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Advertisements June 1999 (front)
06/1999 | 1155 | 141
Pages: i-xxiv
Subjects
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Illustrations
Attributed works:
Cassoni (One of a Pair), Florentine, Second Half of the Nineteenth Century, Incorporating Elements from a Chest and spalliera of 1472, with Brennus before Rome by Biagio d'Antonio as the Front Panel. 212 by 193 by 76.2 cm. (Courtauld Gallery, London).
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Giovanni Francesco Barbieri, il Guercino (1591-1666) Christ Appearing to the Virgin. Pen and Brown Ink, Brown Wash. 37.4 × 24.5 cm.
Attributed works:
[Burlington Magazine, 14-16 Duke's Road, London, UK] A Scintillating Pair of French Impressionist Garden Studies, Painted in 1872/73.
Attributed works:
[Burlington Magazine, 14-16 Duke's Road, London, UK] A Scintillating Pair of French Impressionist Garden Studies, Painted in 1872/73. Oils on Canvas: 36¼ × 28 3/4 Inches (92 × 73 cms).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Giambattista Tiepolo (1696-1770). Samuel Anointing Saul. Pen and Wash, 265 × 462 mm
Attributed works:
[Christie's, 8 King Street, London, UK] Thomas Gainsborough R. A., (1727-1788). The Byam Family: Mr and Mrs George Byam and Their Daughter Selina, Full-Length, in a Landscape, Oil on Canvas, 98¼ × 92 3/4 in. (244.4 × 235.6 cm.)
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Marguerite Gérard. Portrait of the Tiercelin Family in an Interior. Oil on Panel, 63 × 51 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Giuseppe Gambarini, (Bologna 1680 - 1725). A Musical Scene with Peasants Merrymaking. Oil on Canvas, 77 × 102 cm
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Francesco Monti. Bologna 1685 ∼ 1768 Brescia. Christ in the House of Simon (Detail). Black Chalk with White Heightening 14½ × 19 Inches (370 × 490 mm)
Attributed works:
[Grosvenor Gallery, 18 Albemarle Street, London, UK] Fernand Legér Nature Morte - Canne, Chapeau et Chaise, 1924. Pencil on Paper. 27 × 19cm Signed with Initials and Dated Lower Right. F. L.24
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Armand Rassenfosse (1862-1934). Les gants blancs. Charcoal and Watercolour, Heightened with White Gouache, 27.7 × 18.3 cm. Signed with Initials and Dated 1896
Attributed works:
[James Faber, London. The Olympia Fine Art and Antiques Fair, London, UK] Hands of a Draughtsman. French School, Circa 1750. Red Chalk, 16.5 × 21.6 cm.
Attributed works:
[John Carlton-Smith, 17 Ryder Street, London, UK] Benjamin Vulliamy, London, No. 811. A Rare Early 19th Century Mahogany Wall Clock with a Signed 14 Inch Silvered Dial. The 8 Day Double Fusee Movement with Half Dead Beat Escapement, Striking on a Bell and a Wood Rod Pendulum. The Backplate Signed and Numbered 811. Height 25 Inches. Circa 1820
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Lucas Gassel (Helmont 1480/1500 - c.1570 Brussels). The Parable of the Wheat and the Tares. Oil on Panel - Signed with Monogram and Dated 1540. $32frac{5}{8}$ × 41 ins. (85.4 × 104.1 cm.)
Attributed works:
[Johnny van Haeften, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Floris Gerritsz. Van Schooten: A Kitchen Interior with the Supper at Emmaus. Signed with Initials and Dated 1620. 122 × 190 cm.
Attributed works:
[Kate de Rothschild, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] François Watteau: Study of Young Boy, 1790-95. Black Chalk Heightened with White, 53.5 × 39 cm.
Attributed works:
[Klaber & Klaber, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Revolutionary Sèvres Cup and Saucer Painted with Symbols Adopted by the French Revolution. French, Circa 1793-1800. Saucer Diameter 12 cm. Height of Cup 6 cm.
Attributed works:
[Mallet & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A George II Giltwood Armchair. English, Circa 1750. Height 104 cm. Width 72 cm. Depth 80 cm.
Attributed works:
[Mallet & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Ivory Inlaid Padouk Armchairs (One Shown). Anglo-Indian, Vizagapatam, Circa 1765. Height 102 cm. Width 67 cm. Depth 54 cm.
Attributed works:
[Mallett & Son (Antiques) LTD, 141 New Bond Street, London, UK] A Remarkable Needlework Portrait of Charles I Worked from an Engraving after the Portrait by Edward Bower, Now in the Royal Collection, Depicting the King at His Trial in 1649. The Needlework Is Signed and Dated 'Anna Skinner in the 69th Year of Her Age 1716'. Textile: 13 × 11 in/33 × 28 cm, Framed: 19 × 17 in/48 × 43 cm
Attributed works:
[Mallory of Bath, 1-4 Bridge Street, Bath, UK] A Good George II Silver Coffee Pot. Flat Chased Showing Both Rococo and Baroque Influence. Contemporary Armorial. By Louis Dupont London 1736. Height 9ins 22cms. Weight 25.6ozs. 796 Grams. All Approximate.
Attributed works:
[Noortman, Maastricht. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Meindert Hobbema: A Woodland Glade, 37 × 48.5 cm.
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] A Fine Set of Six Adam Period Painted and Gilded Armchairs. Circa 1775.
Attributed works:
[Norman Addams, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A George III Cabinet Commissioned from the Weeks' Museum, London. Attributed to George Simson, Circa 1795. Height 232 cm. Depth 55.5 cm. Width 92 cm.
Attributed works:
[Ossowski, 83 Pimlico Road, London, UK] A Pair of Finely Carved Limewood Drops in the Style of Grinling Gibbons. English, Circa 1880. 58 Inches (147 cm) Tall, 8 Inches (20 cm) Wide.
Attributed works:
[P. & D. Colnaghi, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Francesco Guardi: Venice: A View of the Rialto with the Riva del Vin. Pen and Brown Ink and Brown Wash. 24.7 × 42.3 cm.
Attributed works:
[Pyms Gallery, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Gustave Moreau: Athenians Delivered to the Minotaur in the Labyrinth on Crete. Oil on Canvas, 33 × 56.5 cm.
Attributed works:
[Rafael Valls Ltd, London. The Olympia Fine Art and Antiques Fair, London, UK] Jean-François Perdrix: Trophy of the Hunt: a Trompe l'æil of a Deer's Head Hanging from a Wooden Wall. Inscribed and Dated 1766. Oil on Canvas. 104.1 × 71.7 cm.
Attributed works:
[Richard Green, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Isaak Soreau: Still Life with Bunches of Grapes, a Vase of Tulips, Sprigs of Rosemary and Strawberries in a Wanli Porcelain Bowl. 42.5 × 62.7 cm.
Attributed works:
[Robbig, Munich. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Johann Joachim Kändler: Shepherd and Shepherdess under a Tree, Meissen 1738-40. Height 27.5 cm. Width 18.5 cm.
Attributed works:
[Robert Bowman, Ltd. London.The Olympia Fine Art and Antiques Fair, London, UK] Mathurin Moreau: The Egyptian Goddess Semiramis, Circa 1890. Bronze. Height 79 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Léon Augustin Lhermitte. French 1844-1925. En Moisson, Signed and Dated 1913 l. r. Oil on Canvas 188.5 by 259cm. 74½ by 102in. Estimate: £250,000-350,000
Attributed works:
[Spink & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Makuzu Kozan. A Late 19th-Century Porcelain Jar of Baluster Form, Covered with Luminous Blue Glaze and Decorated with Tawaragani Crab in Moulded Relief. Height 38.5 cm.
Attributed works:
[Studio Novo Ltd, 8 & 9 Ryder Street, London, UK] Federico Barocci (Urbino 1535-1612). Study for the Beata Michelina' at the Vatican Museum. Oil on Paper Laid Down on Canvas, 30 × 40.5 cm.
Non-western art unattributed:
[C. John, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Chinese Peking Carpet Circa 1890. Hand knotted Woollen Pile on a Woollen Foundation. 350 × 275 cm.
Non-western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] A Sino-Tibetan Gilt-Bronze Figure of Amitayus. 18th Century. Decorated with Coral, Turquoise and Lapis Lazuli. Height 46 cm.
Non-western art unattributed:
[Pelham Galleries, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Famille-Rose 'Soldier' Vases and Covers of Baluster Form. Qianlong, Circa 1740. Height (Including Stands) 155 cm.
Western art unattributed:
[Celia Jennings, Kent. The Olympia Fine Art and Antiques Fair, London, UK] A 16th-Century Oak Carving of the Madonna and Child with a Saint. Low Countries, Circa 1500. Height 31 cm. Width 31 cm. Depth 2 cm.
Western art unattributed:
[Godson & Coles, London. The Olympia Fine Art and Antiques Fair, London, UK] A George I Walnut Tallboy. English, Circa 1710. Height 177 cm. Width 104 cm. Depth 54 cm.
Western art unattributed:
[JOanna Booth, London. The Olympia Fine Art and Antiques Fair, London, UK] St Florian, Flemish, Circa 1520. Carved Oak. Height 84 cm.
Western art unattributed:
[Richard Philip, London. The Olympia Fine Art and Antiques Fair, London, UK] Head of an Angel. French School, Circa 1300. Limestone. Height 25 cm.
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Advertisements February 1999 (front)
02/1999 | 1151 | 141
Pages: i-xii
Subjects
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Illustrations
Attributed works:
The Altar-Piece of the Cardinal of Portugal, by Antonio and Piero del Pollaiuolo, after Cleaning and Restoration. Tempera and Oil on Oak Panel. (Galleria degli Uffizi, Florence).
Attributed works:
[Adrian Sassoon, London. The Olympia Fine Art and Antiques Fair, London, UK] Large Blue Collapsed Vase form, with Terracotta Two-Tone Surface, by Nicholas Arroyave-Portella. Earthenware, ht 42 cm.
Attributed works:
[Bruton Gallery, London. The Olympia Fine Art and Antiques Fair, London, UK] Jeu de Voile, by Emile Antoine Bourdelle, 1910. Bronze, ht. 66 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] The Master of the Karlsruhe Passion (Active around 1450 in South Germany). The Scourging of Christ. Oil and Distemper on a Painted Walnut Panel: 66.5 × 46.5 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Giovanni Maria Viani (1636 - 1700). The Parable of the Wheat and the Tares. Oval, Oil on Copper, 45.5 × 59.1 cm
Attributed works:
[Joanna Booth, London. The Olympia Fine Art and Antiques Fair, London, UK] St John the Evangelist, French School c.1280. Oak with Much Original Polychrome, ht.106 cm.
Attributed works:
[Marks Antiques, London. The Olympia Fine Art and Antiques Fair, London, UK] A Set of Four Silver-Gilt Wine Coasters, Made by Benjamin Smith, London, 1807, Fitted to Silver-Gilt Trolleys, Made by Robert Garrard, London, 1837
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Camillo Procaccini or Workshop (Bologna ca. 1555-1629 Milan). The Lovers. Red Chalk. 198 × 268 mm. Watermark: Briquet 6599.
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germnay] Franz Christoph Janneck (1703 Graz - 1761 Vienna). The Education of Bacchus (Ovid, Metamorphoses III, 314 ff). Oil on Copper. 14,4 × 20,1 ins.
Attributed works:
[Ossowski, 83 Pimlico Road, London, UK] A Carved Lime Festoon Depicting the Fruits of the Sea, Attributed to William Gibbs Rogers. English, Circa 1860. Approx. 62 in. Tall (158 cm). Approx. 65 in. Wide (165 cm)
Attributed works:
[Ossowski, 83 Pimlico Road, London, UK] A Giltwood Adam Period Overdoor Carving, Circa 1780. 22 in. Tall (56 cm). 56 in. Wide (142 cm)
Attributed works:
[Richard Philip, London. The Olympia Fine Art and Antiques Fair, London, UK] Madonna and Child, Attributed to Elisabetta Sirani. Red Chalk.
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] Théophile Alexandre Steinlen. Lausanne 1859 - 1923 Paris. Les deux Chats. Pochoir; Gouache and Watercolour on moiré Silk, 62 × 54 cm. Signed.
Attributed works:
[Tate Gallery, Millbank, London, UK] Benjamin West, The Golden Age, 1776
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Casper by Augustus John, Oil on Panel, c.1909 Fitzwilliam Museum, Cambridge. © Julius White
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] The Tutor: John Hope-Johnstone 1883-1970, by Augustus John, c.1920. Oil on Canvas.
Attributed works:
[Vost's, Newmarket, UK] An Important Gothic Revival Pine and Mahogany, Painted and Gilded, Metal Mounted Sideboard Designed by William Burges (1827-1881), Constructed by Harland and Fisher and Decorated by Nathaniel Hubert John Westlake (1833-1921) and Others, 1859. Estimate: Refer to James Guyer or John Vost.
Non-western art unattributed:
[Capital Gallery, Hong Kong. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Pottery Bears. Chinese, Han Dynasty (206 BC-220 AD). Ht 10 cm.
Non-western art unattributed:
[Exh. Les Antiquaires, Palais des Beaux-Arts, Brussels] "Le scribe accroupi", Louvre, © Photo RMN - Hervé Lewandowski / Design: Rumeurs
Western art unattributed:
[Lennox Cato, London. The Olympia Fine Art and Antiques Fair, London, UK] Carved Giltwood Mask, Italian Late-18th Century, with a Corsini Provenance.
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11/1993 | 1088 | 135
Pages: 793-794
Subjects
subjects:
Illustrations
Attributed works:
[ A & M Ossowski, 83 Pimlico Road, London ] A George III Giltwood Chippendale Period Oval Looking-Glass, Retaining Original Gilding and Glass. English c.1760 Height: 57½ in (146 cm) Width: 34 in (86 cm)
Attributed works:
[ Christie's, 8 King Street, St James, London ] Thomas Gainsborough, R. A. (1727-1788), Peasants Going to Market: Early Morning, 48 × 58 in. (121.9 × 147.3 cm.)
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Advertisements October 1985 (Front)
10/1985 | 991 | 127
Pages: i-lxii
Subjects
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Illustrations
Attributed works:
Detail from View of the South Front, Chiswick House, by Jacques Rigaud. Pen and Wash. (Chatsworth Settlement Trustees).
Attributed works:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Anders Zorn: Interior with Mrs Weguelin and Son, Signed 1889, Oil on Canvas, 130 × 88 cm.
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Daniel Vertangen. The Hague 1598-1684 Amsterdam. "Kitchen Interior". Oil on Canvas, 66 × 63.5 cms. Signed
Attributed works:
[Bond Street Antique Centre, 124 New Bond Street, London] Art'antica Rovati 01-491 2327. Pair of Dresden Vases. c.1730. Vinci Antiques 01-499 1041. Rare George II Silver. Cake Basket by Edward Aldridge. London 1746
Attributed works:
[Bond Street Antique Centre, 124 New Bond Street, London] Claudia Beck 01-409 2854. Frederick Walter Lee, RMS (fl. 1894-1938). 'Westminster Hall at Sunset'. Signed & Dated September 1897. Watercolour 15¾ × 26½ Inches.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, London & 4 Dundas Street, Edinburgh] An exhibition of furniture, stained glass and watercolours to be shown at out London gallery during November and at our Edinburgh gallery during December] E.A. Taylor 1874-1952 Artist and designer.
Attributed works:
[Browse & Danby, 19 Cork Street, London] P.W. Steer 1860-1942 Girl on a Sofa, 1891. Oil on Canvas 22½ × 24½ Inches
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] Adriaen van Ostade. B. 32, Davidsohn und Godefroy IV (von X bzw. XII). Wm. Phoenix.
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London] Sir Robert Smirke, RA. Windsor Castle, Berkshire. Signed and Dated 1824. Watercolour 10½ × 13¾ Inches
Attributed works:
[Colnaghi & Clarendon Gallery, 14 Old Bond Street, London] Sir John Lavery, Lady Wimbourne. Oil on Canvas, 78″ × 40″
Attributed works:
[Colnaghi USA Ltd, 26 East 80th Street, New York] Eustache le Sueur 1617-1665. Judas Remonstrating with Christ over Magdalen and the Pot of Alabaster. Canvas 154 × 132 cms.
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Edouard Vuillard: "Vue d'un parc avec bonnes d'enfant" (1900). Pastel - Stamp of the Artist - 28.5 × 20.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Honoré Daumier: "l'Avocat". Bronze - Dark Brown Patination - Monogram - Foundry Valsuani - cire perdue - ex. nr. 28/30 - H25 L10.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] James Ensor: "BreakWater at Ostend". Canvas - Signed 1878 - 36.5 × 46.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Maurice Utrillo: "Le moulin de la Galette à Montmartre". Canvas - Signed - 46 × 54 cm
Attributed works:
[Edition PVA, Postfach 1950, Landau/Pflaz] Professor Dr. Werner Sumowski, University of Stuttgart, has attended to the art of Rembrandt, his pupils and his precursors for thirty years now. He enjoys an international reputation as a Rembrandt research worker of rank and as leading expert on the Rembrandt School. Besides books, his bibliography comprises numerous publications in specialized journals at home and abroad. Successive publication of the twelve volumes of his edition of drawings by the Rembrandt School began in 1979.
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] John Ruskin HRWS
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Peter De Wint OWCS
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Philip Wilson Steer OM
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Sir Alfred Munnings PPRA
Attributed works:
[Galerie Bruno Meissner, Bahnhofstrasse, Zurich] Jan Hackaert. (Amsterdam 1629-1699), "Avenue of Silver Birch beside a River". Öl/Lwd., 52 × 49 cm
Attributed works:
[Galerie d'Arenberg, rue aux laines 14-1000, Brussels] François Rude (1784-1855). Bust of David, s. and d. "Brux. 1826". Plaster, h.: 80,5 cm
Attributed works:
[Galerie de La Scala, 68 rue La Boétie, Paris] Van Loo Carle (1705-1765), "Saint-François"
Attributed works:
[Gallery Antiques Limited, 6 Peter Street, Winchester] An important Chippendale period carved giltwood mirror c.1760. A pair of fine George II giltwood oval mirrors illustrated in 'English Looking Glasses' by Geoffrey Wills, p.85. An important pair of Regency mahogany writing tables, probably by Gillows. Two fine Empire encriers. An unusual pair of satyr candlesticks, French c.1785. A pair of Charles X steel and ormolu candlesticks. A fine French mantel clock with porcelain flowers by 'Angevin a Paris'. A good pair of chestnut urns with their original decoration c.1790. One from a pair of fine and important Paktong fire grate fronts and fenders from Battle Abbey by Robert Adam c.1775. See P.11 & 12 of 'Paktong' by W. D. John & K. Coombes. A pair of marble pedestals c.1810 and two marble busts.
Attributed works:
[Gavina Ewart, 60 High Street, Worcestershire] A Fine Pair of Minton Porcelain Figures Set in Ormolu Candelabra Stands. Circa 1840. 33 cm High. A Rare Minton Figure of the Burlesque Sculptor c. 1835.
Attributed works:
[Gebr. Douwes Fine Art, Rokin 46, Amsterdam] Jules Héreau (1839-1879) "Monsieur La Fontaine." Panel: 45 × 35 cm. 17¾ × 13¾ Inches. Signed and Inscribed: "a mon ami La Fontaine, Barbizon, Sept 1859"
Attributed works:
[Hennell, 12 New Bond Street, London] Robert Hennell III 1837. 13″ Long overall (Loaded). Weight, 8 oz (Jugs only)
Attributed works:
[Howard Antiques, 8 Davies Street, Berkeley Square, London] An Exceptional 17th Century Chinese Black Lacquer Cabinet with the Original Fitted Interior, Supported on Its Contemporary English Silvered Carved Wood Stand, in the Manner of Daniel Marot, Centred with Stags. Circa 1690. Height 70″ Width 40″ Depth 21″
Attributed works:
[John Noott, Picton House Gallery, Highstreet, Worcestershire] William Shayer. A Halt by the Way. Oil on Panel. 18″ × 24″
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] On Canvas. Jacob Isaacksz. van Ruisdael, (c. 1628 - Haarlem - 1682). 31 × 38 ins.
Attributed works:
[Lawrence Fine Art, South Street, Crewkerne] Alfred Grenfell Haigh. Lt. Col. Sir Denis f. Boles, Bart., on His Hunter Sligo, Leading out His Favourite Hounds, on the Quantocks. Signed and Dated 1925, 48in. × 59½in.
Attributed works:
[Leslie Smith Gallery, Hertelaan 15, Wassenaar, Netherlands] Panel: 50 × 70 cm. Signed and Dated 1858. B. J. van Hove (1790-1880). Town View of Delft. Price: $36,000
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Der Traum 1 1984 Oil on Canvas 78¾ times 78¾ in./200 × 200 cm.
Attributed works:
[Morton Morris & Company, 32 Bury Street, London] Portrait of Sotiri. Dragoman of Mr. Colquhom
Attributed works:
[Oscar & Peter Johnson Ltd, Lowndes Lodge, Gallery 27, Lownes Street, London] Ballymacad - 1936. This Bronze by the American Sculptress, Pauline Boumphrey (1886-1959) Was Not Started Until the Horse, Belonging to Her Husband - Joe, Was at Least Sixteen Years Old.
Attributed works:
[Phaidon] Pompeo Batoni. Holbein. Chardin
Attributed works:
[Phillips Son & Neale Inc., 406 East 79th Street, New York] Ossip Zadkine (1890-1967), "Garden Statue," Bronze, Edition 6, 1943, 53.3 cm. × 134.6 cm. × 63.5 cm.
Attributed works:
[Phillips Son & Neale Inc., 406 East 79th Street, New York] Pablo Picasso (1881-1973), "La Ballerine," Pencil and Gouache on Paper, 32 cm. x 22 cm.
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Ford Madox Brown, "An English Fireside of 1854-55", Signed and Dated '55, Oil on Panel, 31 × 20 cm.
Attributed works:
[R. Polak Gallery, 85 Parkstraat, The Hague] H. W. Mesdag 1831-1915. 'Return of the Fishing Fleet'
Attributed works:
[Raffety Huber, 34 Kensington Church Street, London] A Fine English Musical Bracket Clock by S. & C. Joyce, London, the Movement Playing a Selection of Seven Scottish Tunes, with Original Wall Bracket, Circa 1820.
Attributed works:
[Richard Green, 44 Dover Street, London] Sir Francis Grant PRA (1803-1878). Lady Louisa and Lady Beatrix Legge with Their Pony. Signed and Inscribed. Canvas: 90 × 66 in/229 × 168 cm
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Nicolaes Berchem, "Childhood of Jupiter on Mt. Ida," 1646. Oil on Panel, 72 by 95.5 cm
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] Made Circa 1659 This Historical Timepiece by Ahasuerus Fromanteel Was the First Fusee-Regulated Pendulum Movement and the First Architect Designed Ebony Case with Gilt Metal Mounts. Height 27 ins.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The Early George III Mahogany Bookcase, Formerly at Haddo House, Aberdeenshire, Attributed to William Vile the Royal Cabinetmaker. Circa 1760. Height 11 ft 6 ins.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The George III Mahogany Hanging Cabinet Similar in Style to the Lanterns Made by William Vile in 1763 for the Hall at Buckingham (House) Palace Now in Kensington Palace.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The Royal Family at the Academy. 1787. Pencil, Pen and Grey Ink and Watercolour by Johann Heinrich Ramberg (1763-1840) King George III and Queen Charlotte Accompanied by Members of the Royal Family at Somerset House. Formerly in the Collection of the Earls of Harewood.
Attributed works:
[S.J.Shrubsole, 43 Museum Street, London] 3 pairs of Wine Coasters from Our Current Selection of Fine Table Silver. Top: By William Bateman, London 1820 Middle: By Henry Chawner, London 1791 Bottom: By S. C. Youngs & Co., Sheffield 1817
Attributed works:
[Salons Independants des Antiquaires et de la Haute Joaillerie, Marseille] Jean Louis Bouzou Armchair. Louis XV, estampillé Meunier. With Its Original Upholstery. Jean Sarfati Pair of Busts in Classical Costume. Venice. Gilt and Silvered Wood. Seventeenth Century. Dario Boccara Detail from La Chasse à l'ours (Brussels) Studio of Cornelius Matteus. 3.55m by 3.77m c. 1575. Antiquaire du Paradou. Lion Resting. Marble. Venice. Thirteenth Century.
Attributed works:
[Sotheby's, 1334 York Avenue, New York] A Florentine Bronze Figure of Flora, Giambologna, Susini Workshops, c. 1600, Height 31.8 cm.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69 Street, New York, New Orleans Museum of Ar, Columbus Museum of Art] Francois Boucher. Leda and the Swan. Oil on Canvas, 23⅜ × 29¼ Inches. Signed: f Boucher. Exhibited: Paris, Salon, 1742, no. 21 bis.
Attributed works:
[T. Crowther & Son Ltd, 282 North End Road, Fulham] A Fine and Important Carved Pinewood Painted Chimney-Piece of Chippendale Period, Complete with Its Original Marble Slips. English Circa 1750.
Attributed works:
[The Belgrave Gallery, 22 Mason's Yard, Duke Street, London] Alfred Wolmark. A Painted Sign. Oil on Panel.
Attributed works:
[The Fine Art Society, 148 New Bond Street, London] Thomas Hartley Cromek 1809-1873. The Arch of Titus with the Colosseum, Rome. Watercolour 30″ × 21½″ (76.2 × 54.6)
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Francis Towne. Lake Maggiore at Evening. Size: 6⅛ × 8¼ Inches. Signed and Dated, 1781.
Attributed works:
[Trevor Trevor House, 110 High Street, Lewes] A Very Important Secretaire Bookcase in Mahogany of Beautiful Colour and Patination, Having Floral Marquetry. In the Manner of Hepplewhite in the French Taste. England. George III. Circa 1780 Height: 6′ 11″ 211cms. Width: 2′ 11″ 89cms. Depth: 1′ 8″ 51cms.
Attributed works:
[William Tillman, Crouch Lane, Borough Green, Kent] An Important Sheraton Style Oval Breakfast Table in Mahogany Inlaid with Rosewood and Satinwood. Length 74½″/189.2 cm. Width 49½″/125.7 cm. Height 28″/71 cm. This Table Will Seat Eight People.
Attributed works:
[Winifred Williams, 3 Bury Street, London] Capodimonte. Painted by Giovanni Caselli. Blue fleur de lys mark. Height 21 cm. Circa 1750
Non-western art unattributed:
[John Sparks, 128 Mount Street, London] A Pair of Chinese Porcelain Vases Copying a Delft Model and Decorated in 'famille verte' Enamels. Height: 11¾. K'ang Hsi (1662-1722)
Western art unattributed:
[A.V. & M.R. Santos 1 Campden Street London] Very Rare "Famille Rose". Teapot c. 1775 the Decoration is Intended to Commemorate the Electoral Struggles of 1768 and 1772 in the House of Commons, between John Wilkes, a Liberal MP, and William Murray, Lord Chief of Justice from 1766 Until 1778, and a Pillar of the Establishment. John Wilkes Was a Noted Champion of Personal Liberty and Supporter of the American Revolution Cause. Illustrated in Page 232 of "Oriental Export Market Porcelain" by G. Godden.
Western art unattributed:
[Arnold Wiggins & Sons Limited, 30-34 Woodfield Place, Harrow Road, London] English, c. 1780 Sight 49¼ × 39¼ ins, Width 6½ ins. Provenance: Ashridge; Welbeck Abbey
Western art unattributed:
[Aubrey Brocklehurst, 124 Cromwell Road, London] A Louis XV Ormolu-Mounted Kingwood Longcase Clock by an Anonymous French Maker. The 8-Day Movement Has Steel Dead-Beat Pallets, Hour and Halfhour Striking, and a Vitreous Enamel Dial. Height to Top of Case Excluding Father Time, 7′ 0″. Maximum Height 7′ 9½″, (240 cms).
Western art unattributed:
[Brockbank & Atkins, 17 Ryder Street, London] A High Quality Early 19th Century Longcase Regulator c1830. The 8 Day Substantial Movement with Dead Beat Escapement. Harrisons Maintaining Power, Jewelled Pallets and End Stops Throughout the Train The Mercury Compensated Pendulum Suspended from the Backboard of the Fine Tapering Mahogany Case.
Western art unattributed:
[C. John, 70 South Audley Street, London] An Extremely Rare and Exceptional English Soho Tapestry. Circa 1780. Size: 9′ 11″ (302 cm) Wide × 8′ 1″ (246 cm) High.
Western art unattributed:
[Gallery Lingard, Old Registry Office, 250 Kings Road, Chelsea] 19th Century Belgian School. Design for a Chamber of Commerce, Antwerp, c. 1880
Western art unattributed:
[H.W. Keil Limited, Tudor House, Worcestershire] 2 of an Excellent Set of 6 Late Seventeenth Century Oak Single Chairs of the Cromwellian Period Covered in Red Velvet. c. 1680. An Excellent Late Seventeenth Century William and Mary Walnut and Padouk One Drawer Table with Barley Sugar Twist Legs and Parquetry Top. c. 1690.
Western art unattributed:
[Howard Phillips, 11a Henrietta Place, London] A Rare Set of 'Colour Twists' c. 1760
Western art unattributed:
[John Murray in association with Britoil] The Glasgow Boys. The Glasgow School of painting 1875-1895. Roger Billcliffe
Western art unattributed:
[Paul Mitchell Limited, 99 New Bond Street, London] English Rococo c. 1745, Sight 49¼ × 39½ ins, Width 5½ ins
Western art unattributed:
[Priests, 60 North Street, Thame] A Fine Quality Sheraton Period Burr Yew Ladies Work Table. c. 1790.
Western art unattributed:
[Ronald A. Lee, 1-9 Bruton Place, London] 16th Century Latticino Glass Goblet Supported on an English Silver Base of Circa 1595-1605. The Glass of Venetian Origin. Engraved with an Earl's Coronet, the Letter T under, within a Foliated Wreath. Height: 8¼ ins. Formerly in the Collection of John Girdwood.
Western art unattributed:
[Ronald A. Lee, 1-9 Bruton Place, London] This William and Mary Red, Green and Black Lacquer Chair is Part of a Suite. Associated with the Furnishings at the Palaviccini Palace in Rome (See Hans Huth: Lacquer of the West Plate 84 pp 76). Circa 1700.
Western art unattributed:
[Samarcande, 13 rue des Saint-Pères, Paris] Head of a Young Woman. Terracotta. Magna Graecia, Taranto. Second Century BC. Height 12 cm
Western art unattributed:
[Stair & Company Ltd, 120 Mount Street, London] A Rare Secretaire Cabinet with an Extending Writing Surface. Fine 'verre églomisé' Panels to the Door and Well-Figured Mahogany Veneers to the Drawer Fronts. Fitted with Various Compartments. English. Circa 1745. Size: 33½″ Wide 22″ Deep 72″ High