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18 articles
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03/2019 | 1392 | 161
Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
Article
Sassoferrato’s ‘Mater Salvatoris’ in SS. Trinità dei Pellegrini e Convalescenti, Rome
11/2018 | 1388 | 160
Pages: 946-949
related names
Author:
Gebhardt, Johannes (Gebhardt, Johannes)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Mater Salvatoris, by Sassoferrato. 1654. Panel, c.109 by 69 cm. (SS. Trinità dei Pellegrini e Convalescenti, Rome).
Attributed works:
2. The Chapel of the Virgin, SS. Trinità dei Pellegrini e Convalescenti, Rome, showing the place where Fig.1 is inserted, in front of a fresco of the Virgin. (Photograph the author, 2015).
Attributed works:
3. Virgin in prayer (Mater dolorosa), by Sassoferrato. Canvas, 70 by 60 cm. (Pinacoteca Comunale, Cesena).
Attributed works:
4. Virgin in prayer with lowered gaze, by Sassoferrato. Canvas, 44 by 33 cm. (Pinacoteca Comunale, Cesena).
Article
Perugino, Sassoferrato and a ‘beautiful little work’ in the National Gallery, London
06/2010 | 1287 | 152
Pages: 376-384
related names
Author:
Howard, Helen (Howard, Helen)
Author:
Nethersole, Scott (Nethersole, Scott)
Subjects
museums and institutions:
print:
Illustrations
Attributed works:
16. Baptism of Christ, after Perugino, here attributed to Sassoferrato. Second quarter of the seventeenth century. Canvas laid onto panel, 32.5 by 59 cm. (National Gallery, London).
Attributed works:
17. Baptism of Christ, by Perugino. 1495–1500. Panel, 39 by 68 cm. (Musée des Beaux-Arts, Rouen).
Attributed works:
19. Virgin and Child with the Infant Baptist (The Garvagh Madonna), by Sassoferrato, after Raphael. 1625–50. Canvas, 47.8 by 38.5 cm. (Musée du Louvre, Paris).
Attributed works:
20. Annun­ciation, by Sassoferrato. c.1430. Black and white chalk on grey-green paper, 39.8 by 27 cm. (Royal Collection, copyright 2010 Her Majesty Queen Elizabeth II).
Attributed works:
21. St Flavia, by Sassoferrato, after Perugino. 1625–50. Canvas, 63 by 50 cm. (Monastero di S. Pietro, Perugia).
Attributed works:
22. Judith, by Sassoferrato. 1625–50. Canvas, 160 by 85 cm. (Monastero di S. Pietro, Perugia).
Attributed works:
23. Entombment, by Sassoferrato, after Raphael. 1625–50. Canvas, 115 by 125 cm. (Monastero di S. Pietro, Perugia).
Attributed works:
24. Detail of trees in The Virgin and Child embracing, by Sassoferrato. 1660–85. Canvas, 97.2 by 74 cm. (National Gallery, London).
Attributed works:
25. Holy Family, by Sassoferrato. Canvas, 73 by 95 cm. (Sanssouci, Potsdam).
Attributed works:
26. St Placidus, by Sassoferrato, after Perugino. 1625–50. Canvas, 63 by 50 cm. (Monastero di S. Pietro, Perugia).
Attributed works:
27. St Placidus, by Perugino. 1495–1500. Panel, 33.5 by 30 cm. (Monastero di S. Pietro, Perugia).
Western art unattributed:
18. Baptism of Christ, after Perugino. Probably late sixteenth century. Canvas laid onto panel, 36 by 60.5 cm. (Canterbury City Council Museums and Galleries).
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03/1998 | 1140 | 140
Pages: i-xxviii
Subjects
advertisements:
artists:
artists:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
Still Life: Vase with Twelve Sunflowers, by Vincent van Gogh. January 1889. 92 by 72.5 cm. (Philadelphia Museum of Art)
Attributed works:
[Achim Moeller fine Art. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Edgar Degas: Three Nude Dancers 'en arabesque', c.1905-12. Signed. Pastel, 44.5 × 84.5 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Baptiste Marie Pierre: Triton and naiad [? Nereid]. Black and White Chalks on Blue Paper. 24.2 by 40.7 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Attributed to Pietro Liberi, Female Prisoner in the Presence of the Roman Emperor. Pen and Ink with Wash in Brown. 23.2 by 29.8 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Otto Mueller, Standing and Sitting Girl on the Shore. Lithograph 1921/22. Karsch 143, a (of b). Signed. Printed on Japanese Laid Paper. 38.8 by 28.7 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Rembrandt, Landscape with a Cow Drinking. Etching, c. 1650. Bartsch 237. Nowell-Usticke 237, III (of VI). 10.5 by 13 cm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Niccolo Frangipane (1555-1600) A Lute Player Oil on Canvas, 72 × 54.5 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. TEFAF Maastrich.] Anthony Van Dyck: Portrait of Sir Arthur Hopton. Canvas, 59 by 47.5 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Sir Anthony Van Dyck Antwerp 1599 - London 1641 Portrait of Sir Anthony Hopton Oil on Oval Canvas: 59 × 47.5 cm
Attributed works:
[David Koetser Gallery, Zurich. Exh. TEFAF Maastrich.] Jan Brueghel the Younger: Horsemen and Waggons on a Country Road. Copper 7 by 9.3 cm.
Attributed works:
[De Jonkheere, Paris. Exh. TEFAF Maastrich.] Herri Met de Bles (1501-After 1555): Landscape with the Flight into Egypt. Signed. Panel, 44 by 74.3 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Egon Schiele Male Nude (Self Portrait) I, 1912 Brush and Ink Lithograph in One Colour on Yellow Velin, 44.8 × 40 cm. Signed and Dated Lower Right.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Giovanni Domenico Tiepolo: Centaur on Its Back Teasing a Faun, c.1775. Pen and Brown Ink with Grey Wash over Black Chalk. 19.6 × 27.5 cm. Signed in Brown Ink at Bottom Left.
Attributed works:
[Galerie Antoine Laurentin. Exh. Salon Du Dessin, Salons Hoche, Paris, France] François-Marie Granet: Nun Holding a Book (Allegory of Time) with a View of the Pavillon de Flore. Signed and Dated 1844. 22.5 × 15 cm.
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK. Exh. TEFAF Maastrich.] Peter Paul Rubens: Portrait of Isabella of Bourbon. Oak panel, 63.6 by 49.1 cm
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK. Exh. TEFAF Maastright] Carlo Saraceni (1579-Venice-1620) Madonna and Child with Saint Ann and an Angel Oil on Copper, 11½ × 14¼ Inches (29.1 × 36 cm)
Attributed works:
[Hamptons International, Baverstock House, 93 High Street, Godalming, UK] Provencal Farm by Henry Herbert La Thangue. Signed. Oil on Canvas, 34 × 29½ in. (86.4 × 74.9 cm). Estimate: £25,000 - £40,000
Attributed works:
[Hamptons International, Baverstock House, 93 High Street, Godalming, UK] Under the Western Sun by Henry Scott Tuke, R. A. RWS. Signed and Dated 1918. Oil on Canvas, 59½ × 44 in. (151.2 × 112.4 cm). Estimate: £40,000 - £60,000
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York. Exh. TEFAF Maastrich.] Aelbert Cuyp: A Guard House along a River with Dordrecht in the Distance. Signed. Panel, 36.8 by 52.8 cm.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York. Exh. TEFAF Maastrich.] Herman van der Mijn: Death of Sophonisba. Signed and Dated 1726. Panel, 84 by 67 cm.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Joachim Beuckelaer circa 1530/33 - Antwerp - 1573/74 Christ Carrying the Cross Signed with Monogram & Dated 'JB 1562' Oil on Canvas, 38 by 31 Inches (96.5 by 78.7 cm.)
Attributed works:
[Johnny van Haeften, London. Exh. TEFAF Maastrich.] Dirck van Delen: A Church Interior with Elegant Figures. Signed and Dated 1629. Copper, 24.5 by 34 cm.
Attributed works:
[Kate de Rothschild, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Pietro Testa: The Worship of the Cross. Pen and Brown Ink over Black Chalk. 37.4 × 24.3 cm.
Attributed works:
[Kate de Rothschild, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Study of Santa Rosalia of Palermo by Ciro Ferri (1634-1689). Black Chalk, 204 × 185 cm.
Attributed works:
[Noortman, London and Maastricht. Exh. TEFAF Maastrich.] Pieter de Hooch: A Gentleman Reading a Letter to a Lady in an Interior. Signed. Canvas, 79 by 70 cm.
Attributed works:
[Otto Naumann, New York, New York. Exh. TEFAF Maastrich.] Cornelis de Man: A Gold Weigher, a Woman Seated at a Table and a Boy Preparing a Fire in an Interior. Canvas, 81.6 by 67.6 cm.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jean Auguste Dominique Ingres (Montauban 1780 - Paris 1867). Pyrrhus and Glaucias. Pen and Ink with Grey Wash Touched with Black Chalk and Pen and Brown Ink. Signed in Brown Ink at Lower Right. 240 × 365 mm
Attributed works:
[Paul Proute, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Guercino: St Anthony Tempted by Two Demons. Pen and Brown Ink with Brown Wash. 21.1 × 26.9 cm.
Attributed works:
[Piero Corsini, New York. Exh. TEFAF Maastrich.] Giovannni Battista Salvi, il Sassoferrato: St Cecilia. Canvas, 97 by 74 cm.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Adriaen Cornelisz van Salm (1657-1720) Dutch School A Fleet of 'Bootschepen' Escorted by Dutch Men of War, One Being the Frigate 'T Wapen van Schiedam' Oil on Panel (Grisaille). 29 × 42½ Inches (74 × 108 cms). Indistinctly Signed
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Domenico Brandi - (1683-1736) Italian School Six Guinea Pigs Feeding with a Chicken and a Cockerel in the Background Oil on Canvas. 19 × $31frac{1}{8}$ Inches (48.3 × 79 cms) Signed, Inscribed and Dated 1732
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Jan Siberechts (1627-1703) Flemish School An Extensive English Country Landscape Oil on Canvas. 26 × 28 7/8 Inches (66.6 × 73.2 cms) Signed and Dated 1684
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Simon Kick - (1603-1652) Dutch School A Portrait of a Young Man Wearing a Wide Brimmed Felt hat Oil on Copper. 8 × 6½ Inches (20.5 × 16.5 cms)
Attributed works:
[Richard Green, 39 Dover Street, London, UK. Exh. TEFAF Maastrich.] Jan Miense Molenaer: A Tavern Interior (the 'fat kitchen'). Signed and Dated 1637. Canvas, 81.4 by 102.5 cm.
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New york, New York] Anne-Louis Girodet-Trioson The Sermon of the Seven Chiefs before Thebes, Circa 1820 Black and White Chalk, 41 by 61 cm.
Attributed works:
[Simon C. Dickinson Ltd., 58 Jermyn Street, London, UK] Ferdinand Bol (1616-1680) An Allegory of Education Oil on Canvas; 72 × 54 Inches, 183.5 × 140 cm
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Visionary Heads by Blake, including Shakespeare's wife, Xanthippe, Pisistratus, Tom Nixon the idiot, Bothwell, Mary Queen of Scots, Ossian, Robert Bruce, Owen Glendower, Colonel Blood, Vortigern and many others. Eighty nine leaves with forty drawings by William Blake, seventeen by Varley. Estimate: £200,000-300,000
Attributed works:
[Stanza Del Borgo, Via Turati 7, Milano, Italy] Lorenzo de Ferrari (Genua 1680-1744), A Flying Angel. Black Chalk on Blue Paper, Squared. 528 by 393 mm.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Adam Elsheimer: Study of a Young Man. (Verso: Fragementary Study of a ?St Peter and a Turbaned Man) Pen and Brown Ink with Grey Wash, 11.3 × 6.5 cm.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France] Joseph Werner (1639 - 1710) Gouache on Parchment. 11.8 × 9.5 cm. The Bath of Diana Signed and Dated 1668
Attributed works:
[Thomas Williams Fine Art Ltd. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Philips Koninck: The Anointing of a Queen. Signed and Dated 1664. Pen and Brown Ink with Wash. 36 × 20 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Ercole Lelli Bologna 1702 - 1766 Bologna. Head of a Man Red Chalk Heightened with White Inscribed in Gabburri's Hand: Originale / Di Ercole Lelli Pictor Bolognese / no. 1. (Verso) 376 × 270 mm; $14frac{3}{4}$ × 10½ in.
Non-western art unattributed:
[Vanderven & Vanderven, 's-Hertogenbosch. Exh. TEFAF Maastrich.] Head of a Bodhisattva. Chinese, Song Dynasty Stone, ht 38.5 cm.
Western art unattributed:
Console Table by Sébastien Youf. Paris, Signed and Dated 1830. Mahogany and Ormolu, 97 by 151 by 54 cm.
Western art unattributed:
[Buch- und Grafikantiquariat Falk + Falk Auktionen, Friedrich Falk Kirchgasse 28, CH-8001, Zurich, Switzerland] Napoleonica: The Library of Dr. Alfred Schaefer, Zürich Bibliophilia: Masterbindings by the Studio Stemmle, Zürich-Ascona and from the Wollisch Collection, Vienna Rare Books on Hunting, Fishing, Riding, Firearms and Natural History
Western art unattributed:
[Dr Jorn Gunther Antiquariat, Hamburg. Exh. TEFAF Maastrich.] The Seven Days of Creation, from a Biblia Latina. Paris, c.1240 Attributed to the Vie de Saint Denis Workshop
Western art unattributed:
[Heribert Tenschert, Switzerland. Exh. TEFAF Maastrich.] The Last Supper, an Extraordinary Miniature from a Franciscan Manuscript of the 'Meditationes Vitae Christi', Made in the Immediate Circle of Giotto di Bondone in Padua, Shortly after 1305. We Offer the Complete Manuscript Containing 27 Miniatures (3 Full Page), an Art Historical 'Find' par Excellence.
Western art unattributed:
[Heribert Tenschert, Switzerland. Exh. TEFAF Maastrich.] Two Double Page Illustrations Consisting of Full-Page Miniatures and Corresponding Text, Both with Borders of Solid Gold with Drolleries, Fruits and Flowers. The Most Important Manuscript Made for the Bridgettine Abbey of Marienwater (Near 'S-Hertogenbosch), c. 1480. The Manuscript, Which Is in the Finest Possible State of Preservation, Has 15 Large and Small Miniatures and Retains Its Original Binding.
Western art unattributed:
[Le Louvre des Antiquaires, 2, Place du Palais Royal, 75001, Paris, France] The Divine Metamorphoses of Alexander by François Antonovich
Western art unattributed:
[Les Enluminures, Paris. Exh. TEFAF Maastrich.] Flight into Egypt (fol. 61), from a Book of Hours. Amiens, c.1480-90
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A 17th Century Florentine Pietra Dura Table Cabinet, 106cm Wide. With Similarities to a Cabinet in the Metropolitan Museum, New York, Which Also Depicts Orpheus Surrounded by Animals. A George III Marquetry Commode, 144cm Wide. With Similarities to Commodes Illustrated and Discussed in "Catalogue of Commodes: The Lady Lever Art Gallery" by Lucy Wood.
Exhibition Review
Giovanni Battista Salvi, 'il Sassoferrato'. Sassoferrato, S. Francesco
11/1990 | 1052 | 132
Pages: 808-809
related names
Reviewer:
Russell, Francis (Russell, Francis; Russell, F.)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
63. Judith, by Giovan Battista Salvi, Il Sassoferrato. 160 by 85 cm. (Monastero di San Pietro, Perugia; Exh. S. Francesco, Sassoferrato).
Attributed works:
64. Monsignor Ottaviano Prati, by Giovan Battista Salvi, Il Sassoferrato. 119 by 92 cm. (Galleria Nazionale d'Arte antica, Rome; Exh. S. Francesco, Sassoferrato).
Advertisements
Advertisements November 1988 (Front)
11/1988 | 1028 | 130
Pages: i-lx
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
[Agnew, 43 Old Bond Street, London] Harold Gilman. London Street Scene in Snow, 1917-1918. 19½ × 15¼ Inches (49.5 × 38.7 cms.). Oil on Canvas
Attributed works:
[Akademie der Bildenden Kunste, 32 Schillerplatz, Vienna] 1. Pieter Bruegel the older, Rocky landscape with castle and river valley. Inv.4595 Pen and brown and yellow ink, on white paper, 136 × 210mm. Signed and dated lower left corner "P Brvegel 1559". This drawing is the earliest of Bruegel's small landscapes.
Attributed works:
[Akademie der Bildenden Kunste, 32 Schillerplatz, Vienna] 2. Isack van Ostade, A Female Peasant Walking with a Boy, Inv.17.119 Pen and Brown Ink and Brown Wash over Graphite, on White Paper, 93 × 66mm.
Attributed works:
[Austin/Desmond, 15A Bloomsbury Square, London] Bryan Wynter (1905-1975). 'Cock in Landscape' 1949 Lithograph
Attributed works:
[Berggruen & Cie, 70 rue de l'Université, Paris] Picasso. Study for the Sculpture. "Ape and Baby" Green Crayon 21 × 13,5
Attributed works:
[Brand Inglis Limited, 9 Halkin Arcade, Motcomb Street, London] An Early 17th Century Parcel-Gilt Tazza. The Shallow Bowl Lightly Flat-Chased with Interlaced Strapwork Rests on an Elegant Baluster Stem and Circular Foot, all Similarly Flat-Chased. Maker's Mark: Two Bells. Perhaps N. Italian, Circa 1610. Height: 5½ Inches. Diameter: 6½ Inches.
Attributed works:
[C. & J. Goodfriend, 61 East 77th Street, New York] Baldassare Peruzzi (1481-1536), An Allegory of Liberality. Pen and Brown Ink and Wash with White Heightening on Pink Prepared Paper, Lightly Squared for Transfer, 335 × 185 mm. Strong No. 59; Frommel No. 66c, Plate XLIId. Ex Collection Sir Peter Lely (Lugt 2092); Earl of Pembroke; Irma N. Straus.
Attributed works:
[C. John (Rare Rugs) Ltd, 70 South Audley Street, London] An Aubusson tapestry, part of the series, Pastoral Scenes. The scenes in oval picture frame borders, on a foundation of Jaune damassé, are enhanced by festoons, swags of flowers and pendant trophies. Second half of the Eighteenth Century. 12′7″ × 8′2″
Attributed works:
[C.G. Boerner, 13 Kasernenstraße, Dusseldorf] Master Na Dat with the Mousetrap. The Two Armies at the Battle of Ravenna. Engraving. (c.1512/13). 151 × 221 mm Sheet Size. Bartsch XIII, 2. Hind V, 267,2, pl.850.
Attributed works:
[Christie's, Cornelis Schuytstraat 57, Amsterdam] Pieter Stevens, c. 1567 - After 1624: A Wooded Landscape with a Ruined Castle, Dated [15]97, Pen and Brown Ink and Watercolour, 213 × 333 mm. Estimate: £15,000 - £20,000; f150,000 - f170,000
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Albrecht Dürer (1471-1528). Engraving. Lady on Horseback and a Lansquenet. Meder 84, State 'b', of 'd'
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Andrea di Vanni d'Andrea (1332-Siena-1413). Crucifixion. Tempera on Panel: 59 × 26 cm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Bartolomeo Coriolano (Bologna Mid-17th Century). Buste d'Amor after Guido Reni. Chiaroscuro Woodcut. B.2. Size 297 × 374 mm
Attributed works:
[Daniel B. Grossman Galleries, 1100 Madison Avenue, New York] John Gibson (English, 1790-1866). The Sleeping Shepherd. White Carrara marble. 44½″h. × 40½″w. × 22½″ deep. (113.0 × 102.9 × 57.2 cm). Inscribed on the base: Johannis. Gibson Me fecit Roma. Executed Circa 1824
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] Rachel Ruysch (1664-Amsterdam-1750). Canvas, 32 × 25.8 cm. Signed and Dated 1695.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Edgar Chahine: La Promenade 1902
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Jean-Léon Gérôme: Portrait d'Homme. Oil on Canvas 57 × 46,5 cm. Signed and Dated 1853.
Attributed works:
[Frederick Cummings, 146 West 57th Street, New York] James Jacques Joseph Tissot (1836-1902). Out Post Duty (Grand'garde, souvenir du siege de Paris) Black Chalk on White Paper. 6¾ × 5 Inches (17.1 × 12.7 cm.)
Attributed works:
[Galerie Charles & André Bailly, 25 quai Voltaire, Paris] B. E. Murillo. Le Christ au Jardin des Oliviers. 53,5 × 38,8 cm
Attributed works:
[Galerie de la Scala, 68 rue de la Boétie, Paris] Pieter Molyn (1595-1661). Landscape. 15 × 20 cm. Signed and Dated (1657) Lower Centre.
Attributed works:
[Galerie du Fleuve, 6 rue de Seine, Paris] Gligor Tchemersky. 'Les Insectes Viennent'
Attributed works:
[Galerie Gerda Bassenge, 5A Erdener Strasse, Berlin] Käthe Kollwitz (1867 Königsberg - 1945 Moritzburg). Die Klage (Zum Gedenken von Ernst Barlach). Bronze. 1940.
Attributed works:
[Galerie Perrin, 98 Faubourg Saint Honore, Paris] Jean-Baptiste Greuze 1725-1805. French School. Study of the Head of a Child for Une jeune enfant qui joue avec son chien (Salon of 1769, Representing the Third Daughter of the Artist). Edgar Munhall Has Kindly Confirmed This Identification. H. 31.5 cm; L. 24.9 cm. Charcoal and White Chalk on Brown Paper.
Attributed works:
[Galerie Pierre-Yves Gabus Gallery, 2022 Bevaix, Switzerland] Foujita « Le Colin-Maillard ». Tempera on Gold, 42×32 cm, Signed and Dated 1918 - Estimated 340 000 / 380 000 S. Ref. « La vie et l'œuvre de Foujita », by S. and D. Buisson.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] E W Godwin 1833-1866. A Design for Northampton Town Hall, 1861. Brown Pen & Washes. 17¾ × 23 Inches
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Adriaen de Gryef (1670-1715). 'Hunting Trophies'. Two Pendant Panels, Signed. 32 by 39 cm
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Bartolomé Esteban Murillo. Seville 1618-1682. Virgin of the Flowers. Oval, 81 by 65 cm
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Christian George Schutz I, 1754. Landscape on the Banks of the Rhine. 50 by 119 cm.
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Giovanni Battista Salvi, Called Il Sassuferrato (1609-85). Copy of the Predella of Raphael's Vatican Coronation of the Virgin. Each Panel 27 by 51 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Circle of Cristoforo Orimina. Naples c. 1350
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Marten-Jacobsz van Veen Heemskerk 1498-1574
Attributed works:
[Heim Gallery Limited, 59 Jermyn Street, London] Louis Michel van Loo (Toulon 1707-Paris 1771). Portrait of the Président Jacques Julien, Comte Devin, His Wife Comtesse Devin and Their Son Jean Jacques Devin, Marquis de Fontenay. Signed and Dated 1767. Oil on Canvas 160 by 150 cms.
Attributed works:
[Henry Sotheran Limited, 80 Pimlico Road, London] Veduta del Sotterraneo. Etching. 715 × 455 mm. Fondamento del manusoleo. Etching for Le Antichità Romane. Rome. 1756. 1st Paris Edition 1800-1807.
Attributed works:
[Herbert Roman Inc., 17 East 77th Street, New York] John Rollin Tilton (1828-1888). The Ruins of Kom Ombos, Upper Nile, Egypt. Oil on Canvas, 30 × 48 Inches. Signed with Hieroglyphic Monogram Lower Right
Attributed works:
[Jacques Fischer - Chantal Kiener, 46 rue de Verneuil, Paris] Henry-Joseph Boichard. Né à Versailles en 1783. 'La générosité de Bayard'. Huile sur toile; signée et datéc: "Boichard 1827"; 90 × 117 cm.
Attributed works:
[Kate de Rothschild & Didier Aaron Inc., 32 East 67th Street, New York] Charles-Joseph Natoire (1700-1777). Christ on the Cross
Attributed works:
[Kate Ganz Ltd, 49 Maddox Street, London] Guido Reni (1575-1642) Study for The Nativity, 1642, Red and Black Chalk on Blue Grey Paper 28.4 × 17.2 cms.
Attributed works:
[Katrin Bellinger, exhibiting at Harari & Jones Ltd, 12 Duke Street, London] Rosalba Carriera Venice 1675-1757 Venice. Diana, Pastel on Paper 450 × 340 mm
Attributed works:
[Laurance D. Strapelias, Galerie del Borgo, 5 rue de l'Université, Paris] Louis Galloche 1670-1761. 522 × 415mm
Attributed works:
[Marc Villette, 12 rue de l'Abbaye, Paris] Jean-Charles Delafosse (Paris 1734-1791). Prison Gate. Pen and Grey and Brown Wash, Signed Bottom Left. On the Back of the Old Mount Is the Left-Hand Part of an Elevation by the Same Artist.
Attributed works:
[Marcello Aldega-Margot Gordon] Giovanni Francesco Barbieri detto il Guercino. Cento 1591 - Bologna 1666. Red Chalk, Buff Paper. 298 × 217 mm
Attributed works:
[Marlbourgh Fine Art (London) Ltd, 6 Albemarle Street, London] The Space Beyond 1988 Paint on Canvas and Board. 48 × 79in./122 × 200.7cm. Signed with Initials Lower Centre
Attributed works:
[Mathias F. Hans, Jungfernstieg 34, Hamburg] Francesco Ubertini. Bacciacca. Florenz 1494 - 1575. Portrait of Vittoria Colonna. Oil on Panel, 72 × 52 cm
Attributed works:
[Mia N. Werner, 36 East 44th Street, New York] P. F. Mola Caricature. Pen & Brown Ink & Wash. 13⅜ x 10⅜.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] Orazio Sammachini (1532-1577). 'The Flagellation of Christ'. Oil on Canvas, 18½ × 13½ ins.
Attributed works:
[Pamela Gordon, 25 rue de Lille, Paris] Jean-Louis Lemoyne (Paris 1665-1755). A Companion of Diana. Black and White Chalk. 368 × 157 mm.
Attributed works:
[Paul McCarron, 1014 Madison Avenue, Graham Gallery Building, New York] Kathe Kollwitz 1867-1945 Besuch im Krankenhaus. Woodcut, 277 × 359 mm., 1929 Klipstein 236, V/VIb. A Proof before the Final Edition of 130. A Brilliant Impression on Japan Paper.
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris] Baldassare Franceschini dit Il Volterrano. Volterra 1611 + Florence 1689. Study for an Altar, Possibly Made for the Canonization of Santa Maria Maddalena de'Pazzi Which Was Celebrated in Florence in 1669. Red Chalk, Pen and Brown Ink. 383 × 250
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Aert Schouman, (1710-1792), "A Shoveler Duck on a River Bank," Signed Verso, with Initials, Dated 1755 and Inscribed. "Een Berg Eerd Nag Nict Half Levers Groot," Watercolour, 325mm × 245mm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Giovanni Bernardo Carbone, (1614-1683), "Portrait of a Young Nobleman Standing before a Red Curtain" Oil on Canvas 143cm × 117cm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Henri Martin, "Le Berger", Oil on Canvas, Signed, 65 cm × 100 cm. Estimate: £30,000-£40,000
Attributed works:
[Phillips, Hayes Place, Lisson Grove, London] Attributed to Abraham Bisschop, (1670-1731), "Still Life of Exotic and Domestic Fowl in a Landscape," Oil on Canvas, 99.8cm × 133cm.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jan van der Straet (Called Stradanus). The Charity of St. Nicholas. Black Chalk and Brown Wash Heightened with White on Paper Washed Light-Brown. 283 by 426mm
Attributed works:
[Société Labatut, 199 bis Boulevard Saint-Germain, Paris] Gabriel-François Doyen. The Death of Virginia. Canvas 77 × 129 cms
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine Marble Bust of Christ by Giovanni Battista Caccini (Circa 1598), 72.5 cm High (28½ in). Estimate: £40,000-60,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jean-François Millet, La Provende des Oisons, Signed, Black Chalk and Pastel, 57 by 40cm (22½ by 15¾ in). Estimate: £300,000-400,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Sebastiano Mazzoni (Circa 1611-1678), Portrait of Two Small Girls, Oil on Canvas, 112 by 95cm (44 by 37½ in). Estimate: £80,000-120,000
Attributed works:
[Sotheby's, Monaco] Marinus van Reymerswael, The Two Tax Gatherers, Oil on Panel, 94 by 78cm (37 by 30¾ in). Estimate: FF2,400,000-2,800,000 (£240,000-280,000)
Attributed works:
[Sotheby's, Sporting d'Hiver, Place du Casino, Monte Carlo] Guillaume de Groot, A Mediaeval Soldier, Bronze, Signed, 165cm (65 in) High.
Attributed works:
[Sotheby's, Sporting d'Hiver, Place du Casino, Monte Carlo] Théodore Géricault, Mameluck Ramassant sa Lance, on the Reverse, Composition Classique (Circa 1810), Pen and Brown Ink Heightened with Charcoal, 17.3 by 22.1cm (7 by 9 in). Estimate: FF200,000-300,000 (£20,000-30,000)
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, London] Philip James De Loutherbourg (Strasbourg 1740-1812 London). Skating in Hyde Park. Signed and Dated 1776 Lower Left. Oil on Canvas. 36 1/16 x 48¾ Inches (89 × 124cms).
Attributed works:
[Stanza del Borgo, via G. Puccini 5, Milan] Domenico Campagnola, St. Sebastian, Pen and Ink, 318 by 217 mm, Dateable 1530.
Attributed works:
[Stephen Mazoh & Co. Inc., 43 East 75th Street, New York] Paul Cezanne Studies. Black Crayon and Pencil on Blue Paper 6 11/16 x 9⅞ Inches (17 × 25.1 cm.) 1867-69
Attributed works:
[The Leger Galleries, 13 Old Bond Street, London] Francis Towne. Naples, 1781
Attributed works:
[Thomas Le Clair, 156 Elbchausse, Hamburg] Giulio Campi (Cremona c.1505-1572). Danae, Pen and Brown Ink, Yellow and Grey Washes, White Heightening. 145 × 247mm.
Attributed works:
[W.M. Brady & Co., 3 East 76th Street, New York] John Hamilton Mortimer A. R. A. (1741-1779). Salvator Rosa. Signed and Dated 1776. Pen and Black Ink, 11 × 8¼ Inches (280 × 210 mm)
Attributed works:
[Wildenstein & Co. Inc., 19 East 64th Street, New York] H. Robert (1733-1808) 'Cascade in Tivoli'. Oil on Canvas: 24⅞ x 20 1/16 Inches
Attributed works:
[William Drummond at the Chinese Porcelain Company, 822 Madison Avenue, New York] James Seymour 1702-1752. Haute Ecole. Red Chalk 6½ × 7 Inches.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] Toulouse-Lautrec: Un Monsieur et une Dame. Colour Lithograph. 1895. 12½" x 9⅜"
Attributed works:
[Yale University Press, 13 Bedford Square/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] Claude Lorraine, Scène de Brigands, 1633
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Large Chinese Seated Wood Figure of a Bodhisattva. Song Dynasty 960-1279. Height: 172cm
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Two Chinese Standing Wood Figures of Bodhisattvas. Late Tang Period 9-10th Century. Height: 142.3 and 144cm
Non-western art unattributed:
[Ming Furniture, 4400 N. Federal Hwy, Boca Raton, Florida] Ming Dynasty chi-ch'ih-mu Side or Altar Table - Circa 16th Century. Length: 71 ins (177 cm)
Western art unattributed:
[Christie's, 8 King Street, London] A late 11th or early 12th century Byzantine bronze incense burner, cast with scenes from the life of Christ, 4⅔ in. high. Estimate: £40,000-£60,000. A rare late 12th century Limoges copper gilt and enamel plaque of a bearded apostle, 7 × 3½ in. Estimate: £15,000-£20,000. An early 16th century Malines polychrome and gilt-wood group of the Virgin and Child, 15 in. high. Estimate: £8,000-£12,000.
Western art unattributed:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Dutch school, 18th Century. Trompe l'œil, with Three Engravings. Superimposed over French Landscape Subjects. Oil on Canvas, Inscribed at Top. 73 by 54.5 cm
Western art unattributed:
[Trinity Fine Art Ltd, 23 Ellington Street, London] The Visconti/Annoni Marriage Bowl. Bronze. Lombard, c. 1580. Width 37.5cm.
Short Notice
The Cleaning and Technique of Two Paintings by Sassoferrato
04/1986 | 997 | 128
Pages: 282+284-289+291
related names
Author:
Dunkerton, Jill (Dunkerton, Jill)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
34. The Virgin and Child Embracing, by Sassoferrato. 97.2 by 74 cm. After Cleaning and Restoration. (National Gallery).
Attributed works:
35. The Virgin in Prayer, by Sassoferrato. During Cleaning. (National Gallery).
Attributed works:
36. The Virgin and Child Embracing, by Sassoferrato. During Cleaning (National Gallery).
Attributed works:
37. The Virgin in Prayer, by Sassoferrato. 73 by 57.7 cm. After Cleaning and Restoration (National Gallery).
Attributed works:
38. The Virgin and Child Embracing. Photomicrograph of a Cross-Section of a Paint Sample Taken from the Virgin's Robe before Cleaning. The Ground Is the Lowest Layer.
Attributed works:
39. The Virgin in Prayer. Photomicrograph of Paint Cross-Section Taken from a Highlight of the Blue Robe (Sample Taken after Cleaning).
Attributed works:
40. The Virgin in Prayer. Photomicrograph of Paint Cross-Section Taken from a Shadow of the Blue Robe (Sample Taken after Cleaning).
Attributed works:
41. The Virgin in Prayer. Photomicrograph of a Paint Cross-Section from the Red Robe (Sample Taken after Cleaning).
Attributed works:
42. The Virgin in Prayer, by Sassoferrato. After Cleaning, before Restoration. (National Gallery).
Attributed works:
43. The Virgin and Child Embracing, by Sassoferrato. After Cleaning, before Restoration. (National Gallery).
Attributed works:
44. The Virgin in Prayer, by Sassoferrato. X-Radiograph. (National Gallery).
Attributed works:
45. The Virgin and Child Embracing, by Sassoferrato. X-Radiograph. The White Mark on the Parapet near the Right Edge Is Caused by a Red Wax Seal on the Stretcher. That above the Virgin's Head Is from a Number or Monogram (?) Painted on the Back of the Canvas Using X-Ray Opaque Pigments, (See Fig.48). (National Gallery).
Attributed works:
46. Detail from Fig.34. [The Virgin and Child Embracing, by Sassoferrato. 97.2 by 74 cm. After Cleaning and Restoration. (National Gallery).]
Attributed works:
47. The Virgin in Prayer, by Sassoferrato. Infra-Red Photograph, before Cleaning. (National Gallery).
Attributed works:
48. The Virgin and Child Embracing, by Sassoferrato. Detail of the Back of the Original Canvas (After Removal of the Old Lining Canvas, before Relining). The Number or Monogram (?) Shows up as White in the X-Radiograph, (See Fig.45). (National Gallery).
Attributed works:
49. The Virgin in Prayer, by Sassoferrato. Fragments of the Protective Facing Paper Used When the Painting Was Transferred in the Late Eighteenth or Early Nineteenth Century. (National Gallery).
Short Notice
Some Recently Cleaned Seicento Paintings at the National Gallery
03/1986 | 996 | 128
Pages: 209-212+217
related names
Author:
Helston, Michael (Helston, Michael)
Subjects
artists:
artists:
artists:
dates:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
31. David with the Head of Goliath, by Guido Reni. 214.5 by 143 cm. (On Loan to the National Gallery, London).
Attributed works:
32. Detail from David with the Head of Goliath, by Guido Reni. (On Loan to the National Gallery, London).
Attributed works:
33. St Jerome, Here Attributed to Guido Reni (National Gallery, London).
Attributed works:
34. Detail from Susannah and the Elders, Here Attributed to Guido Reni (National Gallery, London).
Attributed works:
35. Mercury and the Dishonest Woodman, by Salvator Rosa. 125.7 by 202.1 cm. (National Gallery, London).
Attributed works:
Text Fig. B. Monogram on Original Canvas of Witches at Their Incantation, by Salvator Rosa.
Advertisements
Advertisements October 1983 (Front)
10/1983 | 967 | 125
Pages: i-xlii
Subjects
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
[Albert Amor Ltd, 37 Bury Street, London, UK] Formerly on Display at the Dyson Perrins Museum, Worcester, the Pieces from This Almost Complete Historic Service Are Now Offered for Sale Individually.
Attributed works:
[Anthony Dallas & Sons Ltd., 9 Old Bond Street, London, UK] Giovanni Battista Salvi, Called Sassoferrato. Madonna and Child. Oil on Canvas. 28 3/4 by 24½ Inches
Attributed works:
[Brandt Dayton, 1000 Park Avenue, New York, New York] Peasants Resting. Black Chalk with White, 61.0 × 54.7 cm. Signed 1.1.: "Jules Breton"
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Prinz Ruprecht von der Pfalz. The Great Executioner. Mezzotint. 1658. De Laborde p.207. Ch. Smith 2 II, Russell Suppl. 2. Hind (1933) 3 III.
Attributed works:
[Charles Keyser, London] Leon-Augustin Lhermitte (1844-1925) French School. Black Chalk Heightened with White on buff Paper 31 × 24 cms. Inscribed 'A Mons. G David-Villes'. Signed.
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London, UK] Ernest Normand. Pandora. Signed and Dated 1899. Canvas, 43 by 25 Inches.
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London, UK] George Dunlop Leslie, RA. At the Well, Signed, Canvas, 39½ by 27 Inches
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London, UK] Thomas Armstrong. The Recital, Classical Figures Listening to a Musician on a Terrace. Circa 1878. Canvas, 13½ by 38 Inches
Attributed works:
[Clifford Wright Antiques Ltd, 104 & 106 Fulham Road, London] One of a Pair of Important George III Chippendale Period Looking Glasses with Mirror Borders. Circa 1765. Height 92″ Width 59″
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giovanni Dell'opera called Bandini 1546-1599. Meleager. Height 179.3 cm. Signed and Dated Johes Bandius Floretinus.F. 1598
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[Douwes Fine Art, 38 Duke Street, London] Pieter Claesz (1597-1661). Still-Life with Roemer, Pie and Lemon. Panel: 60 × 49 cm (23½ × 19¼ Inches). Signed and Dated 1647
Attributed works:
[Fischer Galleries, Lucerne, Switzerland] Meister der Marientafeln. Würzburg oder Rothenburg um 1460. "Anbetung der Könige". Panel, 109 by 90 cm
Attributed works:
[French & Company, 17 East 65th Street, New York] One of the World's Most Important Louis XV Black Lacquer Commodes by Bernard Van Risenburgh. Height: 35 Inches • Width: 62 Inches • Depth: 26 Inches. Signed: B. V. R. B.
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] Christo, The Pont Neuf Wrapped, Collage, 85 × 71.5 cm
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] E. Boudin, The Port of Le Havre, Oil, 38 × 55 cm
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] P. D. Trouillebert, A Day in Autumn, Oil, 65.5 × 77.5 cm
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] Tiffany Studios "Woodbine". H 47 cm
Attributed works:
[Harari & Johns Ltd., 173 New Bond Street, London, UK] Joachim Uytewael (1566-1638). The Judgement of Paris. Signed and Dated 1602. 6¼ × 8¼″ on Copper
Attributed works:
[Henry Willis Antique Silver, 4 Grosvenor Street, London, UK] Soap Box and Sponge Box, Mid 18th Century, Maker's Mark only IH, Struck 4 Times on Each.
Attributed works:
[Jayne Spurr Galleries, 21 North Fairfax Street, Alexandria, Virginia, USA] Fine Bow Sauceboat c. 1755. Painted in Famille Rose Colours and Chinese Style.
Attributed works:
[John Carlton Smith, 17 Ryder Street, London] A Very Fine George III. Mahogany Silver Mounted Regulator with Enamel Dial by Benjamin Vulliamy. The Signed and Numbered Movement with Jewelled Pallets, Maintaining Power and Large Rated Pendulum. Height 6ft 10Inches. Circa Late 18th Century
Attributed works:
[Julius Bohler, Pacellistrasse 8/11, Munich, Germany] A Still-Life with Roses and Peaches, by Abraham Susenier (Leiden about 1620-1667). On Panel, 32.4 by 26 cm.
Attributed works:
[Leger Galleries Ltd, 13 Old Bond Street, London, UK] William Doughty (1757 - 1782). The Meeting of a Club in Dublin with the Earl of Mornington at the Piano and Other Caricatures. Oil on Canvas. 31 × 41 Inches.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Francis Bacon. Study of Nude with Figure in a Mirror, 1969, Oil on Canvas, 78 × 58 in/198 × 147.5 cm.
Attributed works:
[Mary Cooke Antiques Ltd., Standbrooke House, 2-5 Old Bond Street, London, UK] A Salver by Hester Bateman, London 1780. Weight 8 oz, Width 8 Inches. The Arms Are Those of Michell.
Attributed works:
[Mathaf Gallery, 24 Motcomb Street, London, UK] Eugene Fromentin. Size: 13 3/4 × 10½ inches. 'A Hawking Party'. Signed, Oil on Panel
Attributed works:
[Mia N. Weiner, 36 east 64th Street, New York, New York] Francesco Zuccarelli (Pitigliano 1702-1788 Florence) Pastorale; Black Chalk, Brush & Grey-Brown Wash, White Gouache Highlights on Pink Prepared Paper; 9 x 13 1/8
Attributed works:
[Morton Morris & Company, 32 Bury Street, London, UK] Hans Holbein II: A Young Englishwoman
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Sale 219: "Tabatière" Vermeil. The Lid Mother-of-Pearl with Gold Decoration, Set within a Miniature. painting. Johann Melchior Dinglinger. Dresden 1st Third 18th Century. 2,2 × 8,7 × 6 cm.
Attributed works:
[Noortman & Brod, 1020 Madison Avenue, New York, New York] A View of Lake Nemi. John "Warwick" Smith 1749-1831. Watercolour over Pencil. 12¼ × 17 3/4 in.
Attributed works:
[Noortman & Brod, 1020 Madison Avenue, New York, New York] La Laveuse. Francois Bonvin 1817-1887. Charcoal, 16½ × 12¼ in.
Attributed works:
[Noortman & Brod, 1020 Madison Avenue, New York, New York] Shipping in the Hamoaze off Devil's Point, Plymouth. John Cleveley, Jr. 1747-1787. Pencil, Grey Ink & Watercolour. 12½ × 15½ in.
Attributed works:
[Oscar & Peter Johnson Ltd., Lowndes Lodge Gallery, 27 Lowndes Street, London, UK] Burgh Castle by James Stark. Oil Painting; Signed on Reverse & Inscribed 'Burgh Castle'. Panel 5 × 8 Inches; Framed
Attributed works:
[Pawsey & Payne, 4 Ryder Street, London, UK] Francis Cotes R. A. 'Portrait of a Lady'. Oil on Canvas 36 × 28 Inches
Attributed works:
[Peter Finer, Medford House, Mickleton, nr. Chipping Capmpden, Gloucestershire] Miniature Wheel Lock "Puffer" by Michel Mann of Nurnberg. Circa 1600. 10.5cm. Carved Ivory South German Powder Horn. Circa 1700. 11.5cm. Similar to R.4960 Bayerisches Armeemuseum, Munich
Attributed works:
[Phillips International, 7 Blenheim Street, London, UK] "The Lamentation of the Dead Christ" by William Dyce, R. A., H. R. S. A., Had Been Listed as "Whereabouts Unknown" Until a Few Months Ago When It Was Discovered in the Chapel of the Butlins Holiday Centre at Pwellheli.
Attributed works:
[Phillips International, 7 Blenheim Street, London, UK] Tilly Kettle: Col. Fortnom and Family. Signed. 229 x 168 cms.
Attributed works:
[Richard Green, 39 Dover Street, London, UK] Philip Reinagle RA (c1749-1833) and Sawrey Gilpin (1733-1807). Portrait of Colonel Thornton of Thornville Royal, Yorkshire, roebuck shooting in the forest of Glenmore, with the only twelve barrelled rifle ever made. Painted in 1786. Canvas: 82 × 59in/208.5 × 150cm
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] "Femme au Tub" by Manet. Pastel on Canvas. H. 47 cm-W. 56 cm. Signed at the Bottom Right. Painted in 1879.
Attributed works:
[Sotheby Parke Bernet & Co., 34-35 New Bond Street, London] A George II Silver-Gilt Ewer and Basin, George Wickes, London, 1735/36, 36.2 cm. High and 55.2 cm. Diam., Made by Order of the Corporation of the City of Bristol for Presentation to the Hon. John Scrope (?1662-1752). Sold on 13th June 1983 for £176,000.
Attributed works:
[Sotheby's Mak Van Waay B.V., Amsterdam] Paulus van Vianen (c. 1570-1613/14), Study of an Oak Tree, Pen and Brown Ink and Grey Wash over Black Chalk, 13.7 by 13.6 cm.
Attributed works:
[Sotheby's Mak Van Waay B.V., Amsterdam] Roelandt Savery (1576-1639), Seated Bohemian Peasant, Pen and Brown Ink over Black Chalk, Inscribed with Colour Notations, c. 1603-9, 15.3 by 17.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Myles Birket Foster, R. W. S., Figures Looking Over A Valley, Watercolour, Heightened with Bodycolour, Signed with Monogram, 30.5 by 62 cm. £5,000-7,000. (To Be Sold on 27th October 1983)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Eugène Delacroix, Le Christ sur le Lac de Génézareth, Oil on Canvas, 44.5 by 53 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jean-François Millet, Une Bergère, Oil on Cradled Panel, 35.5 by 28 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Left: Unsigned Inro, 19th Century. Right: Inro by Shibata Zeshin
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Myles Birket Foster, R. W. S., The Ford, Oil on Canvas, Signed with Monogram, 99 by 150 cm. £5,000-8,000. (To Be Sold on 19th October 1983)
Attributed works:
[TH. Laurentius, Orangerie Duivenvoorde, 2252 AK Voorschoten, Netherlands] Paulus Potter, (1625-1654) The Frisian Horse, Etching Hollstein 9. III (3) Etched in 1652. Watermark: Foolscap
Attributed works:
[W.R. Harvey & Co (Antiques) Ltd, 67/70 Chalk Farm Road, London] "A very fine George III period mahogany Secretaire Breakfront Bookcase, from a design by Thomas Shearer. c 1788. Literature: 1. English Furniture Designs of the 18th Century, Peter Ward-Jackson, pp 63, Plate 294. 2. The London Book of Prices, 2nd Edition, Publ. 1793, Plate 1. 3. The Cabinetmakers London Book of Prices & Designs of Cabinet Work, Publ. 1788. 4. Shearer's Designs for Household Furniture, Publ. 1788. Height: 8′ 8″ Width: 7′ 7″ Depth: 1′ 11″
Attributed works:
[William Schab Gallery, Inc., 11 East 57th Street, New York, New York] Francesco Fontebasso: Cornelia, Mother of the Gracchi, Oil on Canvas, 1760
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] Pablo Picasso: Le Repas Frugal Etching. 1904.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] Paul Gauguin: Nave Nave Fenua. Four Colour Woodcut. 1894. Extremely Rare Proof Printed by Gauguin
Non-western art unattributed:
[Emanouel Antiques Limited, 64 South Audley Street, London, UK] Elephant Incense Burners Cloissone inlaid with turquoise and coral. Early 19th century. Provenance. Originally in the Temple of the Nine Dragons, in the province of Kwantow. They were removed during the Japanese occupation and taken into hiding. Later they were taken to the palace of Chau Mau Chang in the province of Kunming. During the Mao revolution they were once again hidden, then later they were disposed of by the Chinese government by various sources. In the Chinese High Festivals and on Holy Days they were paraded around the town and streets bedecked in flowers and pretty maidens in their national dress. Size - height 73″ width 48″ depth 24″. Unique - the only pair in the world.
Non-western art unattributed:
[Vigo Carpet Gallery, 6a Vigo Street, London, UK] Antique Tabriz Carpet. 12 ft. 2 ins. × 9 ft. (3.71 × 2.74 m)
Western art unattributed:
[Arenski, 29-31 George Street, London] A George III satinwood tea-caddy of great quality with square lid cross-banded with rosewood, mounted with plated handle, enclosing two cut-glass decanter caddies and two oval mixing-bowls, all in original condition. 9¼in (23.3cm) square. English
Western art unattributed:
[C.John, 70 South Audley Street, London, UK] A Fine and Rare Early 19th Century Bessarabian Tapestry Woven Carpet. 9′ 4″ × 6′ 2″ (284 × 188)
Western art unattributed:
[Charles van der Heyden, 21 Westersingel, Rotterdam, Netherlands] A Twelve Armed Brass Chandelier in Two Tiers, with Ornaments in Oricular Style. Northern Netherlands, XVII th Cent. H 100 cm by W 112 cm
Western art unattributed:
[Christie's, 8 King Street, London] Late 15th/Early 16th-Century Tuscan Gilt Bronze Fountain Figure of a Winged Putto, Possibly the Infant Mercury, 61.5cm High.
Article
The 'Mignardes', Sassoferrato and Roman Classicism during the 1650s
02/1981 | 935 | 123
Pages: 68-76
related names
Author:
Boyer, Jean-Claude (Boyer, Jean-Claude; Boyer, Jean)
Author:
Macé de Lépinay, François (Macé de Lépinay, François; Lépinay, François Macé de)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
10. Holy Family with Saint John the Baptist, Attributed to Francesco Gessi. (Quadreria dei Girolamini, Naples).
Attributed works:
11. Virgin and Child with St John the Baptist, Engraving by François de Poilly after Pierre Mignard. (Bibliothèque Nationale, Paris).
Attributed works:
12. Virgin and Child with St John the Baptist, Copy by Jean Boulanger of the Engraving by François de Poilly after Pierre Mignard. (Bibliothèque Nationale, Paris).
Attributed works:
13. Virgin and Child with Saint John the Baptist, by Sassoferrato. 90.2 by 72.4 cm. (Ringling Museum of Art, Sarasota).
Attributed works:
14. Virgin and Child with Saint John the Baptist, by Sassoferrato. 92 by 74 cm. (Pushkin Museum, Moscow).
Attributed works:
15. Holy Family with an Allegory of Redemption, Engraving by François de Poilly after Pierre Mignard. (Bibliothèque Nationale, Paris).
Attributed works:
16. Holy Family with an Allegory of Redemption, by Sassoferrato. Oil on Copper. (Staatsgalerie, Stuttgart).
Attributed works:
17. Holy Family with an Allegory of Redemption, by Sassoferrato. 106 by 78 cm. (Marian College, Indianapolis).
Attributed works:
17a. Holy Family with an Allegory of Redemption, Ascribed to Pierre Mignard. 120 by 100 cm. (Musée des Beaux-Arts, Rouen).
Attributed works:
2. Virgin and Child, Engraving by François de Poilly after Pierre Mignard. (Bibliothèque Nationale, Paris).
Attributed works:
3. Virgin and Child, Attributed to Sassoferrato. 76 by 60 cm. (Oratory of Santa Maria Formosa, Venice).
Attributed works:
4. Virgin and Child, Here Attributed to Sassoferrato. 60 by 50 cm. (Formerly on the Art Market, Rome).
Attributed works:
5. Virgin and Child, Attributed to Sassoferrato. 98 by 87 cm. (Musée des Beaux-Arts, Nancy).
Attributed works:
6. Study for a Female Head, by Pierre Mignard. Drawing in Trois Crayons. 20 by 14.8 cm. (Musée du Louvre, Paris).
Attributed works:
7. Studies for the Christ Child and the Virgin, by Pierre Mignard. Red Crayon. 26.6 by 40.1 cm. (Musée du Louvre, Paris).
Attributed works:
8. Study for the Virgin and Child, by Pierre Mignard. Red Chalk. 28.3 by 20.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
9. Virgin and Child with Angels and Saints Peter and John, Attributed to Francesco Cozza. 240 by 157 cm. (Parish Church, Arrona, Umbria).
Western art unattributed:
1. Catherine Mignard as Fame, Holding Her Father's Portrait, by a Member of Pierre Mignard's Studio. 116 by 89 cm. (Musée du Château, Versailles).
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