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Advertisements June 2004 (Front)
06/2004 | 1215 | 146
Pages: i-xxx
Subjects
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Illustrations
Attributed works:
[Adrian Sassoon, London. The Yellow Bedspread, 2002, by Michael Flynn. Waldenburg (Walbrzych) porcelain]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. François Boucher (1703-1770). Rest on the Flight into Egypt. Pen and brown ink with pink and brown washes, 209 x 245mm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The infant Romulus and two studies of a man's left arm, by Carlo Maratta (1625-1713). Black, red and white chalk on blue paper, 260 x 343 mm. Inscribed 'di Carlo Maratti' on the mount.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A George III satinwood, Tulipwood, crossbanded demi-lune Commode possibly attributable to Mayhew and Ince.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Opposite above: Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Recto: The Return of the Prodigal Son. Verso: Sketches of clouds for an arched composition, 261 x 207 mm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Pictured: John Constable, RA. A sketch of East Bergholt from East Bergholt House, inscribed '10 augst 1811' (upper left), oil on canvas laid on panel, 12.5 x 19.5 cm]
Attributed works:
[Brian Haughton Antiques. A scalloped Worcester dessert plate, painted by Jeffryes Hammett O'Neale with the fable of the fox and the stork, c. 1768-70)]
Attributed works:
[Browse & Derby. Danseuse attachant le cordon de son maillot, by Edgar Degas (1834-1917). Bronze, stamped with signature and foundry mark A.A. Height: 431 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Giovanni Domenico Tiepolo (Venice 1727-1804). Punchinello's wedding procession. Black chalk, pen and brown ink, brown wash. 14 x 18 1/2 in. (354 x 472 mm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. La Scuola San Marco, by Francesco Guardi (1712-93).]
Attributed works:
[Crispian Riley-Smith. Exhibiting at John Mitchell & Son. A landscape with cattle, sheep and herders, by Jacob van Stry (1756-1815). Pencil, pen and black ink with framming lines, 350 x 472 mm. Signed 'J:van Stry']
Attributed works:
[David Jones Fine Art, exhibiting at Derek Johns Ltd, London. Two Nude Putti, by Bartholomé Esteban Murillo (1618-82). Pen and brown ink, 135 x 95mm.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Caspar Freisinger (1550/55-1599), Christ on the Road to Calvary. Pen and brown ink, brown and pink wash, 127 x 182 mm]
Attributed works:
[Dickinson & son. 108 Wigmore St., London, W. Caryatid, 1913, by Amedeo Modigliani (1884-1920). Signed and inscribed lower left 'à Tibaut bien amicalement / modigliani'. Wotercolour and pencil heightened with whiteon paper laid down on card, 432 x 264 mm]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. Head of a Lady with a Diadem and strings of pearls tied to her hair' (recto): Head of a Lady looking to the left (verso), by Nicolas-Guy Brenet (1728-92). Black chalk heightned with white, 455 x 280 mm]
Attributed works:
[Dragesco Cramoisan, France. Very rare pair of Sévres hard-paste biscuit busts of King Louis XVI and Queen Marie-Antoniette, modelled in 1785 by the leading sculptor Louis-Simon Boizot. These examples can be dated c. 1785-90]
Attributed works:
[Felder. London. W1. Sir D.Y. Cameron RA, RSA (1865-1945). The Walds of Rannoch. Oil on canvas, 21x30 cm]
Attributed works:
[Garton & Co. Exhibiting at Pitcher / Brandt. Study for a mural in DIeter Keller's house in Stuttgart, No. 1, by Oskar Schlemmer (1888-1943). 1940. Crayon and pencil, 205 x 298 mm.]
Attributed works:
[H. Blairman & Sons Ltd. 119 Mount Street. London. Enamel vase on stand by Charles Lepec (born 1830). French (Paris), circa 1867.]
Attributed works:
[H. Blairman & Sons Ltd. A pair of bronze 'Atlas' candelabra, designed and manufactured by Benjamin Lewis Vulliamy. English, c. 1815.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Edward Burra. 1905-1975. Three Sailors at a Bar, 1930. Watercolour. 26x19 inches: 67.3 x 48.2 cm. Signed and dated]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Helicoid in Sphere, 1938, by Barbara Hepworth (1903-75). Lignum vitae on original base, Height: 25.5 cm]
Attributed works:
[James Hyman, Fine Art. 6 Manson’s yard. Duke Street, St. James’s. London. Patrick Heron (1920-1999). Blues with Brown Area. Oil on canvas. 1962. h 76.2 cm (30in) w 121.9 cm (48in)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. The Arch of Janus, with the Church of San Giorgio in Velabro, by Giovanni Antonio Canal, called Canaletto. Pen, brown ink and grey wash over an underdrawing in graphite, 153 x 256 mm]
Attributed works:
[John Lishawa. 42 Vicarage Crescent, London. Dirk van Baburen (1595-1624). Taste. Oil on canvas: 104.4 x 84 cm]
Attributed works:
[John Whitehead. Sévres biscuit group La Fete au Chateau or La Fidélité Modéle. After Falconet. Incised B for Bachelier. c. 1767-73. Height: 8 inches (21cm)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Peter Codde. (1500-Amsterdam-1678). An interior with a Lady seated at a virginal, seen from behind, a viola da gamba resting beside her. On panel. 16 7/8 x 13 in. 42.8 x 32.9 cm]
Attributed works:
[Kate de Rothschild, exhibiting at Didier Aaron Ltd. Study of a lady reclining in a chair, by René-François-Xavier Prinet (1861-1946). Black, red and white chalks with Prinet's atelier stamp on the verso.]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A man in profile seen from above, by Adolph von Menzel (1815-1905). Carpenter's pencil and stumping, 311x234 mm. Signed and dated, lower left, A. Menzel / 86.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. William Turner of Oxford. 1789-1862. An April shower. Binsey Ferry near Oxford looking towards Port Meadow. Watercolour. 18 x 27 inches; 455 x 685 mm. Signed, also signed and inscribed recto.]
Attributed works:
[Mallett, 40 New Bond St., London. An eighteenth-century green glass chandelier, attributed to John Blades. English, c. 1790. Height: 183cm. Width: 101.5 cm]
Attributed works:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sévres Seauz à Glaces, c. 1796. Soft-paste porcelain. Height: 9 inches (24.5 cm). Diameter: 8 inches (22 cm). Blue painted and gilt marks for Sévres, the painters Bouillat and Girard, the gilder Vincent.]
Attributed works:
[N & I Franklin. 11 Bury Street. St. James’s. London. A pair of George III Silver-gilt mounted ostrich egg cups and covers. Marker's mark John Robinson, the heraldic finials modelled as the crest of Greville for George 2nd Earl of Warwick made in London in 1812.]
Attributed works:
[Offer Waterman & Co. London. 2nd Bus, by Allen Jones (b 1937). Oil on canvas in three parts, 121.8 x 152.3 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A Trompe L'Oil of a leading staff, a partizan, a Matchlock musket, a longbow, a fowling piece and other weaponry hanging on a wall, by Jacobus Biltius (1633-81). Dutch school. Oil on canvas, 169.5 x 344 cm. Signed and dated 1666.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Flemish School, circa 1605. A highly important view of the between the English Fleet and the Spanish Armada the launching on English fireships on the Spanish Fleet off Calais, with troops holding an English standard in the foreground and Queen Elizabeth I on horseback attended by a Nobleman, possibly the Early of Leicester, beyond. Gouache on vellum heightened with gold: 14 x 35 cm (5 1/2 x 13 3/4 inches).]
Attributed works:
[Renaissance Bronzes. 77 Pimlico Road, London. The dancing faun. Massimiliano Soldani Benzi. Blenheim Palace. Date 1711. Height: 1.42 metres.]
Attributed works:
[Robilant + Voena. 13Dover Street, London W1S 4LN. Giovanni Migliara. Alessandria 1785-1837 Milan. Washerwomen and Gentleman Among Classical Ruins, A Church Beyond (detail). Oil on canvas. 47 x 89 cm, 18 1/2 x 35 in]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Sévres glass coolers from the Du Barry service, circa 1771.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Francesco Bertos, Italian, active 1693-1739. A pair of large venetian allegorical bronze groups. 112 cm. 44in. and 108cm. 42 1/2in.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Madonna and Child, by Polidoro Caldara, called Polidoro da Caravaggio (1499-1543).]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Raffaello Sanzio, called Raphael. Urbino 1483-1520 Rome. Recto: Head of a child. Verso: study of a vessel, probably an incense burner. Red chalk over stylus (recto). Pen and brown ink (verso). Arched top. 114 by 93 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Frederico Barocci (Urbino 1535-1612). Study of the head of a child, with studies of the leg of a child and of a woman (recto); two studies of Psyche, after the Antique (verso). Black chalk and pastel (recto); pen and brown ink, brown wash (verso), 265 x 208 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. The Doge's Palace, Venice, by Edward Lear (1812-88). Pencil, pen and brown ink and watercolour, 295 x 485 mm. Signed, inscribed and dated: nov. 16. Sunset./ Venice. 1865 (27) (lower right), and with colour notes.]
Non-western art unattributed:
[Gregg Baker Asian Art. A six-fold paper screen painted in ink and colour on a gold ground with insects and pampas grass amongst which the sun is setting. Japan, Edo period, 17th century, 110.5 x 245cm]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A Sévres Royal plate from the 'Service arabesque', 1783. 9 7/8 in. (25.1 cm.) wide]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sévres biscuit group of 'Africa'. Designed in 1791, dated 1817. Height: 15 ins (36cm). Diameter: 9 ins (22cm). Marks: impressed 'Sévres' on base, front. incised 'Mas 11.av.DS' on base rear.]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. St. Cloud Hound, c. 1735. Height: 4 inches (12.2 cm). Depth: 3 inches (8.5 cm)]
Article
Benjamin Vulliamy's Library: A Collection of Neo-Classical Design Sources
06/1999 | 1155 | 141
Pages: 328-337
related names
Author:
Smith, Roger (Smith, Roger)
Subjects
artists:
dates:
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
1. Clock, by Benjamin Vulliamy (No.469). Delivered 1811. Marble and Gilt Bronze, 31 by 45 cm. High (Present Whereabouts Unknown; Sold Phillip's, London, 10th March 1998, Lot 320).
Attributed works:
10. Candelabra and Pedestals, by Benjamin Vulliamy. 1807-08. Bronze and Mahogany, 185.5 by 45 cm. (Royal Pavilion, Brighton).
Attributed works:
11. Design for a Candelabrum. Engraving from G. B. Piranesi: Vasi, Candelabri e Cippi, [1778], II. (British Library, London [147.i.15]).
Attributed works:
12. Title Page of Sale Catalogue of Benjamin Vulliamy's Library, 29th-30th April 1824. (Archives of Christie, Manson & Woods Ltd., London).
Attributed works:
2. Clock, by Benjamin Vulliamy. Dated 1787. Derby Porcelain and Marble, 42 cm. High (John Carlton Smith, London).
Attributed works:
3. Apollo or Sol, from an Antique Intaglio in the Collection of Michel Ange de la Chausse. Engraving from B. de Montfaucon: Antiquity Explained [1721-25], I, p.71, pl.132, Fig.9 (British Library, London [7703c.9]).
Attributed works:
4. Clock and Pedestal, by Benjamin Vulliamy. c.1786. Derby Porcelain, Ormolu and Satinwood with Grisaille Painting, 208 cm. High (Royal Collection, © Her Majesty the Queen).
Attributed works:
5. Pedestals for Clocks, by Benjamin Vulliamy. Satinwood with Grisaille Painting, c.130 cm. High (Hotspur Ltd., London).
Attributed works:
6. Diana or Luna, from the Arch of Constantine, Rome. Engraving from B. de Montfaucon: Antiquity Explained [1721-25], III, p.117, pl.34 (British Library, London [7703c.11]).
Attributed works:
7. Pedestal for a Clock, by Benjamin Vulliamy. c.1787. Satinwood with Grisaille Painting, 126.5 by 95.5 by 42 cm. (Formerly at Stowe; Sold Christie's, London, 13th November 1997, Lot 104).
Attributed works:
8. Cornice Ornaments after the Antique. Engraving from G. Albertolli: Ornamenti Diversi, [1782], pl. X (British Library, London [1899.p.24]).
Attributed works:
9. Clock, by Benjamin Vulliamy (No.363). Delivered 1804. Silver, 83 cm. High (Musée de la Marine, Paris).
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Advertisements June 1999 (front)
06/1999 | 1155 | 141
Pages: i-xxiv
Subjects
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Illustrations
Attributed works:
Cassoni (One of a Pair), Florentine, Second Half of the Nineteenth Century, Incorporating Elements from a Chest and spalliera of 1472, with Brennus before Rome by Biagio d'Antonio as the Front Panel. 212 by 193 by 76.2 cm. (Courtauld Gallery, London).
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Giovanni Francesco Barbieri, il Guercino (1591-1666) Christ Appearing to the Virgin. Pen and Brown Ink, Brown Wash. 37.4 × 24.5 cm.
Attributed works:
[Burlington Magazine, 14-16 Duke's Road, London, UK] A Scintillating Pair of French Impressionist Garden Studies, Painted in 1872/73.
Attributed works:
[Burlington Magazine, 14-16 Duke's Road, London, UK] A Scintillating Pair of French Impressionist Garden Studies, Painted in 1872/73. Oils on Canvas: 36¼ × 28 3/4 Inches (92 × 73 cms).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Giambattista Tiepolo (1696-1770). Samuel Anointing Saul. Pen and Wash, 265 × 462 mm
Attributed works:
[Christie's, 8 King Street, London, UK] Thomas Gainsborough R. A., (1727-1788). The Byam Family: Mr and Mrs George Byam and Their Daughter Selina, Full-Length, in a Landscape, Oil on Canvas, 98¼ × 92 3/4 in. (244.4 × 235.6 cm.)
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Marguerite Gérard. Portrait of the Tiercelin Family in an Interior. Oil on Panel, 63 × 51 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Giuseppe Gambarini, (Bologna 1680 - 1725). A Musical Scene with Peasants Merrymaking. Oil on Canvas, 77 × 102 cm
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Francesco Monti. Bologna 1685 ∼ 1768 Brescia. Christ in the House of Simon (Detail). Black Chalk with White Heightening 14½ × 19 Inches (370 × 490 mm)
Attributed works:
[Grosvenor Gallery, 18 Albemarle Street, London, UK] Fernand Legér Nature Morte - Canne, Chapeau et Chaise, 1924. Pencil on Paper. 27 × 19cm Signed with Initials and Dated Lower Right. F. L.24
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Armand Rassenfosse (1862-1934). Les gants blancs. Charcoal and Watercolour, Heightened with White Gouache, 27.7 × 18.3 cm. Signed with Initials and Dated 1896
Attributed works:
[James Faber, London. The Olympia Fine Art and Antiques Fair, London, UK] Hands of a Draughtsman. French School, Circa 1750. Red Chalk, 16.5 × 21.6 cm.
Attributed works:
[John Carlton-Smith, 17 Ryder Street, London, UK] Benjamin Vulliamy, London, No. 811. A Rare Early 19th Century Mahogany Wall Clock with a Signed 14 Inch Silvered Dial. The 8 Day Double Fusee Movement with Half Dead Beat Escapement, Striking on a Bell and a Wood Rod Pendulum. The Backplate Signed and Numbered 811. Height 25 Inches. Circa 1820
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Lucas Gassel (Helmont 1480/1500 - c.1570 Brussels). The Parable of the Wheat and the Tares. Oil on Panel - Signed with Monogram and Dated 1540. $32frac{5}{8}$ × 41 ins. (85.4 × 104.1 cm.)
Attributed works:
[Johnny van Haeften, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Floris Gerritsz. Van Schooten: A Kitchen Interior with the Supper at Emmaus. Signed with Initials and Dated 1620. 122 × 190 cm.
Attributed works:
[Kate de Rothschild, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] François Watteau: Study of Young Boy, 1790-95. Black Chalk Heightened with White, 53.5 × 39 cm.
Attributed works:
[Klaber & Klaber, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Revolutionary Sèvres Cup and Saucer Painted with Symbols Adopted by the French Revolution. French, Circa 1793-1800. Saucer Diameter 12 cm. Height of Cup 6 cm.
Attributed works:
[Mallet & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A George II Giltwood Armchair. English, Circa 1750. Height 104 cm. Width 72 cm. Depth 80 cm.
Attributed works:
[Mallet & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Ivory Inlaid Padouk Armchairs (One Shown). Anglo-Indian, Vizagapatam, Circa 1765. Height 102 cm. Width 67 cm. Depth 54 cm.
Attributed works:
[Mallett & Son (Antiques) LTD, 141 New Bond Street, London, UK] A Remarkable Needlework Portrait of Charles I Worked from an Engraving after the Portrait by Edward Bower, Now in the Royal Collection, Depicting the King at His Trial in 1649. The Needlework Is Signed and Dated 'Anna Skinner in the 69th Year of Her Age 1716'. Textile: 13 × 11 in/33 × 28 cm, Framed: 19 × 17 in/48 × 43 cm
Attributed works:
[Mallory of Bath, 1-4 Bridge Street, Bath, UK] A Good George II Silver Coffee Pot. Flat Chased Showing Both Rococo and Baroque Influence. Contemporary Armorial. By Louis Dupont London 1736. Height 9ins 22cms. Weight 25.6ozs. 796 Grams. All Approximate.
Attributed works:
[Noortman, Maastricht. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Meindert Hobbema: A Woodland Glade, 37 × 48.5 cm.
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] A Fine Set of Six Adam Period Painted and Gilded Armchairs. Circa 1775.
Attributed works:
[Norman Addams, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A George III Cabinet Commissioned from the Weeks' Museum, London. Attributed to George Simson, Circa 1795. Height 232 cm. Depth 55.5 cm. Width 92 cm.
Attributed works:
[Ossowski, 83 Pimlico Road, London, UK] A Pair of Finely Carved Limewood Drops in the Style of Grinling Gibbons. English, Circa 1880. 58 Inches (147 cm) Tall, 8 Inches (20 cm) Wide.
Attributed works:
[P. & D. Colnaghi, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Francesco Guardi: Venice: A View of the Rialto with the Riva del Vin. Pen and Brown Ink and Brown Wash. 24.7 × 42.3 cm.
Attributed works:
[Pyms Gallery, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Gustave Moreau: Athenians Delivered to the Minotaur in the Labyrinth on Crete. Oil on Canvas, 33 × 56.5 cm.
Attributed works:
[Rafael Valls Ltd, London. The Olympia Fine Art and Antiques Fair, London, UK] Jean-François Perdrix: Trophy of the Hunt: a Trompe l'æil of a Deer's Head Hanging from a Wooden Wall. Inscribed and Dated 1766. Oil on Canvas. 104.1 × 71.7 cm.
Attributed works:
[Richard Green, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Isaak Soreau: Still Life with Bunches of Grapes, a Vase of Tulips, Sprigs of Rosemary and Strawberries in a Wanli Porcelain Bowl. 42.5 × 62.7 cm.
Attributed works:
[Robbig, Munich. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Johann Joachim Kändler: Shepherd and Shepherdess under a Tree, Meissen 1738-40. Height 27.5 cm. Width 18.5 cm.
Attributed works:
[Robert Bowman, Ltd. London.The Olympia Fine Art and Antiques Fair, London, UK] Mathurin Moreau: The Egyptian Goddess Semiramis, Circa 1890. Bronze. Height 79 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Léon Augustin Lhermitte. French 1844-1925. En Moisson, Signed and Dated 1913 l. r. Oil on Canvas 188.5 by 259cm. 74½ by 102in. Estimate: £250,000-350,000
Attributed works:
[Spink & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Makuzu Kozan. A Late 19th-Century Porcelain Jar of Baluster Form, Covered with Luminous Blue Glaze and Decorated with Tawaragani Crab in Moulded Relief. Height 38.5 cm.
Attributed works:
[Studio Novo Ltd, 8 & 9 Ryder Street, London, UK] Federico Barocci (Urbino 1535-1612). Study for the Beata Michelina' at the Vatican Museum. Oil on Paper Laid Down on Canvas, 30 × 40.5 cm.
Non-western art unattributed:
[C. John, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Chinese Peking Carpet Circa 1890. Hand knotted Woollen Pile on a Woollen Foundation. 350 × 275 cm.
Non-western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] A Sino-Tibetan Gilt-Bronze Figure of Amitayus. 18th Century. Decorated with Coral, Turquoise and Lapis Lazuli. Height 46 cm.
Non-western art unattributed:
[Pelham Galleries, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Famille-Rose 'Soldier' Vases and Covers of Baluster Form. Qianlong, Circa 1740. Height (Including Stands) 155 cm.
Western art unattributed:
[Celia Jennings, Kent. The Olympia Fine Art and Antiques Fair, London, UK] A 16th-Century Oak Carving of the Madonna and Child with a Saint. Low Countries, Circa 1500. Height 31 cm. Width 31 cm. Depth 2 cm.
Western art unattributed:
[Godson & Coles, London. The Olympia Fine Art and Antiques Fair, London, UK] A George I Walnut Tallboy. English, Circa 1710. Height 177 cm. Width 104 cm. Depth 54 cm.
Western art unattributed:
[JOanna Booth, London. The Olympia Fine Art and Antiques Fair, London, UK] St Florian, Flemish, Circa 1520. Carved Oak. Height 84 cm.
Western art unattributed:
[Richard Philip, London. The Olympia Fine Art and Antiques Fair, London, UK] Head of an Angel. French School, Circa 1300. Limestone. Height 25 cm.
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Advertisements October 1983 (Front)
10/1983 | 967 | 125
Pages: i-xlii
Subjects
advertisements:
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artists:
Illustrations
Attributed works:
[Albert Amor Ltd, 37 Bury Street, London, UK] Formerly on Display at the Dyson Perrins Museum, Worcester, the Pieces from This Almost Complete Historic Service Are Now Offered for Sale Individually.
Attributed works:
[Anthony Dallas & Sons Ltd., 9 Old Bond Street, London, UK] Giovanni Battista Salvi, Called Sassoferrato. Madonna and Child. Oil on Canvas. 28 3/4 by 24½ Inches
Attributed works:
[Brandt Dayton, 1000 Park Avenue, New York, New York] Peasants Resting. Black Chalk with White, 61.0 × 54.7 cm. Signed 1.1.: "Jules Breton"
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Prinz Ruprecht von der Pfalz. The Great Executioner. Mezzotint. 1658. De Laborde p.207. Ch. Smith 2 II, Russell Suppl. 2. Hind (1933) 3 III.
Attributed works:
[Charles Keyser, London] Leon-Augustin Lhermitte (1844-1925) French School. Black Chalk Heightened with White on buff Paper 31 × 24 cms. Inscribed 'A Mons. G David-Villes'. Signed.
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London, UK] Ernest Normand. Pandora. Signed and Dated 1899. Canvas, 43 by 25 Inches.
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London, UK] George Dunlop Leslie, RA. At the Well, Signed, Canvas, 39½ by 27 Inches
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London, UK] Thomas Armstrong. The Recital, Classical Figures Listening to a Musician on a Terrace. Circa 1878. Canvas, 13½ by 38 Inches
Attributed works:
[Clifford Wright Antiques Ltd, 104 & 106 Fulham Road, London] One of a Pair of Important George III Chippendale Period Looking Glasses with Mirror Borders. Circa 1765. Height 92″ Width 59″
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giovanni Dell'opera called Bandini 1546-1599. Meleager. Height 179.3 cm. Signed and Dated Johes Bandius Floretinus.F. 1598
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[Douwes Fine Art, 38 Duke Street, London] Pieter Claesz (1597-1661). Still-Life with Roemer, Pie and Lemon. Panel: 60 × 49 cm (23½ × 19¼ Inches). Signed and Dated 1647
Attributed works:
[Fischer Galleries, Lucerne, Switzerland] Meister der Marientafeln. Würzburg oder Rothenburg um 1460. "Anbetung der Könige". Panel, 109 by 90 cm
Attributed works:
[French & Company, 17 East 65th Street, New York] One of the World's Most Important Louis XV Black Lacquer Commodes by Bernard Van Risenburgh. Height: 35 Inches • Width: 62 Inches • Depth: 26 Inches. Signed: B. V. R. B.
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] Christo, The Pont Neuf Wrapped, Collage, 85 × 71.5 cm
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] E. Boudin, The Port of Le Havre, Oil, 38 × 55 cm
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] P. D. Trouillebert, A Day in Autumn, Oil, 65.5 × 77.5 cm
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] Tiffany Studios "Woodbine". H 47 cm
Attributed works:
[Harari & Johns Ltd., 173 New Bond Street, London, UK] Joachim Uytewael (1566-1638). The Judgement of Paris. Signed and Dated 1602. 6¼ × 8¼″ on Copper
Attributed works:
[Henry Willis Antique Silver, 4 Grosvenor Street, London, UK] Soap Box and Sponge Box, Mid 18th Century, Maker's Mark only IH, Struck 4 Times on Each.
Attributed works:
[Jayne Spurr Galleries, 21 North Fairfax Street, Alexandria, Virginia, USA] Fine Bow Sauceboat c. 1755. Painted in Famille Rose Colours and Chinese Style.
Attributed works:
[John Carlton Smith, 17 Ryder Street, London] A Very Fine George III. Mahogany Silver Mounted Regulator with Enamel Dial by Benjamin Vulliamy. The Signed and Numbered Movement with Jewelled Pallets, Maintaining Power and Large Rated Pendulum. Height 6ft 10Inches. Circa Late 18th Century
Attributed works:
[Julius Bohler, Pacellistrasse 8/11, Munich, Germany] A Still-Life with Roses and Peaches, by Abraham Susenier (Leiden about 1620-1667). On Panel, 32.4 by 26 cm.
Attributed works:
[Leger Galleries Ltd, 13 Old Bond Street, London, UK] William Doughty (1757 - 1782). The Meeting of a Club in Dublin with the Earl of Mornington at the Piano and Other Caricatures. Oil on Canvas. 31 × 41 Inches.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Francis Bacon. Study of Nude with Figure in a Mirror, 1969, Oil on Canvas, 78 × 58 in/198 × 147.5 cm.
Attributed works:
[Mary Cooke Antiques Ltd., Standbrooke House, 2-5 Old Bond Street, London, UK] A Salver by Hester Bateman, London 1780. Weight 8 oz, Width 8 Inches. The Arms Are Those of Michell.
Attributed works:
[Mathaf Gallery, 24 Motcomb Street, London, UK] Eugene Fromentin. Size: 13 3/4 × 10½ inches. 'A Hawking Party'. Signed, Oil on Panel
Attributed works:
[Mia N. Weiner, 36 east 64th Street, New York, New York] Francesco Zuccarelli (Pitigliano 1702-1788 Florence) Pastorale; Black Chalk, Brush & Grey-Brown Wash, White Gouache Highlights on Pink Prepared Paper; 9 x 13 1/8
Attributed works:
[Morton Morris & Company, 32 Bury Street, London, UK] Hans Holbein II: A Young Englishwoman
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Sale 219: "Tabatière" Vermeil. The Lid Mother-of-Pearl with Gold Decoration, Set within a Miniature. painting. Johann Melchior Dinglinger. Dresden 1st Third 18th Century. 2,2 × 8,7 × 6 cm.
Attributed works:
[Noortman & Brod, 1020 Madison Avenue, New York, New York] A View of Lake Nemi. John "Warwick" Smith 1749-1831. Watercolour over Pencil. 12¼ × 17 3/4 in.
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[Noortman & Brod, 1020 Madison Avenue, New York, New York] La Laveuse. Francois Bonvin 1817-1887. Charcoal, 16½ × 12¼ in.
Attributed works:
[Noortman & Brod, 1020 Madison Avenue, New York, New York] Shipping in the Hamoaze off Devil's Point, Plymouth. John Cleveley, Jr. 1747-1787. Pencil, Grey Ink & Watercolour. 12½ × 15½ in.
Attributed works:
[Oscar & Peter Johnson Ltd., Lowndes Lodge Gallery, 27 Lowndes Street, London, UK] Burgh Castle by James Stark. Oil Painting; Signed on Reverse & Inscribed 'Burgh Castle'. Panel 5 × 8 Inches; Framed
Attributed works:
[Pawsey & Payne, 4 Ryder Street, London, UK] Francis Cotes R. A. 'Portrait of a Lady'. Oil on Canvas 36 × 28 Inches
Attributed works:
[Peter Finer, Medford House, Mickleton, nr. Chipping Capmpden, Gloucestershire] Miniature Wheel Lock "Puffer" by Michel Mann of Nurnberg. Circa 1600. 10.5cm. Carved Ivory South German Powder Horn. Circa 1700. 11.5cm. Similar to R.4960 Bayerisches Armeemuseum, Munich
Attributed works:
[Phillips International, 7 Blenheim Street, London, UK] "The Lamentation of the Dead Christ" by William Dyce, R. A., H. R. S. A., Had Been Listed as "Whereabouts Unknown" Until a Few Months Ago When It Was Discovered in the Chapel of the Butlins Holiday Centre at Pwellheli.
Attributed works:
[Phillips International, 7 Blenheim Street, London, UK] Tilly Kettle: Col. Fortnom and Family. Signed. 229 x 168 cms.
Attributed works:
[Richard Green, 39 Dover Street, London, UK] Philip Reinagle RA (c1749-1833) and Sawrey Gilpin (1733-1807). Portrait of Colonel Thornton of Thornville Royal, Yorkshire, roebuck shooting in the forest of Glenmore, with the only twelve barrelled rifle ever made. Painted in 1786. Canvas: 82 × 59in/208.5 × 150cm
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] "Femme au Tub" by Manet. Pastel on Canvas. H. 47 cm-W. 56 cm. Signed at the Bottom Right. Painted in 1879.
Attributed works:
[Sotheby Parke Bernet & Co., 34-35 New Bond Street, London] A George II Silver-Gilt Ewer and Basin, George Wickes, London, 1735/36, 36.2 cm. High and 55.2 cm. Diam., Made by Order of the Corporation of the City of Bristol for Presentation to the Hon. John Scrope (?1662-1752). Sold on 13th June 1983 for £176,000.
Attributed works:
[Sotheby's Mak Van Waay B.V., Amsterdam] Paulus van Vianen (c. 1570-1613/14), Study of an Oak Tree, Pen and Brown Ink and Grey Wash over Black Chalk, 13.7 by 13.6 cm.
Attributed works:
[Sotheby's Mak Van Waay B.V., Amsterdam] Roelandt Savery (1576-1639), Seated Bohemian Peasant, Pen and Brown Ink over Black Chalk, Inscribed with Colour Notations, c. 1603-9, 15.3 by 17.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Myles Birket Foster, R. W. S., Figures Looking Over A Valley, Watercolour, Heightened with Bodycolour, Signed with Monogram, 30.5 by 62 cm. £5,000-7,000. (To Be Sold on 27th October 1983)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Eugène Delacroix, Le Christ sur le Lac de Génézareth, Oil on Canvas, 44.5 by 53 cm.
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[Sotheby's, 34-35 New Bond Street, London, UK] Jean-François Millet, Une Bergère, Oil on Cradled Panel, 35.5 by 28 cm.
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[Sotheby's, 34-35 New Bond Street, London, UK] Left: Unsigned Inro, 19th Century. Right: Inro by Shibata Zeshin
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Myles Birket Foster, R. W. S., The Ford, Oil on Canvas, Signed with Monogram, 99 by 150 cm. £5,000-8,000. (To Be Sold on 19th October 1983)
Attributed works:
[TH. Laurentius, Orangerie Duivenvoorde, 2252 AK Voorschoten, Netherlands] Paulus Potter, (1625-1654) The Frisian Horse, Etching Hollstein 9. III (3) Etched in 1652. Watermark: Foolscap
Attributed works:
[W.R. Harvey & Co (Antiques) Ltd, 67/70 Chalk Farm Road, London] "A very fine George III period mahogany Secretaire Breakfront Bookcase, from a design by Thomas Shearer. c 1788. Literature: 1. English Furniture Designs of the 18th Century, Peter Ward-Jackson, pp 63, Plate 294. 2. The London Book of Prices, 2nd Edition, Publ. 1793, Plate 1. 3. The Cabinetmakers London Book of Prices & Designs of Cabinet Work, Publ. 1788. 4. Shearer's Designs for Household Furniture, Publ. 1788. Height: 8′ 8″ Width: 7′ 7″ Depth: 1′ 11″
Attributed works:
[William Schab Gallery, Inc., 11 East 57th Street, New York, New York] Francesco Fontebasso: Cornelia, Mother of the Gracchi, Oil on Canvas, 1760
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] Pablo Picasso: Le Repas Frugal Etching. 1904.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] Paul Gauguin: Nave Nave Fenua. Four Colour Woodcut. 1894. Extremely Rare Proof Printed by Gauguin
Non-western art unattributed:
[Emanouel Antiques Limited, 64 South Audley Street, London, UK] Elephant Incense Burners Cloissone inlaid with turquoise and coral. Early 19th century. Provenance. Originally in the Temple of the Nine Dragons, in the province of Kwantow. They were removed during the Japanese occupation and taken into hiding. Later they were taken to the palace of Chau Mau Chang in the province of Kunming. During the Mao revolution they were once again hidden, then later they were disposed of by the Chinese government by various sources. In the Chinese High Festivals and on Holy Days they were paraded around the town and streets bedecked in flowers and pretty maidens in their national dress. Size - height 73″ width 48″ depth 24″. Unique - the only pair in the world.
Non-western art unattributed:
[Vigo Carpet Gallery, 6a Vigo Street, London, UK] Antique Tabriz Carpet. 12 ft. 2 ins. × 9 ft. (3.71 × 2.74 m)
Western art unattributed:
[Arenski, 29-31 George Street, London] A George III satinwood tea-caddy of great quality with square lid cross-banded with rosewood, mounted with plated handle, enclosing two cut-glass decanter caddies and two oval mixing-bowls, all in original condition. 9¼in (23.3cm) square. English
Western art unattributed:
[C.John, 70 South Audley Street, London, UK] A Fine and Rare Early 19th Century Bessarabian Tapestry Woven Carpet. 9′ 4″ × 6′ 2″ (284 × 188)
Western art unattributed:
[Charles van der Heyden, 21 Westersingel, Rotterdam, Netherlands] A Twelve Armed Brass Chandelier in Two Tiers, with Ornaments in Oricular Style. Northern Netherlands, XVII th Cent. H 100 cm by W 112 cm
Western art unattributed:
[Christie's, 8 King Street, London] Late 15th/Early 16th-Century Tuscan Gilt Bronze Fountain Figure of a Winged Putto, Possibly the Infant Mercury, 61.5cm High.