / Politics / Restoration (France: 1814-1830)
subjects:
Napoleon I, Emperor of the French
Illustrations
Attributed works:
Plate I. A-White Cat. by Gericault. Canvas, 38 by 45 cm. (Formerly Duc de Trevise Collection). Reflections on Classicism and Romanticism-III
Attributed works:
Plate I. B-An Officer of the Imperial Guard. By Gericault. Oil on Paper. (Musee Bonnat, Bayonne); C-Cartload of Wounded Soldiers. By Gericault. Canvas, 31 by 29 cm. (Formerly Duc de Trevise Collection). Reflections on Classicism and Romanticism-III
Attributed works:
Plate I. D-Oxen Driven to the Slaughterhouse. By Gericault. Canvas, 56.5 by 48 cm. (Formerly Duc de Trevise Collection). Reflections on Classicism and Romanticism-III
Attributed works:
Plate II. A-Jockeys. By Gericault. Oil on Paper. (Musee Bonnat, Bayonne). Reflections on Classicism and Romanticism-III
Attributed works:
Plate II. B-Race of Riderless Horses. By Gericault. Canvas. (Walters Art Gallery, Baltimore). Reflections on Classicism and Romanticism-III
Article
Reflections on Classicism and Romanticism-II
03/1936 | 396 | 68
Pages: 130-133+136-139+141
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related names
Author:
Antal, Frederick (Antal, Frederick; Antal, F.; Antal, Friedrich)
Subjects
artists:
Girodet-Trioson, Anne-Louis
artists:
David, Jacques-Louis
dates:
1780-1829
patrons:
Napoleon I, Emperor of the French
places:
France
subjects:
French painting / Romanticism / Neo-classicism
subjects:
Formal analysis / Visual sources
subjects:
Social history / Middle Class / French (people)
subjects:
Gothic Revival / Italian painting / Influence
subjects:
Revolution (France: 1789-1799)
subjects:
Classical mythology / Danaë
subjects:
Religion / Mary, Virgin: Pietà
subjects:
Restoration (France: 1814-1830)
Illustrations
Attributed works:
Plate I. A-Pieta, by Anne-louis Girodet. 1787. (Musee Fabre, Montpellier). Reflections on Classicism and Romanticism-II
Attributed works:
Plate I. Atala's Burial, by Anne-Louis Girodet. 1808. (Louvre, Paris). Reflections on Classicism and Romanticism-II
Attributed works:
Plate I. B-The Magnanimity of Bayard, by Nicolas-guy Brenet. 1783. (Grenoble Museum). Reflections on Classicism and Romanticism-II
Attributed works:
Plate II. A-Ossian Receiving Napoleon's Generals, by Anne-Louis Girodet. 1801. (Malmaison). Reflections on Classicism and Romanticism-II
Attributed works:
Plate II. B-Portrait of Mlle Lange as Danae, by Anne-Louis Girodet. 1799. (The Brinquant Collection, Paris). Reflections on Classicism and Romanticism-II
Attributed works:
Plate III. Ossian Playing the Harp, by Francois Gerard (Schloss, Berlin). Reflections on Classicism and Romanticism-II.
Book Review
Memoirs of Count Gramont
03/1907 | 48 | 10
Pages: 394-395
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Subjects
places:
France
subjects:
Restoration (France: 1814-1830) / Autobiographies / Artists / Portraits
subjects:
Memoirs
Reviewed Items
subjects:
Memoirs of Count Gramont | author: Fea, Allan , author: Gramont, Count , author: Hamilton, Anthony